18th Century Illustrations

Features various 18th-century illustrations, including etchings and engravings depicting social scenes, literature, and domestic life, in a vintage art style.

Interior with Woman with Dolk, Jan de Jonge, 1701 print Interior with a woman with dagger. She is about to put a sleeping woman in bed. Top right: fol. 430. Middelburg paper etching violent death by dagger, knife - EE - death not certain; wounded person

Matthew Bramble Offering Charity to the Ensign's Widow, an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1 1793 Charles Grignion, I. Matthew Bramble Offering Charity to the Ensign's Widow, an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1. The Expedition of Humphrey Clinker. Charles Grignion, I (British, London baptised 1721-1810 London). 1793. Etching and engraving. Prints

Geraud Vidal, La Soubrette Confidente, 1752-1804, etching and engraving on paper.

Setting out for the Fair, John Eginton, active 1763-1800, after Francis Wheatley, 1747-1801, British, 1792, Stipple engraving

Interior with Woman with Dolk, Jan de Jonge, 1701 print Interior with a woman with dagger. She is about to put a sleeping woman in bed. Top right: fol. 430. Middelburg paper etching violent death by dagger, knife - EE - death not certain; wounded person

George Keating, 1762-1842, Irish, The Deserter, 29 July 1791, 1791.

A Harlot's Progress, Plate 2 April 1732 William Hogarth British. A Harlot's Progress, Plate 2 399542

Liefdespaar in een vertrek; Dom Garcie de Navarre.A few engaged in an intimate hug coast. From behind a curtain a man spies them. Scene from the play Dom Garcie de Navarre Ou Le Prince Jaloux, from Molière.

Gerard Rene Le Vilain after Nicolas Lavreince, Le repentir tardif Le repentir tardif

Innocence in Danger 1780-1790 France. Engraving on ivory laid paper . Jean Gabriel Caquet

Jean-Jacques Flipart (1719-1782). "The dance lesson", after Pietro Longhi (1702-1785). Engraving (chisel). Museum of Fine Arts of the City of Paris, Petit Palais. 74201-27 Froz, dance, dancer, dancer, interior, lecon, character, professor, 18th 18th 18th 18th 18th 18th 18th century, engraving

Francisco de Goya (Spanish, 1746-1828). Quien mas rendido (Which of them is the more overcome), 1796-1797. From Los Caprichos, no. 27. Etching, aquatint, and drypoint. Plate: 195 mm x 150 mm (7.68 in. x 5.91 in.).

LE LENDEMAIN DU BAL Oh! mon cher, une fievre! uneagitation…. Artist: Paul Gavarni, French, 1804-1866

unknown artist, Bob Blunt in Amaze, or Female Fashionable Fallies. Mezzotint.

Dog teasing. A woman is sitting in a living room and has a dog on shot. She pushes a man away that stands next to her and pulls a dog's ear. A second dog jumps into her. To a painting by Frans van Mieris.

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming, Print made by Guillaume Philippe Benoist, 1725-ca. 1770, French, after Joseph Highmore, 1692-1780, British, 1745, Etching with stipple engraving on medium, slightly textured, cream laid paper, Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm), Plate: 11 13/16 x 14 7/8 inches (30 x 37.8 cm), and Image: 10 3/8 x 14 1/8 inches (26.4 x 35.9 cm), bedroom, blankets, cap, chairs, closet, crying, drapery, fainting, fear, kissing, literary theme, man, night, nightgown, novel, Pamela, or Virtue Rewarded (1740) by Samuel Richardson (1689-1761), pillows, robe, screaming, servants, slippers, stockings, stool, surprise, swooning, table, virtue, women

A Musical Study. 1809. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Mrs. Heukbane & Mrs. Shortcake, Print made by George Cruikshank, 1792-1878, British, 1838, Etching on medium, slightly textured, cream wove paper

Guillaume Philippe Benoist, 1725-ca. 1770, French, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

The fiancée d'Abydos. (dummy title)

Garden with naughty children, Christiaan Josi, After Richard Westall, 1796 print A girl tries to grab a butterfly, another girl watches. A boy wants to chase the butterfly away. London paper etching / engraving mischief-making play

Le Dernier Quartier De La Lune DeMiel.. Artist: Paul Gavarni, French, 1804-1866

Francisco de Goya, Quien mas rendido (Which of Them Is the More Overcome), published 1799 Quien mas rendido (Which of Them Is the More Overcome)

Dame gets out of consciousness while writing a letter, Reinier Vinkeles (I), 1779 print Amsterdam paper etching / engraving handwriting, writing as activity. fainting, swooning. picture, painting

Illustration for 'Life of a Badly Brought Up Young Lady'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1779. Prints; etchings. Etching

Interior with piano playing woman, two listening men and two playing children, Eugène Leguay, after Philippoteaux, 1832 - 1905 print paper steel engraving interior of the house. one person playing an instrument. grand piano

Sweet China Oranges, Sweet China!, Luigi Schiavonetti, 1765-1810, Italian, after Francis Wheatley, 1747-1801, British, 1794, Aquatint, Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm), Plate: 16 1/2 x 13 inches (41.9 x 33 cm), and Image: 14 1/8 x 11 1/8 inches (35.9 x 28.3 cm)

Etching by Géraud Vidal titled 'I was dealing with you,' created between 1770 and 1801, using a punctuation manner style.

A Stop at the Inn. Thomas Rowlandson (England, London, 1756 or 1757-1827). England, 1794. Drawings. Pen and brown ink and colored washes over graphite

The Declaration Artist's working dates 1776-1822 France. Engraving on paper . Charles Clément Bervic

Nice sleep.

Pamela loses consciousness in the discovery of a hidden man in her closet, Antoine Benoist, after Joseph Highmore, 1731 - 1770 print France paper etching / engraving fainting, swooning. bed. hiding, hiding oneself

Sketch of a lady, illustration for Waiting for her Lover,” from Old Songs. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

A 1795 etching in punctuation manner by P. J. Challiou depicting Clarissa Harlowe, a character from Samuel Richardson's novel.

Les Apprèts pour le Bal ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Maurice Blot, Monseigneur le Dauphin et Madame, Fille du Roi, 1786, etching and engraving on paper.

Poisoning Queen Bona. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1862; Walkiewicz, W Adys Aw (Ca 1833-1900), Matejko, Jan (1838-1893), Dzwonkowski, Adam (Warsaw; Litographic Zak 1859-1872); 1862 (1862-00-00-1862-00-00);

'Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog. Artist: Jacques Philippe Le Bas (French, Paris 1707-1783 Paris); After Nicolas Lancret (French, Paris 1690-1743 Paris). Dimensions: Sheet: 18 11/16 x 13 7/8 in. (47.5 x 35.2 cm). Date: 1743. Museum: Metropolitan Museum of Art, New York, USA.

Illustration for Le Page's 'Gil Blas'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Wilhelm Marstrand (1810-1873), Arendses last visit at Ewald at its illness, 1863

Print made by William Dickinson, 1746-1823, British, Duchess of York, 1795. Mezzotint (only state) on medium, slightly textured, cream laid paper.

Title vignette for part II of the novel by F.H. Unger Jülchen Grünthal, included in the publication: Julchen Grünthal. (By Frieder. Helene Unger) (First Part). Second party (by J.E. Stutz.) Third and with a Second Volume. Berlin 1798, with Johann Friedrich Unger. Chodowiecki, Daniel Nikolaus (1726 1801)

Paris, Basan et Poignant, Lemoine, Jacques Antoine Marie, France, Janinet, Jean François, Mademoiselle Du T, Portrait of Catharine Rosalie Gérard, verso bottom center - stamped, Portrait of the actress Catharine Rosalie Gérard, also called Mademoiselle Duthé, sitting at her dressing table, a letter in one hand, a bunch of roses in the other. Print is cut out and pasted in an oval frame., print, prints, height 340 mm, width 270 mm, height 241 mm, width 203 mm, French, 1752 - 1814-11-01, print maker, printmaker, 1779 - 1779, fourth quarter 18th century, paper, aquatint, etching, etchings, color printing, 1751-07-01 - 1824-02-07, after, after painting by, Publication (Event), Publication, publisher

Voulez-vous triompher des belles... From 'L'Oeuvre d'Antoine Watteau Peintre du Roy Recueil Jullienne', 1725, France, by Henri Thomassin, Jean-Antoine Watteau, Henri Thomassin. Gift of Sir John Ilott, 1968.

Afternoon: three women with fans and a man at a fountain, Nicolas de Larmessin (III), After Nicolas Lancet, 1741 print publisher: ParisFrance paper etching / engraving garden fountain. fan

Lady Rushout and Daughter, Print made by Thomas Burke, 1749-1815, British, after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), Published by William Dickinson, 1746-1823, British, 1784, Stipple engraving, mezzotint and etching on moderately thick, slightly textured, cream laid paper, Sheet: 17 1/16 × 13 1/16 inches (43.3 × 33.2 cm) and Image: 13 1/4 x 10 9/16 inches (33.6 x 26.9 cm), beauty, child, daughter, fancy dress, flowers (plants), garlands, hair, lady, landscape, mother, oval, pearls, portrait, sitting, trees

J.F. Cazenave (French, active ca. 1793-ca. 1843) after Louis Léopold Boilly (French, 1761-1845). The Optical Viewer (l'Optique), ca. 1794. Etching and engraving with roulette and rocker on laid paper. Sheet: 617 mm x 473 mm (24.29 in. x 18.62 in.).

Two Seated Women Reading a Letter, Print made by Pieter Schenck, 1660-1719, Dutch, after Gerard Pietersz. van Zijl, 1607-1665, Dutch, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 14 5/16 × 10 7/8 inches (36.4 × 27.6 cm), Plate: 13 1/8 × 9 13/16 inches (33.3 × 24.9 cm), and Image: 13 1/8 × 9 3/4 inches (33.3 × 24.8 cm)

Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3) 1825-40 Charles Heath, the elder. Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 2, Scene 3). After Philip Francis Stephanoff (British, London 1787/1790-1860 Hanham, Gloucestershire). 1825-40. Etching and engraving. Charles Heath, the elder (British, London 1785-1848 London). Prints

Are you sure at least that I will be comfortable, from 'News of the day,' published in Le Charivari, August 14, 1866 August 14, 1866 Honoré Daumier. Are you sure at least that I will be comfortable, from 'News of the day,' published in Le Charivari, August 14, 1866. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). August 14, 1866. Lithograph on newsprint; third state of three (Delteil). Arnaud de Vresse. Prints

Shakspeare. Much ado about nothing, act III, scene I , Orchards, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Much ado about nothing. Thomas Pennant Barton Collection

Photo Production of (Presumably) A Print to Work by W. von Kaulbach: Eugénie (natural daughter); Eugénie (natural daughter) W. von Kaulbach. Part Of Photo Album With 16 Cartes DE-Visite Of Women's Figures From The Work of J.Wt From Goethe.

La Fuite a Dessein After Jean Honoré Fragonard French. La Fuite a Dessein 369295

Lady undressed on a grass bed (title registered) | Galantence scene (dummy title)

John Eginton, active 1763-1800, The Fairings, 1792. Stipple engraving.

Illustration for 'Becker's Almanac for 1799'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, circa 1799. Prints; etchings. Etching, laid down

Wallerant Vaillant, Concert with Nine Persons Concert with Nine Persons

Jean Dambrun and Jean Baptiste Tilliard after Jean Honoré Fragonard, Le faucon Le faucon

The Wane of the Honeymoon. Dated: 1789. Dimensions: plate: 60.2 x 45.5 cm (23 11/16 x 17 15/16 in.) sheet: 60.3 x 45.5 cm (23 3/4 x 17 15/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Robert Laurie after Francis Wheatley.

Herder learns Herderin Flute, René Gaillard, After François Boucher, in Or Before 1758 print print maker: Parispublisher: ParisParisFrance paper engraving / etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. flute, aulos, tibia

The Rose 1788 Louis Philibert Debucourt French. The Rose. Louis Philibert Debucourt (French, Paris 1755-1832 Paris). 1788. Etching and aquatint printed in color. Prints

Little Red Riding Hood and the wolf; Set of Mother's goose illustrations. Little Red Riding Hood stands for the bed in which the angry wolf is dressed as her grandmother. Due to the open door view of two logging figures. This print is made by the story of Little Red Riding Hood and the Wolf from "Mother's Consultations Du Tem's Passé de Mere L'Oye" from Charles Perrault.

Leclerc, Sébastien (II), France, Jeaurat, Edme, La Peinture., Allegory of painting, verso - stamped, print, prints, height 181 mm, width 210 mm, 1688 - 1738, print maker, printmaker, 1724 - 1724, paper, papier, etching, etchings, engraving, engraving (printing process), stippelwerk, French, 1676-09-29 - 1763-06-29

Servant Portant a Pitul Chien signs SES bras. / No. 10 / No 14. (District factice) | I figures at la monde in English M. LUIT Duc de Bourville (IFF 982 to 1005) (title of the ensount)

Little Red Riding Hood and De Wolf, Simon Fokke, After G. Edelinck, 1754 - 1784 print Little Red Riding Hood stands in front of the bed in which the angry wolf is dressed as her grandmother. Through the open door view of two wooden -heeling figures. This print is made by the story of Little Red Riding Hood and the Wolf from "Stares of Mother de Gans - Contes du Tems Passé de Ma Mere lOye" by Charles Perrault. Amsterdam paper etching bed. tales and fairy tales: Little Red Riding-hood

Madame Dugazon in the Opera Nina, ou La folle par amour” (Nina, or The Woman Maddened by Love) Made 1787 France. Aquatint is a printing technique developed in the mid-17th century to create tonality, but it was not until the 18th century that it gained popularity as a means to imitate wash drawings and watercolors.This color aquatint was made to capitalize on the successful one-act musical play Nina, ou La folle par amour (Nina, or The Woman Maddened by Love), which premiered on May 15, 1786. The leading actress, Louise-Rosalie Lefebvre, is seen here at the pivotal moment when Nina, who goes mad believing her fiancÈ has been murdered, visits the grove where they first proclaimed their love and leaves a bouquet on a bench.. Wash-manner aquatint in color on ivory laid paper . Jean François Janinet

The Lover Heard ca. 1785 Louis Marin Bonnet. The Lover Heard. Louis Marin Bonnet (French, Paris 1736-1793 Saint-Mandé, Val-de-Marne). ca. 1785. Stipple and wash manner, printed in orange-red, blue, yellow, and black inks. Prints

Wellness; Luxuria. The lust. A man gives himself to a woman. He holds his hand on her bosom while she is defining.

The Snack 1787-93 Louis Marin Bonnet. The Snack. Louis Marin Bonnet (French, Paris 1736-1793 Saint-Mandé, Val-de-Marne). 1787-93. Stipple and wash manner. Prints

Bonnet et chapeau de Mad. Perrot-Victrich,…. Artist: Paul Gavarni, French, 1804-1866

Interior with a young woman sitting on a chair, looking at two pigeons on a desk, Nicolas Joseph Voyez, after Jean -Baptiste Greuze, 1777 - 1779 print print maker: Francepublisher: ParisFrance paper etching / engraving interior of the house. doves, pigeons. adult woman

John Jones, ca. 1745-1797, British, Lord Henry and Lady Charlotte Spencer, 1790. Stipple engraving on moderately thick, slightly textured, cream, laid paper.

Dutch maternity room, Pieter Tanjé, after Cornelis Troost, 1757 print In the maternity room, a minus gives the baby to eat while another woman watches. On the right the mother is in a four -poster bed. Her husband is sitting next to her. At the bottom of the margin the coat of arms of Johann Goll van Frankenstein, who owned the original painting. Amsterdam paper etching / engraving bed with tester. cradle, crib. lying-in room

Hearing, Bernard Picart, 1683 - 1710 print Landscape with an elegant dressed pair that sits with a ruin and sings. The woman holds an open songbook and a fan in the hands. In the margin a four -line poem in French. Paris paper etching / engraving hearing, listening (one of the five senses)

If justice was right () Charlet, Nicolas Toussaint (1792 1845), Lithography Villain, Gihaut Frères

Leszczynska, Maria .

Gretel at the Spinning Wheel Sans lui l'existence n'est qu'un lourd fardeau (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, printer: Goyer & Hermet, (mentioned on object), Paris, 1828, paper, h 485 mm × w 320 mm

Dawid i Betsabe Duncan, Andrew (1795 post 1848), Strozzi, Bernardo (1581 1644)

A Parisien soiree Date: circa 1840

Louis Marin Bonnet after Pierre Antoine Baudouin, Le Gouter Le Gouter

Mary, Queen of Scots. Dated: published 1779. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Francesco Bartolozzi after Federico Zuccaro.

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Two Gentlemen... Act V, Scene IV, Taylor, active 1790, after Edward Francis Burney, 1760-1848, British, 1790

Ciel!Anatole!. Artist: Paul Gavarni, French, 1804-1866

Francisco de Goya, Quien mas rendido (Which of Them Is the More Overcome), Spanish, 1746 - 1828, published 1799, etching, aquatint, and drypoint

Un Mari qu'on Aime n.d. Paul-Emile-Anthony Morlon French. Un Mari qu'on Aime 362018

Silvia, Proteus, Valentine and Julia (Shakespeare, Two Gentlemen of Verona, Act 5, Scene 4) 1825-40 Charles Heath, the elder. Silvia, Proteus, Valentine and Julia (Shakespeare, Two Gentlemen of Verona, Act 5, Scene 4). After John Massey Wright (British, London 1777-1866). 1825-40. Etching and engraving. Charles Heath, the elder (British, London 1785-1848 London). Prints

You have to go back in my cottage, what do you say ... CRPY. "You have to go back in my cottage, what are you saying ...". Engraving.

La promenade du matin. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Louis Lingée after Sigmund Freudenberger.

Parijs, Basan et Poignant, Werff, Van der, France, Ingouf, François Robert, Le Sentiment contraire à la Pensée, Boy with a bird on his finger, looking after a cat in a window, Paris, verso - stamped, print, prints, height 216 mm, width 162 mm, 1747-11-22 - 1812-06-17, print maker, printmaker, 1779 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, after, after painting by, Publication (Event), Publication, publisher

The Magnificent Lover, Print made by Andrew Miller, Died 1763, British, after Jacques Courtin, 1672-1752, French, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 15 5/8 × 10 1/4 inches (39.7 × 26 cm), Plate: 13 × 8 15/16 inches (33 × 22.7 cm), and Image: 11 3/16 × 8 7/8 inches (28.4 × 22.5 cm)

Doctor taking pulse of sick woman in Jan Steen's bedroom , print maker: Johannes Christiaan Bendorp, (mentioned on object), intermediary draughtsman: Nicolaus Heideloff, (mentioned on object), after: Jan Havicksz. Steen, (mentioned on object), Netherlands, 1776 - 1819 and/or 1819, paper, etching, h 104 mm × w 76 mm

The interior of a salon with fashionable people in hoop skirts and corsets, and in which even the servant and the dog are dressed up; satire of contemporary fashion. Engraving by T. Phillibrown after W. Hogarth.

Why - whisper - do you believe that the tribes have Heart ". Illustration to the" Sins of Hetma "Józef Ignacy Kraszewski; from:" K Osy "1879, No. 742 (September 18), p. 178 (page of the title); Kossak, Julius (1824-1899), Goradowski, Edward (1843-1901), K Osy (Warsaw; magazine; 1865-1890); 1879 (1879-00-00-1879-00-00); Warsaw; Graphic / Printing convex / woodcut / Storm woodcut; Products from W Lekni / Paper; Di 74917/7 MNW; all rights reservations.

Thomas Ryder, 1746-1810, Irish, The Beautiful Stranger Poisoned by Her Sister. Engraving.

Crepigny, ... .

Emmanuel Jean Nepomucene de Ghendt, Les Heures du Jour: Le Midi, c. 1778, etching on laid paper.

Amor, dressed as a boy, learns to read young women, Bernard François Lépicié, after Charles-Antoine Coypel, 1730 print publisher: ParisFrance paper engraving / etching specific aspects of Cupid. reading

The two friends..

George Siegmund Facius, 1750-1804, Romeo and Juliet: Act IV, Scene V. "Juliet on her bed.", 1803. Engraving.

Benoit Audran II, L'Aventurière, 1727, etching and engraving on laid paper.

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