Dramatic Historical Scenes

Fine etchings portraying dramatic historical and mythological moments, often featuring elaborate characters and dynamic compositions.

Jacques Callot, French (1592-1635), The Flight into Egypt, in or after 1630, etching

Hamlet and Horatio before the Gravediggers (Act V, Scene I). Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

A shepherd is located on a boulder, Cornelis Bloemaert (II), After Abraham Bloemaert, 1700 - 1800 print A man rests on a stone. Title print for a compilation of 16 prints from different series by Cornelis and Frederik Bloemaert. Utrecht paper engraving Pastoral, Arcadian Scenes

Schaking of the woman, Samuel van Hoogstraten, 1648 - 1650 print A woman is grabbed by a man, a second man is there. A woman watches in the distance. paper etching lovers' tussle

Two Soldiers, One Standing with Sword, Bow and Arrows, One Seated Seen from Behind 1764 Matthias Pfenninger This print comes from a set of "Eight Studies of Soldiers" (2018.54.1-.8) designed by Loutherbourg during his Paris years, 1755-71. While himself an accomplished printmaker, Loutherbourg here turned the etching over to the Zurich-born Matthias Pfenninger, then studying in Paris. The images demonstrate admiration for the Italian 17th-century printmaker, Salvator Rosa.. Two Soldiers, One Standing with Sword, Bow and Arrows, One Seated Seen from Behind. Eight Studies of Soldiers. after Philippe Jacques de Loutherbourg (French, Strasbourg 1740-1812 London). 1764. Etching. Prints

Moving in with the Wagon (The Furnishings of the Boat) Made 1861 France. Etching on ivory laid paper . Charles François Daubigny

. In a landscape a warrior connects his wounded left leg. Right next to him lies the lifeless body of a soldier, and left his rapier. In the background, some needle trees and the contours of a destroyed facade can be seen.

Muzezeldrijver hits a horse, Marcus de Bye, 1657 - 1677 print paper etching

Roos, Johann Heinrich, Sheep, goats and cows, Standing and lying goat with two young, verso - stamped, print, prints, height 190 mm, width 161 mm, German, 1631-10-27 - 1685-10-03, print maker, printmaker, 1668 - 1670, paper, papier, etching, etchings

Saint John the Baptist with a lamb 1600-35 Giovanni Battista Caracciolo. Saint John the Baptist with a lamb. Giovanni Battista Caracciolo (Italian, Naples 1578-1635 Naples). 1600-35. Etching. Prints

. Juno leaves the cow (Io) by the giant argus. Argus kneels for Juno. Scene from Ovidius' Metamorphoses (with. I, 624).

The Homme in Genoux at La Lisoux of a Bourgin of Aprs Francesco France () (Bres 434) Marc Antoine Raimondi (1480-vers1534). The man on knees at the edge of a wood after Francesco Francia (Bartsch 434). Fight, chisel. 16th century.

Amsterdam, Arentsz & Cornelis van der Sys, widow Pieter (II), Luyken, Jan, Gideon and the wet sheep's fleece, verso - stamped, print, prints, height 127 mm, width 72 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Fatal fall of William III from his horse, March 4, 1702, Jacobus Buys, 1792 - 1794, The fatal fall of King William III during a hunting party, March 4, 1702. The king falls from his horse, with startled bystanders. Design for a print., draughtsman: Jacobus Buys, (mentioned on object), Northern Netherlands, 1792 - 1794, paper, pen, brush, h 149 mm × w 89 mm

Saint Jerome. Dimensions: plate: 12.6 × 14.9 cm (4 15/16 × 5 7/8 in.) sheet: 16.2 × 18 cm (6 3/8 × 7 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Jacques Lagrenée II.

Barrère, Adrien, printer: Imp. Robert & Cie, Paris, Poilus des régions envahies (poster), 1917 - 1918, lithography, graphics, sheet width 120 cm, leaf height 160 cm

Pleasures of Occupation Cornelis Bloemaert Dutch. Pleasures of Occupation 397486

Sower and servants sleep while Satan sows weeds, Johan Barra, After Abraham Bloemaert, 1591 - 1634 print A sower or farmer is sleeping with his servants after their work in the field. As they rest, Satan sows weeds between the grain. Under the performance is a Latin quote from the Bible text Mattheus 13: 24-30. paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat. sleeping on the ground - BB - out of doors

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Jupiter and Calisto. Forty-fourth number of a sequence of 52 pieces. (A. de Vesme 500; Dutuit 116) (main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

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Copper engraving by Albrecht Altdorfer from around 1515-1520 depicting Saint Christopher carrying the child Jesus, showing figures, gesture, and landscape elements.

THEATRUM PICTORIUM 1660-RAPTO DE DEYANIRA POR EL CENTAURO NESO-OBRA DE VERONES. Author: BOEL Q. Location: MUSEO LAZARO GALDIANO-COLECCION. MADRID. SPAIN.

Ouvriers(Workers). Artist: Auguste Lepère, French, 1849-1918

Children Playing, Gravelot, French, 1699 - 1773, active in England, Etching on paper, France, 1760-1761, Print, Print

Germany, Jamnitzer, Christoph, page of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Landscape with three putti, On the left a putto kneels at the foot of a willow. He sprays water at the middle putto with a spout. Page from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 pages, divided over three books., print, ornament print, prints, ornament prints, height 145 mm, width 187 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, derde kwart 16e eeuw, fourth quarter 16th century, vier kwart 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Ink and feather drawing by Vincenz Georg Kininger depicting three Tyrolean figures, lavated with reduced red, dated around 1809.

PREDIE OF JOHNER THE BASTER, in landscape. .

Picnic in De Bergen, Cornelis de Wael, 1630 - 1648 print A company at a rock on the picnic. Some men make music, the rest of the company is eating. There are garments in the foreground. Italy paper etching / engraving (High) Hill. Picnic, alfresco, 'Departer Sur l'herbs'. Music - CC - Out of Doors

Man sees how a tree looses its leaves and at the trunk the world lies amidst bones De Vergankelykheid, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), Amsterdam, 1710, paper, etching, h 84 mm × w 89 mm

Le Toucher (Touch) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 - 1770, Gabriel Huquier, French, 1695-1772, Etching and engraving on paper, Two allegorical figures representing the sense of touch. One seated, elderly man (left), and one standing, young woman (right). Each holds an animal (cat), and at their feet lay a parasol, a spoon, and a platter., France, France, 1720-1770, figures, Print, Print

Gesprek tussen Francis Bacon en François Eudes de Mézeray; Franc. Bacon en Fr. Eudes de Mezeray.Scientist Francis Bacon with stick is under a round arch alongside composer François Eudes de Mézeray. At the top stated: April / Ao 1746.

Drawing (Italy)

Rijn, Rembrandt van, The raising of Lazarus: small plate, verso upper right, print, prints, Rembrandt f. 1642, lower left, height 150 mm, width 114 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1642, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Rebekah gives Eliezer a drink. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 330 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Plate 80 from 'Los Caprichos': It is time (Ya es hora.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2. Bartolomeo Pinelli; Italian, 1781-1835. Date: 1808. Dimensions: 470 x 590 mm (sight); 559 x 668 mm (overall). Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Bien te se está.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Soldiers, War casualties

Walking soul in conversation with Adam, Jan Luyken, 1706 print Amsterdam paper etching Adam (not in biblical context). the soul

Ambulating music. (Registered title) | Three lithographs. (IFF 20) (set of all)

Johann Heinrich Roos Shepherding (series), 1665. Johann Heinrich Roos (German, 1631-1685). Etching;

Zwijnenboer wegert the crown that is worn by a king, Jan Luyken, 1710 print Amsterdam paper etching crown (symbol of sovereignty). ruler, sovereign. pig

Scene of Africa (Allegory) early 17th century Ascribed to Pieter Jacobsz. van Laer Dutch. Scene of Africa (Allegory) 350537

Perseus liberates Andromeda. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 380 mm × w 245 mm. Museum: Rijksmuseum, Amsterdam.

A Pastoral Scene with Cow, Victor Marie Picot, 1744-1805, French, after Pierre F. Laurent, 1739-1809, 1777, Engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 21 5/8 × 17 1/4 inches (54.9 × 43.8 cm), Plate: 19 5/8 × 15 3/16 inches (49.8 × 38.6 cm), and Image: 16 13/16 × 13 13/16 inches (42.7 × 35.1 cm)

They do not agree /they do not aggress; Board No. 17 From: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Mercury Killing Argus. Dated: 1665. Dimensions: plate: 14.8 x 14.2 cm (5 13/16 x 5 9/16 in.) sheet: 15.2 x 14.5 cm (6 x 5 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Georg Andreas Wolfgang.

Three women pulling in the basket with the infant Moses from the water ca. 1729 Simon Vallée. Three women pulling in the basket with the infant Moses from the water. Simon Vallée (French, born ca. 1700). ca. 1729. Etching and engraving. Prints

Pro-OEmium to "Ode Upon Ode" January 11, 1787 Thomas Rowlandson. Pro-OEmium to "Ode Upon Ode". Thomas Rowlandson (British, London 1757-1827 London). January 11, 1787. Etching. George Kearsley (London). Prints

Miraculous draught of fishes, after Raphael 1540-1550 (republished 1609) Niccolò Vicentino For the attribution of this print to Vicentino, see Naoko Takahatake, 'Niccolò Vicentino's "Miraculous Draught of Fishes"', Print QuarterlyVol. 28, No. 3 (SEPTEMBER 2011), pp. 256-260.. Miraculous draught of fishes, after Raphael. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-1550 (republished 1609). Chiaroscuro woodcut from three blocks in tan brown. Andrea Andreani (Italian, Mantua 1558/1559-1629). Prints

Rome, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Large hunting scenes, Hunting with falcons on birds, Landscape with hunters and hunting dogs hunting birds. In the foreground a hunter on horseback with a falcon. His assistant gives him his crossbow., print, prints, height 363 mm, width 472 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1599 - 1599, paper, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever

Four men in Moorish dress are hunting a bull. One of the men has fallen off his horse. Numbered top right: 3., Four men chase a bull Los Moros establecidos en españa, prescindiendo de las supersticiones de su alcorán (...) Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 244 mm × w 352 mm

Mercury en Argus. .

Autumn; Autumnus; The four Seasons. A hunter, seen on the back, with a rifle, pouch bag and a shot piece of wild on the way home.

Power, represented by a woman seated on clouds holding a crown and surrounded by putti 1725-75 Carlo Innocenzo Carloni. Power, represented by a woman seated on clouds holding a crown and surrounded by putti. Carlo Innocenzo Carloni (Italian, Scaria 1686-1775 Scaria). 1725-75. Etching; first state of two. Johann Daniel Herz the Elder (German, Augsburg 1693-1754 Augsburg). Prints

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Faust and Méphistophélés horse riding on the Sabbath, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Pen with gray and gray-brown brush by Tiberius Dominikus Wocher depicting an Oriental elder interacting with a group of figures of varying ages, 1774.

Female spins yarn, Jan Baptist de Wael, 1642-1669

The month of January. A couple skates on a frozen canal. A dog runs after them. In the background a town and a couple in a sleigh pulled by a horse. The print has a four-line German caption about the month of January, Januari Ianuarius The twelve months (series title), print maker: Caspar Luyken, (mentioned on object), Caspar Luyken, (mentioned on object), anonymous, Neurenberg, (possibly), 1698 - 1702, paper, etching, engraving, h 309 mm × w 199 mm

Jozef sold by his brothers, Orazio Borianni, After Rafaël, 1615 print Jozef is sold by his brothers to a group of merchants at the well. Print Maker: ItalyaFter Painting by: Vatican City paper etching Joseph is sold to Potiphar. Joseph is sold for twenty pieces of silver. Joseph sold into slavery and taken to Egypt (Genesis 37:12-35)

Persseus frees Andromeda. Design for a painting.

Figures with a Squash, from 'Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Hunter with dog and various hunting scenes Sketches by various artists Croquis par divers artistes , print maker: Alexandre-Gabriel Decamps, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Henri Rittner, (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: Paris, publisher: London, 1830 - 1831, paper, h 272 mm - w 356 mm

Man with a dog on the way, Anonymous, After David Teniers (II), 1700 - 1799 print A man, seen on the back, walks with a dog on a road. Left houses on a pond. Low Countries paper etching dog. road, path

Artist: Jusepe de Ribera, Spanish, active in Rome and Naples, 1590-1652, ThePoet, Etching, sheet: 15.8 × 12.2 cm (6 1/4 × 4 13/16in.), Made in Spain, Spanish, 17thcentury, Works on Paper -Prints

Apollo en marsyas, print Different scenes from the story of Apollo and Marsyas. On the right, Apollo and Marsyas who hold a music competition with Pallas Athena and Koning Midas as jury. In the middle, Apollo that felt Marsyas. A group of muses in the background. On the left, the hairdresser of King Midas who screams in a hole in the ground. In the background Apollo that gives King Midas his donkey ears in the presence of Athena. paper engraving punishment of Marsyas: he is flayed by Apollo. contest between Apollo and Marsyas; the Muses acting as judges. (story of) Midas. the Muses acting together (as group) - attributes

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Drawing by Louis Fabritius Dubourg showing the Baptism of Christ, executed in brown ink.

Design for a room protecting with armida and Rinaldo. Armida finds Rinaldo sleeping.

Don Quixote in a forest with a hermit drinking wine, left Rossinante tied to a tree. Design for a (title) print, Don Quixotte drinking wine with a hermit Design for the fifth part of Histoire de l'admirable Don Quixotte (...) (series title)., draughtsman: Caspar Luyken, 1694 - 1696, paper, pen, brush, h 111 mm × w 67 mm

Two bravos threatening fishermen with their halberds. Aquatint by P.P. Burdett, 1771, after J.H. Mortimer.

Various Figures and Landscapes: Title Page - Three Figures, 1649. Stefano Della Bella (Italian, 1610-1664). Etching;

Farmers at a well, Andreas Scheits, After Matthias Scheits, 1678 print Moralizing representation with Dutch text about getting water from a source with a broken jug. Hamburg paper etching farmers. well. container of ceramics: jar, jug, pot, vase

Allegory with the Duke of Parma as the champion of the Catholic Church in the Netherlands, 1585, 1585 - 1592 print Allegory with Alexander Farnese, the Duke of Parma, as the champion of the Catholic Church in the Netherlands, 1585. Parma as Hercules with clubs and shield is pointed out by the personification of (Catholic) religion to the temple of the virtue on a rock. In front of him, reports lie on the ground envy (invidia), incentiveness (impetas) with a broken statue of saints and hostile power (fish inimics). On the Palmboom on the right the weapon of Parma and images of the siege of Antwerp and the Schipbrug in 1585 are hanging. With caption of 2 columns of 10 lines in Latin. Southern Netherlands paper engraving the Church personified, 'Ecclesia', usually with chalice and banner. specific aspects, allegorical aspects of Hercules; Hercules as patron. Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. Impiety; 'Impietí' (Ripa)

Paris, Merlen, Jacques van, Henriet, Israel, Bella, Stefano della, Various figures and scribbles, Prodigal Son tending the pigs, verso - stamped, A young man, the Prodigal Son, leaning on a stick in a landscape with two pigs., print, prints, height 63 mm, width 50 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1590 - 1661, publisher, South Netherlands, 1616-12-15 - 1682-06

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), hunting for different animals. The deer with discs. Sixth issue of a suite of 9 pieces. (A. de Vesme 737; Dutuit 180) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Wounded Goetz Taken in by the Gypsies. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 11 15/16 x 9 1/16 in. (30.4 x 23 cm). Series/Portfolio: Goethe, Goetz von Berlichingen, Act 5, Scene 6. Date: 1836-43. Museum: Metropolitan Museum of Art, New York, USA.

Hengelaar near Boom and Fuik, Cornelis Bloemaert (II), After Abraham Bloemaert, c. 1613 - 1692 print A young man stands next to a basket and jug on the edge of a lake and bends a little forward over a fishing line. On the right is a tree under which there is a trap. The four -line French caption reports that it can be seen that the fisherman has thrown out his rod, but not what he is doing. Fish was a widespread symbol of amorous activity, based on the notion of the unreliable bait. De Fuik presents the trap of love. publisher: Parispublisher: ParisFrance paper engraving pastorals, Arcadian scenes. angling

Fortuna ship: the janus temple closure after the defeat of Marcus Antonius at Actium.

Return from the Game Hunt 1786 Nicolas Colibert. Return from the Game Hunt. Nicolas Colibert (French, Paris 1750-1812 London). 1786. Engraving. Chereau (French). Prints

Postman drives along the beach, Joost van Geel, in or after 1666 print The postman drives his horse along the beach. He signals for a passing ship. Rotterdam paper etching / engraving sea. ships (in general) - CC - more than one ship. postal service. postman. beach

Carington Bowles, 1724-1793, British, Twelve Illustrations of Robinson Crusoe, 1783.

Copper engraving and etching by Johann Sadeler the Elder, depicting the twelve patriarchs, created between 1570 and 1600.

Man driving cattle. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 3-Jul-1648. Place: Zwolle. Measurements: h 88 mm × w 106 mm. Museum: Rijksmuseum, Amsterdam.

The Wise Men out of the East 1868 John La Farge American. The Wise Men out of the East 381685 Artist: John La Farge, American, New York 18351910 Providence, Rhode Island, The Wise Men out of the East, 1868, Wood engraving, image: 5 7/16 x 6 15/16 in. (13.8 x 17.6 cm) sheet: 6 7/8 x 9 9/16 in. (17.5 x 24.3 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1936 (36.27.1(3))

Man plows a field; The team.

Bella, Stefano della, Various cavalry exercises (copy), Various cavalry exercises, Fighting horses, verso - stamped, print, prints, height 82 mm, width 65 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by

A hunter, seen from behind, with a rifle, pouch and a shot of game on his way home, Autumn Autumn The four seasons , print maker: Frederick Bloemaert, after: Abraham Bloemaert, publisher: Nicolaes Visscher (I), print maker: Utrecht, publisher: Amsterdam, 1632 - 1670, paper, engraving, etching, h 165 mm × w 110 mm

Haarlem, Goltzius, Hendrick, Estius, Franco, Matham, Jacob, Two farmers talking: Everyone must weed their own garden, bottom center in the margin - engraved, Two farmers opposite each other in a garden. The man on the right is leaning on a spade (shovel) and is making a speaking gesture to the second man who is sitting opposite him, on his knees, weeding weeds with his hands. Illustration of the proverb: Everyone must weed their own garden (everyone must mind their own business)., print, prints, verso bottom left - stamped, Arua male quicquam me ne sementis haberent....Ut lappas carpat tunc licet ille meas., height 260 mm, width 200 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1588 - 1592, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, writer, Publication (Event), Publication, publisher

Odes for the New Year, from Ode Upon Ode by Peter Pindar. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 11/16 × 9 5/16 in. (19.5 × 23.7 cm). Publisher: George Kearsley (London). Subject: George III, King of Great Britain and Ireland (British, London 1738-1820 Windsor). Date: January 11, 1787. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Parmigianino, Schiavone, Entombment of Christ, verso - stamped, Christ is laid in his tomb. A group of men and women mourn around the body., print, prints, height 322 mm, width 216 mm, Work conception, Italian, 1500 - 1563-12-01, after print by, 1532 - 1563, paper, papier, etching, etchings, print maker, printmaker, 1503-01-11 - 1540-08-24

Angel, P., Straatsburg, Heyden, Jacob van der, Pugillus facetiarum iconographicarum in studiosorum, Allegory of the thoughtless choice of marriage, Numbered lower right: 01 (10 mirrored). With caption in Latin and German., print, prent, prints, prenten, height 93 mm, width 135 mm, South Netherlandish (before 1775), 1573 - 1645, print maker, printmaker, 1608 - 1608, paper, papier, engraving, engraving (printing process), writer

A man prunes a tree; Life of Mary in emblems. Presentation of a man who sneaks a small tree. This leaf is part of the 'Life of Maria's Life in Emblems'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in letterpress without image.

Boer and Death, Rudolph Meyer, 1650 print A farmer behind the team, pulled by an ox. Next to him death on horseback. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Shepherd with two donkeys and a dog, verso - stamped, print, prints, height 154 mm, width 198 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1620 - 1683-02-18

Venus and Adonis (), nude in a landscape with a dog at left and Cupid at upper right 1750-70 Andrea Scacciati. Venus and Adonis (), nude in a landscape with a dog at left and Cupid at upper right. Andrea Scacciati (Italian, 1725-1771). 1750-70. Etching and aquatint in green. Prints

Photo production of (probably) a print to a design sketch of Rafaël for a carpet in the Sistine Chapel; The Miraculous Draft or Fishes. Raphael. Part of album with pictures of sights and landscapes in England and of art.

The Sleeping Disciples, Gerbrand van den Eeckhout, 1650 - 1653 drawing paper brush sleeping; unconsciousness

Sailors Seated on a Bank. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Hungarian Horseman 1646-1656 Italy. Florentine by birth, della Bella worked extensively for the Medici family before going to Rome around 1638. A prolific graphic artist, he later traveled to Paris before returning to Florence around 1650.. Etching on paper . Stefano della Bella

Copper engraving by Jacopo de' Barbari depicting the Holy Family with Saint Elisabeth and John the Baptist as a child, created at the end of the 15th century or beginning of the 16th century.

Woman overlooks the Sea from the bank, Jan Luyken, 1687 print Amsterdam paper etching sea

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