Abstract and Figurative Etchings

A collection of etchings with abstract forms and figurative elements, exploring themes of identity and expression through unique artistic interpretations.

Portrait of an old man, George Jooss, 1834 print Portrait bust of an old man with a beard. paper etching old man

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 118 × 90 mm (plate); 244 × 174 mm (sheet). Etching and aquatint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of an old man, George Jooss, 1834 print Portrait bust of an old man with a beard. paper etching old man

Pinocchio on stage, 1979 print Marionet with a long nose, bottom right two spectators and other dolls above it. paper. printing ink etching

Mule Driver Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Frontispiece to A Gustave Flaubert (To Gustave Flaubert). Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 279 × 204 mm (image/chine); 451 × 347 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Wheel, plate three from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 233 × 199 mm. Lithograph on mounted ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

$Pr \ `es de l'Enfant; Jasi Ski, Feliks Stanis Aw (1862-1901), Cie Lewska, Zofia (fl. Ca 1920-); 1931 (print); after 1893 (block) (1893-00-00-1931-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, children, Polish graphics, women, motherhood, Poland (culture), purchase (provenance)$

Hemulå I. Anders Zorn; Swedish, 1860-1920. Date: 1906. Dimensions: 59 x 50 mm (image/plate); 202 x 165 mm (sheet). Etching on off-white laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

An etching by Anders Zorn depicts an old violinist, highlighting the musician's posture and instrument details.

Un Forgeron (ABlacksmith). Artist: Eugène Delacroix, French, 1798-1863

Soldiers Shot to Pieces, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 143 x 201 mm (plate); 475 x 353 mm (sheet). Drypoint and aquatint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Kiss among stars. Siedlecki, Franciszek (1867-1934), graphic artist

Sailing ship with swords on the water, Frans Hens, 1866 - 1910 print paper etching sailing-ship, sailing-boat. sail. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Found while Cutting a Trench (Aubérive), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1923-1924. Dimensions: 195 x 290 mm (plate); 475 x 353 mm (sheet). Etching and aquatint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Redon, Odilon (n.1840-04-22-D.1916-07-06), and the devil who seduced them, was thrown into the pond of fire and sulfur, where the beast and the false prophet is. (Mellerio 183) (Main title), 1899. Lithography on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

The Fat Whore 1897 Norway. Woodcut with gouges, chisel and fretsaw on heavy, cream wove paper . Edvard Munch

Beul with sword in his hand on a cart, Henri Charles Guérard, 1856 - 1897 print Paris paper etching illustration ~ printed matter, book. executioner, hangman

Woman at the Hearth (Die Frau am Herde). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 1/8 x 12 11/16 inches (25.7 x 32.2 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Cain and Abel. Cain with raised knots, is about to beat Abel. Abel, seen on the back, is on the floor.

Amor Spant's Boog, Anonymous, 1600 - 1700 print Netherlands paper etching (story of) Cupid, Amor (Eros)

The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 295 × 222 mm (image/chine); 522 × 345 mm (sheet). Lithograph in black on light gray China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

View of a portion of the fresco of Louis Jeannot, rue Fortin, Bagneux. "Fresco of Louis Jeannot executed in a house on rue Fortin in Bagneux". French photographic union. Paris, Carnavalet museum. 123883-24

Ravages of the war; Estragos de la Guerra; The horrors of the war; Los Disastres de la Guerra. A house deposits. Men, women, furniture and rubble down.

Antonius: Somewhere, asterists must exist whose bodies are only reflections; Sainte Antoine: IL Doit Y Avoir, Quelque Part, Des Figures Primordiales, Dont Les Corps Ne Sont Que Les Images; Tentation de Saint-Antoine (2); Temptation of Saint Antonius. The head of a sample, in the background a blurred figure. Fourth print of six from the second series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Ruine with Watermolen, Jacobus Ludovicus Cornet, 1825 - 1882 print A ruin grown with grass with water mill on the right. On the left a road. paper etching landscape with ruins. watermill

1893 Art Work - Light Odilon Redon.

Lithograph by Odilon Redon titled 'Celestial Art', created in 1894 on rolled Chinese paper, depicting celestial forms and abstract motifs in black.

DURISHER, YES RIGHT STAND, 1924 print Working man in a stable near a cow and a goat. Japanese paper (handmade paper). printing ink stall, stable

Mining couple walks in a medieval city, Adrien Aubry, 1872 print Brussels paper etching arm in arm (lovers). prospect of city, town panorama, silhouette of city - II - ideal city

Sick woman with a large white headdress (Saskia), Léopold Flameng, Rembrandt van Rijn, 1859 print Possibly a portrait of Saskia van Uylenburgh. paper etching adult woman. patient, sick person

This 1894 lithograph by Odilon Redon depicts a winged horse, showing the figure, wings, motion, and background elements on Chinese paper.

La Naissance de Vénus. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Enigma. Odilon Redon; French, 1840-1916. Date: 1892. Dimensions: 130 × 92 mm (plate); 308 × 217 mm (sheet). Drypoint on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Macbeth and Banquo meet the three witches, Johannes Josephus Aarts, 1881 - 1934 print Bottom left Macbeth and his friend Banquo, at the top right of the three witches who have predictions in store for each of them. Japanese paper (handmade paper) Macbeth. groups of witches

The Cradle (Die Wiege). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 1/8 x 12 7/16 inches (25.7 x 31.2 cm). Series/Portfolio: Der Tote Tag, 1912. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Max Klinger from 'Tent' (Rad. Opus XIV), Part II, depicting 'The Cave', created between 1912 and 1915.

Frontispiece for Les Chimères by Jules Destrée. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 139 × 96 mm (image/chine); 263 × 212 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

At Sea by Night, from Mélodies de Désiré Dihau 1895 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

The Horrors of War: And There's No Help For It. Francisco de Goya (Spanish, 1746-1828). Etching;

Woman in Zolder, Willem Linnig (II), 1852 - 1890 print paper etching / drypoint adult woman. attic, loft

Take the big world tour, c. 1943 - in or before 1958 print Three stylized women, shoulder height, with a hat. paper. printing ink etching

Still life with fruits, Johannes Arnoldus Boland, after Simon Saint-Jean, c. 1860 - c. 1900 print Amsterdam paper. etching fruits

The Bird and the Circle. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1957. Dimensions: 247 x 300 mm (image); 331 x 507 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Depicts 'Under Palm Trees' by Charles Georges Dufresne, created as an etching with cold needle around 1915, showing figures and landscape composition.

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva just takes the apple from the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the undermaster a two-key Latin text. Copy in mirror image to engraving from Hendrick Goltzius from 1585. Reconstructed from two fragments.

Wolfe; Jager, Hans Den Hartog (Copenhagen; Atelier; Fl. Ca 1900); 1931 (1931-00-00-1931-00-00);

Windmill. Fritz Overbeck; German, 1869-1909. Date: 1895. Dimensions: 179 × 238 mm (plate); 351 × 507 mm (sheet). Etching with dark green ink on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

A caltnadel print by Carl Anton Reichel from 1914 depicts a scene titled 'Kaiomorts', showing figures, gestures, posture, and compositional arrangement in an artistic representation.

Sappo Made 1917 Sweden. Etching in brown ink on cream laid paper . Anders Zorn

Bather (Evening) I (Zinc etching) Made 1896 Sweden. Etching on tan wove paper . Anders Zorn

Reducing, large, first stone , Sleeping, Physical fitness. George Bellows (1882-1925). Prints and Drawings

Théophile Alexandre Steinlen's chalk lithograph 'Wind Bride with Crescent Moon' depicts a female figure under a crescent moon using early 20th-century printmaking techniques.

Lovers Ernest Crichlow (American, 1914-2005). Lovers, 1938. Lithograph on white wove paper, Sheet: 22 1/4 x 15 3/16 in. (56.5 x 38.6 cm). American Art 1938

The custody is as barbarous as the crime, from The Disasters of War 1810-1820 Spain. The Custody Is as Barbarous as the Crime, one of only three irregular plates produced for the Disasters of War series, was not printed and bound into the volume like the other working proofs but was added at the end. The etching features a prisoner crouching with his wrists and ankles restrained. Line in addition to aquatint creates the exceedingly dark atmosphere. Goya pays special attention to the prisonerís contorted posture, the tangled mess of his hair, and the reflection of dim light on the chains binding his arms.. Etching and burin on cream laid paper . Francisco José de Goya y Lucientes

Roche, Pierre (n.1855-D.1922-01-18), women Fellah (main title), 1912. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Effort. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1939. Dimensions: 295 × 237 mm (plate); 286 × 230 mm (image); 509 × 324 mm (sheet). Etching, drypoint and engraving on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Felix Koenigs on his death bed, Max Klinger, 1900 print paper etching deathbed. historical persons

Lachende Man, Jan Chalon, 1802 A smiling old man. He takes his hat as a greeting. The print is part of an album. London paper etching / drypoint A smiling old man. He takes his hat as a greeting. The print is part of an album. London paper etching / drypoint

The Man with a Basket, supplemental plate from Mein Leben. Marc Chagall; French, born Belarus, 1887-1985. Date: 1922. Dimensions: 119 × 90 mm (image/plate); 350 × 260 mm (sheet). Aquatint and drypoint on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Old Knight. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 298 × 236 mm (image/chine); 452 × 349 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A man defending a two -end team; Engel, Otto Heinrich (1866 1949); 1900 (1905-00-00-1915-00-00);

Manfred et Astarté ,. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Heady night landshap, Philipp Bauknecht, 1893 - 1933 print A number of snowy houses in a night lit by a crescent and stars. paper mountains. prospect of village, silhouette of village. waning moon, i.e. facing this way (

Young man beats a bone while he is viewed by a dog, Charles de Groux, 1855 print paper etching hunger. dog

A Man of the People, a Savage, from The Juror Made 1887 France. Lithograph on cream chine collÈ, laid down on white wove paper . Odilon Redon

Witch with a knight; Gory, Wiktoria (1902-1945); 1929 (1929-00-00-1929-00-00);

The Monk In The Cornfield, Dominique Vivant Denon (Baron), After Rembrandt van Rijn, 1819 print paper etching man and woman cohabiting. monk(s), friar(s)

Jeanne. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: image: 6 1/8 x 4 3/16 in. (15.5 x 10.7 cm)sheet: 10 7/8 x 8 in. (27.7 x 20.3 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.

After the Bath (large version) 1891-1892 France. Lithograph, transfer, and crayon in black on ivory wove paper . Hilaire Germain Edgar Degas

Harvest of the dead, plate 63 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 130 x 179 mm (image); 152 x 205 mm (plate); 240 x 339 mm (sheet). Etching and burnished aquatint on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Sleeping child, Eugène Smits, 1836 - 1912 print paper etching / drypoint sleeping on the ground. boy (child between toddler and youth)

4, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 515 x 395 mm (sheet). Lithograph from two stones in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bading woman in a pond, Joseph Félon, 1850 print Paris paper taking a bath - AA - in the open air. woman (showing herself) undressed, quasi-nude. pond, pool

Blacksmith 1833 France. Aquatint and drypoint in black on ivory wove paper . Eugène Delacroix

Klu Klux Klan. Fleischer, Arno. 1965. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans

Kissing children, Gottlieb Welté, c. 1755 - c. 1790 print paper etching embracing each other, kissing. child

Shell Crater with Flowers (Spring 1916 near Rheims), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1923-1924. Dimensions: 148 x 197 mm (plate); 475 x 353 mm (sheet). Drypoint on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

In the Spheres (The breath which leads living creatures is also in the SPHERES), plate 5 of 6 from To Edgar Poe Made 1882 France. Lithograph in black on ivory China paper laid down on white wove paper . Odilon Redon

A black and white chalk drawing with blue highlights by Martin von Molitor showing the design of a castle ruin, focusing on architectural details and landscape context, created between 1780 and 1812.

Death: "It is I who make you serious; let us embrace each other", plate 20 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 234 × 214 mm (image/chine); 452 × 350 mm (sheet). Lithograph in black on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Buddha Made 1895 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Brandès in her Box. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1894. Dimensions: 365 × 265 mm (image); 513 × 396 mm (sheet). Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Self -portrait (cut off), Kees Stoop, c. 1944 - c. 1990 print Self -portrait (cut) with roof with roof tiles and trees. paper etching portrait, self-portrait of artist

Two men with hats, Hendrik Nicolaas Werkman, 1892 - 1923 print Groningen paper letterpress printing head-gear. standing figure. dog

Two groups of figures with the backs towards each other, Samuel Jessurun de Mesquita, 1924 print Left six figures; On the right three figures. paper caricatures (human types)

Portrait of Eduardo Zamaçois, Spanish Painter Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Old woman with laundry, Dirkje Kuik, c. 1950 - 1971 print Old woman with laundry displayed sketchy, with a few study heads on the right. paper. ink etching wash house, home laundry, laundry room

UN CRISPIN.. Artist: Paul Gavarni, French, 1804-1866

Autumn Town, Jan Mankes, 1916 print View of a garden with shrubs and sunflowers. In the background a farmhouse and hay mite. paper etching garden. flowers: sunflower. hay-stack Eerbeek

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Child caressing a lion". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-13

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermaster the text Genesis 3. Reconstructed from two fragments.

Hose Serpent Auréole. A pregnant woman standing on a wooden pole. Around her runs a stroke, his tail as a haloon above her head. She is a kind of antichrist. On the right hangs an oil lamp.

Untitled. Jasper Johns (American, born 1930); printed by Don Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1969. Dimensions: 735 x 503 mm (plate); 1063 x 710 mm (sheet). Etching and aquatint in black on heavy white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

White Horse. Marino Marini; Italian, 1901-1980. Date: 1965. Dimensions: 664 x 460 mm (image); 903 x 632 mm (sheet). Lithograph on white wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Primitives: Copying Botticelli : National Gallery (The two Madonnas) , Painters Artists, Paintings, Botticelli, Sandro, 1444 or 1445-1510. Joseph Pennell (1857-1926). Prints and Drawings

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra2. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Le Temps (main title), 1907. Gypsography, black and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Heinrich Vogeler's 1899 etching 'To Spring; The Fisherman' portrays a fisherman at work in a spring riverside landscape, using precise etching lines to convey naturalistic detail and calm atmosphere.

Adam en Eva, anonymous, Philips Galle (rejected attribution), 1570 - 1590 print Adam and Eva stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermar, the text Genesis 3. Reconstructed from two fragments. Southern Netherlands paper engraving Eve offers the fruit to Adam

Sunbathing figures under a palm tree, Charles Dufresne, 1919 print France paper etching / drypoint sunbathing (on the beach). trees: palm-tree

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