19th Century Artistic Studies

Artistic studies from the 19th century, featuring women in detailed clothing and expressive poses, using various methods like etching and wash.

Bathing - a girl by the water; Baumann, as above (Flow. CA 1830-1860), André (fl. Ca 1830-1860); 1835-1840 (1835-00-00-1840-00-00);

Young Woman Wringing Her Hands over a Man's Naked Body (verso), 1796-97. Francisco de Goya (Spanish, 1746-1828). Brush and black and gray wash; sheet: 23.5 x 14.5 cm (9 1/4 x 5 11/16 in.); image: 18.7 x 12 cm (7 3/8 x 4 3/4 in.).

Les maris sont bien laids quand on revient dubal…. Artist: Paul Gavarni, French, 1804-1866

A woman is reclining in a chair in front of a mirror, she is wearing a hat decorated with an enormous feather which she can see as she gazes at her reflection in the glass. Etching.

Happy days.. Corbould, Edward Henry, 1815-1905. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Print made by Charles Knight, 1743-c.1826, British, Miss Farren, 1791. Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper.

Young, Elizabeth .

Adelina Leveque Soulouque (1820-1878), Empress of Haiti, from a drawing by Jayme Guilliod de Leogane, illustration from L'Illustration, Journal Universel, No 360, Volume XV, January 19, 1850.

Bathing - a girl by the water; Baumann, as above (Flow. CA 1830-1860), André (fl. Ca 1830-1860); 1835-1840 (1835-00-00-1840-00-00);

Adelaide Claxton, 1858-1905, British, A Damsel, undated. Pen and black ink, graphite and gray wash on moderately thick, smooth cream card.

Girl Artist's working dates 1753-1797 Italy. Etching in black on paper . Pietro Antonio Martini

Love and pride. Perring, William. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Achille Devéria (1800-1857), French engraver, and Antoine Adolphe Catherine Fonrouge (1828-1855), French printer-lithograph. The hours of the day: 3 hours of the evening. Lithography on paper, 1829. Paris, Carnavalet museum. 77636-13 Drawing, woman, day of the day, day, lithography, shadow, umbrella, plant, greenhouse, evening, evening, glassy, daily life

Schuwalow, Alexandrine Countess.

Achille Devéria (1800-1857), French engraver, and Charles-Etienne-Pierre Motte (1785-1836). Scenes from the world: my daughter, you have to forget it. Lithography on paper, 1833. Paris, Carnavalet museum. 77637-6 Kneeling, pressing, sitting, love sorrow, bedroom, confidence, entrusting, drawing, armchair, girl, knees, lithography, mother, comfort, comforter, scene of the world, hanging, head, sadness, bed

Print made by William Ward, 1766-1826, British, Her Royal Highnes the Princess Elizabeth, 1801. Stipple engraving on moderately thick, moderately textured, beige laid paper.

() John Raphael Smith, 1752-1812, British, A Man-Trap, c.1780. Mezzotint on laid paper.

Daniel Nikolaus Chodowiecki, Girl with a Crown of Flowers, 1784 Girl with a Crown of Flowers

Sitting woman, Godfried Schalcken, c. 1679 drawing paper. chalk sitting figure - AA - female human figure. anonymous historical person portrayed alone

Déclassés. Paul Gavarni (French, 1804-1866). Lithograph;

Kneeling man, right.

A gentleman seated in his room in his sleeping skirt. On the right is a desk by a window. Below the scene is a six-line verse in Dutch by Pieter van den Berge, The young nobleman in his room , print maker: Pieter van den Berge, (attributed to), Pieter van den Berge, (mentioned on object), publisher: Pieter van den Berge, (mentioned on object), Amsterdam, 1694 - 1737, paper, etching, h 270 mm × w 175 mm

Woman on a couch thinks with dagger above her head, Honoré Daumier, 1844 Paris paper caricatures (human types). adult woman. hacking and thrusting weapons: dagger. Thinking, Thought, Reflection; 'Pensiero' (Ripa)

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Print made by Francis E. Adams, active ca.1760-1775, British, Heyday! Is This My Daughter Anne!, 1773. Mezzotint and etching on medium, moderately textured, cream laid paper.

A Mother Showing Her Weeping Son His Shoe of Switches. Date/Period: Mid 18th century. Drawing. Black chalk and gray wash, heightened with white on gray-brown paper. Height: 392 mm (15.43 in); Width: 236 mm (9.29 in). Author: CORNELIS TROOST.

The Gardener. Artist: After François Boucher (French, Paris 1703-1770 Paris); John Ingram (British, London 1721 active to 1763). Dimensions: sheet: 8 3/4 x 5 13/16 in. (22.2 x 14.7 cm). Date: 1741-63. Museum: Metropolitan Museum of Art, New York, USA. Author: after François Boucher. John Ingram.

John Raphael Smith drawing of a seated lady wearing a large hat in a landscape, executed with black chalk and reddish tones on primed paper.

(TOILETTE DE CHEZ SOI.). Artist: Paul Gavarni, French, 1804-1866

Etching by Henri Gerard created between 1780 and 1837 depicting early morning light and figures engaging in gentle gestures, rendered in punctuation manner style.

Mary Bulkley as Mrs. Ford in "The Merry Wives of Windsor.". Copperplate engraving from "Bell's Shakespeare" published by John Bell, London, from 1776. Drawn by James Roberts.

The Contemplative Charmer, Print made by unknown artist, eighteenth century, Published by Robert Sayer, 1725-1794, British, 1786, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 35 3/4 × 10 3/8 inches (90.8 × 26.4 cm), Plate: 14 × 9 7/8 inches (35.6 × 25.1 cm), and Image: 13 1/4 × 9 7/8 inches (33.7 × 25.1 cm)

Francesco Bartolozzi after Sir Thomas Lawrence, Elizabeth Farran, 1792 Elizabeth Farran

The new taste: varied patterns taken according to nature. Mrs. Achilles DeDeria Achille Deveraia (1800-1857). The new taste: varied patterns taken according to nature. Mrs. Achille Deréria. Lithography. 1831.

Seated girl with hat on and basket beside her on the ground, Pieter Christoffel Wonder, 1790 - 1852, draughtsman: Pieter Christoffel Wonder, 1790 - 1852, paper, h 260 mm × w 211 mm

Harriet Smithson BERLIOZ, 1800-54 Irish actress, wife of Hector Berlioz, 1803-69 French composer, drawing

The Gardener 1741-63 After François Boucher French. The Gardener 394753

GOYA Y LUCIENTES, Francisco de (1746-1828). The Duchess of Alba Arranging Her Hair. 1796. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Princess of Lamballe.

1835.. Artist: Paul Gavarni, French, 1804-1866

Marie Madeleine Pioche de la Vergne de LA FAYETTE, 1634-92 French novelist, engraving

Nicolas Delaunay after Jean Honoré Fragonard, Le Chiffre d'amour, 1786 Le Chiffre d'amour

Two Studies, Each of Three (Historical ) Characters, Two Male and One Female: a pair, Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching

A preparatory pencil drawing by Pierre Antoine Massol created before 1831 depicting studies of women, with attention to body and clothing.

Depuis cinq mois que je suis avec mademoiselle jai fait bien des paires de bottes…. Artist: Paul Gavarni, French, 1804-1866

Portrait of a dreamy woman with impeller; La Rêveuse.

Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), Back View of a Standing Female, Called Mrs. Fuseli, 1810. Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper.

Augsburg, Hertel, Johann Georg (I), Haid, Johann Gottfried, Sciences, Poetics, Allegory of poetry, verso - stamped, surrounded by a rocaille frame. In a landscape stands a woman with a writing quill and a stringed instrument. In the clouds above her sit three angels making music. In the bottom margin a four-line German and Latin text. Publisher's number 42., print, ornament print, prints, ornament prints, height 299 mm, width 198 mm, print maker, printmaker, 1745 - 1745, paper, papier, etching, etchings, Work conception, German, 1710 - 1776-09-05, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Jean-François Janinet, Nina, ou, La Folle par Amour, 1787, color engraving on paper.

MANTE, Louise Charlotte Theophile.

La sculpture monumentale ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Woman Sitting Half-Dressed beside a Stove. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Plate: 8 15/16 × 7 5/16 in. (22.7 × 18.6 cm)Sheet: 9 3/16 × 7 5/8 in. (23.4 × 19.3 cm)Frame: 21 × 16 in. (53.3 × 40.6 cm). Date: 1658. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Louis Petit after Louis Léopold Boilly, Que n'y est il encore Que n'y est-il encore

Celeste facsimile signature as the maid of Cashmere, 1838-06-01. By Parris, E. T. (Edmund Thomas), 1793-1873. Additional, Dieu et la bayadère. Published in New York for the New York Albion. Celeste, Madame (Céline), 1814-1882, Ballet, United States, 19th century. Engraving, 37.5 x 28.5 cm

Louise is added and is only in prison, Daniel Nikolaus Chodowiecki, 1770 - 1775 drawing Design for a print. paper. ink pen / brush prison, jail

Mrs. Morland's Portrait, James Ward, 1769-1859, British, ca. 1802, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 x 4 1/2 inches (19.1 x 11.4 cm) and Contemporary drawn border: 11 x 7 7/8 inches (27.9 x 20 cm), dress, portrait, woman

Gallery of the French costume after Watteau Son. The tender aspasia sitting with an air of nonchalance as a result of the pleasures that love has made him taste, please meditate ... (dummy title) | The tender aspasia sitting with an air of nonchalance as a result of pleasures that love made him taste, please meditate ... (title registered)

Charles Reuben Ryley, 1752-1798, British, Two Women at Toilette.

Folly, Pieter van den Berge, 1675 - 1737, A woman, en face, seated under a tree, wearing a fool's cap and hands at side., draughtsman: Pieter van den Berge, 1675 - 1737, paper, brush, pen, h 134 mm × w 88 mm

Madeline after Prayer (from John Keats, The Eve of St. Agnes, stanza XIX, lines 4-5). Artist: After Daniel Maclise (Irish, Cork 1806-1870 London). Dimensions: Image: 24 3/16 × 17 3/8 in. (61.5 × 44.1 cm)Sheet: 28 3/16 × 20 7/8 in. (71.6 × 53 cm). Engraver: Auguste-Thomas-Marie Blanchard (French, Paris 1819-1898 Paris). Publisher: Pilgeram & Lefèvre (London). Date: July 1, 1871.An accomplished painter of history and drama, Maclise came close to the Pre-Raphaelites late in his career, when he painted Madeline after Prayer (1868; Guildhall Art Gallery, London), inspired by John Keats's The Eve of St. Agnes. Madeline is preparing for bed, hoping to dream of a future husband. Blanchard's etching contrasts the maiden's moonlit beauty with the deeply shadowed room. The poem tells us that she is watched by a hidden suitor: Porphyro grew faint: She knelt, so pure a thing, so free from mortal taint. Anon, his heart revives: her vespers done, Of all its wreathed pearls her hair she frees; Unclasp

't Compliment from Katrijn (diary, December 10), Christiaan Andriessen, 1805 - 1808 drawing paper. watercolor (paint). pencil brush

March, Anne Françoise Hippolyte.

t Compliment of Katrijn (diary, December 10), draughtsman: Christiaan Andriessen, 1805 - 1808, paper, brush, h 256 mm × w 181 mm

Thomas Bardwell, 1704-1767, British, Album Drawing, ca. 1730. Gray wash with pen and brown ink over graphite on laid paper.

Female Dancer in an Exotic Costume 1648-1664 Italy. Pen and brown ink, brush and gray wash, and graphite, with touches of brush and red wash, on buff laid paper, tipped onto gray wove card . Stefano della Bella

Woman in Front of a Fireplace, c. 1805-7. Louis Léopold Boilly (French, 1761-1845). Black chalk and gray wash heightened with white chalk, squared in black chalk; sheet: 46 x 37 cm (18 1/8 x 14 9/16 in.).

Que n'y est-il encore. Medium: color etching and stipple. Museum: National Gallery of Art, Washington DC. Author: Louis Petit after Louis-Léopold Boilly.

A romantic portrait of a woman unknown

John Vanderbank, Portrait of a Standing Lady, 1734 Portrait of a Standing Lady

UneLecture. Artist: Pierre-Paul Prud’hon, French, 1758 -1823

Jaël, Nicolaas Braeu, after Hendrick Goltzius, c. 1586 - in or after c. 1600 print Jaël standing with a tent nail and a hammer in her hand. In the background you can see how she hits the Canaanitic army commander Sisera in his head. Right behind the battlefield with the two warring parties opposite each other. In Ovaal with a border script in Latin by Theodorus Schrevelius. paper engraving Jael takes a nail of the tent and a hammer. Jael kills the sleeping Sisera by hitting the nail through his temples

Francis Haward, 1759-1797, British, Mrs. Siddons in the Character of the Tragic Muse, 1787. Stipple engraving.

The Lost Apple, from the first issue of Specimens of Polyautography. Thomas Stothard (English, 1755-1834); published by Philipp André (German, active London, 1800-1805) and James Heath (English, 1757-1834). Date: 1803. Dimensions: 317 x 235 mm (image/primary support); 492 x 375 mm (secondary support). Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

Cassandra Raving (Shakespeare, Troilus and Cressida, Act 2, Scene 2) first published 1795; reissued 1852 Francis Legat Holding an axe, Cassandra laments the fall of Troy, which burns behind her. Lines from the play, engraved below, read: "Cry, Trojans, cry; lend me ten thousand eyes, And I will fill them with prophetic tears." Romney's related painting was conceived for John Boydell's Shakespeare Gallery, launched in 1786 as a publishing-cum-exhibition scheme that included a new illustrated edition of the plays, sets of large and small engravings, and a gallery on London's Pall Mall. The latter opened in 1789 with thirty-four paintings and contained about one hundred and seventy works the time Boydell went bankrupt and auctioned the contents in 1805-his print sales had plummeted when Napoleon blocaded European ports. This impression comes from an American reissue of 1852 spearheaded by Shearjashub Spooner, a New York dental surgeon, writer and art scholar who acquired Boydell's heavily

Mrs. Jordan in the Character of the Romp, Print made by John Ogborne the Elder, 1755-1795, British, after George Romney, 1734-1802, British, 1788, Stipple engraving (first state) on moderately thick, slightly textured, cream, laid paper, Sheet: 14 7/8 × 11 5/16 inches (37.8 × 28.7 cm) and Image: 12 1/16 × 9 5/8 inches (30.6 × 24.4 cm)

Boucher, François, Photo reproduction of La rêveuse, verso - printed, This photo is part of an album., photograph, foto, carte-de-visite, reproduction, album page, photos, Die Träumende, recto - handwritten, 499., Collection classique., Boucher., La reveuse., Die Träumende., XVIII. siecle. - Ecole française., height 100 mm, width 62 mm, photographer, 1870 - 1900, cardboard, photographic paper, photo paper, albumen print, Work conception, French, 1703-09-29 - 1770-05-30

Mary Queen of Scots, on the evening preceding her execution (from "The Eclectic Magazine," volume 48, frontispiece) 1859 John Sartain American. Mary Queen of Scots, on the evening preceding her execution (from "The Eclectic Magazine," volume 48, frontispiece). John Sartain (American (born London, England) 1808-1897 Philadelphia, Pennsylvania). 1859. Mezzotint and etching on steel. Leavitt & Co. (New York, ca. 1856-88). Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Mary Magdalene, penitent in the desert 1801 Raphael Morghen. Mary Magdalene, penitent in the desert. Raphael Morghen (Italian, Naples 1758-1833 Florence). 1801. Engraving; first state of six. Prints

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Draft for a title page The strange , october , year , edited by M, Wittmann, Vinzenz Katzler -, drawer

UN CHAPEAU NEUF (A NEW HAT). Artist: Paul Gavarni, French, 1804-1866

Diana Als Jageres, Alexandre Chaponnier, After Louis Lafitte, 1763 - 1805 print France paper engraving Diana hunting

Rosina PAYNE, Albert Henry (1812 1902), Lépaulaire Gabiliary Guillages (1804 188)

Enfer et damnation!...Sifflée...Siflée!!...Siiiiflée!. Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Hebe, Print made by Charles Howard Hodges, 1764-1837, British, after Sir Joshua Reynolds RA, 1723-1792, British, Published by John Raphael Smith, 1752-1812, British, 1785, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 24 3/4 × 15 5/8 inches (62.9 × 39.7 cm), Plate: 24 × 14 7/8 inches (61 × 37.8 cm), and Image: 23 3/8 × 14 7/8 inches (59.4 × 37.8 cm), clouds, dish, dress, drinking, eagles (birds), ewer, heaven, Hebe as cup-bearer of the gods, portrait, pouring, religious and mythological subject, sash, woman, youth

Modes and manners of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; it will bloom (hair and damn Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. He will flourish (hair and damn). Engraving (Floor).

Untitled (courting couple), 1710-1759, France, by Jacques Portail. Bequest of Mary Chamot, 1994.

A Maid - Une Pucelle, John Raphael Smith, 1752-1812, British, after John Raphael Smith, 1752-1812, British, 1791, Colored stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm), Plate: 18 1/16 × 13 3/8 inches (45.9 × 34 cm), and Image: 14 7/8 × 11 1/8 inches (37.8 × 28.3 cm)

Print made by William Ward, 1766-1826, British, Thoughts on Matrimony, 1786. Stipple engraving on moderately thick, moderately textured, cream laid paper.

Marie Anne Charlotte Corday above Darmans, aged 25 years old

An etching by J. F. Cazenave, produced circa 1770-1843, titled Optics. The work presumably deals with visual perception or lenses in theme, executed in etching in the punctuated manner of its time.

Seated Woman, Rembrandt Harmensz van Rijn, (1606-1669/Dutch), Engraving

Jasmin, Flower Nymphs

Venus, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Angelica Kauffmann RA, 1741-1807, Swiss, active in Britain (1766-81), 1781, Engraving

Summer. Artist: Ignaz-Marcel Gaugengigl, American, born Germany, 1855-1932

Her Royal Highness Anne, Dutchess of Cumberland, James Watson, 1740-1790, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1773, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 25 13/16 × 14 15/16 inches (65.6 × 37.9 cm) and Image: 24 1/4 × 14 7/8 inches (61.6 × 37.8 cm)

Lady with a Mirror 1716 Claude Simpol French. Lady with a Mirror 339768

La Sylphide, 2nd edition as danced by Madlle Fanny Elssler, Philadelphia, 1840-1849. Additional, Sylphide. Publisher, Sinclair's Lith. 2nd ed. Choreographic work Taglioni, F. Prints (Graphic arts), Ballet, 19th century. Elssler, Fanny, 1810-1884. Lithographs., 30 x 23.2 cm

Thomas Bardwell, 1704-1767, British, Album Drawing, ca. 1730. Gray wash, watercolor, pen and brown ink, and graphite on laid paper.

Pauline Lucca, Singer Pauline Lucca as an instant pigeon title page of Der Floh , Carl von Stur -, caricaturist

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