18th Century Educational Illustrations

Engravings illustrating educational themes and figures, reflecting the artistic styles and cultural motifs of the 18th century.

Copper engraving and etching by Antoine Jean Duclos from 1782 illustrating Rousseau's Émile/About Education, showing figures, educational motifs, and 18th-century European typographic decoration.

Copper engraving and etching by Antoine Jean Duclos from 1782 illustrating Rousseau's Émile/About Education, showing figures, educational motifs, and 18th-century European typographic decoration.

Etching by Giovanni Andrea Sirani depicting Lucretia, created between 1630 and 1670.

An etching by Albrecht Dürer after 1511 showing the Holy Family with Joachim and Anna beneath a tree, depicting figures, gestures, clothing, and landscape elements.

Copper engraving by Dominicus Custos depicting Mary ascending in the sky, created between 1590 and 1615.

Copper engraving and etching by Grégoire Huret between 1626 and 1670 depicting the death of a young woman and Theobald von Marly, showing figures, gestures, and period attire.

Copper engraving by Michiel Coxie depicting Christ appearing to Maria Magdalena, created between 1548 and 1570, showing two human figures in a religious narrative scene.

Etching and copper engraving by Emmanuel Jean Nepomucène de Ghendt from 1786 depicting a narrative scene from Homer's Iliad.

Philipp Galle engraved a copper print around 1560 depicting Samson destroying the Philistine temple, showing figures, architecture, and action in a biblical scene.

Copper engraving by Jacob Matham, executed 1600-1605, depicting a god and goddess embracing, illustrating classical figures, mythological theme, and early 17th-century European artistic style.

Cornelis Schut etching from 1615-1655 depicts David beheading Goliath and Judith with Holofernes, illustrating 17th-century Flemish biblical and heroic scenes.

Etching and copper engraving by Simon Frisius, 1600-1628, depicting a portrait of Michiel Coxie, showing detailed facial features and early 17th-century engraving technique.

Etching by Carlo Maratta depicting Maria with a sleeping Christ child and the Adoration of the Magi, created between 1645 and 1660, showing religious figures in devotional context.

Etching by François Chauveau from 1630-1676 depicting Diana Molosso, showing a mythological female figure with attributes and symbolic gestures.

Copper engraving and etching by Albrecht Dürer after 1500 depicting Saint Anna and Maria standing with the Christ child, detailed religious figures and composition.

Etching by Bernard Picart depicting a man sitting, created in 1734 as a study of human posture and anatomy.

Etching by Bartolomeo Biscaino depicting Moses parting the Red Sea and Susanna in the bath, created between 1640 and 1660, illustrating biblical narratives.

An etching by Karol de la Haye from 1661-1707 showing the Holy Family with the child John, depicting figures, facial expressions, gestures, and period clothing.

Copper engraving and etching by Noël Le Mire from 1773 depicting the Twelfth Cake, known as Gateau des Rois, showing the traditional cake and ceremonial scene.

Copper engraving by Jacob Matham depicting Noon. Produced around 1601, it shows allegorical figures representing the midday hour with symbolic elements and classical motifs.

Copper engraving by Johann Sadeler the Elder, created between 1570 and 1600, depicting the biblical scene of the Resurrection with figures, gestures, and architectural elements.

Copper engraving by Johann Sadeler the Elder from 1575-1632 depicting the death of Cleopatra, showing her figure, attendants, and setting.

Etching by Lodewyk de Deyster depicting Maria Magdalena, showing the biblical figure with gestures and surrounding elements, created 1670-1711.

An etching by Francesco Antonio Meloni depicting a rabbit hunt, created between 1696 and 1713, showing hunters, dogs, rabbits, and natural landscape elements.

Copper engraving by Christoffel van Sichem I from around 1600 depicting Guilemmus in a European book illustration, showing detailed early 17th-century portrait style and composition.

A steel engraving by Josef von Führich depicting Saint Prokopios, created between 1820 and 1845. The work emphasizes saintly figure, gesture, and religious symbolism.

Etching by Ludovico Carracci depicting Maria with the child and angels between 1570 and 1619, showing figures, wings, gestures, and religious symbolism.

Etching by Giovanni Benedetto Castiglione created between 1645 and 1648 depicting the mythological scene of Marsyas and Olympus, showing figures in classical composition.

This etching by Gioan Antonio Lorenzini depicts the Resurrection of Christ, created between 1685 and 1740. The work emphasizes religious figures, gestures, and Christian symbolism.

A woodcut by Hans Baldung Grien depicting Christ on the cross in a satirical representation, created between the late 15th and mid-16th century. The work emphasizes figure, gesture, and composition.

Etching and copper engraving by Nicolas Ponce, created in 1783, depicting a book illustration with figures and ornamental motifs in a composed scene.

An etching by Albrecht Dürer after 1500 depicting Saint Hieronymus in the desert, showing the saint, landscape, and religious context.

Copper engraving by Adriaen Collaert (1587) depicting a river landscape with a ruin, showing water, terrain, architectural remains, vegetation, and figures in 16th-century Europe.

Etching by an unidentified engraver depicting a man and a woman traveling, showing figures, gestures, and movement, created in the 17th century.

Copper engraving and etching by Bernard Picart depicting Leda and the Swan, created between 1690 and 1733, showing mythological figures and classical elements.

Etching by Wenzel Hollar depicting Ganymede and the competition between Marsyas and Apollo, created between 1650 and 1750, illustrating mythological subjects and Baroque art.

This etching by Francesco Stringa shows an allegorical representation within a state frame featuring a cardinal portrait, created between 1655 and 1709. The work emphasizes symbolic and political elements.

Copper engraving and etching by Heinrich Ulrich from 1609 depicting Maria Magdalena, showing her figure, attire, gestures, and facial features in detailed composition.

Etching by Giacopo Giovannini depicting two angels transporting the soul of St. Benedict to heaven, created between 1687 and 1717, showing celestial figures and spiritual symbolism.

Copper engraving by Nicolas Pitau created between 1644 and 1671 depicting a scene from the life of St. Franz von Sales, illustrating seventeenth-century religious narrative.

Copper engraving and etching by David Custos from 1623 depicting the martyrdom of Saint Katharina, illustrating the saint and related narrative in early 17th-century print.

Prophet Jona; Ionas; Paintings in the Sixtin Chapel. The prophet Jonah sitting with the fish and two small figures on the right. One of the prophets of Michelangelo's ceiling painting. Title in Lower margin and numbered at the bottom right: 33. The print is part of an album.

Servatius von Raben engraved a title page between 1590 and 1635, depicting the river god Tiber, Romulus and Remus, and mythological personifications in copper engraving format.

A copper engraving by Jacob Matham, 1610, created from a traditional design, depicting figures in detailed composition and period attire.

Woodcut by Albrecht Dürer workshop depicting a griffin on the right couple of outdoor pairs of Emperor Maximilian I's honorary gate, including crowning details, created in 1515.

Etching by Bernard Picart from 1721-1724 depicting an allegory of a wedding, showing ceremonial figures, symbolic motifs, and decorative elements.

Etching by Luca Giordano depicting Mary breastfeeding the child during the flight to Egypt, created between 1650 and 1660.

Etching by Antonio Tempesta around 1599 representing the month of March, showing seasonal activities and landscape elements in late sixteenth-century Italian engraving.

Woodcut by Virgil Solis the Elder from 1529-1562 depicting the coat of arms of Francis Renner, showing heraldic elements, shield, and emblem.

Copper engraving by Christoffel van Sichem I depicting Franciscus Valesius, Duke of Alençon, as a book illustration, created around 1600.

Copper engraving and etching from 1630-1750 by an unknown artist showing a female nude figure holding a vase, depicting anatomy and classical pose.

Copper engraving by Cornelis Danckerts I showing farmers in a tavern and a lyre player at the door with children, produced in the 17th century, depicting interior and human activity.

Etching by Franz Ertinger depicting a Bacchanal frieze, created between 1660 and 1710.

A ski engraving by Georg Andreas Wolfgang from 1646-1716 depicting Judith before Holofernes, showing a female figure with a sword and detailed attire.

Copper engraving by an unknown engraver between 1580 and 1650 depicting a transactional scene involving the exchange of money.

Copper engraving by Bartholomäus Kilian from 1658 showing Leopold I crowned by an eagle, with ruler attire, symbols, and posture.

Etching by an unknown artist depicting Venus and Adonis in a bathroom scene, showing figures, gestures, and interior elements, created between 1590 and 1700.

Copper engraving and etching by Pieter van den Berge depicting a portrait of Ian Six with allegorical accessories, created between 1659 and 1737. The print shows facial features, attire, and symbolic objects.

A woodcut created in 1587 by Monogrammist TK depicting a torture scene as an allegory, showing figures and symbolic elements.

Etching by Cornelis Schut depicting an allegorical scene with a river god and Fortuna representing the city of Rome, created between 1615 and 1655.

Etching by Giovanni Francesco Grimaldi depicting the Holy Family resting during the flight to Egypt, created between 1630 and 1680.

This copper engraving and etching by Aegidius Sadeler the Younger, created between 1590 and 1629, depicts a landscape featuring a wine arbor and a stone house, with detailed natural elements and architectural features.

Copper engraving by Aegidius Sadeler the Younger, 1590-1629, depicting a Pietà with angels and Christ portrayed as a gardener, including symbolic gestures and figures.

Etching by Giovanni Paolo Lasinio depicting the Resurrection of Christ, created in 1820, illustrating Christian religious subject and 19th-century art.

This copper engraving by Jan van de Velde II, created between 1613 and 1641, depicts Charles I of Liechtenstein. The print showcases the figure in a detailed and expressive manner, characteristic of Van de Velde's style.

Etching by Jean Baptiste Tierce between 1757 and 1790 depicting a woman with a child and bird cage, and a boy holding a drinking bottle.

A woodcut by Wolf Traut depicting the ship of St. Ursula, showing a vessel with figures and architectural details, dated early 16th-18th century.

Pencil drawing by Louis Marin Bonnet around 1773 depicting two shepherds on or near water, showing detailed figures, pastoral setting, and landscape elements.

Etching by Herman van Swanevelt from 1620-1655 showing a landscape with a sarcophagus, including trees, hills, and classical architectural elements in a 17th-century setting.

This 1759 etching by Jean-Baptiste Delafosse portrays Louis-Philippe I. de Bourbon and his son Louis-Philippe Joseph. Delafosse, a French engraver, was known for his detailed portraits of French nobility.

A copper engraving and etching by Jules Charles Rémy François, created around 1847, titled PERRININS. Produced with detailed intaglio techniques common in mid-19th-century printmaking.

Etching by Bernard Lépicié depicting city love, created in 1732, showing romantic figures and urban compositional details.

Etching by Cornelis van den Berg from 1764 depicting a portrait of Cornelis van den Berg, showing facial features, attire, and compositional details.

Etching by Hieronymus Hopfer from 1528-1563 depicting a circle of Mary, showing religious figures and compositional arrangement.

Engraved and etched book illustration created by Nicolas Ponce in 1776 on copper.

"Etching by Wilhelm Hecht from 1880-1920 depicting Diana and Endymion, showing mythological figures, detailed line work, and classical themes."

Frontispiece etching by Bernard Picart for 'Les Metamorphoses d'Ovid', created in 1731, using copper engraving with punctuation manner, illustrating scenes from Ovid's mythological transformations.

This engraving by Albrecht Dürer depicts Saint Antonius standing before a city, with Saint Sebastian shown on a tree and oriental figures, illustrating religious iconography and early Renaissance engraving.

Copper engraving and etching by Philipp Galle from 1582-1583 depicts the title page for the History of the Medici, showing figures, heraldry, and symbolic representation of the Medici family.

Etching by Cornelis Dusart from 1680-1704 depicting a Harlekin on a ladder, showing theatrical character, costume, and Dutch Baroque genre elements.

Stahlstich and puncture stitch etching by Michele Benedetti depicting a music-writing gentleman and a gentleman with a string instrument, created between 1760 and 1810, showing figures, instruments, and attire.

A pastoral scene etched by François Boucher between 1717 and 1726, depicting rural life with figures in a natural landscape.

Etching by Alessandro Vaiani depicting the Grave of Christ, created between 1570 and 1631.

Copper engraving by Claude Mellan depicting Apollo crowning Virgil with a laurel wreath on the title page for "Virgil works", created around 1641.

Copper engraving by Coenraet Waumans from 1639-1681 depicting Anna teaching Maria to read, showing two female figures, books, and interior elements in a European setting.

Etching by Hubertus Quellinus circa 1668 showing a male arch figure holding a flash bundle and torch, accompanied by a lizard.

A 1627-1674 etching by Jan Lievens showing multiple figures, including a personification of Death confronting arguing players, representing mortality.

Copper engraving by Karl Audran from 1646 showing the frontispiece Thaumaturgus Opticus with symbolic figures, instruments, and allegorical elements.

This aquatint and etching by Frederick Christian Lewis (The Older) from 1837-1840 presents a landscape inspired by Claude Lorrain, featuring natural scenery and atmospheric effects.

Print (France)

Etching by Lorenzo Lolli depicting two fighting putti and a sleeping Amor, created between 1630 and 1691.

Market Day, Etching on paper, Left, cupid sitting on knees holding up heart to young girl, in front of cupid basket of hearts. Right, figure of girl with hands behind her back looking down at cupid, smiling. Vegetation, left and right; right, tree with bird nest and bird., USA, 1882, figures, Ephemera, Ephemera

Etching by Domenico Piola from 1614 depicting the birth of Christ, showing the infant in a manger with surrounding figures and detailed composition.

A copper engraving by Jan Harmensz. Muller created around 1590 depicting the Holy Family accompanied by two angels, illustrating biblical figures with detailed 16th-century engraving techniques.

Philipp Galle engraved a copper print around 1560 depicting the biblical story of Samson and Delila, showing both figures in narrative interaction.

Etching and aquatint by Maria Catharina Prestel depicting an interior peasant scene with an interrupted game, produced between the mid-18th and 19th century.

Etching title page by Jacques Callot around 1622 for 'La Sainte Apocastase', showing the big rock with figures and decorative elements.

An etching from the 18th century depicting Nicola Pisano, illustrating the Italian sculptor in a historical or artistic context.

Etching by Giuseppe Maria Mitelli depicting the mythological abduction of Europa, created between 1654 and 1718.

An etching by Jacques Callot depicting the catafalque of Emperor Matthias after 1619, showing funeral structures, ceremonial details, and attendants.

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