19th Century Lithographs

Lithographic artworks depicting social commentary and everyday scenes, featuring detailed portrayals of characters and their interactions, often with a humorous touch.

Portret Van Filips III, Francisco de Goya, after Diego Rodriguez de Silva and Velázquez, 1778 - 1779 print Equestrian portrait of Philip III, king of Spain. print maker: Spainprinter: Madrid paper etching / drypoint equestrian state-portrait

Henry Thomas Alken, 1785-1851, British, Going at a Rank of Hurdles with Temper and Resolution, 1827. Graphite and watercolor on medium, slightly textured, cream wove paper.

How to Escape Losing ca. 1791 Thomas Rowlandson British Rowlandson here establishes a design for a print published in November 22, 1791 (59.533.437, 60.620.37), one of a pair he made in response to two races held at Newmarket, on October 20 and 21, 1791. Centered on Escape, the Prince of Wales's prize thoroughbred, the results led to a scandal when the horse unexpectedly lost the first race, then easily won the second, earning his owner a significant sum at increased odds. In a subsequent inquiry, the jockey Samuel Chifney swore he had not held Escape back in the first race but was prevented from running further races; the Prince sold his stables soon after but stood by Chifney and continued to pay him a generous salary.. How to Escape Losing 363989

I'll Soon Take All This Out of Him... Henry Alken; English, 1785-1851. Date: 1827. Dimensions: 8 1/4 × 10 3/4 in. Watercolor and graphite on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: HENRY ALKEN.

Portret Van Filips III, Francisco de Goya, after Diego Rodriguez de Silva and Velázquez, 1778 - 1779 print Equestrian portrait of Philip III, king of Spain. print maker: Spainprinter: Madrid paper etching / drypoint equestrian state-portrait

Hunting Discoveries ... Discover that your girts are broken ..., Henry Thomas Alken, 1785-1851, British, 1817, Etching, colored by hand, Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)

Ludwig Xiv., King of France Stitch (Exc.) Of Johann Christoph Weigel

J. T. Downman, active 1810-1812, Set of six with title-page: Sporting Sketches. Colored lithograph.

Huntsman, 1789, England, by Samuel Alken Junior. Gift of Archdeacon F.H.D. Smythe, 1957.

A Hawking Party: center, a mounted falconer, another in the distance, a servant with two dogs sitting left, another dog running to right, Jan Wyck, ca. 1645-1700, Dutch, active in Britain (from ca. 1664), no date, Mezzotint, Sheet: 6 1/4 x 7 7/8in. (15.9 x 20cm)

(LE LOCATIS.). Artist: Paul Gavarni, French, 1804-1866

Guard. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 14 1/16 × 12 1/16 in. (35.7 × 30.6 cm)Plate: 13 × 10 15/16 in. (33 × 27.8 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Floris v and Agnes van der Sluis, ca. 1270-1280; Floris The fifth / agnes van der Sluis. Count Floris V Kisses the hand of Agnes van der Sluis, both on horseback in a forest.

Set of twelve with title-page: Sporting Satirist, Henry Thomas Alken, 1785-1851, British, 1834, Hand colored soft-ground etching, Sheet: 5 1/4 x 8in. (13.3 x 20.3cm)

unknown artist, Evening, 1799. Watercolor, with pen in gray ink over graphite on medium, slightly textured, beige, wove paper.

A Real Miltonian 1827 England. Watercolor and graphite on paper . Henry Alken

Topping a Flight of Rails, and Coming Well into the Next Field, plate two from Insdispensable Accomplishments. Sir Robert Frankland (English, 1784-1849); published by Hannah Humphrey (English, c. 1745-1818). Date: 1811. Dimensions: 190 × 270 mm (image); 214 × 294 mm (plate); 234 × 327 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Cut One and Horses Head near Side, Protect. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 7/8 × 14 15/16 in. (30.2 × 38 cm)Plate: 10 13/16 × 13 1/16 in. (27.5 × 33.1 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Famous bandit Jose Maria "El Tempranillo", by John Frederick Lewis 1834, Bandit museum, Ronda, Malaga-province, Region of Andalusia, Spain, Europe.

Comforts of Bath, Plate 5 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 5. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Washington Crossing the Delaware. Artist: After William K. Hewitt (American, 19th century). Dimensions: Sheet: 14 1/16 × 10 3/16 in. (35.7 × 25.9 cm). Lithographer: Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Sitter: George Washington (American, 1732-1799). Date: 1838-46.George Washington on horseback, holding a small spyglass in his right hand. His troops are depicted behind him on the shore, with others in rowboats on the river, seen through the horse's legs. Museum: Metropolitan Museum of Art, New York, USA.

Wilhelmina van Pruisen. Leaf with a ride portrait of Wilhelmina van Pruisen. Under the show a four-line verse. Numbered upper left: No. 100.

Print made by Richard Houston, ca. 1721-1775, British, The Portraiture of Bald Charlotte, 1756. Mezzotint on medium, slightly textured, cream laid paper.

Morning, unknown artist, Previously Thomas Rowlandson, 1756-1827, British, 1799, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm), figure study, genre subject, horseback riders, horseback riding, horses (animals), men, morning, sporting art

Etching - Sir George Prevost, Governor of Canada Anonymous

Costumes de Différents Pays, 'Kirguise'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Henry Thomas Alken, 1785-1851, British, 'Rather Too Fast', undated. Graphite and watercolor on medium, slightly textured, cream, wove paper.

Carl Strehlau, Weather Vane, 1935 1942 Weather Vane

Photo production of a painting by Velázquez, presenting a portrait of King Philip III from Spain; Velazquez.- Portrait the phlippe III. (Au Musée du Prado) .. Part of travel album with pictures of sights in Spain and Morocco.

Music cover, The Lancer's Quadrilles, or Duval (of Dublin)'s Second Set, Seventh Edition. Containing Les Graces, La Dorset, Lodoiska, La Native, and Les Lanciers. With proper figures in French and English as danced at Almack's, London, and at the Rotunda, Dublin, to which is added A New Waltz by Signor Spagnoletti, and the Stop Waltz. Respectfully dedicated to the Countess of Farnham. Depicting a dashing lancer on horseback. Date: 1839

TAUROMAQUIA. SALIDA DEL TORO. GRABADO DE EDWARD ORME. LONDRES 1813.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Negro, Polish and Hungarian horsemen. A Polish rider. Sixth issue of a series of 11 pieces. (A. de Vesme 275; Dutuit 175) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The commander in chief before 1815 according to the portrait of Fr. Józef Poniatowski Witwicki, Eugeniusz, Litography of A. Prusza Ski, Krakow

Spanish text in lower margin, Equestrian portrait of Francisco Abad Moreno, print maker: Mariano Brandi, (mentioned on object), intermediary draughtsman: Zacarías González Velázquez, (mentioned on object), Spain, 1817 - 1827, paper, etching, engraving, h 279 mm × w 185 mm

The Rennweg, Satire on Metternichs escape in March , Unknown

Dandies in Rotten Row. Artist: Attributed to William Heath ('Paul Pry') (British, London 1795-1840 Hampstead). Dimensions: plate: 9 13/16 x 13 3/4 in. (24.9 x 34.9 cm)sheet: 10 9/16 x 15 1/16 in. (26.8 x 38.2 cm). Publisher: Thomas Tegg (British, 1776-1846). Date: January 21, 1819.Rotten Row was the nickname for a road established along the southern edge of Hyde Park where fashionable Londoners paraded their carriages or rode on horseback. Men in particular used the site to display riding skills and show off the latest fashions. These dandies wear either spurred boots with riding britches, or ultra-fashionable short, wide-legged trousers. Their restrictive tailcoats have exaggerated narrow waists and wide lapels, but the humor is chiefly directed at their collars. The extended necks of these riders are so stiffly encased that their heads actually tilt backwards. With obscured vision, they are tossed about like ragdolls by their mounts. Subservience to fashion has turned these horseme

Rétsey of Rétse, Adam Knight.

Nouveaux Feuillages et ornements de Panneaux "(6 sheets, 1-6) with History of Hercules; Emergency. At P. Mariette..

Sawrey Gilpin, 1733-1807, British, Rider in Tricorne Hat, undated. Graphite on moderately thick, moderately textured, beige, laid paper.

Toeslede, 1810-1825; Traineau de louage, cannu sous le nom de Sleede ou Slee.A woman can be transported per tilled, besides the slide a man walks with the reins of the horse, ca. 1810-1825. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and several morals and habits in the United Kingdom of the Netherlands.

Portrait of Isabella from Bourbon; D. Isabel de Borbon, Reina de España, Muger de Felipe Quatro. Equestrian portrait of Bourbon Isabella, the first wife of King Philip IV of Spain.

Palio di Siena of Oca the Winner, by Unknown, 1824, 19th Century, Unknow. Private collection. Whole artwork. Oca winner Palio di Siena horse race horses.

This massive stone, very well chiseled / in sandstone, was in the facade of the house / van den Drogist J. de Waal, o.z. van de Oude / Gracht, over the Viebrug, the 2nd house from the Potter / street to the Munt, Wyk C. No. "Pen in brown recto under the image

Manchurian rider. Orłowski, Aleksander (1777-1832), painter

Dosing a Racehorse, Louis Philippe Boitard, active 1734-1760, undated, Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream, laid paper, mounted on, medium, slightly textured, beige, wove paper, Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm), Contemporary drawn border: 11 × 11 9/16 inches (27.9 × 29.4 cm), and Sheet: 10 × 10 7/16 inches (25.4 × 26.5 cm), fields, horse racing, horses (animals), jockeys, landscape, men, sporting art, trees

Wilhelm, Duke in Bavaria.

ThePursuit. Artist: Nathaniel Currier, American, 1813-1888 After: Arthur Fitzwilliam Tait, American, 1819-1905

ANTOINE! Does he please dad / Tap Tap so my boy we're not going fast enough, I have a fear of dog (IT)

Unknown, I have an idea I shall win now if I can but carry in my weight, c. 1820, lithograph with three or four stones, touched by hand, on paper.

English gentleman on horseback making a jump from a steep embankment, 19th century. Other dandies watch from the ground. Mytton takes a drop as high as a house. Chromolithographic facsimile of an illustration by Henry Thomas Alkenfrom Memoirs of the Life of the Late John Mytton by Nimrod aka Charles James Apperley, Kegan Paul, London, 1900.

James Seymour, 1702-1752, British, Kindly, with Jockey Up, undated. Graphite and pen and brown ink on medium, moderately textured, beige, laid paper.

Uhlan on horseback. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Pierre Schout, Seigneur d'Hagestein, chanoine d'Utrecht. 1669. D'après Abraham Blooteling.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, Men , Clothing & dress , Netherlands , 1600-1699

Bachelor's Hall: The Meet, Francis Calcraft Turner, active 1782-1846, British, 1835 to 1836, Oil on canvas, Support (PTG): 14 x 19 inches (35.6 x 48.3 cm), dogs (animals), horses (animals), men, reins, sporting art, top hat, trees

London Cries: A Tinker and His Wife, Paul Sandby RA, 1731-1809, British, ca. 1759, Gray wash, graphite, and watercolor on medium, cream, slightly textured laid paper, Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm), bucket, cries, genre subject, horses (animals), man, tinker, working class, England, Europe, London, United Kingdom

Thomas Rowlandson (British, 1756 - 1827 ), Going Out in the Morning, published 1786, hand-colored etching and aquatint on J. Whatman paper, Gift of David Grinnell

Dragoon with His Charger, c. 1830-1840, graphite on wove paper, image (irregular): 10.16 × 14.29 cm (4 × 5 5/8 in.), sheet: 12.38 × 16.51 cm (4 7/8 × 6 1/2 in.), William Tylee Ranney (artist) American, 1813 - 1857

Print, Portrait of Maréchal Duroc, Duc de Frioul; France; etching on paper; Plate: 29.9 × 15.6 cm (11 3/4 × 6 1/8 in.) Paper: 30.8 × 15.6 cm (12 1/8 × 6 1/8 in.); Bequest of George Campbell Cooper; 1896-3-415

Bliżej Kultury Ceracchi, Johann (Fl. Ca 1820 1822), Zakład Rytowniczy: Biasion J. Bapysta

The Doncaster Grand Steeplechase, by Edward Hester. Gift of Mr and Mrs G.G Gibbes Watson, 1961.

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Hallali. Attributed to Henry Alken; English, 1785-1851. Date: 1840-1851. Dimensions: 108 × 152 mm. Watercolor, over graphite, on cream wove paper, laid down on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: HENRY ALKEN.

Thomas Rowlandson, 1756-1827, British, Going to Market, undated. Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on cream, medium, slightly textured, wove paper.

Earlier of the Queen; Reminder gift to 1840, for the Dutch youth, in memory of the duty inauguration of Z.M. King Willem II. With XII pictures on which it has been properly presented. Hee ward by the queen, a rider with drawn saber. Part of the folder with a series of twelve prints of the arrival of Willem II, the honorary ports established in the city and the inauguration on November 28, 1840 in the Nieuwe Kerk in Amsterdam.

Drawing Covert, Possibly Henry Thomas Alken, 1785-1851, British, or possibly Samuel Henry Gordon Alken, 1810-1894, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm), dogs (animals), fence, fox (animal), fox hunting, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, log, men, plants, sporting art, trees

Friar Lavrinovich going fundraising. Illustration to the Diaries of the Fundraiser" by Ignacy Chodźko. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Cicéri, Eugene (1813-1890), graphic artist, Zaleski, Antoni (1824-1885), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Hounds in Full Cry. James Gillray (English, 1756-1815); after Brownlow North (English, 1778-1829). Date: 1800. Dimensions: 247 × 345 mm (image); 250 × 350 mm (plate); 290 × 400 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Selim. Selim, a Chesnut Horse, bred by His Grace the Duke of Queensberry, foaled in 1802 got by Buzzard, his Dam by Alexander, Grand Dam by Highflyer, Alfred, Engineer, bay Malton's Dam &tc., ..., William Ward, 1766-1826, British, after Henry Bernard Chalon, 1771-1849, British, 1809, Mezzotint, Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)

CODICE TRUJILLO DEL PERU - TOMO II E 78 - HIERRA DE VACAS - ACUARELA - SIGLO XVIII. Author: MARTINEZ COMPAÑON BALTASAR. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

The Sporting Parson: 'He Sends Mother Eve's Apples Flying', Hablot Knight Browne, 1815-1882, British, undated, Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown, wove paper, Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm), apples, basket, buildings, caricature, dogs (animals), donkey, horseback riders, horseback riding, horses (animals), hunt, hunters, hunting, jumping, men, parson, people, sporting art, town, trees, women

A Land Storm, or Jack Tars Out of Their Element 1790-1815 Thomas Rowlandson. A Land Storm, or Jack Tars Out of Their Element. Thomas Rowlandson (British, London 1757-1827 London). 1790-1815. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Well done ! well done ! well done !! ! Auguste Desperet (1804-1865). Press cartoon. "Bravo! Bravo! Bravo !! Courage!". Board published in "caricature" of September 22, 1831. Lithography. Paris, House of Balzac.

Racing The Start January 1, 1799 Thomas Rowlandson Spectators seated in carriages, on horseback, and on foot, line a course to watch a horse race--the stout rider scattering figures at right is not a racer but a spectator whose mount runs out of control. The print comes from a group by Rowlandson devoted to moments in horse racing--interestingly none shows a finish. When first published around 1789, the titles were "The Mount," "The Start," "The Betting Post," and "The Course." The present example comes from an expanded reissue of 1798-99 with titles altered to "Mounting" (59.533.1697), "Racing" (59.533.1694), "Betting" (59.533.1695), with "Between Heats" (59.533.514, 59.533.1700), and "Weighing" (59.533.1696) and "Running out of the Course" (59.533.1698) added.. Racing The Start. Racing Series (1789?; reissued with additions 1798-99). Thomas Rowlandson (British, London 1757-1827 London). January 1, 1799. Hand-colored etching. S. W. Fores (London). Prints

Leuchtenberg, Maximilian Herzog .

Franz II., Roman-German Emperor Riding Picture with German Legend. Colored stitch, published by Josef Effel, Vienna.

Cut Six, and Sword Arm Protect. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 12 1/16 in. × 15 in. (30.7 × 38.1 cm)Plate: 10 13/16 × 13 1/16 in. (27.5 × 33.1 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Meskwaki chief Kee-o-kuk, Running Fox, on horseback with shield, staff, bear teeth necklace, moccasins. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

The Ladies' Shooting Poney, Engraved by unknown artist, after John Collet, ca. 1725-1780, British, 1780, Hand-colored mezzotint on wove paper, Plate: 14 x 10in. (35.6 x 25.4cm) and Sheet: 14 1/2 x 10 1/2in. (36.8 x 26.7cm)

The Farmer's Wife and the Raven, George Stubbs, 1724-1806, British, after George Stubbs, 1724-1806, British, 1788, Etching with roulette and rocker work, first state, Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm), basket, bird, broken, costume, dream, eggs, farmer, Fifty-one Fables in Verse or Fables of John Gay (1727, Part the Second 1738), frightened, genre subject, gesture, horse (animal), landscape, literary theme, literature, raven, wife, willow, woman

Wyck, Jan, Londen, Faber, John (II), Equestrian portrait of William III, Prince of Orange, London, verso lower left - stamped, Equestrian portrait of William III with a hat. In his right hand a sword. In the background a retinue, a battle and the city of Namur. In the bottom margin three lines of English text., print, engraving, prints, engravings, Oranjeportretten, height 352 mm, width 502 mm, Brits, 1684 - 1756-05-02, print maker, printmaker, 1743 - 1743, paper, papier, mezzotint, Northern Netherlands, English, 1644-10 - 1702-10-26

Actualités: Dis donc Madame Miroton il paraitrait que c'est nous qui donnons le ton à Longchamps cette année...., 1841. Clémente Pruche (French, 1831-1870). Lithograph;

Toy Horse. Dated: 1935/1942. Dimensions: overall: 22.8 x 28.8 cm (9 x 11 5/16 in.) Original IAD Object: 12" long; 12" high. Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan, 1803-1882, British, And John Webb, active 1830-1840, after John Ferneley, 1782-1860, British, 1828, Aquatint, hand-colored, Sheet: 12 1/4 x 16 1/2in. (31.1 x 41.9cm)

Hunting two of a set of twelve: 7. A rider putting horse to a gate, Thomas Burford, ca. 1710-after 1774, British, after James Seymour, 1702-1752, British, 1752, Hand colored mezzotint, Sheet: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)

The Start, from The Grand Steeplechase over Leicestershire. Charles Bentley (English, 1806-1854); after Henry Alken (English, 1785-1851); published by R.A. Ackermann (English, 1764-1834). Date: 1830. Dimensions: 255 × 363 mm (image); 360 × 453 mm (plate); 405 × 500 mm (sheet). Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Tile panel, four tiles, man with horse, purple on white, tile picture ceramic earthenware glaze, baked 2x glazed painted Two broad two tall Rotterdam Noord Oude Noorden Rotten farmhouse Originating from farmhouse at the right bank of the Rotte near the Zwaneneiland demolished 1910.

Painting titled 'The Polish Rider' by Rembrandt Harmenszoon van Rijn (1606-1669) Dutch painter and etcher. Dated 17th Century

The Death. After John Dean Paul (English, 1775-1852); published by Thomas McLean (English, 1788-1875). Date: 1825. Dimensions: . Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

How to Escape Losing November 22, 1791 Thomas Rowlandson This print and its companion, "How to Escape Winning" (59.533.438) respond to a pair of races held at Newmarket, on October 20 and 21, 1791. Centered on the Prince of Wales's prize thoroughbred Escape, these launched a scandal since, in the first, Escape was favored to win but finished last of four. The next day, Escape won handily over two of the same rivals, rewarding both the Prince and his jockey Samuel Chifney for bets placed at odds increased by the horse's recent loss. Accusations of cheating ensured and an investigation was launched by Sir Charles Bunbury, head of the Jockey Club. Although Chifney swore he had not held Escape back in the first race he was, perhaps unjustly, prevented from running further races and the Prince sold his stables soon after; he did stand by Chifney, however, and continued to pay him a generous salary.. How to Escape Losing. Thomas Rowlandson (British, London 1757-1827 London). November 22, 179

unknown artist, Mid-Day, 1799. Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, wove paper.

Pointing rider on horseback, Aat Verhoog, c. 1960 - Before 2009 print Wanting rider on horseback. paper etching

Frontispiece lithograph from Auguste Raffets 1836 album, published in Paris by Gihaut Frères, depicting the opening illustration of the collection.

Hunter and Huntsman. Date/Period: Ca. 1785. Oil paintings. Oil on canvas. Author: George Garrard.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), To his Grace the Duke of Newcastle, this print of The Return from Shooting, 1792. Color-printed stipple engraving with aquatint and drypoint.

The Mistaken Notion June 11, 1808 Thomas Rowlandson. The Mistaken Notion. Academy for Grown Horsemen, and Annals of Horsemanship. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). June 11, 1808. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

James Taylor Wray of the Bedale Hunt with his Dun Hunter. Date/Period: Ca. 1840. Painting. Oil on canvas. Height: 524 mm (20.62 in); Width: 635 mm (25 in). Author: Anson Ambrose Martin.

Thomas Worth, Trotters on the Snow, 1869, wood engraving on paper.

Henry Thomas Alken, 1785-1851, British, "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand, undated. Watercolor, with pen, in brown ink and black ink, over graphite on medium, moderately textured, cream, wove paper.

Cavalcade de Longchamp, Engraving, brush and watercolor on paper, Two fops riding drafting horses, one down on its knees. At top: title. Below: ' Le Bon Genre, No. 3' and ' Déposé à la Bibliotheque Nattionale…Rue Monmartre, No. 132.', Paris, France, 1810-1815, Print, Print

Fox Hunting: Fores's Hunting Casualties - A Strange country, John Harris, 1811-1865, British, after Henry Thomas Alken, 1785-1851, British, 1850, Aquatint, hand-colored, Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm) and Image: 8 1/8 x 11 3/8in. (20.6 x 28.9cm)

'King David' beating 'Surveyor' for the Coronation Cup at Newcastle on July 5, 1815. John Nost Sartorius (1759-1828). Dated 1815, oil on canvas, 61.6 x 76.5cm.

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