Figural Etchings

Artistic prints present various figures in contemplative poses, surrounded by abstract forms or natural settings, blending styles.

Karakkop, Willem van Konijnenburg, 1878 - 1943 print The head of a man. paper drypoint head (human)

Self-Portrait. Dated: 1922. Dimensions: image: 33 x 27.4 cm (13 x 10 13/16 in.) sheet: 50 x 41.8 cm (19 11/16 x 16 7/16 in.). Medium: lithograph in black on cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Walter Gramatté.

Walter Gramatté, Eavesdropping, 1919 1920 Eavesdropping

Woman, Man, Servant (Frau, Mann, Diener) Emil Nolde (German, 1867-1956). Woman, Man, Servant (Frau, Mann, Diener), 1918. Etching with stipple and tonal effects on wove paper, Image (Plate): 10 1/4 x 8 5/8 in. (26 x 21.9 cm). European Art 1918

Female dancer in voluminous robes performing the third action (turn of the head) in the Bacchic dance of Euripides. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.

cello-playing woman. Draughtsman: Reijer Stolk. Dating: 1906 - 1925. Measurements: h 470 mm × w 340 mm. Museum: Rijksmuseum, Amsterdam.

Hilaire-Germain-Edgar Degas, La sortie du bain (Leaving the Bath), c. 1878-80, etching and aquatint on paper.

Cartouche with eagle with hose in his claws; Iuventus and Patrius Vigor; Eight cartouches. A cartouche with a flying eagle with a snake in its claws, a banderole with text and on top of a two bone skull.

Portret Kazimierza Wierzyńskiego. Witkiewicz, Stanisław Ignacy (1885-1939), draughtsman, cartoonist

Caricature drawing with assignment to Mussolini. .

Tête de satyre , Supernatural beings, Alphonse Legros (1837-1911)

LAile (The Wing). Artist: Odilon Redon, French, 1840-1916

At Night. Marc Chagall; French, born Belarus, 1887-1985. Date: 1956. Dimensions: 350 × 270 mm (image); 399 × 280 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

This Will Be the Last Time, Dear Father!, plate 36 from Miserere. Georges Rouault; French, 1871-1958. Date: 1927. Dimensions: 588 × 430 mm (plate); 655 × 505 mm (sheet). Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Singing old woman, John de Groot (II), After David Teniers (II), 1698 - 1776 print Northern Netherlands paper engraving old woman. vocal music, singing. proverbs, sayings, etc.

Beethoven; Skoczylas, W Adys Aw (1883-1934); 1929 (1929-00-00-1929-00-00);

Auricular Cell Made 1894 France. Lithograph, with scraping on stone, in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Head of smiling man with hat; Portrait of artist Gerard Dou ..

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12 Made 1899 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Odilon Redon (French, 1840-1916), Elle tire de sa poitrine une eponge toute noire, la couvre de baisers (She draws from her bosom a sponge, perfectly black, and covers it with kisses), 1896, lithograph

Christian Kongstad Petersen (1862-1940), "Lillian Dorset", 1937

Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 11." The veil by departing from seeing in two hands a stick, a stone torn from the Paths, then a long nail similar to the lock of a door ". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101108-22 Annies thirty 1930 30, aquatinte, baton, nail, drawing, etching, illustration, dismal, morbid, death, litterrais work, silhouette

Taste, Pieter Pickaert, 1680 - 1715 print The sense of taste. A man with a glass in his hand. There is an empty bottle in front of him. Amsterdam paper taste, tasting (one of the five senses). glass of wine

Dark Peak Made 1887 France. Lithograph in black on ivory Japanese paper . Odilon Redon

La Mort: Mon ironie depasse toutes les autres! (Death: My iron surpasses all others!). Dated: 1889. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

The Chimaera looked at everything with horror, Odilon Redon, 1886 print A chimera, a devilish figure with winged ears and a fish tail. Print from a series of six, made for an album. print maker: Franceprinter: ParisParis paper Chimera

Lazio Roma Albano Laziale Museo Civico Archeologico21. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basket maker. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 370 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

Tête d'homme , Alphonse Legros (1837-1911)

Henri de Toulouse-Lautrec, Miss Loïe Fuller, 1893, lithograph printed in blue-gray, brown-aubergine, and yellow, touched with gold and silver powder on cream wove paper.

Henry Somm. Dated: 1898. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Francisco Bayeu / 'Head for the Figure of an Angel'. 1790. White chalk, Black chalk on blue laid thin wrapping paper. Museum: Museo del Prado, Madrid, España.

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 311 × 226 mm (image/chine); 526 × 349 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Dream (Rêve). Dated: 1894. Dimensions: image: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.) sheet: 59.5 x 42.6 cm (23 7/16 x 16 3/4 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: Théo Wagner.

Large Heaf with OutspreadHand. Artist: Heinrich Campendonk, German, 1889-1957

Flaming face with open mouth and several snakes, Huib Luns, 1919 print Amsterdam transparent paper war. snakes

The Egg Made 1885 France. Lithograph on paper . Odilon Redon

Maria Anna Josepha Gottlieb -, actress, Johann Hieronymus Delete Kohl -, publishing house

Lovis Corinth, Nude Bending Forward (Gebeugter Akt), German, 1858-1925, 1916, lithograph in black on textured wove paper

We Believe Ourselves to be Kings, plate seven from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 589 × 420 mm (image/plate); 657 × 508 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ernst Ludwig Kirchner, The Married Couple Müller, 1919 The Married Couple Müller

Kreutzberg , Dancers, Dance, Kreutzberg, Harald, 1902-1968. The Massachusetts WPA Federal Art Project Photograph Collection

Working break , Karl Wiener -, artist

The Drowned, by Odilon Redon, 1887 French paper, Chalk on paper. Under a dark orb in the sky a drowned man floats in water near a coastline (BSLOC_2016_3_275)

Drapery study. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 321 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

P. Picasso: Sedící žena.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Odilon Redon, Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (Thedeformed polyp floated on the shores, a sort of smiling and hideous Cyclops, 1883 Le Polype difforme flottait sur les rivages, sorte de cyclope souriant et hideux (Thedeformed polyp floated on the shores, a sort of smiling and hideous Cyclops

Design sketch for Paul Fierens "l'Art Hollandais contemporain": two men heads, and profil pictured, looking away from each other. Draughtsman: Leo Gestel. Dating: c. 1933. Measurements: h 330 mm × w 258 mm. Museum: Rijksmuseum, Amsterdam.

Nancy Outside in July XXIV: Brilliant Dutch Gloss. Jim Dine (American, born 1935); printed and published by Aldo Crommelynck (French, 1931-2008). Date: 1981. Dimensions: 607 x 509 mm (image/plate); 920 x 633 mm (sheet). Hard and soft ground etching, drypoint, and aquatint from two copper plates in gray and black inks, with enamel paint on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Head of a Bearded Old Man in Three-Quarter View Looking Down. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 9-3/8 x 7-7/8 in. (23.8 x 20 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cristal de Roche, from Les Réincarnations du Père Ubu. Georges Rouault (French, 1871-1958); edited by Ambroise Vollard (French, 1835-1939). Date: 1932. Dimensions: 315 × 201 mm (image/plate); 433 × 327 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pencil, colored, and watercolor sketch by Josef Wawra from 1920 depicting the theme of Death, showing figures and compositional layout.

An etching by Jan Georg van Vliet depicting the Supper of Jesus with the moment of Judas's kiss, created between 1635 and 1636.

Five figures on Labor Day, Erich Wichmann, 1923 print Five standing figures next to each other and on the right the abbreviation 'etc!'. At the bottom of the text: "May 1-enthusiasm:" Makkers, too last male-"etc! paper caricatures (human types).

Skeleton wearing a hat and carrying a towel ca. 1880-1910 José Guadalupe Posada. Skeleton wearing a hat and carrying a towel. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

Self-Portrait. Jean-Pierre Norblin de la Gourdaine; French, 1745-1830. Date: 1773-1783. Dimensions: 137 × 149 mm (image/plate); 146 × 158 mm (sheet). Etching, drypoint, and engraving in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sambar Deer (Aristoteles Hert). Artist: Samuel Jessurun de Mesquita (Dutch, Amsterdam 1868-1944 Auschwitz). Dimensions: Sheet: 17 13/16 × 16 5/16 in. (45.2 × 41.5 cm). Date: 1928. Museum: Metropolitan Museum of Art, New York, USA.

Brussels, Deman, Edmond, Paris, Becquet, France, Redon, Odilon, The Temptation of Saint Anthony, Tentation de Saint-Antoine (1), ...et dans le disque même du soleil, rayonne la face de Jésus-Christ, En in the disk of the sun shone the face of Christ, verso bottom center - stamped, The face of Christ in a halo. Tenth print of ten from the first series of illustrations for Gustave Flaubert's The Temptation of Saint Anthony., print, prints, height 284 mm, width 230 mm, height 442 mm, width 311 mm, French, 1840-04-22 - 1916-07-06, print maker, printmaker, 1888 - 1888, fourth quarter 19th century, chine collé, lithography (technique), printer, Publication (Event), Publication, publisher

Jules Richomme (1818-1903). A charity sister. Oil on paper. 1857. Paris, Carnavalet museum. 76098-10 Catholic, Christian, cornette, religious habit, oil on paper, nun, sister, sister of charity

Portrait de l'artiste dessinant, state I. Jasiński, Feliks Stanisław (1862-1901), graphic artist

Portrait of Whistler 1877 Italy. Caricaturist Carlo Pellegrini, an admirer of Whistler, participated in Londonís club life. He was member of the Beefsteak Club as well as the Arts Club, where one evening he drew this impromptu portrait of Whistler on a scrap of paper and gave it to Justin McCarthy, an Irish literary figure and politician. About two years later, Whistler presented Pellegrini with a freely drawn sketch after his oil painting Arrangement in Brown and Black Portrait of Miss Rosa Corder (1876ñ78; Frick Collection, New York), referring to the Italian-born artist in his dedication as ìmon Eleve,î or ìmy pupil.î. Brush and dark brown ink on off-white wove paper . Carlo Pellegrini

Face of a man and a woman, Leo Gestel, 1891 - 1941 drawing paper. deck paint. pencil. India ink (ink) brush male sex; man. female sex; woman

Silhouetportret van Sara, Jan Brandes, 1783 - 1784 drawing Portrait in Silhouette from Sara, a slave -made woman from the household of the draftsman Jan Brandes. Batavia paper. pencil. ink brush slavery; serfs and the enslaved Batavia

Henri de Toulouse-Lautrec (French, 1864 - 1901), At La Gaiete Rochechouart: Nicolle (A La Gaieté Rochechouart: Nicolle), 1893, lithograph in black on velin paper

Sam. Leboit, Joseph. 1935 - 1943. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans, African American children

Perseus (Der Witz hat über das Leid gesiegt) Perseus-The Triumph of Brain over Body. Dated: 1904. Medium: etching on zinc. Museum: National Gallery of Art, Washington DC. Author: Paul Klee.

Mob. Flint, Walter Leroy, 1909-1991. 1935 - 1939. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans

The Dragon. Charles de Sousy Ricketts (British, 1866-1931). Woodcut;

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10 Made 1888 France. Lithograph in black on ivory China paper, laid down on ivory wove paper (chine collÈ) . Odilon Redon

Indian Pottery Vendor Fritz Eichenberg American Published by WPA 1935-43

Album Cover for Landscapes and Interiors 1899 France. Color lithograph on grayish-ivory laid China paper . Édouard Jean Vuillard

Casting of a victim of volcanic eruption in Pompeii; Impronte Umane (Pompeii). Part of photo album with recordings of excavations in Pompeï by Giorgio Sommer.

Depicts a Dutch smoker, drawn with feather, showing figure, posture, clothing, and smoking gesture.

Irrer Soldat (LunaticSoldier). Artist: Erich Heckel, German, 1883-1970

Representatives in Azy Representation / 4 / Benoist.

Mask with shell-shaped eyes and a shell between fruit roosters on the forehead; Pourertricure ingenious the plusieurs facons de masques .... One of 14 blades from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. The title sheet is missing.

Band design for: Louis Couperus, of old people, the things that pass by, Anonymous, c. 1906 - c. 1970 drawing The young Ottilie Dercksz emits her lover Emile Takma. The couple looks at the ground, where General Dercksz, the husband of Ottilie, is dead on the ground next to a knife. In the background the portrait of the older Ottilie with a lace hat on the head. Two color samples are added to the design. paper. India ink (ink). paint (coating). pencil pen / brush / snipping (lovers) embracing each other, 'symplegma'. murder. old woman

Braaking man, Jan Gillisz. van Vliet, 1632 print A vomiting man, a boar at his feet. Leiden paper etching vomiting. pig

Old Woman (Mother Müller) (Alte Bünderin Mütter Müller) Ernst Ludwig Kirchner (German, 1880-1938). Old Woman (Mother Müller) (Alte Bünderin Mütter Müller), 1918. Woodcut on heavy wove paper, Image: 20 1/8 x 13 1/2 in. (51.1 x 34.3 cm). European Art 1918

Count Andrassy, Stremassy and Andrayr from humorous leaves, Göschl, Realization, Karl Klic -, Caricaturist

The Pride of Seville, John Phillip (Aberdeen, Scotland, 1817 - 1867) 1858

War, Hated by Mothers, plate 42 from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 586 × 445 mm (image/plate); 643 × 503 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Timber custodian. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 369 mm × w 273 mm. Museum: Rijksmuseum, Amsterdam.

Bedouin Mother John Singer Sargent (American, born Italy, 1856-1925). Bedouin Mother, 1905-1906. Opaque and translucent watercolor with graphite underdrawing, 18 1/16 x 12 in. (45.9 x 30.5 cm). American Art 1905-1906

The Artist and Death - II (Der Künstler und der Tod II). Dated: 1916. Dimensions: plate: 12.1 x 9 cm (4 3/4 x 3 9/16 in.) sheet: 25.5 x 15.9 cm (10 1/16 x 6 1/4 in.). Medium: drypoint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 252 × 180 mm (image/chine); 449 × 311 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

People , Karl Wiener -, artist

Masque, Peabody Museum , Masks. The Massachusetts WPA Federal Art Project Photograph Collection

Skeleton study; Horseshoe, w Adys Aw (1866-1895); 1892 (1892-00-00-1892-00-00);Wydżga, Bohdan (1858-1933), Wydżga, Bohdan (1858-1933)-collection, Poland (culture), Polish drawings, paintings, skeletons, dancing of death (iconogr.), Purchase (provenance), collection signs, death

Design for illustration in De Amsterdammer: a black man crawls out of an egg (19 April 1930). Draughtsman: Johan Braakensiek. Dating: 1930. Measurements: h 301 mm × w 373 mm. Museum: Rijksmuseum, Amsterdam.

Les cocottes de la mort. 1875. Guérard, Henri-Charles, 1846-1897. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. skulls, Origami

The Polish lamp.

Lazio Viterbo Caprarola Palazzo Farnese8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

male portrait, from, The leaves, Karl Wiener -, artist

Portrait of a Painter. Theodore Roszak; American, born Poland, 1907-1981. Date: 1928. Dimensions: 425 x 313 mm (image); 580 x 406 mm (sheet). Lithograph in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Title print with an old woman with a book in her hands, Stefano della Bella, 1620 - 1657 print France paper etching old woman. reading

A man from the country

Our dear little partner, Erich Wichmann, 1923 print Caricature figure with open mouth. paper caricatures (human types)

Victor Hugo on HisDeathbed. Artist: Gaspard Félix Tournachon, called Nadar, French, 1820-1910 Subject: Victor Hugo, French, 1802-1885

Photo collection Government information service. painting. undated

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