Rococo Decorative Elements

Intricate Rocaille frames and friezes illustrating elegant leaf motifs, human figures, and ornamental designs from French artistic traditions.

Woman with bird in hand, Anonymous, After Adriaen Muntinck, 1615 print Groningen (possibly) paper engraving

Gold kids in the form of a pointed oval; Goldsmiths bouquets above landscapes. Design for breast jewelry in legumes style, down a landscape with a tower on the right. From series of 6 sheets with goldsmith guides in legume style.

Print (France)

Vine Ornament with Birds. Martin Schongauer; German, c. 1450-1491. Date: 1450-1491. Dimensions: 103 × 149 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Nine Motives, Johannes Jacobsz Folkema, After Thomas Lejuge, After 1697 - Before 1718 print An aigrette, a pendant, three brooches, a hairpin and a ring; There are insects around it. Leaf 3 from series. Second edition. Amsterdam paper engraving

Vignet met trofeeën, hermen en bladranken.A armor surrounded by ornaments of leaf raft, candelabers and hermen. Two putti blink the praise.

Print (France)

Edge with a vase with flowers in the middle; Copies to prints with decoration for edges and cups; Ornaments for goldsmith work. There is a frieze with a snail on either side of the middle flower. One of 3 sheets. Copies to the prints of the series described under Orn Cat I-317.

Cartouche with a flying putto, Pieter Jansz, 1630 - 1672, Design for a print., draughtsman: Pieter Jansz., 1630 - 1672, paper, pen, brush, h 65 mm × w 192 mm

Statiekeeper of the Duke of Ossuna, 1713, Bernard Picart, 1714 print Leaf with four compartments with examples of the ornaments in embroidery and marqueterie for the golden carriage. Part of a series of seven records with the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Amsterdam paper etching / engraving ornaments ~ art. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. embroidery (ornamentation). making marquetry ~ applied arts Utrecht

Italy, Birago, Giampietrino, Ornament panels, Fragment of candelabrum composed of leaf tendrils and putto with palm branch and polearm above it breastplate with vase on scale, verso lower left - stamped, print, ornament print, prints, height 270 mm, width 79 mm, Work conception, Italian, after print by, 1500 - 1550, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker

Dolphin supported by four children and a triton, c. 1625 print The body of the triton ends in a leaf vank with flowers. Leaf from series of 10 sheets with vertical panels full of leaf vines, figures and animals. Venice (possibly) paper etching

Design for a Frieze, Pen and sepia, brush and watercolor on paper, Horizontal rectangle showing four rinceaux on a dark ground., Italy, 1725-1750, ornament, Drawing, Drawing

Four Rocaille Schilden, 1704 - 1737 print Four shields in rocaille frames, with line drawings. The shield below with flowers and a horn of abundance. paper etching / engraving armorial bearing, heraldry

Frisian; Frisians.

Bound Print, Quarter of a Ceiling, Livre de Plafonds (Book of Ceilings); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; engraving on white laid paper; 26.8 x 38.5 cm (10 9/16 x 15 3/16 in.) Platemark: 26.8 x 32 cm (10 9/16 x 12 5/8 in.)

Danae and Jupiter as rain Gold pieces, Abraham de Bruyn, 1584 print Cartouche with the presentation of Danae, lying on a four -poster bed. Jupiter descends on her like a rain gold pieces. The cartouche is caught in an ornament frame with grotesks and allegorical female figures, against an shaded background. Netherlands (possibly) paper engraving Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold. ornament ~ cartouche. ornament ~ grotesque

Decoration for the rim of a cup, with a frieze at the top, decorated with flowers and leafy vines. At the bottom two snails crawl. Sheet 2 from series of 12., Spire with flower vase between dotted volutes Spires (series title), print maker: Adriaen Muntinck, (mentioned on object), Adriaen Muntinck, publisher: Adriaen Muntinck, Groningen, (possibly), c. 1611, paper, engraving, h 84 mm × w 95 mm

Silhouse ornament print, 1555 - 1560 print Leaf P from series of 16 sheets, literate A-Q. Intended ornament print: all non -figurative parties are cut away. Cartouche decorated with garlands and fruit bunches. At the top two birds and two mascarons. paper engraving mask, mascaron ~ ornament. foliage, tendrils, branches ~ ornament

Print, Plate 17, from Grotteßco in diverßche manieren (Various Grotesques); Designed by Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Published by Gerard de Jode (Flemish, 1509 - 1591); Etched by Jan van Doetechum the Elder (Netherlands), Lucas van Doetechum (Dutch, after 1584); France; etching on laid paper

Part of a satellure edge with tendrils and figures.

Triomferende Amor, Bernard Picart (workshop of), after Bernard Picart, 1725 print Amor shows his arrow and arch in Triumph, standing on all kinds of earthly things like a crown and a painting palette. Above the medallion the motto: Omnia Vincit Amor (love overcomes everything). The show is crowned by two burning hearts. Around the performance ornament of leaf vines. Amsterdam paper etching / engraving ornaments ~ art. foliage, tendrils, branches ~ ornament. 'Omnia vincit Amor', Love the conqueror, Love triumphant

Fries Met Gehelmde putti en letter s, Stefano Della Bella, 1620 - 1664 print Leaf with two performances. Above: A Frisian with two helmeted putti holding a crown. Under the crown three Fleurs de-Lis. The putti run out in a leaf ornament with plumy helmets at the ends. Below: the capital S in a landscape. paper etching Foliage ~ Ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Border Design from a Classical Frieze, Decorated with Vines and Leaves 1776-79 Attributed to Thomas Hardwick British. Border Design from a Classical Frieze, Decorated with Vines and Leaves. Attributed to Thomas Hardwick (British, London 1752-1829 London). 1776-79. Graphite

From series of 24 gothic letters with braid: A-I, K-T and V-Z.

Siewert Georg, Floral Ornaments (10.02.1888): View of an ornamental detail. Ink on cardboard, 48.9 x 58.6 cm (including scan edges) Siewert Georg : Florale Ornamente

Branches / envy in ornament with hoses / opened grave in framework of leaf raft. Three ornament performances on a leaf. Above: branches with leaves and berries. Middle: Central favoritioning with torches in the hands. Hoses in the leaf rights. Under: Presentation of an open grave surrounded by leaf raft.

Disegni Varij di Polifilo Zancarli (Friezes) ca. 1625 Polifilo Giancarli Italian Design for a frieze filled with a meandering acanthus scroll and various figures. On the right of the frieze a figure group consisting of a satyr and a naked woman is dipicted. The satyr embraces her but it appears she is trying to escape. Interspersed between the acathus scroll a snake, a lion a putto and a griffin can also be noted.. Disegni Varij di Polifilo Zancarli (Friezes) 411976

Sir Robert Smirke the younger, 1781-1867, British, Nîmes, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Fingerling, Sgraffito decoration at the house of Senator Dr. Eggers, Berlin. (From: Architectural sketchbook, H.120/3, 1873.) (1873-1873): View. Stitch on paper, 34.6 x 25.2 cm (including scan edges)

Print (France)

Vignet Met Fruit, Claude between, 1639 - 1643 print print maker: Franceprinter: Paris paper engraving decoration of printed matter. fruits

Ornament print, Pl. 2. 1703. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Pipes (Smoking), Vases

Louis XIV (King of France), Paris, Langlois, François, Italy, Bella, Stefano della, France, Collignon, Cartouches, Cartouche with rams' heads and two children, verso lower left - stamped, From the second edition., print, ornament print, prints, ornament prints, height 84 mm, width 174 mm, French, 1610 - 1687, print maker, printmaker, 1645 - 1647, second quarter 17th century, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after a design by, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Disegni Varij di Polifilo Zancarli (Friezes) ca. 1625 Polifilo Giancarli Italian Design for a frieze filled with a meandering acanthus scroll and various figures. On the right of the frieze a figure group is depicted. The main figure in the group is a female hybrid creature based on a centaur. She has wings for arms and her lower body morphs into the acanthus scroll behind her. Near her are two putti of which one is drinking from her breast. Interspersed between the acanthus scrolls are two more putti, an eagle, a snake, and a wolf-like creature.. Disegni Varij di Polifilo Zancarli (Friezes) 411978

Design for a Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and black ink, brush and gray wash on wove paper, Design for an ornamental plaster ceiling, border in gray wash, scale in pen and ink at bottom. Inscriptions in pen and ink at lower left, written vertically., England, n.d., architecture, interiors, Drawing, Drawing

Breed en smal fries, after 1600 - before 1630 print There are three consoles in the upper Frisian containing a winged female Herme, masks and bunches of fruit, in the bottom lies a leaf vank with monster heads. Leaf from series consisting of title page and eight unnumbered sheets with Frisians or lists in which ornaments for gold and silversmiths are depicted. print maker: Germany (possibly)after design by: Colognepublisher: Cologne paper engraving

Decoration of a frieze, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, Decoration of a frieze., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Leaf ornaments and ornament with Schelp, Bernard Picart (workshop of), After Bernard Picart, 1683 - 1733 print Three ornament performances on a magazine. Above: leaf ornaments. Middle: leaf ornaments. Below: ornament with shell. Amsterdam paper etching / engraving foliage, tendrils, branches ~ ornament. scallop, shell ~ ornament

Print (France)

Citizen's state and peas-style; Four positions. Leaf with the citizen's position on the left and to the right the peasant list. On the left a Rocaille cartouche with a putto with writing board and objects associated with arts and sciences and trade. On the right a rocaille cartouche with a putto with a beer mug and zeis surrounded by animals. In the underwear two columns with two-legged German text. Publisher number XI.

Design for an over door, Carlo Marchionni, Italian, 1702-1786, Graphite, pen and sepia ink, brush and gray watercolor on cardboard, Only the curved cresting; below, moulding with ovolo design. Center: laurel medallion with head of sun at the edges, branches of laurel. The outline of the lower part sketched in graphite., Italy, ca. 1730, architecture, Drawing, Drawing

Imperial court, Augsburg, Engelbrecht, Martin, All kinds of newly made haberdashery works, Haberdashery, Haberdashery with purse handles, Various decorated handles for bags and purses. Print number 426., print, ornament print, prints, ornament prints, height 188 mm, width 269 mm, print maker, printmaker, 1708 - 1756, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher, uitgever, Publicatie

Etching by Jean Le Pautre from 1625-1682 showing cartouches with vases in ornamental stitch patterns, emphasizing decorative design, form, and classical motifs.

Braid work with cartouche, 1705 - 1710 print Braid work with leaf motifs. In the middle an oval cartouche with the serial title. paper etching / engraving 'Leaf and bandelwerk' ~ ornament. Ornament ~ cartouche

Dancing jet and man with glass in ornaments ..

Horlogesleutels, anonymous, after L. Hendericks, c. 1600 - c. 1699 print Watch reports or so -called 'spindle clobes' decorated with leaf vines and flowers. At the bottom right are n ° 2 (2 or a reverse 5). From series of 6 magazines. paper engraving / etching

Four ornaments, Claes Jansz van der Hout, 1723.

Copper engraving by Meister E.S. depicting seven flowers, created in the second third of the 15th century, showing botanical forms in detailed design.

Mirror lists with floral motifs; Mirror Rahmen / Chassis des Miroirs.Details by Rocaille Mirror lists with leaf and floral motifs. Publisher number 91.

Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 2 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames Printed ca. 1750-56 Jeremias Wachsmuth Ornament print with suggestions for the decoration of the lower right of a frame of a pier glass or altar, and the top right corner of a window or door, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 2 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames. Jeremias Wachsmuth (German, 1712-1771). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Four ornaments and two backrests in Kwabstijl, 1600 - 1699 Two performances on a two -part album magazine. The show on the left shows various ornaments in lobe style. The biggest ornament with a putto. On the right two Stoelleuningen in Kwabstijl. The print is part of an album. Germany paper engraving Two performances on a two -part album magazine. The show on the left shows various ornaments in lobe style. The biggest ornament with a putto. On the right two Stoelleuningen in Kwabstijl. The print is part of an album. Germany paper engraving

Picture frames. Two picture frames with rocaille ornaments and leaf motifs. Publisher number 186.

Panel with leaf vines and animals, Anonymous, After Hans Janssen, c. 1600 - c. 1699 print Between the leaf vines are a heron, a parrot a squirrel and a bat. paper engraving

Letter Q, Anonymous, c. 1600 - c. 1699

An Acanthus Scroll, Pen and ink, brush and bistre on paper, The right half of the decoration of an oblong panel. Starting with a scroll, bottom left, and ending with a flower at the right center., Italy, 1700-1750, architecture, Drawing, Drawing

Twenty -two designs for jewelry, 1695 print Leaf 3 from series of 17 sheets. paper engraving

Panel filling with whistling Putto, Bernard Picart, 1683 - 1733 drawing Design for a print. paper. deck paint. ink pen / brush ornaments ~ art

Trophy with globe and sheet music, Van Lochteren (Possible), 1740 - 1750 drawing A trophy with a globe, whistling, birds and sheet music, left with a inscription History. At the top the moon, wings and garlands. Design for a door crown. paper. ink pen / brush trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. globe. notation of music

Wood carving of a closing wall in the Grote Kerk in Dordrecht and ornamental sculpture from the Palace on Dam Square, c. 1890 - c. 1922 Page 26 Recto from a sketchbook with 49 sheets. paper. pencil. ink pen carving ~ applied arts. sculpture Royal Palace Amsterdam

Paris, Androuet, Jacques, Plane decorations, architectural fantasies and grotesques, Composition with boat, verso - stamped, A decorative composition. At the bottom, between four satyrs, is a screen with a representation of three figures rowing a boat. At the top, under a canopy, a cloud floats with the Sun in his chariot, drawn by four horses., print, engraving, ornamental print, prints, engravings, ornamental prints, height 101 mm, width 69 mm, print maker, printmaker, 1562 - 1562, paper, papier, etching, etchings, Work conception, French, 1515 - 1584

Germany, Engelbrecht, Martin, Flowers, Eight flowers, Eight different flowers in two rows of four above each other., print, ornamental print, prints, ornamental prints, ro: 4, height 138 mm, width 196 mm, print maker, printmaker, 1694 - 1756, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, third quarter 18th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher

Gestileerd Acanthusblad; Voorbelden van Bladsoorten; Thorough statement under different kind Laub Werck ..

Two Designs for Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing designs for two festoons. At left, a crown; at right, a helmet and shield. Verso: part of an accounting, ending with 14:8. Sketches with black crayon., Italy, 1775-1785, ornament, Drawing, Drawing

Panel with flat decoration, anonymous, After Daniël Marot (I), After 1703 - Before 1800 print The flat decoration is built around a rosette with plumes. Copy to print from the Nouveaux Liure d'Orgings props Pour faire and Broderié et Petit Point published by Daniel Marot. Netherlands (possibly) paper etching

Plate, from the series Ornamenti o grottesche (Ornaments or Grotesques), Stefano della Bella, Italian, 1610-1664, Etching on off-white laid paper, At top, the title 'Ornament o Grottesche / di Stef. Della Bella.' These words appear in the top of three circles formed by long leaves that sprout from the bodies of creatures at the bottom of the etching. Two eagles with spread wings perch in the other two circles., Italy, ca. 1653, ornament, Print, Print

. A frieze with leaf refines in the middle. At the bottom right state: p. 28. Premier. Series of 12 magazines.

Twisted palm motif, anonymous, c. 1800 Paris paper. ink pen

Design for Wall Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Two striples bordered and separated by a garland. In the left one, above, a bunch of flowers and ears of grain, below, a bunch of flowers and corn fastened by bowknots and connected by a ribbon. Beside it are two butterflies. At right are two bunches of ears of grain fastened by bowknots and connected by a waved stem with blossoms leaves and spirals. Beside a ribbon two butterflies. Below, parts of peacock feathers., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Album (France)

Plate 4: five grotesque heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques). Artist: After Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 2 3/8 × 4 5/16 in. (6 × 10.9 cm). Series/Portfolio: 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques). Date: ca. 1638-43. Museum: Metropolitan Museum of Art, New York, USA.

David Diantta, Jean Louis Rischell lea, at Ciro Ferri, 1659 - 16 2595: 1699 - 16 2595 - 16.95 print paper engraving David fighting Goliath. acanthus ~ ornament - AA - stylized

Drawing, Design for Sculptured Decorations of Ceiling; Unknown; Italy; brush and brown wash, pen and ink, graphite on paper; 39 x 28.2 cm (15 3/8 x 11 1/8 in.)

Kaulbach Friedrich August (1850-1920), Fries in the staircase of the new museum in Berlin (approx. 1900): Continuous children's frieze with the ironic relativization of monumental world history. Photo on paper, 16 x 32.2 cm (including scan edges) Kaulbach Friedrich August (1850-1920): Fries im Treppenhaus des Neuen Museums, Berlin

Bas-relief with different putti; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Bas-relief with different putti. Some wear palm branches. On the left a Januskop and two fighting putti. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Drawing, Design for the Decoration of an Oblong Panel; Italy; pen and sepia ink, graphite on paper

Jewelry or Ornament Design, 1593, Etchings, Engravings, approx. 5 7/8 x 3 7/8 in. (15 x 9.9 cm), Paper / Sheet approx. 7 11/16 x 5 1/2 in. (19.5 x 14 cm), Cream laid

La Vera Perfettione del Disegno di varie sorti di recami, page 15 (recto) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers that are printed upon a grid. Top register is decorated with coiling vines of leaves and flowers that form a heart shape at the bottom, attached to which are 2 symmetrical gargoyle figures. Bottom register is decorated with curving vines of flowers and grapes that emanate from 2 cornucopias below; interspersed throughout the vines are birds that feed off of the grapes and fruit in the cornucopias.. La Vera Perfettione del Disegno di varie sorti di recami, page 15 (recto) 662380

Top left a garland with flowers and bows Upper right a trophy with garlands, quiver of arrows, bow and arrow Lower left a trophy with garlands, arrows, torch and caduceus Bottom right a vase with flowers, at the bottom rocailles and floral motifs Publisher's number 250, Guirlande, trophies and vase with flowers, print maker: anonymous, intermediary draughtsman: Pierre Ranson, (mentioned on object), publisher: Johann Georg Hertel (I), (mentioned on object), Augsburg, 1746 - 1775, paper, etching, h 228 mm × w 177 mm

Festoen of leaves and fruit, anonymous, after artus quellinus (i), after 1665 - c. 1700 print Copy to Festoen from the Prims Praecipuarum series .../ the first part of the previous statues and the cieraten .../ La Premier Partie .... Amsterdam (possibly) paper etching

Print, Ornament Design; Designed by Alexis Peyrotte (French, 1699-1769); Print Maker: Jean-Charles François (1717 - 1769); Published by Robert Menge Pariset (French, active 1732 - 1762); France; etching on laid paper

Rechthoekige snuifdoos.Front view of a rectangular snuff box with beveled corners, the front decorated with a vase in the middle of leaf volutes, the corners with volutes fearing naked women's figures.

Two Frisians, the upper with two lions; Frisians with animals, insects and birds between leaf refines. In the lower frieze a hare is sissued by a dog.

Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 4 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames Printed ca. 1750-56 Jeremias Wachsmuth Ornament print with suggestions for the decoration of the lower right of a suspended frame of a pier glass or altar, and the top right corner of an altar, window or door, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 4 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames. Jeremias Wachsmuth (German, 1712-1771). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Paris, Mariette, Jean, France, Ducerceau, Paul Androuet, Frises Propres pour les Peintres, Sculpteurs, Orfèvres, Bladrank, Sheet 3 of a series of 6 sheets, numbered 1-6 at the bottom left, older numbers at the top left and right. Third edition., print, ornamental print, prints, ornamental prints, height 189 mm, width 287 mm, Work conception, French, 1630 - 1710-02-01, after a design by, 1710 - 1710, first quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1660-07-22 - 1742-09-21, publisher

Thirteen birds on stylized ranks, Bartholomeus van Lochom, after Hans Janssen, c. 1630 print Amsterdam paper engraving

Design for the Decorations of a Wall Panel, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 3 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames. Artist: Jeremias Wachsmuth (German, 1712-1771). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg. Museum: Metropolitan Museum of Art, New York, USA.

Print, Plate 48, from Neüw Grotteßken Buch (New Grotesque Book); Designed by Christoph Jamnitzer (German, 1563 - 1618); Germany; engraving on laid paper; Platemark: 14.4 × 18.1 cm (5 11/16 × 7 1/8 in.) 18.5 × 23 cm (7 5/16 × 9 1/16 in.)

Domenico Bonavera (aka Domenico Bonaveri) (Italian, ca. 1640 - ca. 1700). Plate 10 from the set of Twelve Ornament Friezes, ca. 1670. Etching. Plate: 278 mm x 116 mm (10.94 in. x 4.57 in.).

Design for Key Holes by Androuet du Cerceau. Édouard Baldus (French, born Germany, 1813 - 1889)

Single compact design of curling vegetal shapes. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques

Designs for marriage announcements. .

Decorative motifs of Gothic tenements (15th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Chair panel. Culture: French. Dimensions: H. 25 x W. 21 1/2 inches (63.5 x 54.6 cm). Maker: Style of Daniel Marot the Elder (French, Paris 1661-1752 The Hague). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Two quarters of ceilings, Susanne Maria von Sandrart, after Jean Lepautre, 1668 - 1716 print The left ceiling is decorated with a double garland of fruit and leaves. print maker: Neurenbergafter design by: France (possibly)publisher: Neurenberg paper etching

Festoen van Fruit, with pomegranates, 1655 - 1678 print Left are grapes. Amsterdam paper engraving

The story of Cupid and Psyche: Psyche being transported to Venus. Engraving by N. Dorigny, 1693, after Raphael.

Imperial court, Augsburg, Engelbrecht, Martin, Allerhand neu façonierte Galanterie Arbeiten, Galanteries, Galanteries with rocailles, verso - stamped, Print number 436., print, ornamental print, prints, ornamental prints, height 188 mm, width 266 mm, print maker, printmaker, 1708 - 1756, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Netherlands, Collaert, Hans (I), Frisian with eleven birds, At the left end of the frieze is a tree. In the middle a large bird bites the neck of a smaller one., print, ornament print, prints, ornament prints, height 37 mm, width 150 mm, print maker, printmaker, 1520 - 1581, first quarter 16th century, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Netherlandish (before 1775), 1540 - 1581

of 3