18th Century Landscapes

Depictions of serene landscapes with figures amidst nature, featuring etchings and engravings in soft brown and gray tones, reflecting a tranquil mood.

Arcadian landscape with two women Arcadian landscapes (series title), An Arcadian landscape with a river. Along the shore ruins. In the foreground two women in Roman clothes. In the background a city. The print is part of a series with Arcadian landscapes, river, pastorals, Arcadian scenes, landscape with ruins (cityscape with figures, staffage), Johannes Glauber (mentioned on object), unknown, 1656 - 1726, paper, etching, w 363 mm × h 240 mm

Procris and Cephalus, plate 41 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by G. Clint (1770-1854). Date: 1812. Dimensions: 186 × 265 mm (image); 216 × 292 mm (plate); 296 × 443 mm (sheet). Etching and engraving in brown on off-white wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

stamped, print, prints, 2nd edition, epr. unique essay, and before changes, verso - handwritten, height 91 mm, width 128 mm, height 93 mm, width 143 mm, 1807 - 1884-10-06, print maker, printmaker, 1851 - 1851, paper, papier, chine collé, etching

Pres du moulin (Near theMill). Artist: Alphonse Legros, French, 1837-1911

La Mort et le bûcheron (1st plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Alphonse Legros, The House of the Well (La maison du puits) The House of the Well (La maison du puits)

Artist: Alphonse Legros, French, 1837-1911, Chailli: Effetd’Orage, Etching and drypoint, platemark: 7.9 × 17.7 cm (3 1/8 × 6 15/16in.), French, 19thcentury, Works on Paper -Prints

Le grandcanal. Artist: Alphonse Legros, French, 1837-1911

Arcadian landscape with two women Arcadian landscapes (series title), An Arcadian landscape with a river. Along the shore ruins. In the foreground two women in Roman clothes. In the background a city. The print is part of a series with Arcadian landscapes, river, pastorals, Arcadian scenes, landscape with ruins (cityscape with figures, staffage), Johannes Glauber (mentioned on object), unknown, 1656 - 1726, paper, etching, w 363 mm × h 240 mm

Sunset (Coucher du soleil). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Italianate Landscape with Buildings, Aqueduct. Unknown Artist; possibly French, 18th century. Date: 1769-1779. Dimensions: 209 × 290 mm. Pen and black ink, with brush and gray wash, on cream laid paper, laid down on cream laid card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: C. Nangle.

At the Home of the Woodcutters (Chez les bocherons). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Carracci, Annibale, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Procession in a landscape with a bridge (left part), verso - stamped, print, prints, height 409 mm, width 324 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Work conception, Italian, 1560-11-03 - 1609-07-15

La butte aux broussailles. Alphonse Legros (French, 1837-1911). Etching;

The Waterfall: pl.6. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Roelant Roghman and Melchior Küsel.

Man with a waterfall, baron Reinierus Albertus Ludovicus van Isendoorn à Blois, 1834.

Old Chateau (Un vieux chateau). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Le Drageoir aux épices by J. K. Huysmans: p. 78, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Alphonse Legros, Salmon Fisher (Le pecheur du saumon) Salmon Fisher (Le pecheur du saumon)

Artist: Herman van Swanevelt, Dutch, 1600-1655, Landscape withLaundresses, Etching, image: 18.1 × 27.4 cm (7 1/8 × 10 13/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Six Etchings: Vesnots, Auvers on the Oise, 1895. Paul Gachet (French, 1828-1909). Etching; sheet: 25 x 32.4 cm (9 13/16 x 12 3/4 in.); platemark: 12 x 17 cm (4 3/4 x 6 11/16 in.).

Visser on the banks of a river, Hermanus Jan Hendrik Rijkelijkhuizen, 1823 - 1883 print Utrecht paper. etching fisherman. church (exterior). river

Genoels, Abraham, Landscape with waterfall, verso middle bottom - stamped, A landscape with a small waterfall. On top of the waterfall two flat stones that serve as a bridge., print, prints, width 54 mm, height, 70 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

Man kneels in a forest near a memorial place, Lodewijk Juliaan Fuchs, 1824 - 1873 print On the open spot in the forest with the kneeling man it says: "Lenora, mistake Mein Nicht. paper etching forest, wood. kneeling figure. grave, tomb and other grave-forms and grave-markers

Rue des Bruyères à Sevres, ou AuBas-Meudon. Artist: Félix-Henri Bracquemond, French, 1833-1914

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), Arc-en-ciel (IFF 446; Delteil 12) (Main title), 1893. Eau-tower and dry point on vellum . Petit Palais, Museum of Fine Arts of the City of Paris.

Le long de la rive. Alphonse Legros (French, 1837-1911). Etching;

Landscape with stalled car, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print paper engraving low hill country. accident with animal-drawn vehicle. moonlight

Le fermier au repos , Farmers, Alphonse Legros (1837-1911)

Depicts a board group with distant landscape by Rembrandt using caltnadel in 1652, showing figures, landscape features, and horizon.

Alphonse Legros, My Farm (Ma ferme) My Farm (Ma ferme)

possibly Jean-Germain Drouais, Wash house in a rustic setting (Lavoir dans un site agreste), early 19th century, Graphite.

Piping satyr and two fauns, from 'The Triton Group' ca. 1660-1661 Salvator Rosa Italian. Piping satyr and two fauns, from 'The Triton Group' 397936

Alphonse Legros, Siesta of a Harvester (Sieste d'un faucheur) Siesta of a Harvester (Sieste d'un faucheur)

Kenarth, 1864. Francis Seymour Haden (British, 1818-1910). Etching;

Artist: Francisque de St. Etienne, French, 1824-1885, Formentera, Etching, platemark: 11.2 × 21 cm (4 7/16 × 8 1/4in.), Yale Art LibraryTransfer, Made in France, French, 19thcentury, Works on Paper -Prints

Forest of the Villa Madama outside Rome, with a hunter. Draughtsman: Gerard ter Borch (I). Dating: c. 1610. Place: Rome. Measurements: h 270 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Summer Evening, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1831, Mezzotint on moderately thick, slightly textured, cream wove paper, Sheet: 14 7/8 x 16 3/8 inches (37.8 x 41.6 cm) and Image: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm), East Bergholt, England, Europe, Suffolk, United Kingdom

The Three Sisters. Francis Seymour Haden; English, 1818-1910. Date: 1863-1873. Dimensions: 139 × 210 mm (image/plate); 154 × 219 mm (sheet). Etching and drypoint on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

(). (LA MORT DE NAPOLEON II.). Artist: Paul Gavarni, French, 1804-1866

Greenwich Park 1859 James McNeill Whistler American Whistler travelled down the Thames to find subject this subject of a shaded lawn at Greenwich, visiting the park with his etcher brother-in-law Seymour Haden. Both created prints that show a naval pensioner from the nearby Royal Hospital for Seamen relaxing on the grass (Whister's titled "Greenwich Pensioner" (17.3.27) and Haden's "Sub Tegmine" (Under the Canopy; 17.3.276). The Met has two other impressions of "Greenwich Park" (83.1.22, 17.3.28).. Greenwich Park 372779

The Prodigal Son, 4th plate (L'enfant prodigue). Medium: etching and drypoint printed in bistre. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Portrait of the artists wife. Pankiewicz, Józef (1866-1940), graphic artist

Landscape with Figures. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 7-3/4 x 11-1/4 in. (19.7 x 28.55 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Rocks. Alphonse Legros (French, 1837-1911). Etching and drypoint;

Willows. Artist: Willem de Zwart (Dutch, The Hague 1862-1931 The Hague). Dimensions: plate: 5 5/8 x 7 1/8 in. (14.3 x 18.1 cm)sheet: 7 1/8 x 8 13/16 in. (18.1 x 22.4 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Forest face with a figure near a cross, Pierre Louis Kuhnen, 1822 - 1877 print paper etching forest, wood. other kinds of grave-markers, e.g. cross

Salmacis and Hermaphroditus. Salmacis is under a tree, while Hermaphroditus bathes in the water.

Hubert Robert, The Garden Gate, 1760 1765 The Garden Gate

Akker with farmers, Johannes Janson, 1783 print Landscape with a sitting farmer and two farmers who work a field with a scythe. In the background a church and a mill. Before the air. Seventh print from a series of thirteen with months. Leiden paper etching landscape symbolizing June. agricultural implements: scythe

The Little Shed (Le Petit Hangar). Alphonse Legros (French, 1837-1911). Etching;

Bosgicht, Paula Modersohn -Becker, 1886 - 1907 print Japanese paper (handmade paper) etching / drypoint forest, wood

Rembrandt van Rijn (1606-1669), St. Hieronymus ved et stynet Piletrae, 1648

Road to the Brick-Kiln. Louis Auguste Lepère; French, 1849-1918. Date: 1913. Dimensions: 198 × 247 mm (image/plate); 225 × 292 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ruins at the Sea Near Naples: the Scola di Virgilio”. Artist: Hubert Robert, French, 1733-1808

A Dell, Helmingham Park, Suffolk 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Dell, Helmingham Park, Suffolk. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; second state of five. Prints

In Ugbrooke Park, May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Graphite and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Bathers in a Mountain Pool Made 1865 France. Etching and roulette on ivory China paper laid down on white wove paper . Rodolphe Bresdin

The Edges of Life Made 1909 France. Etching on cream laid Japanese paper . Louis Auguste Lepère

Frontispiece for Fables and Tales by Hippolyte de Thierry-Faletans 1868 France. Lithograph (etching transfer) on white wove paper . Rodolphe Bresdin

Satyr (Le Satyre). Dated: 1850. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Francois Daubigny.

A Civita Castellana, from Malerisch Radierte Prospekte aus Italien. Johann Christian Reinhart; German, 1761-1847. Date: 1793. Dimensions: 350 × 260 mm (image); 278 × 279 mm (plate); 500 × 375 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Morning of Life, 1860-1861. Samuel Palmer (British, 1805-1881). Etching;

Peter DeWint, 1784-1849, British, Bromley Hill, 1812. Watercolor and graphite on thick, cream, rough wove paper.

La lavoir, dite 'les laveuses.' , Laundresses, Trees, Bodies of water, Buildings, Alphonse Legros (1837-1911)

Photo production of a drawing by Federico Barocci, 'The stigmatization of Sint Franciscus', Roger Fenton, After Federico Barocci, 1858 photograph London photographic support. cardboard salted paper print drawing, sketch British Museum

Design for a print, Landscape with a horseman, walkers and a dog, draughtsman: Jean Théodore Joseph Linnig, Simon de Vlieger, 1847, paper, pen, h 108 mm × w 158 mm

Anders Zorn, Bather III (Baigneuse de Dos), 1896 Bather III (Baigneuse de Dos)

Tearing, Caspar Johann Nepomuk, Etchings, Two representations, verso - stamped, View of a park; small waterfall in a rocky landscape, print, prints, height 322 mm, width 244 mm, height 100 mm, width 137 mm, height 109 mm, width 131 mm, German, 1810-08-22 - 1887-06-12, print maker, printmaker, 1842 - 1842, paper, papier, chine collé, etching, etchings

Rijn, Rembrandt van, The little hunter, Landscape with a shepherd and a dog, verso lower left - stamped, print, prints, height 129 mm, width 157 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Rijn, Rembrandt van, The shepherd and his family, lower right - pen in brown, print, prent, prints, prenten, Rembrandt f 1644, upper left, f, height 95 mm, width 67 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1644 - 1644, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Krajobraz. Morgenstern, Carl Ernst (1847-1928), graphic artist

The brushed cottage (Bartsch 76) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The brushed cottage (Bartsch 76). Water-strong on paper, 1645-1675.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Alphonse Legros, Shed (Le hangar) Shed (Le hangar)

Windsor 1878 England. Etching on cream wove paper . Francis Seymour Haden

Capt. Thomas Hastings, 1778-1854, British, By Captain Landon's Cottage near Cheshunt, 21 May 1814, 1814. Graphite and pen and black ink on medium, slightly textured, beige wove paper.

Etched by Joseph Mallord William Turner, 1775-1851, British, The Stork and Aqueduct, between 1813 and 1823. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Aegidius Sadeler II after Pieter Stevens, Hunters in a Forest near a Wooden Bridge, 1600 1615 Hunters in a Forest near a Wooden Bridge

Landscape with an Artist Sketching n.d. Mari ten Kate Dutch. Landscape with an Artist Sketching 335684

The Garden behind Schimmelmann's Mansion on Bredgade, Copenhagen. Artist: Heinrich Gustav Ferdinand Holm (Danish, Berlin 1803-1861 Copenhagen). Dimensions: Sheet: 7 5/16 × 9 5/8 in. (18.6 × 24.5 cm). Date: 1823. Museum: Metropolitan Museum of Art, New York, USA.

Arcadian landscape with a shepherd at a source, Simon Klapmuts, 1770 print In an arcadian landscape a shepherd is playing at a source of whistle. Drinking and grazing his sheep. Behind the source a large tree and in the background a house and a hilly landscape. Moordrecht paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. flute, aulos, tibia - CC - out of doors. sheep

Joseph Mallord William Turner, Scene in the Campagna, published 1812 Scene in the Campagna

George H. Phillips, active 1819-1825, British, The Paphian Bower, 1826. Mezzotint on moderately thick, slightly textured, cream, laid ppaer.

Francis Hayden, The Keep, 1877, drypoint on wove paper.

Alphonse Legros, Study for the Prodigal Son (Etude pour L'enfant prodigue), French, 1837-1911, etching

Garden with an obelisk. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 164 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with two figures in a boat. Round representation of a landscape with a river. On the river a boat MER in it two figures.

A shed, Mercury andArgus. Artist: Boetius Adams Bolswert, Flemish, 1580-1633 After: Abraham Bloemaert, Dutch, 1566-1651

Forest landscape with saters and nymphs, one of which is hidden in a hollow tree, Salomon Gesner, 1764 - 1765 print paper etching forest, wood. hiding, hiding oneself. satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa)

Autumnal Point. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 8 1/2 × 10 3/8 in. (21.6 × 26.3 cm)Plate: 7 7/8 × 9 13/16 in. (20 × 25 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by Auguste Lepère depicting a boulevard near the Vaudeville theater, showing pedestrians, street furniture, and urban buildings, printed on Japanese paper in 1889.

In the Deluged Marsh - The Shepherd (Au marais inonde - Le berger), Auguste Lepère, French, 1849 - 1918, Etching in black ink on cream-colored paper, France, 1911, Print, Print

They re-election.

Ransonnette, Pierre Nicolas (N.1745-03-09-D.1810-12-18), La Bièvre aux Gobelins, 1807 (dummy title). Feather and pencil. Carnavalet museum, history of Paris. La Bièvre aux Gobelins, 1807.

The Rest on the Flight into Egypt, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

A Water Wheel in Bordighera (Italy) 1875 Adolphe Appian. A Water Wheel in Bordighera (Italy). Adolphe Appian (French, Lyon 1818-1898 Lyon). 1875. Etching; first state of four. Prints

Copy of a painting entitled "L'Automne," by J.F. Millet. Artist: Alfred-Ernest Robaut (French, Douai 1830-1909 Fontenay-sous-Bois). Dimensions: 5 x 6 1/4 in. (12.7 x 14.9 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

A man stands on a narrow wooden bridge over a ditch. On the bank a scaffolding with a bucket and in the background the roof of a farm., Man on bridge, print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 145 mm × w 185 mm

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