18th Century Engravings

Intricate prints illustrating social scenes from the 18th century. Captures intimate moments and daily life, often involving couples and fortune tellers.

Engraving titled 'Marriage A La Mode' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

France, French crown, Moreau, Jean Michel, Trière, Philippe, Le Monument du Costume. Suite d'estampes pour servir à l'histoire des moeurs et du costume français dans le dix-huitième siècle, Céphise and her husband sitting at a table next to a cradle, lower left - engraved, Céphise and her husband sitting at a small table in a bedroom with a four-poster bed on the left. The man is dressed in a Japanese skirt or dressing gown. He holds out a white baby cap to Céphise (possibly being sold by the woman on the left in the foreground with the basket on her arm)., print, engraving, prints, Ph. Trière Sculp., lower right - engraved, JM Moreau del. 1776, J'en accepte l'heureux Présage, lower center - engraved, APDR, No. 15, height 414 mm, width 322 mm, French, 1756, print maker, printmaker, 1777 - 1777, fourth quarter 18th century, paper, papier, etching, etchings, stippelwerk, 1741-03-26 - 1814-11-30, intermediary draughtsman, after a drawing by, verlener van privilege

Fortune teller, Nicolaas Verkolje, 1683 - 1726 print In front of the entrance to a house, a fortune teller reads the hand of a young woman, while the man who stands next to her whispers something in the ear. A fountain in the background. Delft paper fortune-teller ~ pleasure fair and circus. divination ~ human corpse, necromancy. garden fountain

Jager visits a woman on her toilet, François Robert Ingouf, After Gabriël Metsu, 1771 print Numbered at the top right: 91. France paper etching / engraving making toilet. hunter. dog. mirror

A couple kissing in a room. The woman sitting on a chair, the man standing. Kissing couple, print maker: Noach van der Meer (II), intermediary draughtsman: Jacobus Buys, publisher: Johannes Allart, (possibly), Amsterdam, 1777, paper, etching, h 246 mm × w 153 mm

Nicolaas Verkolje, The Sleeping Boy The Sleeping Boy

Engraving titled 'Marriage A La Mode' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

In the museum of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Coloured aquatint after William Hogarth.

Lodewijk XIII and his mistress Marie de Hautefort, Bernard Picart (workshop of), 1731 print Louis XIII, King of France, and his mistress Marie de Hautefort. They are at a fireplace in the bedroom. With an empty margin. Amsterdam paper etching palace - AA - civic architecture: inside. courting

A man attempts to forcefully take a woman to bed against her will. After an 18th century work by William Hogarth.

Georges Keating, Her Grace the Duchess of Devonshire and the Right Honorable Lady Georgiana Cavendish, 1787, mezzotint and engraving on paper.

unknown artist, eighteenth century, A Morning Frolic or the Transmutation of Sexes, undated. Mezzotint.

The book to Poniatowska receives Mierci M A; Charon, Louis François (1783-Post 1831), Martinet, Pierre (1781-18 ...), Jean, Pierre (Fl. 1784-1820); around 1820 (1815-00-00-1820-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Poniatowski, Józef ( 1763-1813), Poniatowski, Józef (1763-1813)-iconography, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864 -1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, Napoleonic era (1799-1815), laurel branch (attribute), globes, French graphics, legend of Prince Józef Poniatowski (iconogr.), Poland (culture), urns, interiors

Jealousy - the rival , Courtship, Envy. Thomas Rowlandson (1756-1827). Prints and Drawings

L. Truchy, 1721-1764, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

Isidore-Stanislaus-Henri Helman, "N'ayez pas peur, ma bonne amie", 1776, etching and engraving on laid paper.

Husband and wife at a cradle, Willem Frederik Wehmeyer, after David Bles, 1854 print A man plays the violin with a cradle. The woman next to him looks smiling. On the left is a table with a washbasin next to a bed and on the right the fireplace burns. paper etching / engraving bedroom. cradle, crib. violin, fiddle. adult man. adult woman. open hearth, fire-place

Company. Stache, Adolphe (1823-1862), painter

Lady Jane Grey s reluctance to accept the crown Sion House July 8th 1553. From The National and Domestic History of England by William Aubrey published London circa 1890

Le Tartuffe or the impostor ", theater of Molière, volume IV, page 171. Estampe de Laurent Cars (1700-1771) after François Boucher (1703-1770). Museum of Fine Arts of the city of Paris, small Palace. 33342-6 French dramatic author, comedy, print, illustration, impostor, piece, scene

Sir Wiliam Montagu and other knights arrest Roger Mortimer, Earl of March, in Nottingham Castle, 1330. Isabella of France, Edward II's queen consort, pleads for her lover. Seizing of Mortimer. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.

In a room, a seated woman makes a dismissive gesture to the man whose love she rejects The man then pulls his sword from its sheath to commit suicide, Man pulls his sword to commit suicide The suicide , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: weduwe Jacobus Loveringh & Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 245 mm × w 150 mm

A family concert, with furnishings of the Restoration era during the reign of Louis Philippe, Paris, France. Engraving by Eugene Lami, in Summer in Paris, by Jules Janin, 1844, France 19th century. Engraving.

L'Amant ecouté. Medium: color stipple. Museum: National Gallery of Art, Washington DC. Author: Louis-Marin Bonnet.

Marie Antoinette in mourning Anne Flora Millet, Marquise de Br�han (after, around 1752- after 1800). Portrait of Marie Antoinette with great mourning at the temple, she wears in the medallion the effigy of the dolphin, on the right, the bust of Louis XVI. Drawing.

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to, Print made by Guillaume Philippe Benoist, 1725-ca. 1770, French, after Joseph Highmore, 1692-1780, British, 1745, Etching with stipple engraving on medium, slightly textured, cream laid paper, Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm), Plate: 11 3/4 x 14 13/16 inches (29.8 x 37.6 cm), and Image: 10 7/16 x 14 inches (26.5 x 35.6 cm), bed, bonnets, caps, chairs, children, cradle, dresses, genre subject, literary theme, maids, mother, noblewoman, painting (visual work), Pamela, or Virtue Rewarded (1740) by Samuel Richardson (1689-1761), servants, storytelling, Tales, virtue, window, women

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..., Print made by Guillaume Philippe Benoist, 1725-ca. 1770, French, after Joseph Highmore, 1692-1780, British, 1745, Etching with stipple engraving on medium, slightly textured, cream laid paper, Sheet: 15 3/8 x 20 1/16 inches (39.1 x 51 cm), Plate: 11 13/16 x 14 13/16 inches (30 x 37.7 cm), and Image: 10 7/16 x 14 1/16 inches (26.5 x 35.7 cm), bonnets, bundle, cap, carpet, chairs, closet, clothing, curtain, door, dresses, escape, gowns, hats, homesick, leaving, literary theme, man, nobleman, novel, Pamela, or Virtue Rewarded (1740) by Samuel Richardson (1689-1761), servants, spying, table, talking, women

Twelfth Night, or, What You Will. Act IV. Scene III. Olivia´s Garden. Sebastian, Olivia and Priest. From The Boydell Shakespeare Gallery published late 19th century. After a painting by William Hamilton.

La bonheur du Mariage, Print made by Johann Jacobus Haid, 1704-1767, and Johann Elias Haid, 1739-1809, German, undated, Mezzotint with etching on moderately thick, moderately textured, cream laid paper, Sheet: 15 7/8 x 10 1/16 inches (40.4 x 25.5 cm), Plate: 12 3/4 x 8 1/16 inches (32.4 x 20.5 cm), and Image: 11 1/4 x 8 inches (28.6 x 20.3 cm), babies, bedroom, children, couch, genre subject, happiness, husband, living room, man, playing, sitting, wife, woman

Jephtha dressed in armor looking up in despair, and his daughter holds a harp at right Johann Elias Haid German After Bernardo Strozzi Italian 1775 View more. Jephtha dressed in armor looking up in despair, and his daughter holds a harp at right. Johann Elias Haid (German, Augsburg 1737-1809 Augsburg). 1775. Mezzotint. Prints

Writer and couple by Nicolas Lancret, oil on canvas, 1738, 1690-1743, Russia, Moscow, State Pushkin Museum of Fine Arts, 28x36

The Morning Amusements of her Royal Highness. Dated: 1782. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Thomas Stothard.

Russo-Turkish War (1768-1774). Catherine the Great (1729-1796) suggests Peter III of Russia (1728-1762) surrender with the Turks. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Cromwell, Oliver .

The Seven Ages of Man: The Infant, 'As You Like It,' II, vii. Date/Period: Between 1798 and 1801. Painting. Pen and ink and oil on panel. Height: 381 mm (15 in); Width: 505 mm (19.88 in). Author: Robert Smirke.

Francis Wheatley, 1747-1801, British, The Rustic Lover, 1786. Watercolor with black ink over graphite on medium, slightly textured, cream laid paper.

Romeo and Juliet

France. Licentiousness, ca.1810. Drawing of Auguste Claude Simon Legrand (1765-1815). Series The Prodigal Son. Plate number 2. Engraving by Castel Dibard (active 19th century). Hand-coloured etching. Museum of Romanticism. Madrid. Spain.

Paris, Avaulez, widow Pierre-Michel, Greuze, Jean-Baptiste, France, Voyez, Nicolas Joseph, Les premieres leçons de l'amour, Interior with a young woman sitting on a chair looking at two pigeons on a desk, verso - handwritten, print, engraving, prints, engravings, No. 1637., height 460 mm, width 347 mm, French, 1742 - 1806, print maker, printmaker, 1777 - 1779, paper, papier, etching, etchings, engraving (printing process), 1725-08-21 - 1805-03-21, after, after painting by, Publication (Event), Publication, - 1779, publisher

Isaac Taylor, 1730-1807, British, Unidentified Periodical / Play Illustration, undated. Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper.

England, Richardson, Samuel, Highmore, Joseph, Truchy, Louis, Pamela, or; Virtue rewarded, Pamela's Story, Pamela is stopped on her way to see Mr. B., Pamela stands behind a round table, dressed to meet Mr. B. She is stopped by Mrs. Jenkins in the doorway. The woman on Pamela's right, Lady Davers, holding a letter from Mr. B. B, holds her arm., print, prints, height 291 mm, width 374 mm, French, 1721 - 1764, print maker, printmaker, 1845 - 1845, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, 1692-06-13 - 1780, after, after a painting by, English, 1689-08-19 - 1761-07-04, writer

William Blake after Thomas Stothard, The Morning Amusements of her Royal Highness, 1782 The Morning Amusements of her Royal Highness

Scene with Family and Guest in Seventeenth-century Interior 1825-78 Attributed to Joseph Nash British. Scene with Family and Guest in Seventeenth-century Interior 363904

Dulce Domum, or the Return from School Published 1790 England. Hand-colored mezzotint on ivory laid paper . John Jones

CHARLES I OF ENGLAND parting from his children

Moicing company.

Visit to the Nurse. Dated: c. 1780/1790. Dimensions: overall: 30.2 x 38.1 cm (11 7/8 x 15 in.). Medium: gray wash and watercolor over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Borch, Gerard ter (II), Netherlands, Steelink, Willem (II), Duet, verso - stamped, A man and a woman each play the lute at a table. A man looks on. The woman turns the page of her music book. At the bottom left in the margin the coat of arms of the Six family on a twig with leaves., print, prints, height 352 mm, width 256 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1888 - 1891, paper, papier, etching, etchings, Noord-Nederlands, 1617-12 - 1681-12-08

Act V Scene i from The Tempest, c19th century. Artist: Unknown.

Visit to the Boarding School, 1900. Samuel Arlent-Edwards (American, 1862-1938), after George Morland (British, 1763-1804). Mezzotint;

TOBY IS WANTED

Paris, Chéreau, widow François, France, Le petit Maitre, bottom center in the margin - engraved, In a rococo-style room, an elegantly dressed young man, a so-called 'petit maitre', sits in an armchair, a love letter in his hand. In front of him stands a gentleman with a pigtail wig, ...stick in his left hand. With 2 x 4 lines French verse., print, prints, LE PETIT MAITRE, Quand Belise, Araminte, Ismene, Vous font tenir des billets doux, Chitandre, vous croyés sans peine, Qu'elles n'ont d'Amour que pour vous., J'en doule fort, et j'imagine, Que dans la route des faveurs, Messagers d'aussi bonne mine, Souvent sont vos avant-rijders., A Paris, ches la Ve, de F. Chérau, rue St. Jacques, aux 2. Piliers d'Or APDR, height 288 mm, width 205 mm, print maker, paper, etching, Publication (Event), Publication, publisher, writer

'Falstaff and his Friends (The Merry Wives of Windsor)', c1870. Artist: W Greatbatch.

fine arts, Moreland, George (1763 - 1804), painting, ""The Tea Garden"", circa 1790, Tate Gallery, London,

Artist: Louis Monzies, French, 1849-after 1889, After: Ernest-Ange Duez, French, 1843-1896, Sleeping, Wood engraving, platemark: 18 × 29.5 cm (7 1/16 × 115/8in.), Made in France, French, 19thcentury, Works on Paper -Prints

Lear and Cordelia, Mary Hoare, 1753-1820, British, ca. 1781, Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border, Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm), Contemporary drawn border: 22 9/16 x 17 5/8 inches (57.3 x 44.8 cm), and Sheet: 22 x 17 1/2 inches (55.9 x 44.5 cm), cloaks, crown (costume component), cushions, daughter, dress, father, footstool, gesturing, King Lear, play by William Shakespeare, literary theme, men, plays by William Shakespeare, sitting, standing, throne, tragedy, woman

Family group in interior. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 113 mm × w 79 mm. Museum: Rijksmuseum, Amsterdam.

Le Curieux, painting by Pierre-Antoine Baudouin, 1770 showing peeping-tom spying on 18th century bourgeoisie lady receiving an enema at home

Until death', 1799 Artist: Francisco Goya. Plate 55 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

Alexandre Cabanel (1823-1889). "The widow of the master of chapel, 1859". Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 24956-4 Play, organ, widowhood, widow

Dr. Johnson in the anti-room of Lord Chesterfield.

The signing of the death warrant of Lady Jane Grey

France, Longueil, Joseph de, La retour à la vertu, Young man tries to seduce a lady, verso bottom center - stamped, A young man, sitting on a bench, tries to seduce the young woman next to him. She turns her head away. Below the representation a coat of arms., print, prints, etching, height 363 mm, width 295 mm, 1730 - 1792-07-17, print maker, printmaker, 1740 - 1792, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, aquatint, etchings, color printing

Woman eating breakfast by Gabriel Metsu, Oil on wood, circa 1660, Baroque, 1629-1667, Russia, St. Petersburg, State Hermitage, 56x42

Franz II and his wife Maria Theresia, Johann Hieronymus Delete Kohl -, publishing house

Valentine Green, 1739-1813, British, Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III, 1776. Mezzotint on medium, slightly textured, cream laid paper.

Musicing couple at the table. Draughtsman: anonymous. After Gerard ter Borch (II). After Jacob Ochtervelt (rejected attribution). Dating: after c. 1675 - 1681. Measurements: h 438 mm × w 361 mm. Museum: Rijksmuseum, Amsterdam.

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia. Date/Period: 1786. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 349 mm (13.74 in). Author: Charles Reuben Ryley.

Marie Antoinette Sitting for a Portrait in Her Bedroom at Versailles 1780 Jean-Baptiste Gautier d'Agoty (1740-1786 French) Chateau de Versailles, France

Twelfth Night, by John Massey Wright. Gift of Archdeacon F.H.D. Smythe, 1957.

Jean-Frédéric Schall (1752-1825). "Frivolous love, around 1785". Oil on parquet wooden panel, around 1780. Paris, Cognacq-Jay museum. 25928-3 Hat box, boudoir, decollete, woman, frivolite, frivolite, gallantry, man, oil, parquete wooden panel, gallant scene, seduction, breast, sleep, teasing, clothing, gallant life, hat, couple

A woman sits by candlelight at her dressing table. An older woman holds a mirror in front of her. A woman behind her is handing her earrings and feathers. Paintings hang on the wall. After a painting by Godfrey Schalcken, Lady in front of mirror by candlelight., print maker: Petrus Augustus Beretta, (mentioned on object), Godfried Schalcken, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, Netherlands, printer: Amsterdam, 1815 - 1866, paper, h 530 mm × w 362 mm

Interior of a balcony at the opera house, with furnishings of the Restoration era during the reign of Louis Philippe, engraved by Eugene Lami, in Summer in Paris, by Jules Janin, 1844, France 19th century. Engraving.

Music-making couple at table, anonymous, after Gerard ter Borch (II), after Jacob Ochtervelt, after c. 1675 - 1681, Music-making couple at table; a standing man looks on., after: Gerard ter Borch (II), draughtsman: anonymous, after: Jacob Ochtervelt, (rejected attribution), after c. 1675 - 1681, paper, brush, h 438 mm × w 361 mm

Back from the Market. David Emil Joseph de Noter (1825-1875). Oil on panel. Dated 1846. 66 x 55.2cm

The parlor of the nuns of San Zaccaria, 1746, by Francesco Guardi (1712-1793), oil on canvas, 108x208 cm. Detail.

Singing young woman and three young men at a table, Jean Moyreau, After Jean Antoine Watteau, 1728 print A young lady has a music book open on the table. Next to her two young men who watch her. On the left a young man with a hat on who makes a gesture. With poem in French. publisher: Parispublisher: ParisFrance paper etching / engraving vocal music, singing

Man showing innovating machine to tsarina Catherine the Great by Ivan Kuzmich Fyodorov, oil on canvas, 1853-, 19th century, Private Collection

Giovanni Vendramini, 1769-1839, Italian, 'Cries of London' Plate 6: "Knives Scissors and Razors to Grind", 1795. Colored engraving with stipple.

Marie Antoinette (1755-1793), wife of Louis XVI and Queen of France (1774-92), with her children in Trianon. Engraving in "Galeria Universal", 1868. Colored.

The Paternal Admonition sometimes called The Matchmaker, c1654. Oil on canvas. Gerard Terborch (1617-1681) Dutch genre painter. Fabric of the girls dress typical of the artists painting of textiles. Domestic interior.

Boogaart, A., Amsterdam, Gole, Jacob, Haarlem, Dusart, Cornelis, Tout Autre Chose, Vrouw en man with a wine jug, verso - stamped, A young woman reaches for the wine jug that a man is holding. On the table next to them is a pipe and a cup., print, prints, height 188 mm, width 152 mm, Northern Netherlands, 1660 - 1724, print maker, printmaker, 1670 - 1724, paper, mezzotint, engraving, engraving (printing process), Work conception, 1660-04-24 - 1704-10-01, after a design by, Publication (Event), Publication, publisher, writer

Cinderella Frederic Theodore Lix (1830-1897 French) Print Private Collection, Paris, France

Hamlet and his Mother; The Closet Scene Dated in red paint, lower left: "PINXIT 1846", Richard Dadd, 1817-1886, British

. Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Jean François Janinet after Nicolas Lavreince, A Woman Playing the Guitar, 1788 1789 A Woman Playing the Guitar

Musical couple, a man is watching, draughtsman: Abraham Delfos, after: Gerard ter Borch (II), 1741 - 1820, paper, brush, h 449 mm × w 372 mm

Maurice Blot after Jean Honoré Fragonard, Le Contrat Le Contrat

De muziekles (The music lesson). Engraving by Brend'amour (1831-1915) after the painting by the Belgian painter Pierre Jean Van der Ouderaa (1841-1915). La Ilustracion Espanola y Americana (The Spanish and American Illustration), 1883.

Tom Jones and Sophia Western by Thomas Rowlandson 1792. Thomas Rowlandson (13 July 1757 - 21 April 1827) was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation.

Two children making music with their mother, print maker: Henricus Wilhelmus Couwenberg, (mentioned on object), after: Willem Hendrik Schmidt, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), print maker: Amsterdam, publisher: The Hague, 1830 - 1845, paper, steel engraving, h 120 mm × w 88 mm

Two women and a bird buyer, Nicolo Cavalli, After Antonio Marinetti, 1740 - 1822 print print maker: Veniceafter painting by: Italy paper etching / engraving birds. merchant, salesman

Philibert-Louis Debucourt, French (1755-1832), Les Deux Baisers (The Two Kisses), 1786, etching and wash manner, printed in blue, red, orange, yellow, and black inks

After the execution of her husband. King Louis XVI. the imprisoned Queen Marie Antoinette was imprisoned in La Conciergerie. a former royal palace and prison in Paris. France. digital reproduction of a historical original

The Tickle by Longhi, Pietro (1701-1785) Thyssen-Bornemisza Collections c. 1755 Oil on canvas 61x48 Italy, Venetian School Rococo Genre Painting

Charity, Photogravure Print from the Original Painting by Edouard Dubufe, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Prince Alexander Sergeevich Stroganov with his wife Ekaterina Petrovna and children by Anonymous / State Hermitage, St. Petersburg/ ca 1778/ France/ Gouache on paper/ Classicism/ 49,3x38,3/ Architecture, Interior,Portrait

Tony Johannot, Three Women, 1838, gouache over pencil on paper.

Henry the Eighth and Anna Boleyne Engraved by T Cooke after Hogarth from The Works of Hogarth published London 1833, Historic, digitally restored reproduction from a 19th century original, Record date not stated

Marie Antoinette's History Lesson. A. Telser (19th century). Oil on canvas. 57.1 x 76.8cm.

Execution of Lady Jane Grey on 12 February 1554, from The National and Domestic History of England by William Aubrey, published in London around 1890, Historical, digitally restored reproduction from a 19th century original, Record date not stated

of 2