19th Century Comic Etchings

Humorous prints depicting vineyard scenes and brawls, showcasing dark tones and lively characters in chaotic situations with a historical flair.

Honoré Daumier, Ah! Saperlotte! Le raisin n'est pas bon cette année! , 19th century Ah! Saperlotte! ... Le raisin n'est pas bon cette année! ...

Honoré Daumier, Ah! Saperlotte! Le raisin n'est pas bon cette année! , 19th century Ah! Saperlotte! ... Le raisin n'est pas bon cette année! ...

Rembrandt's 'David and Goliath' (1655) is an etching illustrating the biblical story of David's victory over Goliath. The work features a tombstick and ledge, printed on Japanese paper with a flat tone.

Two fighting men, a woman intervenes, Johann Andreas Benjamin Nothnagel (Possible), 1739 - 1804 print paper etching inn, coffee-house, public house, etc.. drinking. drunken brawl (usually peasants fighting in an inn)

Ah! Saperlotte! ... Le raisin n'est pas bon cette année! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

David and Goliath. Dated: 1655. Medium: etching, burin and drypoint. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

C'est dommage que ma chasse à moi soit fermée. Honoré Daumier (France, Marseilles, 1808-1879). France, 1867. Prints; lithographs. Lithograph

A new theater model, from 'Theater sketches,' published in Le Petit Journal pour Rire, January 30, 1864. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 5/16 × 8 11/16 in. (23.6 × 22 cm)Sheet: 17 5/16 × 11 5/8 in. (44 × 29.5 cm). Series/Portfolio: 'Theater sketches' (Croquis pris au théatre). Date: January 30, 1864.Nothing has been neglected here for the convenience of the spectators. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, Décidément on ne peut pas, 1870 Décidément on ne peut pas...

Je vous en prie, rentrez dans votre boite... Dated: 1869. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

News. / 256 // - Decidedly we can not make them swallow the duck for pigeon. / 67.

Un Chemin dangereux. Dated: 1851. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

LITERATURA CATALANA. SIGLOS XIX-XX. GUIMERA, Angel (Santa Cruz de Tenerife, 1849Barcelona, 1924). Dramaturgo y poeta catalán. "POESIES". Primera Edición del año 1887 con ilustraciones de A. Fabrés y J. L. Pellicer. Dibujo de la poesía. "DAVID". Portada. Impresa en Barcelona.

A French gentleman, of the court of Louis XVIth. A French gentleman, of the court of Égalité 1799 , Etiquette. James Gillray (1756-1815). Prints and Drawings

The Rival Editors. Illustration from the Charles Dickens novel The Pickwick Papers by H.K. Browne known as Phiz

David and Goliath, Rembrandt van Rijn, 1655 print paper etching / drypoint story of David and Goliath (1 Samuel 17)

Drinking and smoking company in an interior, Charles Emile Jacque, 1846 print paper etching hotel, hostelry, inn. pipe ~ tobacco. drinking

Dóll, widow Jan, Haastert, Isaac van, Beek, Jan Lucas van der, Fearfulness can be dangerous, La Peur peut être dangereuse, Two boys are afraid of a thunderstorm with lightning, verso bottom center - stamped, print, prints, height 133 mm, width 103 mm, 1753-05-06 - 1818-10-12, print maker, printmaker, 1781 - 1799, fourth quarter 18th century, paper, papier, etching, etchings, 1753-11-18 - 1834-03-01, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Allons bon!... il parait... chasse réservée. Dated: 1864. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Cloaked Figure Passing Through the Street (at the Time of the Plague in London) Published 1861 England. Etching on paper . Charles Samuel Keene

Honoré Daumier, Le quatrième acte d'un drame intéressant, 19th century Le quatrième acte d'un drame intéressant

Country Scene: TheDrinkers. Artist: Oreste Cortazzo, Italian, 1836-1912

DALI Salvador(1904-1989) So they carried her off! Capricho-8 1977 Based on Capricho Francisco Goya's etchings etching 39x31

PLAYS OF THE DAY

Eugène Delacroix (French, 1798 - 1863). Mephistopheles Appearing to Faust (Méphistophélès apparaissant à Faust), 1828. From Faust. Lithograph. Third of five states.

Francisco de Goya, Disparate conocido (Well Known Folly), 1816 Disparate conocido (Well-Known Folly)

He scorns her cash. Caricatures and cartoons, Illustrations. 1855. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Courtship

Photo production of (presumably) a drawing entitled 'Valentine's Death', 1878 photograph Part of album with 30 photo productions of drawings of the Faust story by J.W. von Goethe. München paper. photographic support. cardboard albumen print Faust. Gretchen. Valentin. brothers or sisters (second degree family relationships). duelling

Thresher Printed 1853 France. Wood engraving in black on gray China paper, laid down on off-white wove paper (chine collÈ) . Jacques Adrien Lavieille

'An Illuminated Letter', c1860, (c1860). Artist: John Leech.

BEAR OR BUG-BEAR 'Thou com'st in such questionable shape!' - Hamlet Europa confronts the Russian Bear Date: January 1888

A Man Making Water, Anonymous, Rembrandt van Rijn, After 1630 print paper etching urination

Gaspar de Colegny (1519-1572), llamado Almirante de Coligny. Almirante francés, fue uno de los jefes del partido de los hugonotes protestante, asesinado en la noche de San Bartolomé, el 24 de agosto de 1572. Grabado de 1866.

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Cartoon on the First and Second Chamber, 1873, Cartoon on the First and Second Chamber who go bathing in Scheveningen as an old and young woman respectively. Plate published in the weekly De Nederlandsche Spectator, no. 34, 1873., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1873 - 1873, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Honoré Daumier (French, 1808-1879), Regardez, mais n'y touchez pas!, 1871, gillotype on newsprint

An itinerant poor saleswoman selling hearthstones. Etching by J.T. Smith, 1816.

Old profession of tinajero. Jar merchant, Toledo. Castilla La Mancha. Spain, Europe. Old 19th century engraved illustration, El Mundo en la Mano 1878

Un citoyen exaspéré par les buffleteries. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Allo on score marten.design for a print.

Bookplate of Juliusz Klukowski. Lipiński, Teodor Stanisław Rawicz- (1871-1932), graphic artist

Alice ties armour on to Tweedledee and Tweedledum Date: First published: 1872

Praying pair, Jan de Visscher, After Adriaen Brouwer, 1643 - 1670 print In a simple interior, two figures are praying at a table. The front figure is on a stew and has taken his hat. Amsterdam paper etching prayer at table, saying grace. head-gear. foot-stove

- Mr Colimard, if you don't stop immediately ogling the dancers in such an unseemly manner, I will take you home before the end of the performance!,” plate 4 from Croquis Pris Au Théatre par Daumier 1864 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Woman and Smaller Male Figure on Grand Stairway recto. Dated: probably c. 1754/1765. Dimensions: Overall: 14 x 10.3 cm (5 1/2 x 4 1/16 in.) support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Doux loisir d'un quincailler retiré di commerce... Dated: 1848. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A Greenwich Pensioner, with a pipe in one hand and a stick in the other, being rolled out of a sheet hammock? by a sailor. Wood engraving by J. Jackson.

'Aeneas and Anchises', 1852. Artist: John Leech.

Flood of the Rijndijk in Gelderland, 1770, Jacobus Buys, 1787 - 1789 drawing Flood due to the flood of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods. Design for a print. Northern Netherlands paper historical events and situations. dike-break Gelderland. Rhine

Honoré Daumier, Ce Qu'on Appelle, Aller Jouir à la Campagne, 1845, lithograph on paper.

The Hannetons can meet the arms this year Americans / Getting Chaude from their work. (Registered Title) | News. (Title of all)

A man with a rifle and two pistols sits in a cave and looks out, Armed robber in a cave, print maker: George Gillis Haanen, (mentioned on object), unknown, c. 1817 - c. 1879, paper, etching, h 144 mm × w 118 mm

A man with a headache has a cloth tied around his head and is holding his hands to his ears. Nine little devils are chiseling and hammering on his head. They also ring a bell and pull a rope around a nail in his head. Caricature of a man with a headache Le mal de tete Imagination L'imagination , print maker: Honoré Daumier, printer: Jean François Benard, publisher: Aubert & Cie., Paris, 1833, paper, h 275 mm × w 214 mm

Paul Gauguin, Dramas of the Sea, Brittany (Les drames de la mer, Bretagne), 1889 Dramas of the Sea, Brittany (Les drames de la mer, Bretagne)

Satan Tempting Christ to Change Stones into Bread. Dated: 1635/1640. Dimensions: Overall: 16.3 x 21 cm (6 7/16 x 8 1/4 in.) support: 22.2 x 26.7 cm (8 3/4 x 10 1/2 in.). Medium: pen and brown ink. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Honoré Daumier, Un animal rempli de modestie, 19th century Un animal rempli de modestie...

Rijn, Rembrandt van, The sleeping shepherd, verso middle bottom, print, prints, verso middle top, height 78 mm, width 57 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1642 - 1646, second quarter 17th century, paper, papier, etching, etchings, burin, Work conception, after own design by

James Sayer, 1748-1823, British, The Biographers. Etching.

Rosa, Salvator, work, Three soldiers playing dice, (1000 - 2000), etching, reprint, graphics, sheet width 9, 2 cm, leaf height 14.1 cm

L'Empereur du Maroc consultant...Desbarolles.... Honoré Daumier (1808-1879). Lithographs

Le départ de l'hiver. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

L'heure de la rentrée en classe. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Et du pain pourdemain?…. Artist: Paul Gavarni, French, 1804-1866

- Well, are you finally finished .. after all it's tiring to relax for such a long time,” plate 1 from Les Artistes A La Campagne 1865 France. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

BOSTON

The Cries of Westminster - No 1 Newcastle Salmon, William Heath, 1795-1840, British, 1829, Etching

Que diable est-ce qu'ils font la-haut!. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

A group of figures dance around a pole holding a flag, a hat, a monkey and a cockatoo. A man holds up a bottle with the word: 'brotherhood' on it. A soldier beats a drum and blows his trumpet. On the drum is the word: 'equality'. The woman wears a dress with the word: 'freedom'. The flag reads: 'French Republic', Freedom Tree with Monkey and Cockatoo The Freedom Tree , print maker: anonymous, printer: P. Blommers (Steendrukkerij van), (mentioned on object), The Hague, 1842 - 1887, paper, h 270 mm × w 195 mm

Honoré Daumier, Saisissement, 19th century Saisissement

Arthur-Joseph Guéniot (1866-1951). Young woman playing the violin on the roofs, accompanied by a white cat. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Daumier, Honoré (n.1808-02-26-D.1879-02-10), are they bland! So look as they save it! (Registered title (letter)). Black and white lithography on newspaper. Balzac house.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints of Roman Confidants, verso il Regno di Napoli, Family from the environs of Rome, A young man with a hat and stick, sitting on a stone in a landscape. Next to him stands a woman with a basket under her arm. A child stands between them. The print is part of an album., print, picture, album sheet, prints, pictures, height 197 mm, width 275 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1819, paper, papier, etching, etchings, intermediary draughtsman

Francisco de Goya (Spanish, 1746-1828). Volaverunt. (They have flown.), 1796-1797. From Los Caprichos, no. 61. Etching, aquatint, and drypoint on cream laid paper. Plate: 215 mm x 150 mm (8.46 in. x 5.91 in.).

His First Pipe. Dated: 1886. Dimensions: Image: 445 x 348 mm Sheet: 622 x 490 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Waterman Wood.

TWAIN, Samuel Langhorne Clemens, also called Mark (1835-1910). American author and humorist creator of 'Tom Sawyer'. Illustration of Mark Twain's work 'The Adventures of Tom Sawyer'. Edition published in Spanish in 1943. Engraving. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

Two men on the street in the dark, Leo Gestel, 1934 - 1936 drawing paper. deck paint. India ink (ink). pencil pen / brush (COHEN, Van Anarchist tot Monarchist) specific works of literature (with AUTHOR, Title). street

Shrimpers Made 1895 France. Photolithograph reduced from a woodcut in black, blue and green on cream wove paper . Louis Auguste Lepère

Francisco de Goya (1746-1828); , Wizard in a swing, 1826-1828

Finding the corpse of Charles the Bold in a swamp, frozen to the ice, January 5, 1477, Jacobus Buys, 1787 - 1789, The corpse of Charles the Bold, found in a swamp near Nancy, frozen to the ice, 1477. Design for a print., draughtsman: Jacobus Buys, 1787 - 1789, paper, pen, brush, h 149 mm × w 90 mm

Schlomé Fuss in the Synagogue, from Au Pied du Sinaï Made 1897 France. Lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Notice to peoples on kings / See the pillory these potentats without hearts! ... (IT)

Bliżej Kultury Kiebisiński, Kajetan Wincenty (1808 1849), Jaroczyński, Marian Jakub Ignacy (1819 1901), Żupański, Jan Konstanty (1804 1883)

Lord Salisbury Addressing a Meeting 1870-1891 England. Pen and brown ink, with brush and brown and gray wash and touches of gouache, over traces of graphite, on buff wove paper, laid down on ivory wove paper . Charles Samuel Keene

James Tissot, The Hammock, 1880, etching on paper.

Le Grand Pénitencier n.d. Augustin Pajou French. Le Grand Pénitencier 337916

L'Amour et sa mère. Honoré Daumier (France, Marseilles, 1808-1879). France, 1853. Prints; lithographs. Lithograph

after Jacques Callot, Beggar Woman, 17th century, etching

On a stage stands a harlequin on a ladder. His audience consists of children, Harlequin, print maker: anonymous, Cornelis Dusart, Haarlem, 1680 - 1754, paper, engraving, h 271 mm × w 190 mm

GIUSEPPE GARIBALDI IN 1840

Voilà un sou! Promettez moi que vous changerez votre politique.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

Hobgoblins, plate 49 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Switzerland; engraving; 19 C

Sunday Morning Dox Thrash American Published by WPA ca. 1939 Thrash left his native Griffin, Georgia as a teenager, seeking work and artistic training opportunities in cities across the northern United States. He settled in Philadelphia in his early thirties and often drew on memories of growing up in Georgia for subject matter, as in this work that pictures a woman walking in a rural setting, possibly dressed for church. Thrash is best known for developing carborundum printmaking processes while working at the Fine Print Workshop of Philadelphia, a printmaking workshop established under the Work Projects Administration (WPA), in the late 1930s and early 1940s. But Thrash was skilled in a number of printmaking techniques, and Sunday Morning demonstrates his command of drypoint etching, in which layers of black lines are applied to model volume and form. View more. Sunday Morning. Dox Thrash (American, Griffin, Georgia 1893-1965 Philadelphia, Pennsylvania). ca. 1939. Drypoint. Published

Save me with grace! ... / Yes! ... YES! ... I cut my feather express for that! ..... (title registered) | News. (Title of the whole)

Francisco de Goya y Lucientes / 'Disaster 77. The Rope is Breaking'. XIX century. Wash, Burnished wash, Etching, Drypoint on paper. Museum: Museo del Prado, Madrid, España.

The assassination of Fontaine Street / Portrait of Mrs. Joubert after the assassination (according to official photography)

Caricature of a man with headache, Honoré Daumier, Jean François Benard, 1833 A man with a headache has knotted a cloth around his head and holds his hands against his ears. Nine small devils chisel and hammer on his head. They also ring a bell and pull a rope around a nail in his head. Paris paper headache. devil or demons attacking mortals

Victorian politicians sympathetic to Irish Home Rule in the guise of Guy Fawkes and his conspirators breaking into the undercroft of the House of Lords. Colour lithograph by Tom Merry, 1887.

Walter Satterlee, A Fresh Breeze from the Sea, American, 1844 - 1908, etching

Amsterdam, Savery, Salomon, Scheyndel, Gillis van (I), Genre scenes, Tierd schraap al, Fisherman, verso - stamped, A fisherman hangs fish on a line to smoke or dry them. The print is part of a series of 32 prints with genre scenes., print, prints, height 54 mm, width 44 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1638 - 1638, paper, etching, etchings, Publication (Event), Publication, 1594 - 1683-10-16, publisher

SKETCHES AT A NORTHAMPTON WOOL FAIR

Allons bon!... voila que'elle me cueille une rose... Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

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