Dramatic Etchings

Dramatic etchings depicting figures in intense scenes, ranging from dancers to wartime themes, illustrating movement and emotion through diverse techniques.

Imagination; Hulewicz, Jerzy (1886-1941); 1922 (1922-00-00-1922-00-00);Rebellion (artistic grouping - 1918-1920), Polish Artistic Society (Warsaw - 1899-1939) - collection, fantasy

(UN CUISINIER.). Artist: Paul Gavarni, French, 1804-1866

Paths.

Portrait of Charley Toorop, reading in front of the window, Jan Toorop, c. 1900 print Japanese paper (handmade paper) drypoint girl (child between toddler and youth). reading. historical persons

Channel in Venice in Maanlicht, G. Mitiganotti, in Or Before 1952 print Italy paper etching / drypoint canal. moonlight Venice

$Pr \ `es de l'Enfant; Jasi Ski, Feliks Stanis Aw (1862-1901), Cie Lewska, Zofia (fl. Ca 1920-); 1928 (print) after 1893 (block) (1893-00-00-1928-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, children, French (culture), French graphics, Polish graphics, women, motherhood, Poland (culture), purchase (provenance)$

Interior with three generations of a family, Max Beckmann, 1918 - 1919 München paper drypoint München paper drypoint

Plate 5 from the 'Disparates': Flying Folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 9 9/16 × 13 15/16 in. (24.3 × 35.4 cm)Plate: 13 1/16 × 18 13/16 in. (33.1 × 47.8 cm). Series/Portfolio: Los Disparates (Los Proverbios). Date: ca. 1816-23 (published 1864).From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'. Museum: Metropolitan Museum of Art, New York, USA.

Cup of a man from the side. .

Ships are pulled on the beach, Frans Hens, 1866 - 1910 print paper etching ships, boats on land, beached

Le berger endormi , Shepherds, Sleeping, Alphonse Legros (1837-1911)

Nun looking out of a Quatrefoil Window, 1869-70. Artist: Gabriel Dante Rossetti

Falling Pines. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1908. Dimensions: 208 × 71 mm (image); 382 × 222 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Wasp, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 292 x 220 mm (iamge); 369 x 285 mm (sheet). Aquatint and sugar lift etching with scraping and drypoint on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Design for a vignette: Woman head and seagulls with the sea in the background. Design for a print.

Boer and Boerin, Jan Chalon, 1802 The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint

Woodcut by Käthe Kollwitz from 1922/1923 depicting mothers affected by war, showing figures, emotion, and group composition.

Standing Figure Elemér de Kóródy Hungarian ca. 1913 View more. Standing Figure. Elemér de Kóródy (Hungarian, 1889-1918). ca. 1913. Graphite on paper. Drawings

Decorative design with crowned W surrounded by people, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush anthropomorphic ornament

Pierrot with flute and clown with miniature viz, Henk Henriët, 1913 - 1945 print paper clown. types in 'commedia dell'arte': Pierrot. musical instruments; group of musical instruments

Bridge in Venice at evening, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print On the right a lantern hangs on a wall. paper bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage). evening Venice

The Artist Drawing from a Model, unfinished plate, c. 1639, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 9 1/8 x 7 1/4 in. (23.1 x 18.4 cm) (plate), Etching, The Netherlands, 17th century, The Artist Drawing is clearly more an allegory of art than documentation of a specific studio. The combination of minutely finished sections with manifestly unfinished parts may allude to the comparison between the two greatest painters of Greek antiquity, Apelles and Protogenes. The latter was known for the fine detail of his paintings, and the former for the speed and freedom of his work. The most highly valued paintings by Apelles were those left unfinished, for in them one could see his working process. Here, Rembrandt laid claim to being the inheritor of both traditions. Moreover, by leaving the model so thoroughly unfinished, he reminded us of his ability to draw from his imagination.

Johann Gottlieb Prestel after Domenichino (German, 1739-1808), Saint Jerome, published 1782, etching

Lycaenium teaches Daphnis how to love, Aristide Maillol, 1937 print paper couple of lovers. Chloe. Daphnis (in Greek mythology a shepherd who invented pastoral poetry

The Final Outing (from The Old Tales). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Author: Jean Goudezki (French, 1866-1934). Dimensions: image: 10 7/16 x 7 3/16 in. (26.5 x 18.2 cm)sheet: 14 3/16 x 10 13/16 in. (36 x 27.5 cm). Publisher: Edouard Kleinmann (French, active 19th century). Series/Portfolio: Les Vieilles Histoires (The Old Tales). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Plate Five from A Passion in the Desert. Willi Geiger; German, 1878-1971. Date: 1924. Dimensions: 150 × 97 mm (plate); 266 × 180 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Old man, supporting his right arm; The Compleat Work of Etchings by John Chalon / Oeuvre Complette des Eaux Fortes Par Jean Chalon. The portrait is from an old man with a beard and hat. He supports his head with his right arm. The print is part of an album.

Reading. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 253 x 366 mm (image); 285 x 447 mm (sheet). Lithograph, in black ink, with scraping, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Raven on the Bust of Pallas ("Perched upon a bust of Pallas..."), from The Raven (Le Corbeau). Édouard Manet (French, 1832-1883); written by Edgar Allan Poe (American, 1809-1849); translated and produced by Stéphane Mallarmé (French, 1842-1898); printed by Lefman et Cie. (French, 19th century); published by Richard Lesclide (French, 1825-1892). Date: 1875. Dimensions: 482 × 320 mm (image); 551 × 394 mm (sheet). Transfer lithograph in black on gray China paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Man with a Dog (Rue Schoelcher). Pablo Picasso; Spanish, 1881-1973. Date: 1915. Dimensions: 277 x 220 mm (image/plate); 326 x 250 mm (sheet). Etching with scraping on copper in black on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

1893 Art Work - The Fireplace - James McNeill Whistler.

Kissing couple, Leo Gestel, 1891 - 1941 drawing paper. pencil. chalk embracing each other, kissing. (lovers) kissing each other

Paul Gauguin, French (1848-1903), Auti te Pape (Women at the River), 1894-1895, woodcut printed in black and gray by Pola Gauguin in 1921

Picador, Aat Verhoog, c. 1965 - Before 2009 print Man with a downstairs lance on a horse with decorative blanket, on the left a transparent figure with lance also on a horse. paper etching

Old Knight Made 1896 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

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The Equilibrist. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1913. Dimensions: 400 × 297 mm (plate); 480 × 358 mm (sheet). Drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Valse Glorie, Odilon Redon, 1886 print Bust of a man with a laurel wreath, a second head in the top left. France paper etching / drypoint crowning with laurel. classical history (+ (full) bust)

He Raises the Bronze Urn, plate 4 of 10 Made 1888 France. Lithograph in black on ivory China paper, laid down on ivory wove paper . Odilon Redon

Le Puy, a study , Mountains, Sculpture. Joseph Pennell (1857-1926). Prints and Drawings

Skull, fish and branches with leaves, J. Roosendaal (Possible), After J. Roozendaal, 1938 print paper drypoint (human) skull. fishes

Schelp en Meeuw, Leo Gestel, 1891 - 1941 drawing paper. pencil. India ink (ink) brush shore-birds and wading-birds: gull. molluscs (+ shell, snail-shell etc.)

Female figure in landscape with cypresses, Simon Moulijn, c. 1908 print The woman wears a long dress. paper etching standing figure - AA - female human figure. dress, gown. trees: cypress

Head (Kopf). Artist: Alexej von Jawlensky (Russian, Torzhok 1864-1941 Wiesbaden). Dimensions: Sheet: 11 13/16 × 9 1/8 in. (30 × 23.1 cm). Series/Portfolio: Bauhaus Drucke Neue Europaeische Graphik, Portfolio 4:7. Date: 1922. Museum: Metropolitan Museum of Art, New York, USA.

Purim. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 355 x 465 mm (image); 508 x 648 mm (sheet). Lithograph in black and cream with graphite additions (recto), and lithograph in black (verso), on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Jazz Musicians. George Grosz; American, born Germany, 1893-1959. Date: 1916. Dimensions: 446 x 295 mm. Pen and black ink on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Young woman with a hat, Eugène Smits, 1870 print paper etching / drypoint anonymous historical person portrayed alone - BB - woman. head-gear

Man in moestuin, Else Berg, c. 1912 - in or before 1931 print Man with a cap on and a pipe in his mouth, standing in a vegetable garden with houses in the background; stylized. Japanese paper (handmade paper). printing ink gardening

Seaside resort, Jean Emile Laboreur, 1887 - 1930 print France paper engraving / drypoint beach (as place of recreation)

Centaur Aiming at the Clouds. Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 315 × 257 mm (chine); 447 × 346 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Morgane (main title), 1916. Gypsography, black and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

La Lessive (TheLaundry). Artist: Émile Bernard, French, 1868-1941

The Horrors of War: Nothing. The Event Will Tell. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Le marchand de marrons , Food vendors. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Sketch sheet with swimming feminine nude. .

It was a Veil, an Imprint, plate 1 of 6 Made 1891 France. Lithograph in black on light gray chine . Odilon Redon

Crossing a river near Comorn, 1866, Eduard Hallberger, After Fikentscher (Der ältere), Otto, 1866 print Crossing a river near Comorn through an army. Scene from the Austrian-Prussian War of 1866. paper troop movements, transportation

Etching by Paula Modersohn-Becker depicting a figure titled 'Alter', created around 1907. The print shows the human form with early 20th-century etching style.

Obsession Made 1894 France. Lithograph in black on cream China paper laid down on ivory wove paper . Odilon Redon

Pilot Made 1919 Sweden. Etching on cream laid paper . Anders Zorn

There Were Also Embryonic Beings, plate 4 of 6. Odilon Redon; French, 1840-1916. Date: 1885. Dimensions: 241 × 197 mm (image/chine); 455 × 315 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lantern / A Maurice Guillemot (Title) | Lanterns (title of all)

Scena we wnętrzu. Goryńska, Wiktoria (1902-1945), graphic artist

Candlelight , Dressing tables, Mirrors. Frank W. Benson (1862-1951). Prints and Drawings

My spectators. Osostowicz, Stanisław (1906-1939), graphic artist

A chalk lithography by Théophile Alexandre Steinlen showing a couple on a balcony, depicting figures, railing, and urban background.

Old Women of Arles, from the Volpini Suite. Paul Gauguin (French, 1848-1903); published by Ambroise Vollard (French, 1867-1939). Date: 1889. Dimensions: 194 × 210 mm (image); 322 × 471 mm (sheet). Zincograph in black on ivory wove paper (an imitation Japanese vellum). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Max Klinger from Rad. Opus XIV, I. Part, showing a lakeside scene ('Am See'), created between 1912 and 1915.

Nose with mustache, Cornelis Ploos van Amstel, after George van der Mijn, 1760 print Amsterdam paper parts of the face: nose. moustache

Three Heads of Men, from Les Métamorphoses. Pablo Picasso (Spanish, 1881-1973); written by Ovid (Italian, 43 B.C.-17 A.D.); printed by Louis Fort (French, 19th-20th centuries); published by Albert Skira (Swiss, 1904-1973). Date: 1931. Dimensions: 230 x 189 mm (image); 328 x 248 mm (sheet, no plate mark). Etching on copper in black on ivory, wove (imitation Japanese) paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Eugène Delacroix, A Blacksmith (Un forgeron), 1833 A Blacksmith (Un forgeron)

Your Mouth (from Les Vieilles Histoires). Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Author: Jean Goudezki (French, 1866-1934). Dimensions: Sheet: 14 13/16 × 10 7/8 in. (37.7 × 27.6 cm)Image: 9 15/16 × 6 15/16 in. (25.3 × 17.7 cm). Series/Portfolio: Les Vieilles Histories (The Old Tales); posthumous edition. Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 23." Awesome living fogs that became men ". Etch and aquatinte. 1935 . Paris, house of Victor Hugo. 101109-3 Years thirty 1930 30, aquatinte, shield, drawing, etching, warrior, man, illustration, male nude, nudite, litterian work, character, lance

Jozef's dream, Lodewijk Schelfhout, 1931 print Joseph on the right in the foreground, sleeping on a couch in a garden. On the left the Archangel Gabriël, who appears to Joseph in a dream. In the background buildings. paper drypoint the foster-father of Christ, Joseph of Nazareth, husband of Mary; possible attributes: flowering rod or wand, lily, carpenter's tools. dream. angels

Painters. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 111 × 157 mm (image); 188 × 226 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Market in Chesk (Schömberg); Kubicki, Stanis AW (1889-1942); 1916 (1916-00-00-1916-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski

Bridge over the Singel at the Oud Spiegelstraat in Amsterdam. Draughtsman: Isaac Israels. Dating: c. 1894 - c. 1895. Measurements: h 348 mm × w 252 mm. Museum: Rijksmuseum, Amsterdam.

Abel-Truchet, La Muse malade, French, 1857-1919, c. 1900, lithograph in brown on light brown wove paper

Untitled (AbstractForms). Artist: Rudolf Bauer, German, 1889-1953

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios Made 1815-1824 Spain. Here a strange animal, rather like the griffin of mythology, alights into the dark sky with a couple on its back. Night scenes play a key role in many of Goyaís prints, lending them an ominous tone. A critical component of the foreboding look of the prints is Goyaís masterful use of aquatint, a process involving a grainy ground of resin that prints a light-suffused darkness. In this scene, the night sky becomes a flat cosmic backdrop to the figureís antics, as they seem to ignore the advice of the printís title.. Etching and aquatint on ivory wove paper . Francisco José de Goya y Lucientes

The Doe, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 270 x 205 mm (image); 360 x 275 mm (sheet). Aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Xxi sorghum. Plaat is accurate historical.

Fisherman between the pile work, Omer Coppens, 1896 print The fisherman has a stick with a ton of it in the water. Sailing boats sail in the water. A shell is depicted in the bottom left of the margin. paper etching / drypoint sailing-ship, sailing-boat. fisherman

Pliers. Jim Dine (American, born 1935); printed by Robert Blackburn (American, 1920-2003); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 450 x 575 mm. Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Karikatural figure with open mouth, Erich Wichmann, 1923 print At the bottom of the text: 'I knew: who will break your nose, torrigiani, prul, noses breaker!-'. paper caricatures (human types)

Summernight The Voice 1894 Norway. Open bite etching and drypoint in black ink on heavyweight ivory wove plate paper . Edvard Munch

Stel aan tafel, unknown, c. 1965 - in or before 2009 print Set with triangular heads at the round table. A servant is about to pour the glass of one of them. paper

Portrait of David Wijnkoop, Meijer Bleekrode, 1929 print Kop of a man with a point beard and glasses, and profil, stylized. Japanese paper (handmade paper). printing ink

Little Height Machine (KleinesHohenmaschine). Artist: Johannes Molzahn, German, 1892-1965

Im Garten. Liebermann, Max (1847-1935), graphic artist, E.-A.-Seemann-Buch- und Kunstverlag (Lipsk ; wydawnictwo ; 1858-1921-2008), publishing house

The Spider, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 310 x 225 mm (image); 368 x 277 mm (sheet). Aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Parsifal. Acte II. Évocation de Kundry , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The miller, filling bags. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 695 mm × w 530 mm. Museum: Rijksmuseum, Amsterdam.

It was a Religious Mystery, plate four from Love 1898-1899 France. These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.. Lithograph in yellow, reddish brown, and slate blue on light ivory wove paper . Maurice Denis

Three farmers in a meadow with horses, Leo Gestel, 1891 - 1941 drawing paper. farmers. meadow, pasture. horse

Fight between Amazons. Hulewicz, Jerzy (1886-1941), graphic artist

Sheet 5(Blatt5). Artist: Oskar Fischer, 1892-1956

Farmlands. Wells, James Lesesne, 1902-1993. 1935 - 1943. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans, Roads, Farms, Farmhouses, Trees, Birds

The Set Table. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1913. Dimensions: 285 × 385 mm (plate); 320 × 437 mm (sheet). Drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Salome Cit Ewski, Tytus (1880 1945)

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