19th Century Social Interactions

Illustrations depicting social exchanges and relationships from the 19th century, featuring various characters in intimate or humorous scenarios.

Voyons! m'ame Rabat-joie, tais ton bec!...et qu'on vienne - baiser son vainqueur! - Comme tu m'fais mal! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

But running the night the day / he knows canoe 'he knows how to make love. ...

Honoré Daumier, Le Jour ou l'on dine chez Monsieur le Directeur, 1852 Le Jour ou l'on dine chez Monsieur le Directeur...

Et je vas tout a l’heure etre precipitee. Artist: Paul Gavarni, French, 1804-1866

Voyons! m'ame Rabat-joie, tais ton bec!...et qu'on vienne - baiser son vainqueur! - Comme tu m'fais mal! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fariboles 2 Board 40 (registered title (letter))

Qu'est-ce que tu peux venir chercher par ici, philosophe - Je ramasse toutes vos vieilles blagues d'amour, mes colombes, on en refait du neuf ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Tu vois bien la blonded’Henri…. Artist: Paul Gavarni, French, 1804-1866

Voyons! m'ame Rabat-joie, tais ton bec!...et qu'on vienne - baiser son vainqueur! - Comme tu m'fais mal! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fariboles 2 Plate 92 (registered title (letter))

Ah! Mademoiselle, vous nous avez execute unepirouette…. Artist: Paul Gavarni, French, 1804-1866

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

Baliverneries Parisiennes. Paul Gavarni (French, 1804-1866). Lithograph;

Society in the Paris premises; Tronsens, Charles (1830-Post 1870); after 1865 (1865-00-00-1890-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Closerie de Lilas (Paris - Piwiarnia - from 1847), Germany, Paris (France), Society for the Encouragement of Fine Arts (Warsaw - 1860- 1940) - collection, cafes, French drawings, genre scenes, students

These little ladies. Planche N3 (letter registered (letter)) | 4th suite of 1865. (Title Title)

Make the dog setting. / 15. (title registered) | The end of the ear (title of all)

"Ma bonne amie, puis-je entrer!...as-tue fini de collaborer avec monsieur...", plate 29 from the series Les Bas Bleus, published in Le Charivari. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: sheet: 14 15/16 x 10 1/4 in. (38 x 26 cm). Publisher: Aubert. Date: May 30, 1844. Museum: Metropolitan Museum of Art, New York, USA.

(La Femme) Je viens de découvrir une mêche dans vôtre gilet!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1840. Prints; lithographs. Lithograph

Eh b'en! après...quand j'aurais connu Mosieu Bélamy c'est-il une raison - pour qu'on parle mal sur moi...puisqu'il y aurait au moins trois semaines de ça, - et que dimanche fera quinze jours que tu m'as parlé, imbécile! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Joseph! Depuis quelques temps ma montre n'a aucune regularité dans sa marche. -Madame, ceci n'a pas lieu de vous surprendre, c'est une montre de Geneve les troubles qui ont lieu dans cette ville n'y sont peut-être pas étrangers.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1864. Prints; lithographs. Lithograph

Pa'c'que...pa'c'que ça ne me va pas! pa'c'que ça ne m'plait pas! - pa'c'que je!...n'le!...veux...pas! - Dieu! mon ami, que je te trouve beau dans ce rôle-là! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Rien ne pese au bras comme la femme quon naime plus.. Artist: Paul Gavarni, French, 1804-1866

Des Mères de Famille!. Paul Gavarni (French, 1804-1866). Lithograph;

Tu avais bien raison, ma femme: cest bien plus joli…. Artist: Paul Gavarni, French, 1804-1866

Which Way Shall I Turn Me How Can I Decide ca. 1780 Thomas Rowlandson British. Which Way Shall I Turn Me How Can I Decide. Thomas Rowlandson (British, London 1757-1827 London). ca. 1780. Etching. Henry Brookes (British, active 1786-95). Prints

Amsterdam, Kesteren, Johannes Christoffel van, Trap, Pieter Willem Marinus, Title page for: JWR Gerlach, 's Levens wisselvalligheid, 1856, Embracing woman and man, verso - stamped, A man and an older woman embrace each other. On the left, a seated old woman and a young woman look at the couple., print, title page, prints, engravings, height 234 mm, width 153 mm, print maker, printmaker, 1856 - 1856, paper, color lithography (process), Dutch, 1821-04-20 - 1905-10-20, printer, Publication (Event), Publication, 1793-01-02 - 1860-01-29, publisher

Tas eu tort, Emile, de tetre defait pour des betises dune personne qui detait bien attache au fond.. Artist: Paul Gavarni, French, 1804-1866

The term of July, by Carlo Gripp.

The Adventure of Silver Blaze'. The maid meeting Fitzroy Simpson, the prime murder suspect, on her way to Silver Blaze's stable with the stable lad's supper. From 'The Adventures of Sherlock Holmes' by Arthur Conan Doyle from 'The Strand Magazine' (London, 1892). Illustration by Sidney E Paget, the first artist to draw Sherlock Holmes. Engraving.

Carnaval. Paul Gavarni (French, 1804-1866). Lithograph;

Petit homme, nous tapportons ta casquette…. Artist: Paul Gavarni, French, 1804-1866

Print made by George Cruikshank, 1792-1878, British, The Secret, undated. Etching on medium, slightly textured, cream wove paper.

The Wells of Grenelle. "And these scoundrels of chemists are claiming that it is good for children to bathe in the wells of Grenelle! Here is Dodolphe who has turned more green than an apple.... one hardly knows whether he is a lizard or a toad," plate 37 from Moeurs Conjugales. Honoré Victorin Daumier; French, 1808-1879. Date: 1841. Dimensions: 210 × 215 mm (image); 323 × 247 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Voyons, chaste auteur de mes mots, vous me faites unrole…?…. Artist: Paul Gavarni, French, 1804-1866

Une femme charmante vous a remarque; vous la suivezlongtemps…. Artist: Paul Gavarni, French, 1804-1866

Etais-tu mauvaise avec moi, mafemme….. Artist: Paul Gavarni, French, 1804-1866

A Montmartre. - Ce qui est pointu, c'est St-Eustache. - Oui, où qu'est l'échoppe de mon honorée mère. - A présent, suis le bout de mon doigt...à droite de l'affaire carrée, qui est notre église... - contre une fumée...vois-tu ce balcon qui reluit... - c'est ton salon ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A MINUTE-MAN OF '75. R.F. SMITH

A caza de dientes.. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works), Dead persons, Hangings (Executions)

Miss Jellyby. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Et voilà la grandissime secret que mon seigneur et maitre me cache - depuis un mois! - Et vous le connaissiez... - Depuis six semaines ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Pacque?… pacque ca ne me va oas! pacque ca ne mplait pas!…. Artist: Paul Gavarni, French, 1804-1866

What a Tailor Can Do!, plate 52 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Photo production of (presumably) a drawing entitled 'Gretchen shows Martha de Juwelen', 1879 photograph Part of album with 30 photo productions of drawings of the Faust story by J.W. von Goethe. München paper. photographic support. cardboard albumen print Faust. Gretchen. widow. ornaments, jewels. interior of the house

Male and Woman on flight, Reinier Vinkeles (I), 1799 print A man and a woman flee from a building. There is a key in front of the building. A carriage in the background. Amsterdam paper etching / engraving escape, escape attempts. four-wheeled vehicle drawn by more than three animals

Et les cinq Francs de ce matin.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1839. Prints; lithographs. Lithograph

Eliza Branicka and Zygmunt Krasi Potocka, Katarzyna (1825-1907); 1843 (1843-00-00-1843-00-00);Krasińska née Branicki, Eliza (1820-1876), Krasiński, Zygmunt (1812-1859)-iconography, Palazzo Chigi-Odescalchi (Rome), Potoccy, Krzeszowice-collection, couples, generic scenes, interiors, engagement

Fariboles 2 board 29 (registered title)

Italy, Parmigianino, Monogrammist FP (Italy; 16th century), Christ and the Apostles, Saint James the Greater, apostles, Saint James the Less, verso - stamped, print, prints, height 127 mm, width 64 mm, Italian, print maker, printmaker, 1500 - 1599, paper, papier, etching, etchings, Work conception, 1503-01-11 - 1540-08-24

(En verite… - Oui, mon chere.). Artist: Paul Gavarni, French, 1804-1866

BOUQUETIERE.. Artist: Paul Gavarni, French, 1804-1866

A Montmartre. - Ce qui est pointu, c'est St-Eustache. - Oui, où qu'est l'échoppe de mon honorée mère. - A présent, suis le bout de mon doigt...à droite de l'affaire carrée, qui est notre église... - contre une fumée...vois-tu ce balcon qui reluit... - c'est ton salon ,. Paul Gavarni (1804-1866). Lithographs and Other Works

English novelist Charles Dickens (1837-1870) published his novel David Copperfield detailing his adventures in his journey from infancy to maturity. It was first published as aserialin 1849-50, and as a book in 1850. The illustrator was Hablot Browne. Browne's pseudonym was "Phiz"; Dickens' was "Boz." Note the name"Phiz" underneath this illustration of Browne that has caption "I make the acquaintance of Miss Mowcher."

A Rival of Mr. Hume's. "- Oh Adelaide, what an experience.... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you - He spoke to me in French.. and called me a mug!," plate 384 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1857. Dimensions: 195 × 249 mm (image); 256 × 337 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

'Captain Kelly conveys a slight remonstance', Print made by George Cruikshank, 1792-1878, British, undated, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 8 1/16 x 5 3/4 inches (20.4 x 14.6 cm) and Image: 5 1/16 x 3 3/4 inches (12.8 x 9.6 cm), attacking, bed, bedroom, captain, clothes, club, coat, fear, genre subject, illustration, men, satire, sheets, surprise

'A prison of shame, perhaps a penal settlement, stared him in the face.'

Arthur-Joseph Guéniot (1866-1951). Two girls in front of a wooden barrier. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Le monstre et le magicien: M.r Cooke, rôle du monstre, M.r Ménier, rôle de Zametti. 1945 - 1975. Prints. Carl H. Pforzheimer Collection of Shelley and His Circle. Merle, M. (Jean Toussaint), 1785-1852. Monstre et le magicien, Béraud, Antony, 1792-1860. Monstre et le magicien, Cooke, T. P. (Thomas Potter), 1786-1864, Shelley, Mary Wollstonecraft, 1797-1851. Frankenstein

Honoré Daumier, L'inconvénient de se faire bichonner , 19th century L'inconvénient de se faire bichonner ...

Fortune, mon Dieu! quést-ce que tu fumes doncla….. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier (French, 1808-1879), Le Jour de l'an, 1844, lithograph

An expected meeting, Petrus van Geldorp, 1900 Amsterdam paper historical persons. ruler, sovereign. political caricatures and satires

Achille, tu ne me demandes pas des nouvelles de tapetite!. Artist: Paul Gavarni, French, 1804-1866

A Rival of Mr Hume's - Oh Adelaide, what an experience... I just made the shadow of Sesostris appear in front of me! - And what did Sesostris say to you - He spoke to me in French. and called me a mug!,” plate 384 from Actualités 1857 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

Honoré Daumier (1808-1879). "The knight of the Adrets is the lover of a woman of the world, he is kind, eager, he plays passion and dedication ...". Colored and erased lithography. 1836-1838. Paris, Balzac house. 56113-9 Friendly, lover, knight of the Adrets, devoutment, empress, woman of the world, gommee, lithography coloie, passion, caricature

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), a dream (title given by the author), 1904. Black Pierre and Blue Watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "Le Mau-Cingge and Pasquerette." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101782-3 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

LAmi De LAmant.. Artist: Paul Gavarni, French, 1804-1866

Colonel Brandon has some explaining to do with Elinor... Date: First published: 1811

These good english by H. Demare // when they came to fire at home ... / n ° 25

Husbands Always Make Me Laugh: Come, Mme. Rabat-joie, shut up. Paul Gavarni; French, 1804-1866. Date: 1853. Dimensions: 191 × 160 mm (image); 352 × 260 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ny a pas moyen!…mosieu est la avec mosieu Machinikof et lattache prussien…. Artist: Paul Gavarni, French, 1804-1866

No Grites, Tonta Francisco de Goya y Lucientes (Spanish, 1746-1828). No Grites, Tonta, 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

Une Femme A DeuxFins. Artist: Paul Gavarni, French, 1804-1866

Dying soldier, Charles Aubry, 1824 print Paris paper dying. violent death by blows, kicks, pricks, etc.. violent death, being killed; being mishandled and maltreated; seeking death (+ finding of dead or dying person). violent death, being killed; being mishandled and maltreated; seeking death (+ death during war)

Un Mari qu'on Aime. Artist: Paul-Émile-Anthony Morlon (French, Sully-sur-Loire, 1845-1905). Dimensions: Oval sheet: 14 1/8 x 17 13/16 in. (35.9 x 45.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: Paul-Émile-Anthony Morlon.

Paul! mon ami! me prendriez-vous pour une femme légère ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Fortune, ca nest pas vrai, tu nas pas dine chez grandmaman…. Artist: Paul Gavarni, French, 1804-1866

THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH FROM THE PICTURE BY G.A. STOREY, IN THE ROYAL ACADEMY, 1872 engraving

Honoré Daumier, Tendresse conjugale, 19th century Tendresse conjugale

Ta femme! tafemme!…. Artist: Paul Gavarni, French, 1804-1866

Robert Smirke, 1752-1845, British, Katherina and Grumio, 1821. Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper.

John Raphael Smith, 1752-1812, British, He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22), ca. 1780. Graphite, black chalk, white chalk, and red chalk with gray ground on thick, textured, cream laid paper.

Monsieur, ils ne sont que cinq.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1864. Prints; lithographs. Lithograph

Honoré Daumier, Saprelotte Complet! , 19th century Saprelotte ... Complet! ...

"- Enough, enough, it's much too tight!! - But not at all, Monsieur, this fabric suits you like a glove!", plate 5 from Coquetterie. Honoré Victorin Daumier; French, 1808-1879. Date: 1839. Dimensions: 212 × 195 mm (image); 335 × 248 mm (sheet). Lithograph in black on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Cartoon - The Good--Bye Act Rostap (1866-1949)

MODES DE LABEILLE IMPERIALE.. Artist: Paul Gavarni, French, 1804-1866

Greece, Athens. Area of Kerameikos (Ceramicus). Northwest of the Acropolis. Important old cemetery with numerous funerary sculptures erected along the sacred way from Athens to Eleusis. Statue depicting of a molossian dog (modern replica), c. 320 BC.

Illustration for the 'Works of J.P.C. Florian'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1796. Prints; etchings. Etching

L'Ami de collège. Dated: 1841. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Tu es bien gentil, mon ange.... Honoré Daumier (1808-1879). Lithographs

Parijs, Bauger, Aubert & Cie., Paris, Daumier, Honoré, The Advertisement and the Advertising, Advertising, To be delivered to the poor public!, Family with health problems, verso - stamped, Under the image two so-called remedies, which could relieve the family of various health problems, are ironically recommended., cartoon, prints, height 340 mm, width 260 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1839 - 1839, paper, lithography (technique), printer, Publication (Event), Publication, publisher

The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François. A tall thin, French officer kissing a fat, richly dressed, seated Britannia. His hat and sword lay on the carpet. Britannias shield and trident rest on the wall behind her chair. Above them are portraits of George III and Napoleon, facing each other. Creator James Gillray, 1756-1815, engraver. Published 1803.

Gustave Doré (French, 1832-1883), Street Scene, 1854, lithograph on wove paper [proof

Honoré Daumier, Une Position difficile, 1847 Une Position difficile

The good kind - Lecon de Devil or the Devil Color of Rose Georges-Jacques Gatine. "The good kind number 55: Lesson of Devil or the Devil Color of Rose".

Honoré Daumier, Qu'est la femme aujourd'hui dans la société , 19th century Qu'est la femme aujourd'hui dans la société ...

Ah! Théophile, j'en apprends de belles.... Honoré Daumier (1808-1879). Lithographs

Jarl by Albert Edelfelt. InNorse mythology,Rig-JarlorJarlwas a son of thegodRig. His wife Erna bore him eleven sons, the ancestors of the race of warriors in Norse society. Albert Gustaf Aristides Edelfelt(1854 1905) was aFinnishpainternoted for his naturalistic style andRealistapproach to art.

Cartoon of two men and brokenpot. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

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