Abstract and Figurative Studies

A collection of lightly sketched artworks, featuring abstract forms, figures in various poses, and muted tones with subtle textures.

The painter with his model in his studio, Rudolph Meyer, 1615 - 1638 print paper etching artist (in general) working from nude model

9, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 220 x 160 mm (image); 282 x 225 mm (sheet). Lithograph from one stone in gray on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (May 26, 1852): Catania: Jupitertorso and Tonkapitell in the Biscari Museum (Views). Pencil on paper, 34.2 x 52.1 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Three men sitting on chairs, 1890 - 1946 Next to the men is a fourth man. Page 2 Recto from a sketchbook with 75 sheets. paper. pencil sitting figure. chair

The painter with his model in his studio, Rudolph Meyer, 1615 - 1638 print paper etching artist (in general) working from nude model

Duck and Reeds 1889 Berthe Morisot French. Duck and Reeds. Berthe Morisot (French, Bourges 1841-1895 Paris). 1889. Drypoint on wove paper. Prints

Black ink sketch by Jean-Louis Forain around 1900 depicting the head of a girl wearing a hat, focusing on facial features and hat details.

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without dat.): 2 ceiling designs. Pencil on cardboard, 37.1 x 55.9 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Caltnadel print by Josef Eberz created in 1915 depicting a woman with a child in a landscape setting.

Interior #3. Richard Artschwager; American, 1923-2013. Date: 1976-1977. Dimensions: 300 x 251 mm (plate); 614 x 466 mm (sheet). Drypoint and etching on zinc on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Seeking Fingers, from Mode d'Emploi. Hans Bellmer; German, born Poland, 1902-1975. Date: 1967. Dimensions: 149 x 86 mm (plate); 224 x 160 mm (sheet). Engraving on white Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with cloudy sky, Rik Wouters, 1892 - 1916 print paper etching clouds. evening. landscapes

Virtue overcomes the war, Hendrick Goltzius (School of), 1580 - 1596 print Allegory of a virtue with star wreath sitting on a personification of war or violence. In the left hand, virtue holds a pyramid -shaped object. With Latin spell vicit vim virtus. Reconstructed from two fragments. Northern Netherlands paper engraving Figures Representing to Virtue VS. to deputy. Vehemence, Violence, Fierceness; 'Sforza with deception', 'Violence' (Ripa)

Susanna. Susanna, depicted by half in an oval. Hands folded, gaze aimed at heaven. In the background on the left, Susanna is shown, while it is spied by the elders. Copy in mirror image to engraving from Hendrick Goltzius from 1583. Reconstructed from two fragments.

Two girls, one plays on the piano, the other is singing next to it, Louise Danse, 1877 - 1909 print paper etching one person playing keyboard instrument. pianoforte

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Etching on zinc by Paul Klee titled 'Garden of Passion', produced in 1913, showing figures, abstract shapes, and dynamic composition.

Southwest Blues. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede and Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 360 x 335 mm (image); 835 x 572 mm (sheet). Color lithograph from two stones on white wove paper, with purple ink wash on white wove paper attached to bottom edge. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Wounded Soldier in Flight (Battle of the Somme, 1916), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 197 x 137 mm (plate); 475 x 353 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Female figure on four hooves on a Globe, Félicien Rops, 1886 photomechanical print Paris Japanese paper (handmade paper) drypoint / etching adult woman. globe. fool's cap. monsters ~ hoofed animals - AA - female human figure

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View gusset with muse F. Bleing pencil watercolor on the box, 27.4 x 21.7 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Hoffmann Emil (1845-1901), Palazzo Guadagni in Florence (June 30, 1894): Sketch of the Sgraffiti. Pencil on paper, 28.6 x 24.4 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo Guadagni, Florenz

A Throw of the Dice #3. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 450 x 355 mm (image); 610 x 457 mm (sheet). Lithograph in black from one stone on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Piano -playing girl, Louise Danse, 1877 - 1909 print paper etching one person playing keyboard instrument. pianoforte. girl (child between toddler and youth)

Plate 7, from The Pocket Size Tlingit Coffin. Gérard Titus-Carmel; French, b. 1942. Date: 1976. Dimensions: 207 x 270 mm (image); 505 x 380 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pecked Soil, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 305 × 398 mm (image); 640 × 452 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

An Arabesque, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Line engraving and stipple engraving on thick, slighlty textured, cream, wove paper, with gray, chine colle, Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm), Plate: 10 1/4 × 5 11/16 inches (26 × 14.4 cm), Chine collé: 10 1/16 × 5 3/8 inches (25.6 × 13.7 cm), and Image: 1 15/16 × 2 13/16 inches (4.9 × 7.1 cm)

Diebitsch Carl von (1819-1869), pillar with St. Wolfgang Skulptur, Wolfgangsee (without dat.): Part of a building with a column above a sculpture by St. Wolfgang, part of a baptismal tank, on the back. Pencil on paper, 22.9 x 27.8 cm (including scan edges) Diebitsch Carl von (1819-1869): Säule mit St. Wolfgang Skulptur, Wolfgangsee

French jonkers and counselor; Equestrian series. Two fragmentary prints on a leaf, with German caption and Latin inscription. Left: horse and rider to the left. The horse is in step and wears two French jonkers on his back. The front younger has a driving sweep. Right: horse and rider to the right. The horse is in step. The rider can be recognized by his clothing as a French counselor. According to the accompanying text, he is on his way to the Paris Parliament.

Open on Two Whites. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971-1973. Dimensions: 1,210 x 805 mm. Lithograph in white and black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Järnefelt, Eero, work, Sketch book, 1920s, pencil, drawing, 33 cm x 25 cm, Järnefelt, Eero, 1920s, pencil, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Frontispiece for 'Pilgrim's Progress', Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving, first published state

Ballerina, 1901 print paper etching female dancer

Sculpture of the head of Henry III of France, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper piece of sculpture, reproduction of a piece of sculpture. head (human). temporary exhibition, 'Salon' Tours

Drawing (USA); graphite, crayon, color pencil on white wove paper

Message from Degas. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1974. Dimensions: 187 x 250 mm (image/plate); 536 x 662 mm (sheet). Aquatint with etching from three plates on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Charlotte Winter, Printed Cotton, c 1941 Printed Cotton

Nude Girl Standing. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1873-1875. Prints; etchings. Etching and drypoint, with drypoint cancellation

Sketch of Whistler's Head. Philip William May; English, 1864-1903. Date: 1890-1900. Dimensions: 73 × 78 mm (sheet). Pen and black ink on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Unknown architect, wall and ceiling paintings of non-identifiable buildings (without date): wall painting. Pencil watercolored on paper, 36.7 x 22.5 cm (including scan edges) N.N. : Wand- und Deckenmalereien von nicht identifizierbaren Bauwerken

Visitation II. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 680 x 551 mm (image); 760 x 560 mm (sheet). Lithograph in black from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum0. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Klomp Johannes Franziskus (1865-1946), St. Elisabeth Church (with rectory), Bochum-Gerthe (September 27, 1913): Wall and Weiheluchter (1: 1). Pencil on transparent, 102 x 50.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Elisabeth Kirche (mit Pfarrhaus), Bochum-Gerthe

Summer Oscar (1840-1894), Städelsche's art institute in Frankfurt/Main. 4. Project (1874): Return view. Pencil on cardboard, 69.9 x 103.3 cm (including scan edges) Sommer Oscar (1840-1894): Städelsches Kunstinstitut, Frankfurt/Main. 4. Projekt

Järnefelt, Eero, Sketch book, early 20th century, technique text: pencil, drawing, 22.5 cm x 16.5 cm, Järnefelt, Eero, early 20th century, pencil, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Mais Dieu créa la coquette dès qu'il eut fait le nigaud.. Bracquemond, Marie (1841-1916). 1887 - 1889. Hugo, Victor (1802-1885). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Courtship

Antoni Tapies / 'Llambrec-3', 1975, Lithography, 76 x 56 cm. Museum: COLECCION PRIVADA.

Holy Family with a lamb, after: Rafaël, draughtsman: anonymous, 1500 - 1620, prepared paper, brush, h 134 mm × w 97 mm

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 565 x 386 mm (sheet); 292 x 162 mm (plate). Etching and aquatint in olive green, with collaged elements, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A woodcut by Dagobert Peche around 1920 titled 'Wallpaper Muster', printed on Japanese paper, depicting a decorative wallpaper pattern.

2 Hearts (The Donut). Jim Dine (American, born 1935); printed by Bill Goldston; published by Universal Limited Art Editions (American, founded 1955). Date: 1972. Dimensions: 1055 x 745 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Quast Ferdinand von (1807-1877), ornaments (ceiling designs) (Without Dat.): View detailed sketch. Pencil on paper, 13.2 x 12.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Ornamente (Deckenentwürfe)

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 20.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Triumph, plate five from A Glove Made 1881 Germany. Etching on ivory chine collÈ on off-white wove paper . Max Klinger

Vieille gouge. Félicien Rops; Belgian, 1833-1898. Date: 1889. Dimensions: 94 × 68 mm (image); 120 × 78 mm (plate); 407 × 311 mm (sheet). Aquatint and drypoint on ivory wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Böhmer & Petrich, Park Hotel, Poznan: Conference room, frame with food for the ballroom: Detail 1: 1. Pencil on transparent, 152.9 x 101.6 cm (including scan edge).

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 577 x 447 mm. Lithograph with ink additions on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from five fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Ruhe (Repose) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VIII. First edition. Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Overall: 18 5/16 x 26 in. (46.5 x 66 cm). Printer: Printed by F. Felsing. Series/Portfolio: First edition. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of Paul Klee painting; DER O Vom Hohen C..

A Sea Idyl, by F. Schuyler Matthews. Seascapes with sailing ships and shore scenes, with anchors, shells, starfish, and captions.. Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Sailing ships, Coastlines, Oceans

Firming build, Estealth types descriving, bastunment

Voyage à Venise. André Masson (French, 1896-1987); printed by Leo Marchutz (German, active in France, 1903-1976). Date: 1951-1952. Dimensions: . Lithograph on folded paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Sébastien Le Clerc the Younger, French, 1637-1714, LElement de lEau: Devise pour la Valeur, ca. 1668, Engraving, platemark: 18.7 × 16.6 cm (7 3/8 × 6 9/16 in.), French, 17th century, Works on Paper - Prints

Loose fragments of a print of the reconciliation of Jacob and Esau ..

Järnefelt, Eero, work, Sketch book, 1925-32, pencil and crayon, drawing, 25 cm x 33 cm, Järnefelt, Eero, 1925-32, pencil and crayon, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Schüssel.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

ERR. Robert Indiana (American, born 1928); published by Galleria Schwarz (Italian). Date: 1963. Dimensions: 113 x 152 mm (image/plate); 252 x 331 mm (sheet). Photo-etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Lazio Latina Sezze Antiquarium Comunale97. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Canscora diffusa (Vahl) R. Brown ex Roemer & Schultes prints, copper engravings, line engravings

Putto with arrow and arch with ornamental ranks on either side, Louis le nain, 1861 - 1911 print paper etching cupids: 'amores', 'amoretti', 'putti'. attributes of Cupid: bow and arrow. 'Cornucopia', Horn of Plenty

Collage-Peinture by Joan Miró (1893-1983) Catalan painter, sculptor and ceramicist. Dated 1934

Free Wheeling. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward (etching), Helen Frankenthaler (pochoir), with Sheila Marbain, Patricia Yamashiro, and Carl Lindgren; published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 756 x 505 mm (image); 773 x 542 mm (plate); 777 x 547 mm (sheet). Etching from one plate on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 21 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Design for announcement and order card with Pauwen, Theo van Hoytema, 1894 print On the left a peacock on a branch; On the right a showing up peacock. paper ornamental birds: peacock

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure study for King Arthurs Round Table, from The Quest of the Holy Grail (a series of fifteen paintings for the Boston Public Library, completed in 1901), Black chalk, Blue laid, 61.6 × 47.2 cm (24 1/4 × 18 9/16 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Deraisme, Pierre -Georges (N.1859 - D.1932), Pin Protomé de Poisson (main title), 1905. Graphite, ink, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

The Straddling Echoed in His Dream, plate twenty from Uruguayan Torture Series. Luis Camnitzer; American, born Germany, 1937. Date: 1983. Dimensions: 298 x 240 mm (image); 301 x 249 mm (plate); 750 x 553 mm (sheet). Color photo-etching from five plates on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Violin..

Palbbed of Alexander, Prince of the Netherlands, 1884, 1884 photograph Palf bed of Alexander, died in The Hague on June 21, 1884. His body is covered with flowers. The Hague cardboard. paper. photographic support albumen print lying in state The Hague

Böhmer Franz (1907-1943), Park Hotel in Posen (1940-1940): chair. Pencil on transparent, 38 x 46.2 cm (including scan edges)

Street corner, 1890 - 1946 Leaf 32 Recto from a sketchbook with 41 sheets. Amsterdam (possibly) paper. pencil street (+ city(-scape) with figures, staffage)

Hanno's Death. Horst Janssen; German, 1929-1995. Date: 1973. Dimensions: 223 x 149 mm (plate); 410 x 306 mm (sheet). Etching on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Ornament. Pencil, coal on transparent, 39 x 34.3 cm (including scan edges)

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Vestiges, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1960. Dimensions: 492 × 325 mm (image); 636 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

NINF IX - 1998 - GOUACHE/ARCHES. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Quast Ferdinand von (1807-1877), collegiate church in Gernrode. Restoration (1858-1872): Eastern papis, half-dome: sketch of painting. Pencil on cardboard, 22.5 x 14.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Stiftskirche, Gernrode. Restaurierung

Gamble. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 165 x 323 mm (image); 330 x 335 mm (sheet). Lithograph in black on smooth ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Torso Resting on Arms. Henri Matisse; French, 1869-1954. Date: 1929. Dimensions: 70 × 107 mm (image); 86 × 118 mm (primary support); 90 × 122 mm (plate); 280 × 380 mm (secondary support). Drypoint in black on gray wove paper, laid down on ivory wove paper (chine collé). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Three profiles with also views of the relief decorations, c. 1835 - c. 1860 drawing München paper. ink pen / brush decorating 'en relief', appliquéing

French Money. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 445 x 731 mm (image); 578 x 804 mm (sheet). Lithograph in brown (recto/verso) on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Canto IV, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 509 x 350 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Quast Ferdinand von (1807-1877), Cathedral in Halberstadt (07.09.1860): Upper Kreuz from the cathedral, scale bar. Pencil on paper, 31.4 x 19.9 cm (including scan edges) Quast Ferdinand von (1807-1877): Dom, Halberstadt

In Black with Yellow Ochre. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 405 x 350 mm (image); 762 x 540 mm (sheet). Lithograph in black and yellow ochre on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Radoux, Louis-Gilbert, Libois, Photographic reproduction of a print of Samson tearing a lion in two, photograph, photo, reproduction, page, photos, photographically illustrated books, height 21 mm, width 43 mm, photographer, 1852 - 1857, photographic paper, salted paper print, salt print, Work conception, after a print by, French, Belgian, 1820, printer

Eploiement III, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1962. Dimensions: 518 × 387 mm (image); 640 × 446 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Circles of Confusion I. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1966. Dimensions: 450 x 350 mm (image); 757 x 560 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ohne Titel (Zeichnung Nr. 7) 1930 Kandinsky, Vasily(1866-1944 Russian) Pen & Ink Christie's Images, London, England

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