18th Century Engravings

A collection of 18th-century engravings depicting various scenes, including debauchery, healing, mother and child, and intimate interiors, characterized by detailed artistry.

Sebaldus in de man, reinier angles (i), after Jacobus Buys, 1786 print While Sebaldus is in the basket and calls for help, Werther takes Eugenia's hand to flee with her. Illustration with a scene from the play 'The Ascension of Sebaldus'. Amsterdam paper etching / engraving container made of plant material other than wood: basket. escape, escape attempts

La Triple Y Vresse, Claude-Louis Desrais, (French, 1746-1816), Engraving on paper, A scene of debauchery in an inn, showing two soldiers carousing with women at a table, while a third soldier has fallen into a drunken stupor., Paris, France, ca. 1775-1760, Print, Print

An etching by Giovanni Domenico Tiepolo from the 18th century depicting Saint Patrick healing a cripple, showing the saint and the patient with surrounding figures.

L'Amour a L'Espagnole ca. 1780 Augustin de Saint-Aubin French. L'Amour a L'Espagnole 423431

Young mother with children and a cat in a rustic interior, Jean Charles Le Vasseur, 1763 - c. 1770 print Paris paper etching / engraving mother and baby or young child. cradle, crib

La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean-Baptiste-Michel Dupréel French. La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369347

Eugène Delacroix (1798-1863). Hamlet and Ophélie (Delteil 107). Lithography. 1834-1843. Museum of Fine Arts of the City of Paris, Petit Palais. LITHOGRAPHY

Etching and engraving depicting nine people in a music society, showing figures, musical instruments, clothing, and interior elements. Produced between 1640 and 1677, emphasizing social and musical activity and composition.

Two ladies have a conversation, Reinier Vinkeles (I), 1787 print Two ladies have a conversation in a departure. One of them has a fan. Two gentlemen in the background, one of which is read. Amsterdam paper etching / engraving conversation, dialogue; conversation piece. fan. reading

Sebaldus in de man, reinier angles (i), after Jacobus Buys, 1786 print While Sebaldus is in the basket and calls for help, Werther takes Eugenia's hand to flee with her. Illustration with a scene from the play 'The Ascension of Sebaldus'. Amsterdam paper etching / engraving container made of plant material other than wood: basket. escape, escape attempts

LaPoupee. Artist: Paul Gavarni, French, 1804-1866

Karl I, King of England.

Gunther and Brunhilde, Gestochen Gonzenbach, Steel engraving on paper, Germany, Europe, Print, Print

Hugo de Groot with wife and daughter in Loevestein, 1621, Reinier Vinkeles (I), 1794 print Hugo de Groot with his wife Maria van Reigersberg and his daughter Cornelia in Loevestein, the day before the escape on March 22, 1621. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching Slot Loevestein

Copper engraving and etching by Jean Joseph Balechou from 1743 depicting L'operator Barri, showing figures, gestures, attire, and occupational activities in a detailed composition.

Vrek, Nicolas Toussaint Charlet, 1835 print De Vrek counts his money and refuses to give a beggar something. Paris paper miser. beggar

Copper engraving and etching by Nicolas Delaunay around 1778 depicting a scene titled 'The Gentle Ticket' with figures and interior elements.

Etching by Pierre Etienne Moitte around 1770 depicting summer leisure activities with figures enjoying seasonal sweets, showing composition and landscape elements.

Copper engraving and etching by Antonie van der Does depicting the Holy Family inside a room with a fireplace, produced between 1625-1680, showing Mary, Joseph, and Jesus in domestic setting.

Death of Princess Anna, 1759. The death of Princess Anna van Hanover on January 12, 1759. Prince Willem V and Princess Carolina mourning the death bed of their mother.

Etching and copper engraving by Jean Charles Le Vasseur, 1754-1763, depicting a scene titled 'The fragrant' with a figure and decorative elements.

Conversion of the free -thinking man, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A freethinker, next to his bed are books by Voltaire and 'Système de la Nature' by Thiry, can be converted by his maid on his deathbed. Amsterdam paper etching deathbed. conversion and belief. maid ~ house personnel

The image breaker / painted by E. Leutze ; engraved by Alfred Jones. | Library of Congress

Podlasie; Payne, Albert Henry (1812-1902), Meyerheim, Fryderyk Edward (1808-1879), Payne, Albert Henry (Leipzig, Dresden; Publishing House; 1838-1920); 1840-1850 (1840-00-00-1850-00-00);

Alphonse Leon Noël, Le Maître de Musique, 1814-1866, lithograph on paper.

Albrecht Beiling says goodbye to woman and child, 1426; Albrecht Beiling / Les Adieux d'Albrecht Beiling. Albrecht Beiling, commander in Schoonhoven, judged by Jacoba van Bavaria to be buried alive, says goodbye to wife and child, January 1426.

Dorval dies in the arms of a woman, Reinier Vinkeles (I), 1781 print Amsterdam paper etching / engraving 'sudden death'. mourning the dead

Portret van Koningin Hortense de Beauharnais, Pierre Michel Adam, After François Gérard, 1825 - 1828 print print maker: Franceafter painting by: Franceprinter: Paris paper. etching historical persons. chair. standing figure - AA - female human figure

Qui est plus a plaindre, auMonde!…. Artist: Paul Gavarni, French, 1804-1866

Etching by Maria Anna Angelika Catharina Kauffmann, 1779, depicting a scene of children at play, emphasizing figures, movement, and interaction.

Woman leaves a departure while a man is watching, Reinier Vinkeles (I), 1792 print Amsterdam paper etching / engraving taking leave

Mephistopheles Receiving the Student. Eugène Delacroix; French, 1798-1863. Date: 1828. Dimensions: 260 × 215 mm (image); 380 × 310 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: EUGENE DELACROIX.

Les Apprèts pour le Bal ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Music teacher with student behind the piano, Paul Gavarni, 1844 print Paris paper pianoforte. musician training pupils, music-lesson. courting

Edouard in Het Goud, Joseph de la Serrie, after Pierre Prud'hon, 1811 print Scene from "La Tribu if" by Lucien Bonaparte, in this case with the meaning of personification of the desire for wealth that nature tramples. paper etching literary characters and objects. treasure hunting, goldrush. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

Interior with lady, parrot and dog, Gabrielle Poynot, after George Morland, 1880 - c. 1905 print Paris paper etching ornamental birds: parrot. interior of the house. dog

Copper engraving by Adriaen Brouwer depicting figures drinking and smoking with flames, created between 1739 and 1797, showing 18th-century European printmaking techniques.

Copper engraving and etching by Claude Augustin Duflos around 1759 showing a spinner operating a spinning wheel in a domestic interior setting.

Three ladies at the window, Daniel Nikolaus Chodowiecki, 1764 print paper etching human figure at (open) window, seen from inside

En voulez-vous de la crevette...pas cher ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Zygmunt August and Barbara Radziwi Holewia, Józef (1848-1917), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Dame gets out of consciousness while writing a letter, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving handwriting, writing as activity. fainting, swooning. picture, painting

Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.) 1799 Goya (Francisco de Goya y Lucientes) Spanish In Goyas depiction of poor perception, a man with a monocle scrutinizes a maja, watched by figures seated in the background. His dress and body language, which link him to the ridiculed fop or dandy, and the fact that he is relying on sight alone suggest that he lacks the discernment to assess the womans true nature. The flirty and self-possessed maja has been identified as a prostitute and the man as a foolish admirer whose desires render him complicit with her deception. Thus, the scene also refers to a lack of understanding between the sexes, a theme Goya explored throughout the Caprichos.. Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.) 360413

Hortense of Beauharnais / Queen of Holland and his son

Copper engraving and etching by Auguste Claude Simon Legrand, produced 1790-1815, depicting old and young women with children, showing figures, postures, and interaction in domestic setting.

Consultation between the prince and the commissioners of Overijssel, 1786, Reinier Vinkeles (I), After Jacobus Buys, 1794 print Consultation on Palace Het Loo between Prince Willem V and the commissioners of the three most important cities of Overijssel to advocate suspension of the prince's measures against the cities of Hattem and Elburg, September 4, 1786. Amsterdam paper etching / engraving governor, etc. of province Palace Het Loo

Young man offers his beloved a pearl cord, Reinier Vinkeles (I), after Adriaan Pietersz. Loosjes, 1803 print On a market, a young man offers his beloved a chain. The market woman shows a second cord. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving pearl; pearl necklace (+ women's clothes). couple of lovers. stall, booth (~ market)

Le Petit Maitre. In a departure in Rococo style is an elegantly dressed young man, a so-called 'Petit Maitre ", in an armchair, a love letter in hand. For him there is a Lord with tail wick, ... Stick in the left hand. With 2 x 4 French rules fresh.

Copper engraving and etching by Pierre Dupin showing D. Gusman and a young lady, depicting figures, gesture, interaction, interior setting, and attire, dated 1705-1751.

Nicolas de Larmessin IV produced a copper engraving and etching between 1704 and 1755 depicting a courtisane in love, illustrating 18th-century European figural and romantic scenes.

Dog teasing, Carel Frederik Curtenius Bentinck, after Frans van Mieris, 1822 - 1845 print A woman is sitting in a living room and has a dog on your lap. She pushes away a man who stands next to her and pulls on a dog's ear. A second dog jumps against her. To a painting by Frans van Mieris. print maker: Netherlandsafter painting by: Netherlandsprinter: Dordrecht paper mocking, insulting; teasing. dog. living-room, parlour, sitting-room

Et moi, ma livree etait bleu deciel.. Artist: Paul Gavarni, French, 1804-1866

Un montre a soi ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print made by Anker Smith, 1759-1819, British, Attempt to Assassinate Prince Edward in Palestine, 1816. Etching and line engraving on thin, slightly textured, cream laid paper.

Man suggests a woman. In a departure a man suggests a woman while two people come in.

Le Phénakisticop Made 1834 France. Lithograph in black on off-white wove paper . Paul Gavarni

The mother, wife and son of Reinier van Oldenbarnevelt Smekeken Maurits Om Grace, 1623, Johann Wilhelm Kaiser (I), After Hendrik Jacobus Scholten, 1850 - 1899 print The mother, wife and son of Reinier van Oldenbarnevelt are sitting at Prince Maurits at a table and begging for grace for Reinier van Oldenbarnevelt, one of the consemplifiers sentenced to death, March 1623. Netherlands paper steel engraving

Etching and aquatint by Joseph Hauber from 1796 depicting the birth of Christ with Mary and the infant Jesus in a Nativity scene.

Greeting upon arrival, Daniel Nikolaus Chodowiecki, 1778 print Upon entering, a man greets a woman in a 'natural' way. Numbered at the top right: 10. paper. pencil etching head bent forward; bowing

Girl shows children her bird cage, Johann Eleazar Schenau, 1765 print Paris paper etching Childhood (alleg.). relations between the sexes. bird in a cage

Lithograph by Hippolyte Bellangé depicting a general with figure and attire, showing gesture and posture, executed around 1835.

Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2) 1794 James Fittler British. Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2) 392558

Le Recherche de l'inconnu ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Abenteure von den Niebelungen, 1817, After Peter von Cornelius, German, 1783-1867, 24-1/2 x 36-1/2 in. (62.2 x 92.7 cm), Engraving, Germany, 19th century

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Robert Smirke, 1752-1845, British, Tempest. Engraving.

Copper engraving and etching by N. Thomas from 1809 depicting Bruno of Cologne appearing with three angels, showing figures, gestures, and detailed composition.

Les Oyes de FrerePhilippe. Artist: Louis Monzies, French, 1849-after 1889 After: Nicolas Lancret, French, 1690-1743

An etching by Maria Anna Angelika Catharina Kauffmann from 1781 depicting Venus leading Helena to Paris, showing mythological figures, gestures, and multi-colored composition.

Etching from the 18th-19th century depicting a figure with the gesture 'Do not touch me', showing posture, hands, and visual expression.

Far-Niente ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Sultane Noire, plate 28 from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 197 × 132 mm (image); 215 × 136 mm (plate); 265 × 206 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Copper engraving and etching by Robbert Muys depicting a sick person, created between 1757 and 1764.

Etching and copper engraving by Louis Michel Halbou from 1781 titled 'Raising it', depicting figures engaged in lifting an object with focus on posture and movement.

Il appliqua sur cette main un baiser que je sentis sur mon coeur. Dated: 1777. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Michel Moreau.

Young Girl with Bird. Dominique-Vivant Denon; French, 1747-1825. Date: 1815-1825. Dimensions: 215 × 168 mm (image); 346 × 264 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Clarissa rejects the marriage proposal from Lovelace, Daniel Nikolaus Chodowiecki, 1784 print Numbered at the top right: No. 13. paper etching Literature. being refused, the proposal rejected

Garden of Thuileries. / 7 (title registered (letter)) | Paris. (Title of all)

La Vierge, L'Engant et Saint Jean; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1890 (1890-00-00-1890-00-00);Baby Jesus (iconogr.), John the Baptist (Saint), Maria (Mother of Jesus Christ), Musées et Salons (Paris Series - Fl. Ca 1884-1893), Wellisz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, Polish graphics, reproductive graphics, prayer books, publishing prints, publishing seals, Poland (culture), devotional performances, roses (bots), religious scenes, purchase (provenance )

"He smothers her": plate 13 from Othello (Act 5, Scene 2) etched 1844, reprinted 1900 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, Othello smothers Desdemona, convinced by the jealous Iago that she is an adultress.. "He smothers her": plate 13 from Othello (Act 5, Scene 2) 371339

Etching by Jean Pelletier, around 1750, depicting a young Dutch woman drawing, showing figure, posture, tools, and domestic interior.

Title page for: August Lafontaine, 'De Verkele', 1803, Reinier Vinkeles (I), 1803 print Amsterdam paper etching / engraving child. bed

He loses his respectable benefactor ... / 6 (registered title) | Political and military civilian life of Valentine's Day. 1st part. (Title of the whole)

Portrait of Mrs Henry Inman 1831 United States. Lithograph on paper . Henry Inman

Who knows how to overcome the enemies, do not fear to suffer (IT)

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), I feel that my presence becomes unwelcome (registered title (letter)). Colored lithography, woven paper. Balzac house.

The Governor of Schopfheim, plate seven from Zehn Blätter zu Hebels Alemannischen Gedichten. Sophie Reinhard (German, 1777-1843); published by Mohr und Winter. Date: 1820. Dimensions: 317 x 262 mm (plate); 460 x 379 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Photo production of a drawing of a scene from a poem by Friedrich Schiller, by A. Müller, Friedrich Bruckmann, after A. Müller, c. 1870 - in or before c. 1875 photograph London (possibly) photographic support albumen print washing and changing baby

Un bal costumé ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The lightweight butterfly is the emblem of a heart ... / 3 (registered title) | Lithographic album by Charlet (title of all)

Girl gives a kiss on the cheek of a girl sitting in a high chair, Albrecht de Vriendt, 1869 print The two girls are daughters of Guy (Guy) de Dampierre. The Flemish Lion is depicted on the girls' dresses. Brussels paper. etching girl (child between toddler and youth) (+ two persons). embracing each other, kissing. chair

Plate 75 from 'Los Caprichos': Is there no one to untie us (¿No hay quien nos desate) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 75 from 'Los Caprichos': Is there no one to untie us (¿No hay quien nos desate). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint. Prints

De Scheerder / Le Barbier, Van Lier brothers, 1840 - 1850 print View in a salon of a barber. A barber, with comb behind his ear, shaves a man sitting in a chair. Numbered below: No. 49. Publisher: Den Boscheprint Maker: Netherlands paper barber, barbershop. shaving, being shaved

Meal in Emmaüs.

Mon dernier caprice m'a cassé trois dents ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mon pievre Triis ... /* / 5.

Portrait of Angelica Catalani de Valabrègue ca. 1815 Antoine Louis François Sergent Marceau French. Portrait of Angelica Catalani de Valabrègue 334844

Talleyrand Perigord, Charles Maurice Herzog bar lithograph of Alfred Croquis (= Daniel Maclise) with French legend

Abraham and Isaac, Anonymous, After Rembrandt van Rijn, 1819 print paper etching story of Abraham. story of Isaac

Bliżej Kultury Hanfstaengl, Franz (1804 1877), Rembrandt van Rijn (1606 1669)

Reprèsentation à bénéfice. - (Entrées de faveur généralement suspendues) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

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