Abstract and Figurative Etchings

A variety of prints showcasing abstract shapes, muted colors, and subtle figurative elements. Includes etchings and lithographs from notable artists, emphasizing form and texture.

Blauw Stilleven, Harrie A. Gerritz, 1980 print Vase with flowers on a blocked rug with a church in the background. paper etching flowers. building of church

White Carrot. Rosemarie Trockel; German, born 1952. Date: 1991. Dimensions: 540 x 380 mm. Etching on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Variation I on Mauve Corner. Helen Frankenthaler (American, 1928-2011); printed by Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 637 x 510 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Reclining Nude with Outstretched Left Arm 1903-1904 Gustav Klimt Austrian. Reclining Nude with Outstretched Left Arm. Gustav Klimt (Austrian, Baumgarten 1862-1918 Vienna). 1903-1904. Graphite. Drawings

Blauw Stilleven, Harrie A. Gerritz, 1980 print Vase with flowers on a blocked rug with a church in the background. paper etching flowers. building of church

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Langhans Carl Ferdinand (1782-1869), Royal Opera in Berlin. Reconstruction (08/18/1843): B IV: Western gallery staircase for 4th place in floor plan and cut. Ink, pencil watercolored on paper, 74.9 x 60.6 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Königliche Oper, Berlin. Wiederaufbau

Two putti with a musical instrument on a cloud, Louis le nain, 1861 - 1911 print paper etching cupids: 'amores', 'amoretti', 'putti'. clouds. other percussion instruments. flute, aulos, tibia

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 292 x 162 mm (each plate); 565 x 778 mm (sheet). Etching and aquatint in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 570 x 388 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Sitting man, Pieter Bodding van Laer (Possible), c. 1600 - c. 1642 drawing paper. ink. chalk pen / brush sitting figure

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Lazio Roma Rome Museo degli Strumenti Musicali2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Chimera with green eyes, screaming, turning around, Odilon Redon, 1888 print A fabulous being with a bull's head, flying above a mountainous landscape. Seventh print of ten from the first series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Parispublisher: Brussels . temptations of St. Antony Abbot. chimera (lion/goat/snake); 'Chimera' (Ripa)

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Persius Reinhold (1835-1912), towers (without date): various views. Pencil on paper, 35.5 x 22.4 cm (including scan edges) Persius Reinhold (1835-1912): Türme

Skin with O'Hara Poem. Jasper Johns (American, born 1930); poetry by Frank O'Hara (American, 1926-1966); printed by Zigmunds Priede and Ben Berns (American, born The Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1965. Dimensions: 539 x 839 mm (image); 559 x 863 mm (sheet). Lithograph in black from two stones on commercially printed off-white semi-transparent wove paper. Origin: United States. Museum: The Chicago Art Institute, FLORENCIA, USA.

Etching on zinc by Paul Klee titled 'Small World', produced in 1914 on Japanese paper, depicting abstract forms and figures in a compact composition.

Abstract composition, Erich Wichmann, 1919 print paper Abstract, Non-representational Art

Susanna. Susanna, depicted by half in an oval. Hands folded, gaze aimed at heaven. In the background on the left, Susanna is shown, while it is spied by the elders. Copy in mirror image to engraving from Hendrick Goltzius from 1583. Reconstructed from two fragments.

Frontispiece, from Yvette Guilbert Original 1898 France. Lithograph (crayon transfer, see Wittrock) in purple or violet on cream wove paper hinged at top corners to gray-brown wove paper . Henri de Toulouse-Lautrec

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Ornament. Coal on transparent, 45.8 x 22.2 cm (including scan edges)

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): ceiling painting. Pencil watercolored on paper, 40 x 25.6 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Roche, Pierre (n.1855-D.1922-01-18), Pont-Neuf (main title), 1897. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

O'Hara Reading. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 698 x 833 mm (image); 706 x 1,004 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stravinsky I, II, and III. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1967. Dimensions: 325 x 650 mm (image); 633 x 963 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woman Pushing Carriage (recto); Reclining Woman(verso). Artist: Charles Demuth, American, 1883-1935

Head of a man and nudes. Sketch of head of a man, below sketch in grid of number of naked figures. Drawing is composed of strips along the edges of prints RP-P-BI-1001 to 106. brought together in March 1975.

Old knight; Vieux Chevalier. An old knight, seen on the back, turned his head to the left.

Three Naked Women, Swimming, Leo Gestel, 1891 - 1941 drawing paper. ink. pencil pen swimming (movement in water) - AA - female human figure (+ nude human being)

And all kinds of horrible animals appeared, Odilon Redon, 1888 print Monstrous beings in the night. Eighth print of ten from the first series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Parispublisher: Brussels . temptations of St. Antony Abbot. fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa)

Abklatsch of a chalk drawing. The original drawing of a woman's head is no longer present. Leaf 1 Recto from sketchbook VII with 26 sheets.

Adam en Eva, anonymous, after Bartholomeus Spranger, after Hendrick Goltzius, 1585 - 1596 print Adam and Eva stand for the tree of knowledge in paradise. Eva just takes on the apple of the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the lower margin a two -line Latin text. Copy in mirror image to engraving by Hendrick Goltzius from 1585. Reconstructed from three fragments. Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Little Cosmo. Paul Klee; German, born Switzerland 1879-1940. Date: 1914. Dimensions: 142 x 96 mm (plate); 417 x 320 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Mural in the Jacobskerk in Winterswijk, Anonymous (Monumentenzorg) (Attributed to), 1895 photograph Winterswijk photographic support. cardboard interior of church. picture, painting Winterswijk

Icing, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 480 × 370 mm (image); 636 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pledge. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 705 x 450 mm (image); 803 x 580 mm (sheet). Lithograph in purple and gray on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Five Layers of Metal Ties. Jim Dine; American, born 1935. Date: 1961. Dimensions: 913 x 455 mm (plate); 1015 x 663 mm (sheet). Drypoint and watercolor on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 16.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Allix album, 1855-1860. Folio 60: Victor Hugo in the rocks of proscribed. Photograph by Charles Hugo (1826-1871), 1853. Paris, Maison de Victor Hugo. 33534-8 Album, French writer, Rocher des proscribed

Nine rectangular cut stones and four oval stones, Jan Dam Steuerwald, 1839 - 1863 print Netherlands paper piece of sculpture, reproduction of a piece of sculpture

Edward Goodall, 1795-1870, British, Frontispiece for 'Pilgrim's Progress', 1836. Line engraving, first published state.

Rescue (plate four from Paraphrase on the Finding of a Glove) 1881 Max Klinger German. Rescue (plate four from Paraphrase on the Finding of a Glove). First edition. Max Klinger (German, Leipzig 1857-1920 Großjena). 1881. Etching, drypoint and aquatint on chine collé; first edition; state four of seven. Prints

Hoffmann Emil (1845-1901), chapter (without date): Detail. Pencil on cardboard, 27.5 x 19 cm (including scan edges) Hoffmann Emil (1845-1901): Kapitell

F. R. Leyland. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1870-1873. Prints; etchings. Etching and drypoint, with drypoint cancellation

Once More Paul Revere I. Larry Rivers (American, 1923-2002); printed by Fred Genis (Australian, born Netherlands, 1934); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 388 x 745 mm (image); 718 x 1016 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Erhard Schön after 1491 depicting a farmer in an emergency situation, showing figure, expression, and rural context.

The Cats. Édouard Manet (French, 1832-1883); published by Alfred Strölin (Swiss, 19th-20th centuries). Date: 1868-1869. Dimensions: 173 × 218 mm (image); 180 × 226 mm (plate); 290 × 411 mm (sheet). Etching and aquatint with plate tone in warm black on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Lazio Latina Sezze Antiquarium Comunale08. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A 1917 aquatint by Richard Teschner titled The Black Idol, depicting a central idol figure with surrounding elements, emphasizing form, contrast, and composition.

Untitled. Louise Nevelson (American, born Russia, 1899-1988); printed by Aris Koutroulis (American, born Greece, 1938-2013); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1963. Dimensions: 430 x 311 mm (sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Head of a man from the side. Draughtsman: Richard Roland Holst. Dating: 1896. Place: Laren (Noord-Holland). Measurements: h 350 mm × w 283 mm. Museum: Rijksmuseum, Amsterdam.

Rubble, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 305 × 404 mm (image); 635 × 450 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Positive Self-Portrait, State 2. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1975. Dimensions: 659 x 508 mm. Etching on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Ferdinand Boberg. Stockholm, Norrmalm, Skeppsholmen, Nordic

Tides. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 298 x 352 mm (image); 380 x 538 mm (sheet). Photolithograph in black from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Rome SS. Giovanni e Paolo, Museum67. Hutzel, Max 1960-1990 Medieval: Ceramic fragments, sculptural fragments, fresco fragments, inscribed tomb markers. Houses one of the best collections of Malagan medieval ceramics for casting wall monuments, copies of which are housed in campanile. Specific Location: Museum Antiquities: Ceramic fragments, sculptural fragments, architectural fragments Object Notes: Basilica has separate record and is filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Leine Christian Friedrich von (1814-1892), Palais of the Crown Prince of Württemberg (Villa Berg) in Stuttgart (1845-1845): Stand vessels for the garden. Pencil on transparent, 72.6 x 58.2 cm (including scan edges)

Marches Macerata San Ginesio S. Sebastiano. Hutzel, Max 1960-1990 Owner: Museo-Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Portrait of a Woman; Philip Léslie Hale (1865-1931); USA; silverpoint on prepared paper; 31 × 25.6 cm (12 3/16 × 10 1/16 in.)

Gypsum models for sculptures at the Palais du Louvre.Part of Réunion des Tuileries au Louvre 1852-1857, album 3.

Webster. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1961. Dimensions: 307 x 335 mm (image); 450 x 575 mm (sheet). Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Simplon, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving (First Published State)

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book 1790-1800 England

Death: my irony protrudes above all others; La Mort: Mon Irononie Dépasse Toutes Les Autres!; Tentation de Saint-Antoine (2); Temptation of Saint Antonius. A naked woman with a snake tail. In her forward, a few flowers waving. Third print of six from the second series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Aster vahlii (Gaudichaud-Beaupre) Hooker & Arnott prints, copper engravings, line engravings

Open on Two Whites. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1973. Dimensions: 1,210 x 805 mm. Lithograph in white and black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Baptême japonais, by Félix Hilaire Buhot (1847-1898), created between 1874 and 1888, specifically in 1887. The work is a drypoint and aquatint, noted with a standard reference number

Vault decoration from Pallazzo Barberini, Anonymous, After Pietro da Cortona, 1692 - 1762 print Part of the vaulted decoration in the salon of Palazzo Barberini with an allegory on moderation (temperantia), with a unicorn, naked figures and a medallion with a performance by Publius Cornelius Scipio Africanus Maior. print maker: Italyafter painting by: Romepublisher: RomeVaticaanstadRome paper engraving Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. unicorn

Couple, Mommie Schwarz, 1919 print Page from the magazine turns. Two stylized horses: the front is black and the rear is white. Netherlands Japanese paper (handmade paper) letterpress printing horse

Captivity, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, moderately textured, cream, wove paper, Sheet: 17 3/8 × 12 1/4 inches (44.1 × 31.1 cm), Plate: 11 1/2 × 6 1/16 inches (29.2 × 15.4 cm), and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm)

Untitled, plate from Je regardais et je vis... 1896 France. Lithograph in black on light gray China paper laid down on white wove paper . Jean Caldain

Writing Joanna Lion Cachet-Cordes, c. 1935 - c. 1940 Page 20 Recto from a sketchbook with 25 sheets. paper. ink pen adult woman. handwriting, writing as activity

Women's Head, 1875 - 1934 Page 19 Recto from sketchbook XX with 26 sheets. Amsterdam paper. chalk head (human) - AA - female human figure

White Target. Jasper Johns (American, born 1930); printed by Fred Genis and ZIgmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 338 x 338 mm (image/primary support); 750 x 550 mm (secondary support). Lithograph from seven stones in white on black wove Japanese paper, laid down on black wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Latina Sezze Antiquarium Comunale03. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Museo Campano66. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

SINENSIS- II- GOUCHE- PAPEL ARCHES- PAL 388- 1999. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Fighting eagles. Hulewicz, Jerzy (1886-1941), graphic artist

White Target. Jasper Johns (American, born 1930); published by Universal Limited Art Editions (American, founded 1955); printed by Fred Genis. Date: 1967-1968. Dimensions: 344 x 340 mm (image/primary support); 638 x 480 mm (secondary support). Lithograph from seven stones in white on black Japanese paper, laid down on blue-gray wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child carrying a marble table decorated with a garland with the inscription: A Saint Vincent de Paul". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-12

Two Pierrots Balancing on Swans and Two Dancers. Artist: Hans Christian Andersen (Danish, Odense 1805-1875 Copenhagen). Dimensions: sheet: 6 7/16 x 4 7/8 in. (16.4 x 12.4 cm)frame: 21 x 16 in. (53.3 x 40.6 cm). Date: 1820-75. Museum: Metropolitan Museum of Art, New York, USA.

Emilio Scanavino, Snare (Insidia), 1954, ink and black wash on paper.

Frontispice pour Les zigzags d'un curieux, d'Octave Uzanne.. Buhot, Félix Hilaire (1847-1898). 1874 - 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lalique, René-Jules (n.1860-04-06-D.1945-05-05), Libellules pendant (main title), 1904. Graphite, ink, gouache and watercolor on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Poster for a 1984 Paris exhibition by Albert Féraud (1921 2008), French sculptor

Serenity, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 443 × 364 mm (image); 655 × 505 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Falling Pines. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1908. Dimensions: 208 × 71 mm (image); 348 × 186 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Land Text, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 372 × 485 mm (image); 505 × 654 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Simberg, Hugo, work, Sketch book (226 pp.+covers), 1905-07, drawing, 17.2 cm x 18 cm, Simberg, Hugo, 1905-07

SIN TITULO - 1992 - TECNICA MIXTA - 100x100. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

A Throw of the Dice #4. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 495 x 365 mm (image); 750 x 525 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Margate , Sailboats, Seas. Joseph Pennell (1857-1926). Prints and Drawings

Free Wheeling. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward (etching), Helen Frankenthaler (pochoir), with Sheila Marbain, Patricia Yamashiro, and Carl Lindgren; published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 760 x 520 mm (image); 778 x 552 mm (plate); 784 x 556 mm (sheet). Etching from one plate on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Mask with face of man; Masque; L'Epreuve.

Target. Jasper Johns (American, born 1930); printed by Robert Blackburn (American, 1920-2003); published by Universal Limited Art Editions (American, founded 1955). Date: 1960. Dimensions: 305 x 305 mm (image); 574 x 448 mm (sheet). Lithograph from one stone in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

BANQUET TO R.W. ROBERT D. YOUNG AND R.W. WILLIAM S. RISELAY held by MASONIC FRATERNITY OF BUFFALO at HOTEL IROQUOIS, BUFFALO, NY, 1896., 1896., FOLDER; ILLUS; COL; 4.5 X 8.25., A color illustration depicting the banquet held for R.W. Robert D. Young and R.W. William S. Riselay by the Masonic Fraternity of Buffalo in 1896 at Hotel Iroquois. The layout suggests a formal gathering, showcasing the ceremonial aspects of the event

Abklatch of the chalk drawing on leaf 20 verso. Leaf 21 Recto from sketchbook IX with 28 sheets.

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