Abstract and Textile Art

Modern abstract artworks and intricate textile fragments, showcasing vibrant colors and geometric patterns in various artistic styles.

Fragment, Medium: silk, metallic Technique: woven, Indo-Persia, 18th century, woven textiles, Fragment

TRANSVERSE - 1996. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Fragment, Medium: silk, metallic Technique: woven, Indo-Persia, 18th century, woven textiles, Fragment

Print (France)

SYLVARUM I - 1987. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

(SIN TITULO) - SIGLO XX. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Stencil 19th century Japan. Stencil 69394

Kata-gami: Bamboo Leaves. Date/Period: Late 19th century. Stencil. Mulberry paper, lacquer made from persimmon juice, silk thread. Author: UNKNOWN.

MI-MON - 1992 - 198x112 - VINILICO, GESSO Y PIGMENTOS SECOS SOBRE LIENZO. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Nymphe effrayee (FrightenedNymph). Artist: Henri Heran, French, born Germany, 1864-1940

Abstract Arabesque Vines, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Abstract Arabesque vines are depicted using a push carving technique. Thin strips are carved to suggest the curling pattern decorated with symbolic leaves all around., Japan, late 18th - mid 19th century, textile designs, Stencil, Stencil

Album, Album of Architecture and Ornament Prints; Designed by Jean-François de Neufforge (Flemish, 1714 - 1791)

TRANSVERSE - 1996. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

ESTUDIO PARA SINESIS-1989-45X37 CM-GOUACHE/PAPEL-. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Open on Two Whites. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971-1973. Dimensions: 1,210 x 805 mm. Lithograph in white and black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Leaf pattern of branch motif and points, Anonymous, 1800 - 1900 Leaf with spreading pattern of branch motif and points. paper. block printing (relief printing process) ornament derived from plant forms

(SIN IDENTIFICAR) - SIGLO XX. Author: GUSTAVO TORNER 1925/. Location: PRIVATE COLLECTION. BASIN. CUENCA. SPAIN.

Stencil 19th century Japan. Stencil 70699

Stencil with Design of Irises early 19th century Japan. Stencil with Design of Irises. Japan. early 19th century. Double mulberry paper with silk filaments. Edo period (1615-1868). Stencils

TRANSVERSE XIX - 1996. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Print book with eight prints with cartouches for coats of arms, bound in decorative papers. Bundle of eight numbered prints with cartouches for coats of arms, first leaf entitled "New weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper.

Tania Lam, expressionist landscape with trees and gray sky. Her contemporary art tends to abstraction. Painting outdoors she captures the nuance of the landscape.

Stencil 19th century Japan. Stencil 70660

Drawing, Textile Design: Hexe (Witch); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 20.3 cm (2 1/2 × 8 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

Stencil late 19th-early 20th century Japan. Stencil 70573

Celtic ornament

Textile; silk; Warp x Weft: 186 x 55 cm (6 ft. 1 1/4 in. x 21 5/8 in.); Bequest of Elinor Merrell; 1995-50-343

Stencil 19th century Japan. Stencil 70132

An abstract collage and encaustic painting with swirling brush strokes and bursts of color lurking beneath the surface with black, organic forms occupying the surface.

Vest Material. Dated: c. 1936. Dimensions: overall: 27.9 x 20.9 cm (11 x 8 1/4 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart.

PEQUEÑA GRAN VENTANA - 2005 - OLEO/TELA - 105x86. Author: SEVILLA SOLEDAD 1944-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

Panel (Design No. 104). Designed by Frank Lloyd Wright (American, 1867-1959); Produced by F. Schumacher & Co., founded 1889; United States, New York, New York. Date: 1955. Dimensions: 296.5 x 126.7 cm (116 5/8 x 26 5/8 in.)Warp repeat: 67.7 cm (26 5/8 in.). Rayon and silk, plain weave; screen printed. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

(SIN IDENTIFICAR) - SIGLO XX. Author: GUSTAVO TORNER 1925/. Location: PRIVATE COLLECTION. BASIN. CUENCA. SPAIN.

Drawing, Textile Design: Sylvester; Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 20.3 cm (2 1/2 in. × 8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

RAY , MAN. FOTOGRAFO USA. 1890-1976. LITOGRAFIA.

Template with geometric shapes, Anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern of various geometric shapes, stars with brick pattern. Japan paper cutting ornament ~ geometric motifs

Cliff Temples With Firs; Felsentempel Mit Tannen. Paul Klee (1879-1940). Waterclolour And Pen And Black Ink On Ingres Paper, 1925.

OITICICA , HELIO. PINTOR BRASILEÑO. 1937 - 1980. " BLANCO ATRAVESANDO ROJO . METASCHEMA ". OLEO SOBRE LIENZO , AÑO 1958. COLECCION FLUVIA Y ADOLPHO LEIMER . SAO PAULO. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Border and sidewall, Block-printed on handmade paper, a) The upper portions of thickly set trees are seen. Leaves are printed in blue and black. Branches are brown. Pale blue sky above; b) Border containing grisaille palmette and floral motif alternating with bud form against yellow flock field; c) Fragment of end piece of a scenic, bears inscription '24'. Found on back of 'b'., France, 1805-20, Wallcoverings, Border and sidewall

Leaf with spreading pattern of oval leaf motif, anonymous, 1750 - 1950 paper. block printing (relief printing process) ornament derived from plant forms

DE SOMNIS II- 1997- 217x150- OLEO SOBRE LIENZO. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Stencil 18th-19th century Japan. Stencil 70529

Crusaders. Arman (Armand Fernandez) (1928-2005). Silver glue brushes in polyester and plexiglass. Dated 1968. 122 x 122cm.

Drawing, Textile Design: Sylvester; Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.7 × 20.2 cm (2 5/8 × 7 15/16 in.) Mat: 31.8 × 45.7 cm (12 1/2 in. × 18 in.)

Margery Parish, Colcha, c 1937 Colcha

CUATRO PIRAMIDES - 1989 - 130x130 CM - TECNICA MIXTA SOBRE LIENZO. Author: VICENTE ROJO ALMAZAN. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Lazio Latina Sezze Antiquarium Comunale5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fort te Agra, c. 1924 - c. 1932 copper (metal) etching

Umbria Perugia Norcia S. Giovanni. Hutzel, Max 1960-1990 Exterior views of facade, flanks, and two portals; interior views of altars, ceiling, sculpture, crucifix, paintings, and ciborium. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Berndtson, Gunnar, work, Sketch book, 1876, pencil and black chalk, drawing, 12 cm x 20 cm, Berndtson, Gunnar, 1876, pencil and black chalk

Greek Ornament

Italy, Campania, Pompeii. Mosaic floor patterns in the House of the Faun.

Arabian ornament

Françoise Viré, bookbinder. "Salomé", by Oscar Wilde (1854-1900). Book, 1917. Museum of Fine Arts of the City of Paris, Petit Palais. 70007-7 Art crafts, cover, leather, gold, graphics, book, graphic, black, binding, salom

Lluis Ventós / "Moai", 2005, Painting (oil on canvas), 33 x 41 cm.

Fragment (Mashru: Textile made for Muslim Market), 1800s - early 1900s. India, Surat, 19th - early 20th century. Warp ikat, satin and complementary warp weave; silk and cotton; overall: 71.1 x 61.9 cm (28 x 24 3/8 in.).

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Josef Albers, Angular, 1935, oil on chipboard, Bauhaus.

Embroidered and Resist-Dyed Fabric, late 1800s-early 1900s. Japan, late 19th-early 20th century. Embroidered silk; overall: 94 x 82 cm (37 x 32 5/16 in.).

Rag Carpet. Dated: c. 1937. Dimensions: overall: 30.7 x 52.1 cm (12 1/16 x 20 1/2 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Clyde L. Cheney.

Print sample Unknown, Wiener Werkstätte

Dos Esquinas/1975. Museum: COLECION PARTICULAR / MADRID / ESPAÑA. Author: JOSE GUERRERO.

MARMARA I - 2003-2004. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Stencil 19th century Japan. Stencil 69403

PIRAMIDE SUSPENDIDA - 1989 - 160X160 CM - TECNICA MIXTA/LIENZO. Author: VICENTE ROJO ALMAZAN. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Kosode (Kimono) Fragment with Bamboo and Pine. Japan, Edo period (1615-1868), late 18th to early 19th century. Textiles. Silk figured satin (rinzu), tie-resist dyed (kanoko shibori), hand-painted

Anwar Lalal Shemza, Composition in Red and Green, Squares and Circles, 1963, oil paint on canvas, Tate Britain, National Gallery of British Art, London, England.

Quast Ferdinand von (1807-1877), patterns from French glass paintings (without date): Detail. Tusche watercolor on paper, 25 x 18.4 cm (including scan edges) Quast Ferdinand von (1807-1877): Muster aus französischen Glasgemälden

Design for a carpet with vertical jobs, Dirk Verstraten, 1924 drawing draughtsman: RotterdamAmsterdam cardboard. paper. paint (coating) brush

Showing board pattern leaf, Johann Lechner, 1790 - 1839 brocade paper Leaf with chessboard pattern with alternating square in whole gold, two types of rosettes and dice five. Fürth paper. paint (coating) relief printing ornament ~ geometric motifs

PANTALLA - 2000 - PINTURA CINTA ADHESIVA/PAPEL - 193x127. Author: PELLO IRAZU MENDICIBAL 1963/. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

SIN IDENTIFICAR. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Scotland, Glasgow, Mackintosh Glasgow, Glasgow School of Art 'The Mack', wall details.

Spaghetti and Grass. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 340 x 455 mm (image); 396 x 570 mm (sheet). Lithograph in green on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Renaissance ornament

Back endpaper, flyleaf.. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German

Theater-Mountain-Construction. Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879-1940 Muralto-Locarno). Dimensions: 18 7/8 × 24 3/4 in. (47.9 × 62.9 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.

'Untitled'. Collection of Georges Matcheret and Nadiya Volkonskaya. 1992. Dimensions: 239x318 mm. Museum: State Hermitage, St. Petersburg. Author: Igor Shelkovsky.

Textile, Medium: cotton, wool Technique: slit tapestry, Geometrical designs in tan and red. Motifs are outlined in contrasting shades., ca. 900, Textile

Drawing (Italy)

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 33 x 24.3 cm (13 in. x 9 9/16 in.)

Suprematist Composition with black and green, Suetin, Nikolai Mikhailovich (1897-1954)

Amsterdam, Esveldt Holtrop, Jan Steven van, Visscher, Claes Jansz. (II), Netherlands, Scheyndel, Gillis van (I), France, Perelle, Nicolas, Molijn, Pieter de, Danckerts, Cornelis (I), front cover - handwritten in pencil, Album with seventy-four etchings on seventy album pages. These are various series with examples for drawing the human body, landscapes and genre representations. They are late prints of mainly seventeenth-century prints, published as drawing examples under the title: Spiegel der natuur en school ter teekenkunde. Half-linnen band met marbled boards., print album, prints, Album with drawing examples: the human body, landscapes and genre representations, 6500, height 150 mm, width 202 mm, thickness, 18 mm, width 405 mm, print maker, printmaker, 1600 - 1699, paper, linen (material), linen, marbled paper, bookbinding, etching, Almeloveen, Jan van, Northern Netherlands, 1652 - 1683, 1604-06-13 - 1656-04-27, 1595-04-06 - 1661-03-23, French, 1631 - 1695, Work conception, after

Stencil Japan. Stencil 70012

Sand Dollar John Bunker (20th C. American) Pen and ink

Fragment with spreading pattern of type of three -shaped leaves, anonymous, 1750 - 1900 Round fragment of a leaf with spreading pattern of kind of three -shaped leaves. paper. lacquer (coating) block printing (relief printing process) / lacquering fantasy ornament

Anni Albers, red and Blue Layers, Cooton, 1954, Bauhaus.

SOTO, JesÏs Rafael (1923). Rome's Cube. 1969. Plexiglas. Kinetic art. Sculpture.

SIN IDENTIFICAR. Author: GUILLERMO PEREZ VILLALTA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

ENCUADERNACION MODERNA.

José Manuel Broto / 'Setze artistes amb el mil·lenari de Catalunya', 1989, 75 x 56 cm., Lithography.

Ochre and Red on Red, Mark Rothko, 1954, Phillips Collection, Washington DC, USA, North America

Wallpaper borders, 1930s, maker unknown. Gift of Ray and Betty Weeber, 2010.

Abruzzo Aquila Sulmona Chiesa dell' Annunziata3. Hutzel, Max 1960-1990 Exterior views of baroque facade and courtyard (13th-14th century), including the entrance to the Museo Civico. Interior views: ornate pilasters, baroque cupola, white plaster angels and seraphim decoration, marble intarsia altar and balustrade, niched gilt wooden saints, rococo organ, pulpit, wooden choirstalls by Balcone, 18th century altar paintings, ceiling and cupola frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wall tiles from the funerary apartments of king Djoser. Dimensions: H. 113 cm (44 1/2 in.); W. 73.7 cm (29 in.). Dynasty: Dynasty 3. Reign: reign of Djoser. Date: ca. 2630-2611 B.C..Djoser was the first king of Dynasty 3 at the beginning of the Old Kingdom. His Step Pyramid and the surrounding mostly solid dummy structures are the earliest preserved stone buildings in Egypt. They represent an attempt to create an eternal royal residence of durable materials for the afterlife.Tiles mounted between sculpted limestone ledges decorated the walls of the galleries underneath Djoser's Step Pyramid and underneath a building in his complex called the Southern Tomb. The decoration was meant to imitate the reed matting that covered the walls of his palace. Museum: Metropolitan Museum of Art, New York, USA.

Concetto spaziale (Spatial Concept) 1962 painted by Lucio Fontana 1899-1968. Lucio Fontana was an Italian painter, sculptor and theorist of Argentine birth. He was mostly known as the founder of Spatialism and his ties to Arte Povera

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

José Luis Zumeta, Painting, 1961, oil on canvas stuck to conglomerate, Museo de Bellas Artes, Bilbao, Spain.

PANEL DE LUZ - 1999. Author: USLE JUAN 1954-. Location: GALERIA SOLEDAD LORENZO, MADRID, SPAIN.

GARCIA SEVILLA, FERRAN. PINTOR ESPA¿OL. PALMA DE MALLORCA 1949-. OLEO SIN TITULO, A¿O 1994. GALERIA JUANA AIZPURU.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

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