Abstract Figural Art

Various depictions of figures in abstract settings, emphasizing movement and emotion with muted colors and dynamic compositions.

Hodler / The Fall I (Absturz I) / 1894

Hodler / The Fall I (Absturz I) / 1894

Portrait Painting of Barbara Slingsby, propped up in the Cloisters Courtyard at Lacock Abbey.

Victor Hugo (1802-1885). "Souvenir de Normandie". Plume and wash of brown ink, gouache on woven paper. Painted frame. 1859. Paris, house of Victor Hugo. 157444-1 Landscape, Souvenir, Tour, 19th XIXth 19th 19th 19th 19th century

Abklatsch of the chalk drawing on page 62. Page 63 from a sketchbook with 43 sheets.

PASION-300X260 CM-ACRILICO/LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

TRIPTICO (1 DE LOS 3 CUADROS) - SIGLO XX - EXPRESIONISMO. Author: VIOLA MANUEL 1916/1987 MANUEL VIOLA. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Luigi Schiavonetti after William Blake, The descent of Man into the Vale of Death, 1808 and 1813 Luigi Schiavonetti after William Blake (Italian, 1765 - 1810), The descent of Man into the Vale of Death, 1808 and 1813, etched copper plate, Rosenwald Collection 1943.3.1751

Fragment tezy Andrzeja Kuropatnickiego (górna część kompozycji z Jakubem Ludwikiem Sobieskim). Kilian, Bartholomäus, II (1630-1696), graphic artist, Lublinski, Martin Anton (1636-1690), draughtsman, cartoonist

Willem Witsen aan de Pers, George Hendrik Breitner, c. 1880 - c. 1910 photograph photographic support historical persons. printing press. graphic artist

A pencil study sheet by Cecil van Haanen depicting sitting and standing girls, emphasizing posture, anatomy, and figure relationships.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two women conversing on aporch, Watercolor, Wove, 25.1 × 55.6 cm (9 7/8 × 21 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

DISTORSIONES CORTESIANAS - 1989 - 100x70 cm. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN. Margaret Theresa of Spain. FELIPE IV HIJA. MARIANA DE AUSTRIA HIJA. AUSTRIA MARIANA HIJA. INFANTA MARGARITA. LEOPOLDO I ESPOSA.

Rat poison seller, smaller. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Holmberg, Werner, work, Sketch book, pencil and marker engraving, drawing, 17.5 cm x 26 cm, Holmberg, Werner, pencil and marker engraving

Cows at La Prairie, 1863 - 1880 Paris steel (alloy) etching

Lazio Viterbo Capranica Chiesa della Madonna del Piano. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, wooden ceiling decoration. Structure with simple classical facade by Vignola. In the main chapel are frescoes depicting the Nativity, the Death of Mary and the Assumption, all of which are attributed to Francesco Cozza or to Antonio Carracci. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A man helping a woman down a ladder., 1770, Woodcuts, Pillar print, 26 x 4 3/4 in. (66 x 12.1 cm)

Gloomy thoughts by Kasatkin, Nikolai Alexeyevich (1859-1930)/ State Tretyakov Gallery, Moscow/ 1905/ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 75,7x122,3/ Genre

ANACLETA REGIA - 1988 - 100X70 CM - MIXTA/CARTON. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

PIRAMIDE ESTAMENTAL - 1988 - TECNICA MIXTA SOBRE CARTON - 100x70CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, door top. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-3 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, door top, door frame, oriental influence, orientalism, wooden panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, door top. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-3 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, door top, door frame, oriental influence, orientalism, wooden panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

Buddhist deity: Fudo Myo 'o. Origin: Japan. Ink and color on silk. Period: Kamakura period. Date: 1308-1388. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

The Korsak family tree. Korsakowicz, Jan (16..-17..), graphic artist

Daguerreotype plate with no image. Unknown

Wild Indian, Philip William May, 1864-1903, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, blued white laid paper, Sheet: 7 1/16 × 2 7/8 inches (17.9 × 7.3 cm), body art, buckskin, caricature, Feathers, Indian (American), man, Native American, paint, tattoos, tunic

Russia, Saint Petersburg, State Russian Museum, Morning, Mikhail Vrubel, 1897

fine arts, iron, Kesai (1790 - 1848), ""Festively dressed courtesan in kimono"", woodcut, Tokyo, Japan, circa 1830,

Maneta de los dormitorios del Palau Güell de Barcelona, 1886-1890. Author: ANTONI GAUDI.

Suicides grave. Kotarbiński, Wilhelm (1849-1921), painter

Drawing, Textile Design: Anastasius; Designed by Angela Piotrovska-Wittmann (b. 1898); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.5 × 20.5 cm (2 9/16 × 8 1/16 in.) Mat: 31.8 × 45.2 cm (12 1/2 × 17 13/16 in.)

Two paint panels, originally manufactured for a photo album. Two loose paint panels that ever formed the front and rear platform of a photo album. On the front panel a bird of prey on a branch that attacks a hose from inlaid mother-of-pearl. Something two butterflies. The rear panel is solid black. Book block and Bandrug are missing.

The Channel Sketchbook, Joseph Mallord William Turner, 1775-1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water body component), marine art, sea, England, English Channel, Europe, La Manche, United Kingdom

Gouache painting by Franz Wacik showing Prince Eugen engaged in battle at the gates of Vienna, part of a series on his life.

The Legend of Santa Sophronia Cuzco School. The Legend of Santa Sophronia, late 17th century. Oil on canvas, 21 x 87in. (53.3 x 221cm). PAINTINGS IN SPANISH COLONIAL HOMES The enormous number of paintings acquired by private collectors in colonial Spanish America is borne out by evidence in testamentary, dowry, and other documents of the period. From urban centers to frontier areas, paintings by European and New World artists depicting religious and secular subjects decorated the homes of Creole, peninsular Spanish, mestizo (people of mixed race), and indigenous men and women. The five Andean paintings on this wall were produced for a growing art market by anonymous artists in the workshops of Cuzco. Paintings of religious subjects were prevalent in Spanish America but uncommon in colonial British America; one exception was the New York scripture paintings made for Upper Hudson and Mohawk Valley Dutch families (see illustration). Elite Spanish American homes also displayed Spanish and

Fascism by Williams, Pyotr Vladimirovich (1902-1947) State Art Gallery, Lviv 1925 Oil on canvas 332x202 Russia Modern Mythology, Allegory and Literature,History Painting

French, Louis XV frame, Unknown framemaker, mid-18th century, Oak, original matt and burnished water gilding, sanded frieze

Komurasaki of the Tamaya, from an untitled series of courtesan images Utagawa Toyohiro (Japanese, 1773-1829). , ca. 1800-1810. Pillar-print format (hashira-e), 26 15/16 x 4 13/16 in. (68.4 x 12.2 cm). Asian Art ca. 1800-1810

SOLIDA RAIGAMBRE - 1989 - TECNICA MIXTA/CARTON - 36X26 CM. Author: MIGUEL JUAN AROCHA ISIDRO-PINTOR SIGLO XX. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Autumn Maple late 19th century Shibata Zeshin Japanese. Autumn Maple. Shibata Zeshin (Japanese, 1807-1891). Japan. late 19th century. Hanging scroll; color on silk. Meiji period (1868-1912). Paintings

Ships at sea crossing from Dover to Calais, Ship from Dover to Calais Naviere ordinaire qui passe de Douvre a Calais Seaports copies Vues de ports de mer copies , print maker: anonymous, Stefano della Bella, 1647, paper, etching, h 91 mm × w 140 mm

The Prodigal Son, BARENT FACEITIUS, 1661 painting The lost Son. The story of the lost son, portrayed in four scenes in one painting. On the left the son says goodbye to his father, behind it he drinks with a woman at a table outside of an inn. To the right of that, the son can be seen as a pig's keeper and on the far right the home of the son, the welcoming by the father and the slaughter of the mented calf. The canvas is part of a series of parabels painted for the Lutheran Church in Leiden (see also Nos. SK-A-2959 and SK-A-2960). canvas. oil paint (paint) leave-taking and departure of the prodigal son. the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. the prodigal son tends the swine and eats from their trough. the prodigal son returns home, where his father awaits him

Portrait of a Woman. Jacob Byerly (American, 1807 - 1883)

Four children under a willow tree. Date: 17th century. Origin: China. Period: Ming or Qing dynasty. Ink and color on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Edward Lear, 1812-1888, British, Karnak, 24 February 1867 (545), 1867. Watercolor with pen and browni ink over graphite on moderately thick, rough, cream wove paper.

The Vision of the Prophet Ezekiel by Vrubel, Mikhail Alexandrovich (1856-1910) / State Russian Museum, St. Petersburg / Symbolism / 1906 / Russia / Watercolour, white colour, black chalk on paper / Bible /

Where are you going (Part of the triptych) by Roerich, Sviatoslav Nikolayevich (1904-1993)/ State Oriental Art Museum, Moscow/ 1942/ Russia/ Tempera and Oil on canvas/ Modern/ 153x92/ Genre

Infant Bacchanal. Artist: Piat Joseph Sauvage (Flemish, Tournai 1744-1818 Tournai). Dimensions: 10 1/4 x 29 5/8 in. (26 x 75.2 cm). Date: 1780s. Museum: Metropolitan Museum of Art, New York, USA.

Fresco Fragment. Unknown

Fresco Fragments (4). Unknown

Anonymous. Landscape with fisherman by the river. Porte-de-door (woodwork comes from 45 rue de Grenelle, 7th arrondissement). Oil on canvas. 1701-1800. Paris, Carnavalet museum. 76087-21 Door-to-door, landscape

Herma decorated with a drapeado with base with phallus in erection, symbol of masculinity. 1st century. National Archaeological Museum. Naples. Italy.

SIN TITULO - SIGLO XX. Author: JOSE MARIA LARRONDO (1958-). Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

Sibylla Delphica, Burne-Jones, Sir Edward Coley, 1868.

Pa. German Figurine. Dated: 1935/1942. Dimensions: overall: 29.4 x 23 cm (11 9/16 x 9 1/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Anatomical fugitive sheets

Abruzzo L'Aquila Celano Museum7. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment, Medium: silk Technique: cut supplementary warp pile (velvet) in a twill weave foundation, Horizontal fragment of cut velvet in black and white on a white ground in a design of riders on horseback and a horsedrawn carriage. Known as 'velours miniature.', France, late 18th century, woven textiles, Fragment

Anthropomorphic Echo by Salvador Dali, 1937, 1904-1989, USA, Florida, St. Petersburg, Salvador Dali Museum

The Monkey and the Catfish (Hyotan Namazu), 1600 - 1699, Wash drawings, 27 3/4 x 9 3/8 in. (70.5 x 23.8 cm) Paper / Sheet 27 3/4 x 9 3/8 in. (70.5 x 23.8 cm)

Władysław Galimski (1860-1940), Symphony of concern and suffering; around 1910 (1905-00-00-1915-00-00);

Woodcut world map by Albrecht Dürer from 1515 showing the eastern hemisphere with the south pole on the left side, based on Johannes Stibius' Mappa Mundi, carved on a wooden stick.

Painting titled 'Sick Girl' by Vasily Polenov. Vasily Dmitrievich Polenov (1844-1927) a Russian landscape painter.

Ancient sundial of stone tablets on the gray wall

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Painting 'Better Moroccan' by Johann Victor Krämer after 1890 depicting a Moroccan figure, illustrating late 19th-century ethnographic and figurative representation in art.

Indian Camp near Custer, South Dakota Franklin De Haven (American, 1856-1934). Indian Camp near Custer, South Dakota, ca. 1905. Oil on panel, 11 15/16 x 16 1/8 in. (30.3 x 40.9 cm). American Art ca. 1905

Sir Lancelot Approaching the Castle of Astolat Artist's working dates 1852-1883 France. Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground . Gustave Doré

THE BEASTS. Author: ESCUELA DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Perique Tobacco Cutter. Dated: c. 1937. Dimensions: overall: 44.7 x 37 cm (17 5/8 x 14 9/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Bamboo in Wind, early 1500s. Attributed to Genga (Japanese). Hanging scroll; ink on silk; image: 95.2 x 39.7 cm (37 1/2 x 15 5/8 in.); overall: 182.5 x 58 cm (71 7/8 x 22 13/16 in.). East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images. These sets might have been composed for specific palace or temple rooms, or to portray a specific theme, such as the four seasons. Over time, the original intent of such sets is often lost through damage, changes in ownership, or a variety of other reasons. The identity of the artist can also be lost, but then, sometimes, retrieved. This pair of ink paintings has traditionally been labeled as Japanese and attributed to the 16th-century painter Genga. Since there are no seals or signature of the artist on the painting, this attribution was based on comparisons of brush style with paintings known to be by Genga. More recent study indicates that while the 16th century is an appropriate time frame for the p

Salvador Dalí / 'Eggs on the Plate without the Plate', 1932, Oil on canvas, 41 x 58 cm. Museum: Dawling Gallery, GLASGOW, USA.

Bird Wandering Off. Artist: Paul Klee (German (born Switzerland), Münchenbuchsee 1879-1940 Muralto-Locarno). Dimensions: 15 7/8 x 19 1/8 in. (40.3 x 48.6 cm). Date: 1926. Museum: Metropolitan Museum of Art, New York, USA.

Six hats, 1859, fashion plates, Colin Laure Noel (mentioned on object), c. 1859, paper, pencil, watercolor (paint), brush, h 281, × w 227

Samuel Wale RA, 1721-1786, British, London Bridge, undated. Gray wash with pen and black ink on medium, slightly textured, cream laid paper.

Italy. Pompeii. "The Cave Canem" (Beware of the dog). Mosaic in the House of the Tragic Poet. House vestibulum. 2nd century BC. Campania.

Votive plaque (ema) of ahorse. Artist: Shibata Zeshin, Japanese, 1807-1891

Boats in The Evento Under The Ryogoku Bridge /TOTO ryogokubashi; yu Suzumi NO KEI Kuninao, Utagawa (1793 1854)

The Apocalypse. Mezzotint by J. Stephenson after J. Martin.

SIN TITULO - SIGLO XX. Author: FEITO LUIS 1929 / LUIS FEITO. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Santa Claus at Home.. Franklin G. Weller (American, 1833 - 1877)

Campania Caserta Caserta Palazzo Reale43. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painting by Pieter Bruegel the Elder titled 'He cannot tolerate the sun shimmering in the water', c1558-1560. Detail from 'Twelve Flemish Proverbs'. From the Museum Mayer van der Berg, Antwerp, Belgium.

Lazio Viterbo Caprarola Palazzo Farnese84. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Pruszyński, Andrzej (1836 1895)

The Genius of Suffering II, cartoon for a stained-glass window for the Wawel Cathedral. Mehoffer, Józef (1869-1946), painter

Monument of Mickiewicz at sunrise. Wattson, Gwidon (Warszawa ; zakład litograficzny ; fl. post 1840), lithography atelier, Księgarnia Powszechna (Warszawa ; wydawnictwo ; 1904-1913), merchant employer, Prusinowski, Bolesław (fl. 1906), graphic artist, Siedlecki, Franciszek (1867-1934), graphic artist

At Clifden, Connemara, Co. Galway.. Unknown maker, British

Ships of Neapolitan escader near coast off Reggio, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 116 mm × w 529 mm

Drawing, Textile Design: Klaudia; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.2 × 12.7 cm (7 15/16 × 5 in.) Mat: 31.8 × 45.7 cm (12 1/2 × 18 in.)

Anonymous (Photographer) (Author of the original work: Pla y Gallardo, Cecilio) / 'Cecilio Pla, in his Studio, with the Painting Devotion'. 1907 - 1915. Autochrome on glass plaque. Museum: Museo del Prado, Madrid, España.

The girl of joy. Dissection scene in the old hotel God, the girl of joy, 1863 Jules-Descartes F�rat (1829-1906). The girl of joy. Dissection scene in the old hotel God, the daughter of joy, 1863. Pencil, charcoal and white gouache on paper, 1863-1863. Carnavalet Museum, History of Paris.

Arizona, Grand Canyon National Park, East Rim Drive, Desert View, murals painted on ceilings inside the historic watchtower (1932)

George Edmund Street, 1824-1881, British, Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, undated. Pen, black and brown ink and graphite with watercolor and gouache on medium, smooth, brown wove paper with nine fold marks.

Saint Jerome Penitent left panel. Dated: c. 1509/1512. Dimensions: painted surface: 86.7 x 24.5 cm (34 1/8 x 9 5/8 in.) overall (panel): 86.7 x 25.3 cm (34 1/8 x 9 15/16 in.) framed: 94.3 x 61.2 x 5.7 cm (37 1/8 x 24 1/8 x 2 1/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: JAN GOSSAERT.

Eagle. Dated: c. 1937. Dimensions: overall: 36.2 x 51 cm (14 1/4 x 20 1/16 in.). Medium: watercolor, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: David Ramage.

Rohscan

Chair/ Armchair by Aleix Puig Clapés (1850-1920) a painter of modernism symbolic and student of Claudio Lorenzale at the School of the Llotja of Barcelona. Dated 1904

Windmill on fire. Poel, Adriaen Lievensz. van der (1628-1671/1691), painter

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