19th Century Death Scenes

Depictions of somber moments, including people in bed and dramatic deaths. The images focus on emotional expressions and dark tones, showcasing historical and literary themes.

Honoré Daumier (French, 1808 - 1879). Un réveil en sursaut, 1865. From Croquis Parisiens. Lithograph on newsprint paper. Image: 222 mm x 211 mm (8.74 in. x 8.31 in.). Second of two states.

Vas-tu te taire avec tes Cocoricos... Dated: 1845. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Etching and copper engraving by Maurice Blot produced between 1770 and 1818 depicting a lock, including gates, waterway, and surrounding structures.

GILBERT, John (1818-1897); SHAKESPEARE, William (1564-1616). English poet and playwright. Illustration for William Shakespeare's work 'Romeo and Juliet', written in 1595. Act V, scene III, the death of Romeo and Juliet. Engraving of a drawing by John Gilbert from the 19th c. Engraving.

Chodowiecki, Daniel Nikolaus, Geyser, Christian Gottlieb, Representation from the history of Henry VIII, With caption in German and French. Numbered at top right: 6., print, prent, prints, prenten, height 106 mm, width 66 mm, 1742-08-20 - 1803-03-24, print maker, prentmaker, 1796 - 1796, paper, papier, etching, etsen, Duits, 1726-10-16 - 1801-02-07, intermediary draughtsman

Photo production of the painting The drunk couple by Jan Steen, Anonymous, After Jan Havicksz. Steen, 1867 - 1880 photograph Amsterdampublisher: Paris paper. cardboard albumen print drunkenness Rijksmuseum Amsterdam

Francois Robert Ingouf after Sigmund Freudenberger, La soiree d'hyver, 1774 La soiree d'hyver

Military Hospital 1814-1863 France. Pen and brush and iron gall ink, brush and brown wash, and graphite, on ivory wove paper . Eugène Delacroix

A friend who was invited to relax for a few days in the countryside, from 'The joys of country life,' published in Le Charivari, September 12, 1865 September 12, 1865 Honoré Daumier - Wake up lazybones, it's already 5 o'clock!. A friend who was invited to relax for a few days in the countryside, from 'The joys of country life,' published in Le Charivari, September 12, 1865. 'The joys of country life' (Les plaisirs de la campagne). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). September 12, 1865. Lithograph on newsprint; second state of two (Delteil). Prints

Farewell scene. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 263 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Honoré Daumier (French, 1808 - 1879). Un réveil en sursaut, 1865. From Croquis Parisiens. Lithograph on newsprint paper. Image: 222 mm x 211 mm (8.74 in. x 8.31 in.). Second of two states.

Honoré Daumier, Oui, chère amie, jaloux tant que tu voudras!, 19th century Oui, chère amie, jaloux tant que tu voudras!...

Oui, chère amie, jaloux tant que tu voudras!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1839. Prints; lithographs. Lithograph

Netherlands, Elink Sterk jr., A., Velijn, Philippus, Failed attack on William of Orange, 1572, Failed attack by a Spaniard on Prince William I, in the night of 11 to 12 September 1572 before Mons in Hainaut. Night scene where the prince is woken up in bed by the barking of his dog., print, picture, history print, prints, pictures, Frederik Muller History plates, height 113 mm, width 78 mm, Dutch, 1787-01-31 - 1836-05-04, print maker, printmaker, 1826 - 1828, second quarter 19th century, paper, etching, etchings, intermediary draughtsman

Edward V. and The Duke of York, Smothered in the Tower, Print made by Anker Smith, 1759-1819, British, after Robert Smirke, 1752-1845, British, Published by J. Stratford, active 1792-1813, British, 1810, Etching and line engraving on thin, slightly textured, cream wove paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 3/4 × 7 5/8 inches (29.8 × 19.4 cm), and Image: 10 1/8 × 6 1/8 inches (25.7 × 15.6 cm), bed (furniture), frame (furnishing), historical subject, torch, tower (single built work)

Honoré Daumier (French, 1808 - 1879). Rue Transnonain, April 15th, 1834 (Rue Transnonain, le 15 Avril 1834), 1834. Lithograph. Image: 286 mm x 441 mm (11.26 in. x 17.36 in.).

Ma chemise brule. Dated: 1789. Medium: stipple and etching. Museum: National Gallery of Art, Washington DC. Author: Auguste-Claude-Simon Legrand after Jean-Honoré Fragonard.

Lear and Cordelia. Dated: 1784. Dimensions: plate: 45.7 x 55.3 cm (18 x 21 3/4 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Raphael Smith after Henry Fuseli.

Oui, chère amie, jaloux tant que tu voudras!... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Discovery of a woman's corpse

Napoleon Bonaparte, Emperor Napoleon I 15 August 1769, 5 May 1821, was a French general, revolutionary dictator and emperor with his son, the King of Rome, digital improved reproduction of an original print from 1880

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

Joseph and the woman of Potifar.

Photograph of Jan Matejkos Painting Jan Kochanowski Over Urszulkas Dead Body Rzewuski, Walery (1837 1888)

The last victim , Victims, Soldiers, Punishment & torture. George Bellows (1882-1925). Prints and Drawings

St. Leon, Frontispiece. Godwin, William, 1756-1836. A. & R. Spottiswoode. Frontispieces, Prints. 1831. Carl H. Pforzheimer Collection of Shelley and His Circle

William Frederick of Nassau, stadtholder of Friesland, is killed in his chamber by the unexpected sounding of a pistol, 1664, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm

Man in Chains. Dated: 1808. Medium: chiaroscuro woodcut. Museum: National Gallery of Art, Washington DC. Author: John Skippe after Jacopo Tintoretto.

Amor a Psyche, Claude between, After Simon Vouet, 1624 - 1636 print print maker: Romeafter painting by: ParisItaly paper engraving Psyche, holding a lamp, gazes at the sleeping Cupid, who awakens when a drop of hot oil falls on him

Monogrammist JVO, Visscher, Cornelis (II), Bavo Costerus Cleerbesem, laid out, verso - stamped, Pastor Bavo Costerus Cleerbesem lies laid out. At his feet a crucifix and two burning candles. In the clouds above him an angel appears with a palm branch and a laurel wreath., print, prints, engravings, height 415 mm, width 522 mm, Noord-Nederlands, 1629 - 1658-01-16, print maker, printmaker, 1661 - 1666, paper, papier, engraving, engraving (printing process), writer

Honoré Daumier, Diable! il parait que le rasoir n'est guère bon, 1847 Diable!... il parait que le rasoir n'est guère bon...

Amsterdam, Luyken, Caspar, Isaak zegent Jakob, verso - manuscript in brown ink, print, prints, verso - stamped, 29, height 114 mm, width 150 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Girl Sleeping in Bed, Achille Devéria, 1829 print Paris paper. sleeping in bed. adolescent, young woman, maiden

Alfred Fredericks, The Flower Mission, 1874, wood engraving on paper.

Isaac belessing Jacob. Old Testament. Antique digitally colored Biblical illustration by Gustave Doré (1832-1883)

The skeleton of Death rocks the cradle of a baby while the nanny sleeps and the distraught mother arrives home. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Loveless Disarming Himself 1819-1829 France. The satirical target of this unruly lithograph is Jacques-Louis Davidís final history painting, Mars Disarmed by Venus and the Three Graces (1824; Royal Museums of Fine Arts, Brussels). The god of war in Davidís composition has been transformed into a weary French officer, the nubile goddesses into prostitutes pilfering his battle gear, and the classical, cloud-borne couch into a cheap brothel. As an additional insult, the sign at right offers ìBierre de Mars,î a spring brew rumored to inspire military volunteers.. Lithograph in black on white wove paper . Jacques Louis David

Yet She Must Die, plate eleven from Othello Made 1844 France. Shakespeareís Othello tells the story of a Moorish general who is manipulated by his evil advisor, Iago, into murdering his wife, Desdemona. In this scene set in a lavish chamber, Othello gazes upon the slumbering Desdemona with a look of unmistakable sadness. ChassÈriau elegantly depicted the conflict within Othelloís mind through gesture, as he clutches at his heart. The emphatic way the figure of Othello is rendered in almost total darkness, in contrast to Desdemonaís blinding whiteness, recalls the atmospheric etching effects of Rembrandt.. Etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper (chine collÈ) . Théodore Chassériau

19th century girl sleeping waiting for gifts on the night of the three wise men, drawing by Manuel Alcázar Ruiz (1858 - 1914) Spanish painter, illustrator, draftsman and printmaker, Spain. Old XIX century engraved illustration from La Ilustracion Española y Americana 1890

The vision of infamous (IT)

Honoré Daumier, Pardonje suis courtier de commerce, 19th century Pardon...je suis courtier de commerce...

Copper engraving by Hendrick Goltzius from 1577-1690 showing Ruth and Boaz inside a threshing shed, depicting figures, grain processing, and architectural details of the shed.

Le Geste Napolitain 1763 Pierre Etienne Moitte French. Le Geste Napolitain. Pierre Etienne Moitte (French, Paris 1722-1780 Paris). 1763. Engraving and etching. Prints

Print made by Simon Francois Ravenet, 1721-1774, French, active in Britain, Marriage à la Mode, Plate 5, 1745. Etching with line engraving.

Ça n'empêche que ça vaut encore mieux.... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Eh! Ben et mon verre, si je n'ai pas.... Honoré Daumier (1808-1879). Lithographs

The New Birth, () Isaac Cruikshank, 1756-1810, British, 1789, Etching, hand-colored, Sheet: 9 1/4 x 15 1/8in. (23.5 x 38.4cm)

Honoré Daumier, L'europe peut dormir tranquille , 19th century L'europe peut dormir tranquille ...

A skeleton approaches a dying man. White line wood engraving.

Faust is tormented with doubts

Etching by Pietro Santo Bartoli from 1650-1677 depicting Isaac blessing Jacob, showing figures, gesture, and composition.

The Death of the Good Old Man, Print made by Luigi Schiavonetti, 1765-1810, Italian, after William Blake, 1757-1827, British, Text by Robert Blair, 1699-1746, British, Published by Rudolf Ackermann, 1764-1834, British, 1808, published 1813, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm), Plate: 9 1/4 × 11 inches (23.5 × 27.9 cm), and Image: 8 × 10 1/4 inches (20.3 × 26 cm), angel, Ascent, awe, Bible, book, bread, Christianity, clouds, communion, death, elderly, faith, goblet, mattress, men, mourning, New Testament, praying, religious and mythological subject, salvation, soul, wine, wings, women

Savonarola at the deathbed of Laurens de Medicis, Anonymous, After Johannes Hinderikus Egenberger, 1847 - 1887 print Laurens de Medicis is in bed and makes a gesture in the direction of Savonarola who runs away from him. There are three noblemen around the bed. after design by: Netherlandsprinter: The Haguepublisher: Haarlem paper. deathbed Florence

The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2) 1816 Thomas Rowlandson British. The Antiquary's Last Will and Testament (from The English Dance of Death, vol. I, plate 2). The Dance of Death. Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Scene of violence in the room of a death.

Franz II., Roman-German Emperor.

The man with the fleas, naked man in bed is bitten by fleas and scratches his body, painting by Jean-Baptiste Oudry, Historical, digitally restored reproduction from a 19th century original.

A Gift for the Master (Obsequio á el maestro) Francisco de Goya y Lucientes (Spanish, 1746-1828). A Gift for the Master (Obsequio á el maestro), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

Paradebed van Johan Frederik van Palts-Hilpoltstein, Jakob von Sandrart (Possibly), 1645 print paper engraving historical persons. lying in state

The night mare, England ca. 1790, a scantily clad woman asleep on a bed, a little man sitting on her chest pulling back her see-through covers, as one of her arms hangs to the floor near a chamber pot written on it

The New Born Child. 19th century reproduction from a 15th century miniature in Histoire de la Belle Helaine

Copernicus reflecting on the day of his death (May 24, 1543), having drunk a copy of his work on the revolutions of heavenly bodies. (Copy from the oil sketch of Walery Elijah from Krakow), from: Tygodnik Ilustrowany 1871, vol. VII, No. 164 Gorazdowski, Edward (1843 1901), Eljasz Radzikowski, Walery (1841 1905)

Fredrik enters the house, Antoni Zürcher, 1833 print Fredrik comes in through the door. An old man with a stick and a woman in bed greet him. At the bottom a reference to bl. 100. print maker: Utrechtpublisher: Amsterdam paper etching interior of the house. saluting

The first days of the government of King Franz I , Johann Hieronymus Delete Kohl -, publishing house

Alcibiade Cliquet laisse croitre sesmoustaches…. Artist: Paul Gavarni, French, 1804-1866

Honore Gabriel Riquetti (1749-1791). Comte de Mirabeau. Leader of the early stages of the French Revolution. Death of comte de Mirabeau. Engraving by Blanpain. Historia de Francia. 19th century.

Etcher: Unknown, Publisher: Pember and Luzarder, Washington in his LastIllness, ca.1800, Etching, sheet: 35.5 × 31 cm (14 × 12 3/16in.), Made in United States, American, 18th-19thcentury, Works on Paper -Prints

Richard Parkes Bonington, 1802-1828, British, The Use of Tears, 1827. Watercolor and white gouache over graphite on thick, smooth card.

The foundling of the lake..., Frontispiece. Frontispieces, Prints. 1810. Carl H. Pforzheimer Collection of Shelley and His Circle

Nomius, Nicolaes.

The dance of death: death and the child. Etching by D.-N. Chodowiecki, 1791.

At the grave of the queen, Wilhelm I, King of Prussia later German Emperor, at the grave of Luise von Mecklenburg-Strelitz, Queen of Prussia from Gardena , After, Schaal, Artist

Death of Washington , Presidents, Death, Deathbeds, Presidents' spouses, Washington, George, 1732-1799, Washington, Martha, 1731-1802. Howard Pyle (1853-1911). Prints and Paintings

Que voulez-vous j’irai tout seul…Satanee migraine!…. Artist: Paul Gavarni, French, 1804-1866

LaMusique. Artist: Paul Gavarni, French, 1804-1866

The Sleeping Beauty. The miracle of love. Engraving in The Iberian Illustration, 1885.

Honoré Daumier, Mariez vous donc! vieux Grigou, 19th century Mariez-vous donc! vieux Grigou...

The republican solidarity of Joseph Priestley and Thomas Paine; indicated by the grinning devil that links them. Etching by I. Cruikshank, 1792.

And has not Sawney too his Lord and w(hor)e. Engraving and etching by Hubert Gravelot, cf: P&P - NE55.L7A3 vol. III, pt. I, no. 3573, Forms part of British Cartoon Prints Collection , This record contains unverified data from caption card.

LITOGRAFIA"ANTES QUE TE CASES MIRA LO QUE HACES" REFRAN ESPAÑOL-PARIS 1850-Nº 9. Location: BIBLIOTECA MUNICIPAL. MADRID. SPAIN.

Mariez-vous donc! vieuxGrigou…. Artist: Honoré Daumier, French, 1808-1879

Sitting at the table. Draughtsman: Cornelis Saftleven. Dating: 1658. Measurements: h 227 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

The death of Antony Mirys, Augustyn de (Polish painter, 1700-1790). still image. Portraits. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Dead persons , Egypt, Grief, Cleopatra, Queen of Egypt, d. 30 B.C, Suicides, Censers , To 499, Antonius, Marcus, 83 B.C.-30 B.C.

Ugolino and His Sons, Luigi Sabatelli, Italian, 1772-1850, Luigi Bardi, Italian, 1814-1843, Engraving on paper, 1814-1825, mythology, Print, Print

Lady Macbeth 1850 Cattermole, George(1800-1868 British) Watercolor On Paper Victoria & Albert Museum, London, England

THE WAR IN EGYPT

A father looking how his child sleeps. Illustration by Eusebio Planas for the historical novel 'El prÕncipe de los ingenios. Miguel de Cervantes Saavedra' ('The Prince of Wits, Miguel de Cervantes Saavedra') by Manuel Fernàndez Gonzàlez, 1876.

Oedipus. Hero of Greek mythology. Oedipus, blinded himself, says goodbye to his daughters before leaving for exile for killing his father Laius. Engraving by Severini, 1872.

Samuel Collings, active 1784-1795, British, Morgan Offending the Delicate Organs of Captain Wiffle, undated. Graphite, gray wash, brown wash, pen and gray ink on medium, slightly textured, cream wove paper.

Three women in a room are talking among themselves as another arranges the drapes on the bed. Aquatint by J. Höuel.

Buchbinder, Józef (1839-1909), A scene from life in Pompei; from: "Tygodnik Ilustrowany" 1877, II, 25. Buchbinder, Józef (1839-1909), draughtsman, cartoonist, Schübeler, Julian (fl. ca 1865-1890), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

New Year, New Year's Eve, the dream of youth of wealth, prosperity and woman, young man dreaming, 1868, France, Historic, digitally restored reproduction of an original 19th century original, exact original date not known, Europe

George Washington in His Last Illness, attended by Doctors Craik and Brown. Etching by an unidentified artist, early 19th century

Hearing. / 4 (registered title) | The five senses. (Set of all)

Gall, Freiherr to Gallstein, Adam Seyfried.

Honoré Daumier (French, 1808-1879), Un Jour de grande toilette, 1847, lithograph on newsprint

A Fair Reward Presented in 1800 by the Un-Prudish Savages of North America to Louis-Philippe of Orléans, surgeon and expatriate, but still a Frenchman. (I salute you, gracious Black Lady, the Lord is with you.) A Namaquan Ave Maria, plate 466. Honoré Victorin Daumier; French, 1808-1879. Date: 1835. Dimensions: 202 × 265 mm (image); 265 × 347 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

'Death of Queen Elizabeth', 1892. Artist: Unknown

Utrecht, Bloemaert, Frederick, Haarlem, Grebber, Pieter Fransz. de, Cornelis (II), Tomb of Johannes van Neercassel, verso - stamped, apostolic vicar of the Dutch Mission, with a statue of the deceased laid out on the tomb. At his feet a crucifix and a skull. The tomb bears his name and a Latin poem about his life., print, prent, prints, height 298 mm, width 335 mm, Noord-Nederlands, 1603 - 1692-09, print maker, prentmaker, 1686 - 1686, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Work conception, 1600 - 1653-11-18, after a design by, 1614 - 1669, supervision

Damiens (IT)

GRABADO DEL HAMBRE EN MADRID. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

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