Dramatic Interiors

Prints featuring snapshots of social interactions within elegant interiors, highlighting noble characters and their dramatic encounters in historical settings.

Lord challenges another for a fight with the Degen, Reinier Vinkeles (I), 1786 print Amsterdam paper etching / engraving threatening behaviour, challenging. hacking and thrusting weapons: sword

Emmanuel Jean Nepomucene de Ghendt, Les Heures du Jour: Le Soir, c. 1778, etching and engraving on laid paper.

Pedro is attracting his lance to avenge the murder of Ines, Reinier Vinkeles (I), 1793 print Illustration for the play 'Ines de Castro' by Rhijnvis Feith, on which Pedro attracts his lance to avenge the murder of Ines. Amsterdam paper etching / engraving (FEITH, Ines de Castro) specific works of literature (with AUTHOR, Title). blood-revenge, vendetta. violent death by weapon

Old Garcon (title registered) | Old Boy, Plate 2 of Lithographic Album, 1833. (Title Title)

A monkey, dressed in a coat and with stabbing hat on head, looks at himself in the mirror A boy is laughing at the monkey In the doorway stands a man, Dressed monkey in front of a mirror The monkey , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 245 mm × w 156 mm

Print, The Hair-Do, Illustration for "Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg"; Germany; stipple and line engraving on paper; 10.2 × 6.2 cm (4 in. × 2 7/16 in.)

Portrait of Angelica Catalani de Valabrègue. Artist: Antoine Louis François Sergent Marceau (French, Chartres 1751-1847 Nice). Dimensions: 7 x 4 3/4 in. (17.8 x 12 cm.). Date: ca. 1815. Museum: Metropolitan Museum of Art, New York, USA.

Friederike talks to De Jager about the wedding, Daniel Nikolaus Chodowiecki, 1786 print paper etching Literature. evening meal, dinner, supper

Jean Baptiste Blaise Simonet after Pierre Antoine Baudouin, Rose et Colas Rose et Colas

Selima visits Jedidia in prison, Reinier Vinkeles (I), 1784 print Amsterdam paper etching / engraving prison, jail

Queen Jadwiga oath. Bonus of the Society of Encouragement of Fine Arts in the Kingdom of Poland for 1868; FAMAns, Maksymilian (Warsaw; Litographic and photographic plant; 1853-1892), Simmler, Józef (1823-1868); 1869 (1869-00-00-1869-00-00);

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), Allegorical vignette on the Dutch navy, 1782, Northern Netherlands, verso - stamped, Vignette with a Dutch admiral standing in front of the seated Dutch Virgin., print, prints, Frederik Muller Historieplaten, height 98 mm, width 110 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1782 - 1782, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1724-11-19 - 1801-04-07

The discovered Schijndugd: Bely and Dirk, Jacob Houbraken, After Cornelis Troost, 1754 - 1764 print Interior with a few at candlelight; The Dienstmeid Bely has fun with her freer Dirk. Scene from the comedy the discovered Schijndugd by David Lingelbach from 1687. paper engraving candlestick. lovers; courting, flirting. glass, rummer

This is what England calls a joint union, from 'News of the day,' published in Le Charivari, December 28, 1867 December 28, 1867 Honoré Daumier. This is what England calls a joint union, from 'News of the day,' published in Le Charivari, December 28, 1867. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 28, 1867. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

David Copperfield, -I make the acquaintance of Miss Moucher

Dutch maternity room, Pieter Tanjé, after Cornelis Troost, 1757 print In the maternity room, a minus gives the baby to eat while another woman watches. On the right the mother is in a four -poster bed. Her husband is sitting next to her. At the bottom of the margin the coat of arms of Johann Goll van Frankenstein, who owned the original painting and to whom the print was dedicated. Amsterdam paper etching / engraving bed with tester. cradle, crib. lying-in room

Ludovico Ariosto with his mistress and two sons, Achille Devéria, 1838 print Paris paper historical persons. parents with their children

Gil Blas and Lukrezia and Vignette with Gil Blas for Erfprins Philip from Spain, Daniel Nikolaus Chodowiecki, 1779 print On the left, Gil Blas discusses with Estrella, his old love Laura, the future of 'niece' Lukrezia. The moment Estrella contradicts himself and the Gil Blas becomes clear that Lukrezia is actually his daughter, the fourteen -year -old comes in. On the right Gil Blas on audience at Erfprins Philip of Spain (on the right on a armchair). The prince recommends him with the count of Leyra (standing in front of the fireplace). paper etching Literature. conversation, dialogue; conversation piece. audition; ruler giving audience

The Romancer, 1727. Charles-Nicolas Cochin (French, 1715-1790), after Jean Antoine Watteau (French, 1684-1721). Engraving;

Tempting Offers 1782 France. Engraving and etching on ivory laid paper . Jean Louis Delignon

Pius VI (Pio VI), pope from 1775 to 1799. Madrid, National Library. Translation in progress. SERRA J . EL CONDE DE FLORIDABLANCA ENTREGA UNA CARTA DEL REY AL PAPA PIO VI - S XVIII. MADRID, BIBLIOTECA NACIONAL B ARTES. Author: JOAN SERRA I MELGOSA (1899-1970) GRABADOR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. PIO VI PAPA. PAPA PIO VI. JOSE MOÑINO CONDE DE FLORIDABLANCA (1728-1808).

Pamela undresses; Pamela, Or; Virtue rewarded. Pamela is sitting on the edge of a four-poster bed and does its stockings. MRS is in bed. Jenkins: her mistress, with a nightcap. Right right her son spends dressed as a woman Pamela.

The mother, wife and son of Reinier van Oldenbarnevelt Smekeken Maurits Om Grace, 1623, 1792 print In an interior, the mother, wife and son of Reinier van Oldenbarnevelt kneel at the feet of the prince and begged Maurits for grace for Reinier van Oldenbarnevelt, one of the consciented conspirators, March 1623. Netherlands paper etching (revolutionary) plot, conspiracy. granting mercy; free pardon

Ada Gravin van Holland plays on harp during captivity on Texel in 1203; Ada van Holland.

Shylock's House-Shylock, Jessica and Launcelot (Shakespeare, Merchant of Venice, Act 2, Scene 5) first published 1795; reissued 1852 Peter Simon Smirke's image, centered on the scene in The Merchant of Venice, was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales plummeted when Napoleon blocaded European ports. This impression belongs to an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily worn plates and had them reworked. Printed on thick cream colored paper, the New York edition added small numbers in the lower left margin, this bei

Portrait of Pierre de la Roche 1703 Isaac Sarrabat French. Portrait of Pierre de la Roche 434111

Amsterdam, Vinkeles, Reinier (I), Three allegorical figures before a gate, verso - stamped, print, prints, verso, height 171 mm, width 109 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1751 - 1816, paper, etching, engraving, engraving (printing process)

William Ward, 1766-1826, British, The Angler's Repast, 1789. Mezzotint.

Boekbindsters.Interior with three women who bind at a table at a table while a man comes in with a stick. Two shelves with books on the wall. The print illustrates a story from Nicolas Anne Edmé Restif de la Bretonne. At the top right numbered: LV OU CL.

Maria I Stuart and her secretary, Jean Pierre Marie Jazet, after Henry Joseph Fradelle, 1798 - 1871 print Paris paper etching historical persons - BB - woman. queen. one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo

Jaeger, Carl, London, Bruckmann, Friedrich, Wallenstein, Photographic reproduction of a drawing of a scene from the Wallenstein trilogy by Friedrich Schiller, by Carl Jaeger, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 280 mm, width 227 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, albumine print, 1833-10-17 - 1887-12-05, intermediary draughtsman

Woman cleans a cooking pot, Jan Luyken, 1711 print Amsterdam paper etching kitchen-utensils: pan. kitchen-maid, kitchen servant

FotorProductie van (vermoedelijk) Een Prent Naar Werk Van W. von Kaulbach: Friederike. Truth and poetry; Friederike. Truth and Gasket W. of Kaulbach.part of Photo Album with 16 Cartes de-Visite of Women's Figures from the Work of J.W. From Goethe.

Copper engraving and etching by Auguste Gaspard Louis Boucher Desnoyers from 1815-1820 depicting a group of women in varied poses, illustrating 19th-century artistic composition.

Marguerite au rouet (Marguerite at the Spinning Wheel), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

The unreliable treasurer, Reinier Vinkeles (I), 1773 print Illustration of Fabel CLXX, Le Dépositive Infidéle. Amsterdam paper etching guarding of treasure. head-gear: turban. container of ceramics: jar, jug, pot, vase (+ metal)

. The painter Caspar Netscher and his wife Margaretha Godin standing in an arcuate window. Caspar's netscher performs a peanut on a monkey on the windowsill. Margaretha Godin performs a parrot. A carpet hangs over the windowsill. There is a man and woman in the room behind the couple.

Laura am Klavier. Josef Albert (German, 1825 - 1886)

A sleeping woman being provoked by two men with tobacco pipes. Mezzotint by W. Baillie after G. Dou.

Eugène Delacroix (French, 1798 - 1863). Mephistopheles Receiving the Student (Méphistophélès recevant lécolier), 1828. From Faust. Lithograph. Second of two states.

H.R.H. Caroline Princess of Wales and the Princess Charlotte, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Richard Cosway, 1742-1821, British, 1799, Engraving

. In a hilly landscape at the ruins of a house is an elegant couple with binoculars, dressed according to fashion of approx. 1620. The man looks through the binoculars to wear a dress and a wide millstone collar and looks at the sky. Behind the elegant couple is a narby figure with a squeeze glasses on his nose. Under the image two columns with Latin text. The print is part of a series with prints about the five senses.

Romeo and Julia in the burial cellar, Reinier Vinkeles (I), 1775 print Amsterdam paper etching / engraving Romeo. grave, tomb

Come to me oh my son, you trace to my eyes ... (IT)

Voilà la règle de la nature, pourquoi la contrariez-vous. Dated: 1777/1778. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Blaise Simonet after Jean-Michel Moreau.

Benjamin Duterreau, 1817-1827, The Squire's Door.

Swedish farmer accompanied by two farmers, Bernard Picart, 1704 - 1707 print Figures in traditional costumes. The print has a title in Swedish and a caption in French. Under the show a six -line poem in French and in Swedish. Paris paper etching / engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). farmers. Europeans (with NAME) (+ costume) Sweden

Image reproduction: Aleksander Lesser (1818-1884), Jadwiga Jagie's entry; Z: "K Osy" 1884, vol. XXXIX, No. 1007, p. 257; Lesser, Aleksander (1814-1884), Goradowski, Edward (1843-1901); 1884 (1884-00-00-1884-00-00);Jadwiga (Queen of Poland - 1374-1399) - iconography, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, Władysław Jagiełło (King of Poland - Ca 1351-1434) - iconography, painting, Polish painting, personalities, Polish personalities, reproduction, reproduction of a work of art, entry

Death of Henry V, Print made by William Bromley, 1769-1842, British, after Robert Smirke, 1752-1845, British, Published by J. Stratford, active 1792-1813, British, 1811, Etching and line engraving on thin, slightly textured, cream wove paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 3/4 × 7 1/2 inches (29.8 × 19.1 cm), and Image: 9 3/4 × 6 1/8 inches (24.8 × 15.6 cm), beds (furniture), death, frame (furnishing), historical subject, king (person), praying, window

This steel engraving and etching by Moritz von Schwind illustrates 'Die Mohrin von Toledo I' by Carl Spindler, showing figures, composition, and book illustration elements from 1831.

Copper engraving and etching by Jacques Firmin Beauvarlet depicting Esther fainting before King Ahasver, created between 1750 and 1797.

The taste; Taste / le goust; The five senses, represented by elegant pairs of ladies and gentlemen. A fashionably dressed lady and lord drink chocolate. Between them, a table on which one can chocolate milk. The lady offers the Lord a cup. The caption shows that the Lord would rather taste the taste of the 'rosemond' than that of a cup of chocolate. The print is part of a series of the five senses.

Bona Sforza (1494 1557), Queen of Poland. Poisoning Queen Bona. Walkiewicz, W Adys AW (1833 1900), Matejko, Jan (1838 1893), lithographic inn: Dzwonkowski Andrzej

She Thank'd Me, plate two from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 278 × 211 mm (image/chine); 364 × 265 mm (plate); 465 × 339 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Louis XVII King of France and Navarre

The hearing; Five senses. The sense hearing. A man listens - leaning against a base - to the game of a cellist.

Philibert-Louis Debucourt, Moeurs et Ridicules du Jour: L'Innocente du jour, 1810, aquatint on paper.

The poor blind. ()

Santa Juana de Arco (1412-1431), la doncella de Orleans, heroína francesa, recluída en su celda antes de ser sacrificada en la hoguera. Grabado de 1864.

Meno Haas (1752-1833); Franz Ludwig Catel (1778-1856), Illustration with four people about a sick boy in a forest, 1797

Mentor tells Telemachus about the reforms on Salento, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Mentor (left) and Telemachus (right) in conversation on a portico at the top of a staircase. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. Ii. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. Telemachus starts out with Mentor, in search of his father. ornament ~ festoon, garland

Edward Savage, The Washington Family, 1798 The Washington Family

Salome receives the head of John the Baptist, print maker: Lambertus Antonius Claessens, Rembrandt Harmensz. van Rijn, c. 1808 - 1834.

Illustration for the play Kleon by W.H. Sels, Reinier Vinkeles (I), 1781, draughtsman: Reinier Vinkeles (I), 1781, paper, pen, brush, h 134 mm × w 80 mm

Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers', Print made by John Jones, ca. 1745-1797, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1790, Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream, laid paper, Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm), Plate: 15 × 11 inches (38.1 × 27.9 cm), and Image: 11 3/4 × 9 5/8 inches (29.8 × 24.4 cm)

Laenas pulls a circle in the sand around Antiochus IV Epiphanes, Jurriaan Andriessen, 1752 - 1819 drawing paper. ink. graphite (mineral) pen / brush the consul C. Popilius Laenas, commissioned by the Roman senate to order Antiochus IV Epiphanes to abstain from war, with his staff draws a circle around the monarch and asks him not to go beyond it before answering

Lithograph by Caspar Netscher depicting a musical entertainment scene, showing musicians, instruments, and human figures, created before 1821.

George Bellows, The Kindliness Came Not from Her, 1922 The Kindliness Came Not from Her

Marriage A-La-Mode (Plate IV) The Toilet Scene. 1745. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Design for a print to accompany the work 'De Nieuwe Wereld' by Nicolaas Willem op den Hooff, Design for scene from the comedy De Nieuwe Waereld., draughtsman: Jan Punt, 1758, paper, pen, brush, h 128 mm × w 80 mm

Marcus Tuscher, 1705-1751, German, Caricature portrait. Etching.

Kemble, Sarah .

William Nutter, 1754-1802, British, The Benevolent Cottager, 1788. Stipple.

Portrait of Maria Louisa van Hessen-Kassel, William IV, Prince of Oranje-Nassau, and Amalie, Countess of Nassau-Dietz, 1850-1949 photomechanical print Netherlands paper collotype

Sir Kenneth and the Dwarfs of the Chapel, Print made by George Cruikshank, 1792-1878, British, 1838, Etching on medium, slightly textured, cream wove paper

Socrate chez Aspasie , Philosophers, Socrates. Honoré Daumier (1808-1879). Lithographs

La visite' by Gabriel Metsu (1629-1669), created in 1868

Reproductions of four engravings: Daniel Mikołaj Chodowiecki (1726-1801), reading, visits, farm matters, sewing; Z: "Wędrowiec", 1903, No. 27, p. 534; Wierzbicki B. and S-ka (Warsaw; Zakłady Graphicczne; 1897-1944), Wędrowiec (Warsaw; magazine; 1863-1906); 1903 (1903-00-00-1903-00-00);

The death of Barbara Radziwiłłówna; Walkiewicz, Władysław (Ca 1833-1900), Simmler, Józef (1823-1868), W. Korn & Co. (Berlin; printing; Ca 1861-); 1861 (1861-00-00-1861-00-00);

Copper engraving and etching by Jean Jacques Avril from 1770-1831 depicting Cornelia, mother of the Gracchi, showing figure, pose, and classical attire.

Haarlem, Numan, Hendrik, Vignette with two allegorical figures at a monument, verso lower left - stamped, print, prints, height 151 mm, width 103 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtcut

Den Haag, Coster, David, Marriage proposal, The Hague, verso - stamped, A young man kneels before a woman, one hand on his chest. The woman lies on a half-high couch in a lavishly decorated room. In the background an older woman with a headscarf., print, book illustration, prints, height 150 mm, width 93 mm, Northern Netherlands, 1686 - 1752-01-24, print maker, printmaker, 1700 - 1752, paper, engraving, engraving (printing process), Expression creation

Dürer, Albrecht.

Annette and Lubin. Philibert Louis Debucourt; French, 1755-1832. Date: 1789. Dimensions: 380 × 268 mm. Etching and aquatint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Le calendrier des viellards. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean Dambrun after Jean-Honoré Fragonard.

Luigi Schiavonetti, 1765-1810, Italian, The Primrose Seller, Two Bunches a Penny Primroses, 1793. Aquatint.

Two women hold the hand of a sleeping man in the water, John Greenwood, 1768 print Interior with two young women who keep the hand of a sleeping young man in a bowl with water. There is a painting on the wall. paper sleeping in bed. picture, painting

Mentor (left) and Telemachus (right) in conversation on a portico at the top of a staircase. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. II. Mentor tells Telemachus about the reforms at Salento, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 315 mm × w 242 mm

Even the Concern of a Mother for Her Child is Sensual

A Dream of Love ("Once a Week," p. 393). Artist: After Sir Edward John Poynter (British (born France), Paris 1836-1919 London). Dimensions: Image: 4 15/16 × 4 5/16 in. (12.5 × 11 cm)Sheet: 9 5/16 × 6 3/16 in. (23.7 × 15.7 cm). Engraver: Joseph Swain (British, Oxford 1820-1909 London). Date: October 4, 1862. Museum: Metropolitan Museum of Art, New York, USA.

The execution of Lady Jane Gray. Lady Jane Gray is sitting on her knees on a pillow. She is blindfolded and touches her hands forward. There is a chopping block for her. A man with a rich, fur-deposited cloak bends over her. Next to it is ready with an ax. In the background two crying women.

Germanicus, pl. X; Illustrations for l.w. Van Merkens germanicus. Germanician says goodbye to woman and child.

Neglicue or morning toilet Jacques-Philippe down (1707-1783). "Neglected or morning toilet". Engraving.

De Beeldde Zieke, Robbert Muys, After Cornelis Troost, 1752 - 1800 print Helena and her covert lover Ferdinand nominate a shepherd -proof to each other, in which the characters express each other their love. Helena's father Manshart (the imagined sick person) and his doctor Narticoforus are sitting at the table. Behind the doctor is his son Bartrand, for whom Manshart has intended his daughter. Scene from the second company of the play The Big Sick Van Molière. Rotterdam paper etching / engraving hypochondriac. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. living-room, parlour, sitting-room. meeting. container of glass: bottle, jar, vase. comedy

Kwakzalver, Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1641 print A big fat man, the quack, stands for a group of bystanders. There are attributes on a low table: bottles, tweezers, blades and some 'stones'. An elegant pair stands for him. The Lord is looking for money next to him to pay the quack. Next to him an old man with a long beard and fur hat. Behind the quack or 'Keisnijder' a canvas hangs on two sticks on which stones are exhibited, as the visible evidence of well-successful 'Kei operations'. Northern Netherlands paper engraving quack, charlatan, mountebank, 'saltimbanco'. clothes, costume (+ women's clothes). clothes, costume (+ men's clothes). proverbs, sayings, etc.. cape (+ men's clothes). cape (HUIK) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). shoes, sandals (+ men's clothes). head-gear (with NAME). neck-gear ~ clothing (with NAME) (+ men's clothes). head-gear: hat (+ fur use

Maria Stuart, Queen of Scotland Draftsman: Roma, Spiridionepler: Roma, Spiridionecher: Bartolozzi, FrancescoSort: London

Sir James Tyrrell disposing of the princes' naked corpses in the Tower of London, 1483. Ruffians Slater, Dighton and Forest carrying the dead bodies of Princes Edward and Richard, sons of King Edward IV. Tyrrel ordering the two young princes to be buried. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

Paris, Jeaurat, Edme, Etienne, France, L'Amour Coquet., Girl with Wings and a fan in a gallery with girls, verso - stamped, print, prints, height 385 mm, width 259 mm, 1688 - 1738, print maker, printmaker, 1732 - 1732, paper, papier, etching, etchingsen, engraving, engraving (printing process), 1699-02-09 - 1789-12-14, after, after painting by, Publication (Event), Publication, publisher

Paul and Mrs Pipchin Illustration from the Charles Dickens novel Dombey and Son by H.K. Browne known as Phiz

Etching by Hans Holbein the Younger depicting a family scene, created between 1700 and 1756, showing figures in domestic setting.

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