18th Century Interactions

Depictions of social gatherings and conversations among elegantly dressed figures, characterized by detailed engravings capturing the nuances of human interactions in historical settings.

The Idle 'Prentice betray'd by his Whore, and taken in a Night Cellar with this Accomplice plate 9. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Elegant company in a room; Title page for: Jean François Regnard, the scattered of thoughts. Bly game, 1713. A group of men and women dance in a departure. An older lady looks with a strict gaze to a Lord who handles a letter to a lady.

The Discovery 1788 Samuel Ireland British. The Discovery 397498

A rake's progress, plate 2 , Rake's progress, Musicians, Teachers, Jockeys, Handel, George Frideric, 1685-1759, Hogarth, William, 1697-1764. Rake's progress. William Hogarth (1697-1764). Prints

Four officers in the inn, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching Literature. officer. lovers; courting, flirting

Willem V is taking a seat for the first time in the Council of State, 1763; Willem V, at Hooge Meeting, initiated, to cuisine, under the oath of secrecy, sitting. Stadtholder Willem V, Prince van Oranje, Takes A Seat in the Council of State for the first time on 9 March 1763.

Interior with figures by fireplace, Rienk Jelgerhuis, 1765 print Interior with figures by the fireplace and a cat. On the right a woman is spinning. Print from a series of thirteen with winter scenes. Leeuwarden paper etching / engraving warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Abraham Bosse (1602-1676). "The four ages of man: childhood, 1636. (Duplessis, 1078, Blum 152)". Etching. 1636. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-16 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

The Idle Prentice William Hogarth (British, 1697-1764). The Idle Prentice, 1747. Engraving on laid paper, 10 1/4 x 13 9/16 in. (26.1 x 34.5 cm). European Art 1747

Braakend and shit Englishman Robert Walpole, 1742, 1742 print A braaking and shit Englishman, originally Robert Walpole, perhaps here as King George II. A man puke all sorts of papers with inscriptions while he is skewed in an comforter (mobile toilet). On the left, others look worried. The original performance is a cartoon on English domestic politics, used here as an allegory of the Austrian War of Succession. print maker: Northern Netherlandsafter print by: Englandpublisher: Amsterdam paper etching political caricatures and satires. vomiting. unprofessional or illegal practice, popular medicine

The Idle 'Prentice betray'd by his Whore, and taken in a Night Cellar with this Accomplice plate 9. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Marriage (in: Pamjatnaja Kniażka); Unknown, Pietrow, Nikołaj Pietrowicz (1783-1876), Voenna tipographic (St. Petersburg; Printing house; fl. Ca 1860-1870), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953); 1864-1870 (1864-00-00-1870-00-00);

Board for the comic scarron novel: pyramid of wings and chicken thighs after Pater Nicolas-Bernard Lepici� (1735-1784). Board for the comic scarron novel: pyramid of wings and chicken thighs after Pater. Forte and Burin, 1733.

Touch 1635-38 Abraham Bosse French. Touch 350803

Strephon whispers a secret in the ear of his friend Elpyn. Two men sat in the background on a chair and a standing man.

Scenic scene from a comedy with an elegant company on the street; Title page for: A. Pels, the voided Hollandsche Franschman, 1717. An elegant company has gathered on the street for a house. Two men carry agitated a conversation in the nearby of a woman. Left in the background A lion trying to climb over a wall the house garden.

The elaborately dressed rake holds a purse as a man presents him with an invoice; a lace-seller, a fencing master, a violin player, a cocker and a jockey represent the services and pursuits he is engaged in. Engraving by Thomas Bowles, 1735.

Baudouin Court accordance to Julien de Vriendt. French Magazine Brown, William (1814 1877), Vriendt, Juliaan de (1842 1935)

Mezzetino sings for a woman at her toilet table, Gabriel Huquier, 1729 - 1732 print France paper etching Types in 'Commedia dell'Arte'

A rake's progress, plate 2 , Rake's progress, Musicians, Teachers, Jockeys, Handel, George Frideric, 1685-1759, Hogarth, William, 1697-1764. Rake's progress. Holt Collection

City sign academy in Amsterdam, 1764-1767, Reinier Vinkeles (I), 1768 print The city sign academy (sign academy) above the De Garde Corps in the Leidsepoort in Amsterdam in the year 1764. The drawing academy moved to the Town Hall on Dam Square on December 4, 1767. A group of male drawing students in a fairly dark interior in the event of a lamb obligation to be drawn to a male nude model, seen the model sitting from the front. In the margin at the bottom of the title and the assignment to Willem Huyghens with his family crest. Amsterdam paper etching / engraving place or institution of education and training of the artist, e.g.: academy of art. drawing-lesson Leidsepoort

Crispijn de Passe I after Maarten de Vos, Belshazzar's Feast Belshazzar's Feast

Shakspeare. Twelfth night, act III, scene IV : Olivia's house : Olivia, Maria, & Malvolio , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Twelfth night. Thomas Pennant Barton Collection

The parents have their contributions recorded, Jan Caspar Philips (attributed to), after Jan Caspar Philips, 1740 - 1760 print The parents of the bridal couple have their contributions recorded. Interior with loving pair, their parents and man writing in the foreground. Print no. 5 in a series of twelve prints with two -line verses about the Dutch habits at the marriage around 1750. Northern Netherlands paper etching / engraving parental agreement ~ marriage. marriage contract

In 't year 1747. Elevation of Prince Willem IV to Stadtholder of the Republic, May 1747.

Lady Elizabeth Grey's Interview with Edward IV, Print made by Anker Smith, 1759-1819, British, after Robert Smirke, 1752-1845, British, Published by Nuttall, Fisher & Dixon, active 1818, British, 1816, Line engraving on thin, slightly textured, cream laid paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 3/4 × 7 3/4 inches (29.8 × 19.7 cm), and Image: 10 × 6 3/8 inches (25.4 × 16.2 cm), frame (furnishing), historical subject, horse (animal), interview, staircase

Judgment of Solomon. King Solomon sits on his throne and velt a judgment about a dispute between two prostitutes that both received a child. The child who dies dead is on the ground for Solomon, the child who is still alive and is claimed by both mothers, is held by a man with a sword. From Salomon, this man gets the assignment to share the child in two but this is going to be the real mother too far, she begs him to let her child live.

Marriage à-la-mode. Plate 4. The toilette prints, engravings, works on paper

Parson Adams & Fanny examined as culprits before the country Justice, from "The Adventures of Joseph Andrews, and his friend Mr Abraham Adams" 1792 Thomas Rowlandson. Parson Adams & Fanny examined as culprits before the country Justice, from "The Adventures of Joseph Andrews, and his friend Mr Abraham Adams". Adventures of Joseph Andrews. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. James Sibbald (British, Whitlaw, Roxburghshire, Scotland 1747-1803 Edinburgh). Prints

Marriage A-la-Mode, Plate III April 1745 Bernard Baron French. Marriage A-la-Mode, Plate III 406304

A rake's progress, plate 3 , Rake's progress, Intoxication, Taverns Inns, Prostitutes, Hogarth, William, 1697-1764. Rake's progress. William Hogarth (1697-1764). Prints

Anton Weiss, A Game of Cards (recto), 1764 A Game of Cards recto

Death of Quintus Sertorius. The Roman General Quintus Sertorius is killed during a banquet by Perperna Vento, a jealous officer.

Cartoon on the prince and his supporters, 1782, Anonymous, 1782 print Cartoon on Prince Willem V of Orange and the Frisian branch. Room in which the prince enters, P. Wierdsma is central with 'Plan to bring Friesland under' t Juk 'and the two gentlemen Jr. W. van Hambroick Protector of whore values and Col. Plettenberg on the ground with saddles on their women's ridge with 'rights and free -loves of the Frisian Volks'. Left Grietman Idema, professor Petrus Camper, A. Lyklama a Nieholt Vrijheer van Sodom, Jr. Ch. Bigot. Right Grietman v.d. Haar, R. Acronius, Messalina Schepper Geb: Scheltinga and Grietman Schepper the horn carrier driving on a donkey. In this state before all names and inscriptions and the fictitious assignment of 1 October 1782 and fictitious names of manufacturers. The representation of the print is explained in a "concise explanation" and in a pamphlet entitled "De Friesche Volkstem". Northern Netherlands paper etching political caricatures and satires

Marriage A-La-Mode (Plate IV) The Toilet Scene. 1745. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Scène Uit Nicolai's Sebaldus Nothhanker, Daniel Nikolaus Chodowiecki, 1773 print With his rival Stauzius and the major, Sebaldus Nathans speaks about the amount with which the son of Stauzius wants to buy out his military service. Numbered at the top right: 153.s. paper etching Literature. interrupted meeting, lovers caught by surprise. summer-house, arbour, garden-house (Dutch: 'theekoepel'). officer

Reception of the first Dutch envoy in the US Senate, 1783, Reinier Vinkeles (I), After Jacobus Buys, 1788 - 1790 print Reception of the first Dutch envoy Pieter Johan van Berckel in the US Senate in Princetown, October 31, 1783. Amsterdam paper etching / engraving United States of America

A rake's progress. Plate 7. The prison, William Hogarth, 1735, engraving, A Rake's Progress is a series of eight paintings by William Hogarth. The canvases were produced in 1732-33, then engraved and published as engravings in 1735. Te Papa has the set of eight prints. The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling, and as a consequence is imprisoned in the Fleet Prison and ultimately Bethlem Hospital, or Bedlam. The original paintings are in Sir John Soane's Museum, London, where they are normally on display. The filmmaker Alan Parker has described the works as an ancestor to the storyboard.

Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1) Various artists/makers 1791

Mrs. Anne Elisabeth Sister of the Roy Louis -xvi- / sentenced to torture on May 10, 1794 / Exercise commissioners notify him and the sommen to go out on the Temple field. (IT)

Marriage à-la-mode. Plate 6. The death of the Countess, 1745, Greater London, by William Hogarth, Louis Scotin. Gift of Sir John Ilott, 1968.

Plate from Livre de Scènes Comiques. Gabriel Huquier (French, 1695-1772); after Claude Gillot (French, 1673-1722). Date: 1729-1732. Dimensions: 165 × 217 mm (image); 190 × 225 mm (plate); 235 × 315 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Johann Sigismund en Wolfgang Wilhelm in Conflict Aan Tafel, Daniel Nikolaus Chodowiecki, 1798 print Three figures are etched in the margin in a sketchy way. With caption in German. Berlin paper etching History. evening meal, dinner, supper. slap in the face. drunkard

John Law in a rink chair in front of the Lazarushuis, 1720, 1720 drawing John Law sits in a rink chair in front of the Lazarushuis is given food and drink from bought bombario. In the foreground, a monkey hand out shares, on the right children with a mill, a desperate wind trader on the left. In the background, a madman is brought to the madhouse. Design drawing for an unpacked print in a series about the rise and fall of Quincampoix (John Law). There is an explanation with the drawing. Belongs to the group of drawings added to the Series of Foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper lunatic asylum, mental home. earning money with monkey

Imperial library and curiosity cabinet; The Keijserant library and reservite room. .

Allegory on depositing the eight overlieren of the surgeon guild in Amsterdam, 1732. Allegory on the deposition of the eight overlieren of the surgeon guild in Amsterdam, 24 January 1732. Meeting of the overlied by Abraham Titsingh in the guildroom, left three grinning Dispose of the money from the widow's greenhouse. On the wall Single Allegorical paintings, above the gate: Theatrum Anatomicum. In the caption a two-way is fresh. The print is a separate printed statement from the album.

Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8) 1725-68 William Hogarth British. Hudibras beats Sidrophel and his man Whacum (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 8) 400733

Two representations on a plate. Above: around an oblong table a group of early Christian bishops. They are indulging in drink and food. Below: some drunken bishops sleeping off their intoxication in a dormitory, Bishops at a table before a drinking party and drunken bishops asleep in a room A company of bishops at a banquet by night who are indulging in drink / Lascivious bishops by day sleeping off their drunkenness , print maker: Jan Luyken, (mentioned on object), publisher: Jacobus van Hardenberg, bookseller: Barent Visscher, Amsterdam, 1701, paper, etching, h 274 mm × w 157 mm

The King proclaims his attachment to the Constitution, before the National Assembly (Constituent), on February 4, 1790. Extract from the Journal of Revolutions of Paris. (Title Title)

Print made by Charles Mottram, 1807-1876, British, Credulity, Superstition & Fanaticism, 1833. Line engraving on medium, slightly textured, cream wove paper.

Accusation of Jean Calas, Frans Molenaar (1821-1886), 1831 - 1886 print In the house of the Protestant merchant Jean Calas, he and family regret the death of his son Marc-Antoine. He had hung himself. Outside is a crowd that Jean Calas accused of killing his son because he wanted to convert to Roman Catholicism. After this false accusation, Jean Calas was arrested, convicted and put to death. Amsterdam paper engraving / etching interior of the house. Accusation, Incrimination. finding a dead person

Plate Eight, from A Rake's Progress. William Hogarth; English, 1697-1764. Date: 1735. Dimensions: 315 × 387 mm (image); 355 × 410 mm (plate); 481 × 599 mm (sheet). Etching and engraving in black on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Atalanta (...), Johann Esaias Nilson, 1731 - 1788 print Atalanta is sitting with bow and arch in front of a house and is surrounded by two women and four men. She looks curious about the young Myrtillus, he takes off his hat and greets her. An old man looks down from a window of the house. On the right in the foreground, a boy points to the company. Twice a three -line French and German text in the lower margin. Augsburg paper etching / engraving (story of) Atalante

Photo production of an engraving by Willem I who sells his valuables in 1569, Anonymous, 1850 - 1900 visit card. photograph Netherlands photographic support. cardboard auction sale, public sale

Humphry Clinker Smashing a Dish at Dinner..., an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1 1793 Charles Grignion, I. Humphry Clinker Smashing a Dish at Dinner..., an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1. The Expedition of Humphrey Clinker. Charles Grignion, I (British, London baptised 1721-1810 London). 1793. Etching and engraving. Prints

William Hogarth,English, (1697-1764), A Rake's Progress: pl.6, 1735, etching and engraving

Group of people for a bedside in which it is haunted. Proper design for a print.

Print made by T. E. Nicholson, active early 19th century, British, Humours of an Election Entertainment, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Monkey Climbing up the Back of a Man, and Looking over his Shoulder (ref. Tuer 252). Engraving.

Masquerade, 1700

: The crazy virgins (talk of mundane pleasures), pl. 4. Abraham Bosse (1602-1676). The virgins wise and the crazy virgins (talk of mundane pleasures), pl. 4. Fight, chisel.

Jupiter and Mercury in the House of Philemon and Baucis. Hendrik Goudt (Dutch, 1583-1648); after Adam Elsheimer (German, 1578-1610). Date: 1612. Dimensions: 213 x 220 mm. Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Hendric de Goudt.

The study of the drawing according to the bump and according to Nature, 1763 (dummy title)

Illustration for the novel Gustav Lindau. Draughtsman: Reinier Vinkeles (I). Dating: c. 1780 - 1785. Measurements: h 127 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Consultation between the prince and the commissioners of Overijssel, 1786, Jacobus Buys, 1794, Consultation at Het Loo Palace between Prince William V and the commissioners of the three principal cities of Overijssel to advocate suspension of the prince's measures against the cities of Hattem and Elburg, September 4, 1786. Design for a print., draughtsman: Jacobus Buys, (mentioned on object), Northern Netherlands, 1794, paper, pen, brush, h 143 mm × w 89 mm

Joseph de Longueil after Charles Eisen, L'apres midi L'apres-midi

The Matthew-orama for 1827-or Cockney Gleanings,-Aint that a good un now. Artist: Thomas Howell Jones (British, active 1824-48). Dimensions: Plate: 11 3/16 x 15 7/8 in. (28.4 x 40.3 cm)Sheet: 13 3/16 x 17 7/16 in. (33.5 x 44.3 cm). Published in: London. Publisher: George Humphrey (British, 1773-1831). Subject: Charles Matthews (British, London 1776-1835 Devonport). Date: March 26, 1827. Museum: Metropolitan Museum of Art, New York, USA.

Capture of Pieter Dirksz. Hasselaer, 1573, Joannes Pieter Visser Bender, after Pieter Bartholomeusz. Barbiers, 1809 - 1813, Interior with the capture of Pieter Dirksz. Hasselaer by Spanish soldiers in the house of his mother, August 1573. On the left, Kenau Simonsdochter Hasselaer. The moment when Pieter Dirksz. Hasselaer made himself known, when the Spaniards wanted to arrest his younger brother Claes Dirksz. in his place., draughtsman: Joannes Pieter Visser Bender, intermediary draughtsman: Pieter Bartholomeusz. Barbiers, Netherlands, 1809 - 1813, paper, pen, brush, h 266 mm × w 355 mm

The Lord Mayor presents a sword to George III on his way to a service at St. Pauls to give thanks for his recovery from illness. Date: 23rd April 1789

Hopman Ulrich or the print A guard with a sword asks a young man (Godefroy), who comes to visit his beloved (Sybille) secretly in the night for money. The young man puts his hand in his pocket. The woman has a candle. There are a glass and a bottle on the sidewalk. On the right in the background a second guard. Scene from the comedian 'Hopman Ulrich or the deceived stinginess' by Johan van Paffenrode from 1661, in which the stingy character Ulrich is cheated by his wife Sybille, even though he lets her guard her. Her lover Godefroy buys the guard. Amsterdam paper engraving comedy. bribery. night. guard duty, keeping sentry. candlestick

Engaged to be married by William Hogarth, Copper engraving, 1745, 1697-1764, Private Collection

Herringbanket; The Haringh Banquet / The Herring Banket or Feast; Groote Vissery. An elegantly dressed lady and lord to the Herringbanket. Servants serve wine, a dark boy wears a bowl with herring. In the background face on a garden. The print is part of a 32-part series of prints with performances about herring catch.

Marriage à-la-mode, pl. 1 , Nobility, Contract negotiations, Marriages, Merchants, Hogarth, William, 1697-1764. Marriage à la mode. Holt Collection

The Industrious 'Prentice Out of his Time and Married to his Master's Daughter: Industry and Idleness, plate 6 September 30, 1747 William Hogarth British. The Industrious 'Prentice Out of his Time and Married to his Master's Daughter: Industry and Idleness, plate 6 398590

John Finlayson, 1730-1776, British, David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife', 1768. Mezzotint on medium, slightly textured, cream laid paper.

Italy, Bandinelli, Baccio, Veneziano, Agostino, Academy of sculptor Baccio Bandinelli, verso - stamped, Students are drawing in the workshop of Baccio Bandinelli. The Florentine sculptor held one of the earliest drawing academies in the Cortile del Belvedere in the Vatican. Students are sitting around a table, copying a modello by candlelight. On the right, Bandinelli is sitting with another modello in his hands. In the room are several models and vases, which, like the figures, cast strong shadows on the walls., print, prent, prints, height 275 mm, width 301 mm, Italian, 1490 - 1536, print maker, printmaker, 1531 - 1531, first quarter 16th century, second quarter 16th century, paper, papier, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07

Den Haag, Agé, Johannes François Jacobs de, Fargue, Maria Margaretha la, Northern Netherlands, King, Theodoor, Tender Farewell to His Majesty, to Her Royal Highness.d and Princely Spruijten at Het Loo on 13 July 1788, Frederik Willem II takes leave of the princess and her children, 1788, The Hague, verso - stamped, King Frederick William II of Prussia takes leave of his sister and her children at Het Loo Palace, 13 July 1788., print, prints, Frederik Muller Historieplaten, height 121 mm, width 168 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1788 - 1789, paper, papier, etching, etchings, Nederlands, 1743-12-29 - 1813-04-21, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Colbert Visiting the Gobelins ca. 1665 Sébastien Leclerc I French This etching illustrates a visit to the Gobelins workshops by Colbert de Villacerf, Surintendant des Btiments du Roi from 1691 to 1699. The workers are in the process of hanging one of a set of tapestries depicting the Story of Alexander, woven for Louis XIV after designs by Charles Le Brun.. Colbert Visiting the Gobelins 362146

John Law in a rink chair in front of the Lazarus House, 1720, anonymous, 1720, John Law seated in a rink chair in front of the Lazarus House is handed food and drink by hunchbacked Bombario. In the foreground a monkey hands out shares, on the right children with a mill, on the left a desperate wind trader. In the background, an actionist gone mad is taken to the madhouse. Design drawing for an unexecuted print in a series on the rise and fall of Quincampoix (John Law). The drawing is accompanied by an explanation. Belongs to the group of drawings added to the series Tafereel der Dwaasheid with cartoons on the Wind Trade or Action Trade of 1720., draughtsman: anonymous, Northern Netherlands, 1720, paper, h 310 mm × w 369 mm

Abraham Bosse (1602-1676). "The works of mercy: visit the sick". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-23 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Northern Netherlands, England's Schoutoneel, depicting the most memorable events in and around England, Holland, France and the Netherlands since the year 1692, until the burial of Queen Mary II, 1695, the Queen's body laid on a Mourning Bed for a few days, State Bed of Queen Mary II Stuart, died on 7 January 1695. Plate no. XVII in the series 'Engelands schouwtoneel' about wars waged by William III in the years 1691-1695 after the Glorious Revolution, (part four). With captions in Dutch and French., print, prent, prints, Frederik Muller Historieplaten, height 151 mm, width 202 mm, print maker, printmaker, 1695 - 1695, fourth quarter 17th century, paper, papier, etching, etchings, 1671 - 1702-11-13, Publication (Event), Publication, 1661 - 1705, publisher

Tanje, Pieter, inventor: C. Froost, work, Peasants before the court, (1000 - 2000), copper engraving, graphics, 29, 8 cm x 36.5 cm

Engraving titled 'The Rake's Progress' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

Giving Drink to the Thirsty 1635 Abraham Bosse French. Giving Drink to the Thirsty 386191

Illustration for the play The Tweegevegt van Jester, Reinier Vinkeles (I), 1784 drawing paper. ink pen / brush (scenes from) specific works of literature (with AUTHOR, Title)

Mayor Cornelis Pietersz. Hooft argues against Maurits against the resistance of the law in Amsterdam, 1618, 1789 print Mayor Cornelis Pietersz. Hooft argues at Maurits against the resistance of the law in Amsterdam, November 3, 1618. Interior with Maurits and Hooft opposite each other in the council chamber of the town hall in Amsterdam. Netherlands paper etching Amsterdam

Le mari confident. Dated: 1790. Medium: pen and india ink. Museum: National Gallery of Art, Washington DC. Author: ANTOINE BOREL.

Leander Verlooft Zich Met Agten, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching types in 'commedia dell'arte': Harlequin. Literature. betrothal and marriage

The School Mistress ca. 1638 Abraham Bosse French. The School Mistress 350818

Marriage Princess Wilhelmina van Prussen and Prince Willem Frederik, 1791; H.K.K. Fred: Louize Wilh: Prince: v. Prussian, and Z.D.H. Will: Fred: yard pr. v. Orange & in the really united to Berlyn, the 1 Oct: 1791. The marriage of Prince Willem Frederik (the later king William I) with Wilhelmina Frederica van Prussen, in Berlin on October 1, 1791.

Plate Six, from A Rake's Progress Made 1735 England. Etching and engraving in black on ivory laid paper . William Hogarth

Maintenance with the princess at Goejanverwellesluis, 1787. Draughtsman: Jacobus Buys (signed by artist). Dating: 1795. Place: Northern Netherlands. Measurements: h 143 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Reception of members of the General Central Meeting at the meeting of Holland, 1795, Ludwig Gottlieb Portman, After Cornelis van Cuylenburgh (II), 1800 - 1801 print Reception of members of the General Central Meeting at the meeting of Holland, 28 August 1795. Chairs F.W.M. Ruysch and Paulus Bosveld shake hands. Amsterdam paper etching politics. national government Hotel De Oude Doelen

William Hogarth, Industry and Idleness 9: The Idle 'Prentice Betray'd by his Whore, & Taken in a Night Cellar with his Accomplice, 1747, etching and engraving on paper.

The Prodigal Son Leaves Home ca. 1636 Anonymous. The Prodigal Son Leaves Home 385974

Salome receives the head of Johannes de Boper, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Salome is given the head of John the Baptist by the executioner

Joseph II gives the Hungarian back the Stephanskrone, Johann Hieronymus Delete Kohl -, publishing house

Hearing hall in Felix Meritis, 1789, Reinier Vinkeles (I), after Jacques Kuyper, after Pieter Pietersz. Barbiers, 1794 print Visitors in the hearing hall in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. Amsterdam paper etching / engraving learned society, academy of sciences Amsterdam. Happy merits

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife', John Finlayson, 1730-1776, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), 1768, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 5/8 x 22 5/8 inches (47.3 x 57.5 cm), Plate: 18 1/8 x 22 inches (46 x 55.9 cm), and Image: 16 5/8 x 22 inches (42.2 x 55.9 cm), belts, bonnet, clubs, dress, hats, lanterns, literary theme, men, moon, wife

The doorbell rings, lowers the lantern Nicolas Gu�rard Son. "The doorbell sounded, lowers the lantern". Engraving.

Group picture.

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