Abstract Lithographs and Prints

A collection of abstract lithographs featuring monochromatic themes, textures, and classical elements, showcasing both modern and historical artistic concepts.

Susanna, anonymous, after Hendrick Goltzius, 1583 - 1596 print Susanna, depicted in half in an oval. The hands folded, gaze oriented to heaven. Susanna is prayed in the background on the left, while she is spied on by the elders. Copy in mirror image to engraving by Hendrick Goltzius from 1583. Reconstructed from two fragments. Northern Netherlands paper engraving female persons from the Old Testament (with NAME) (not in biblical context). the elders spying upon Susanna

Stunt Man I. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1961-1962. Dimensions: 455 x 355 mm (image/stone); 660 x 506 mm (sheet). Lithograph in black from one stone with black crayon additions on smooth ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Smart Weed. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 597 x 453 mm (image/stone); 796 x 570 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

XIIIth century marquee found in a excavation executed in a courtyard of No. 42 on rue Descartes. Paris (5th arr.). Photograph by Jean Barry. Gelatin-silver-bromide draw, August 1905. Paris, Carnavalet museum. 123074-13

Susanna, anonymous, after Hendrick Goltzius, 1583 - 1596 print Susanna, depicted in half in an oval. The hands folded, gaze oriented to heaven. Susanna is prayed in the background on the left, while she is spied on by the elders. Copy in mirror image to engraving by Hendrick Goltzius from 1583. Reconstructed from two fragments. Northern Netherlands paper engraving female persons from the Old Testament (with NAME) (not in biblical context). the elders spying upon Susanna

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Design for a teapot, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush tea-pot; samovar

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 463 x 357 mm (image, recto); 305 x 158 mm (image, verso); 709 x 515 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Décor de plat : trophée composé de la hure et du pied d'un sanglier, et des feuilles d'une branche de laurier..... 1884. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Boars, Laurels

Heads, 1875 - 1934 Page 15 Recto from sketchbook XIII with 25 sheets. The Hague paper. chalk head (human). Africans

Mary Magdalene. The Sacred Mary Magdalene shown in oval in half. In the background on the left, Mary Magdalene can be seen again, kneeling under Christ on the cross. Copy in mirror image to engraving from Hendrick Goltzius from 1582. Reconstructed from two fragments.

Roche, Pierre (n.1855-D.1922-01-18), Phoenix (main title), 1896. Gypsography, draw in brown and red .. Petit Palais, Museum of Fine Arts of the city of Paris.

Men's head with hat, 1875 - 1934 Page 23 Verso from sketchbook VII with 26 sheets. The Hague (possibly) j: paper. chalk adult man. head-gear: hat (+ men's clothes)

Seated farmer with jug, Cornelis Ploos van Amstel, after Adriaen van Ostade, 1763 - 1768 print A farmer sits on a chair with a glass in one hand and a jug in the other hand. Amsterdam paper etching jar, jug (used as drinking-vessel). sitting figure

C'est un esprit vengeur qui passe (d'après un bas-relief de Dalou).. 1885 - 1889. Hugo, Victor (1802-1885). Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Revenge

Study, 1877 - 1932 Page 84 from a sketchbook with 68 sheets. pencil

Hands with flowers and butterflies, Leo Gestel, 1891 - 1941 drawing paper. pencil. chalk insects: butterfly. flowers. hand

Maid with burning candle; Five etching tests. .

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from three fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Untitled. Robert Motherwell (American, 1915-1991); printed by Bill Goldston at Universal Limited Art Editions (American, c. 1945); published by Spanish Refugee Aid Inc., New York (American, 1953-2006). Date: 1972. Dimensions: 360 x 185 mm (image); 593 x 460 mm (sheet). Lithograph in black from one stone on pale pink wove handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Colored Palette. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 800 x 570 mm. Lithograph from one stone on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

3, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 515 x 395 mm (sheet). Lithograph from two stones in purple on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tree Abstraction (probably study for Red Chimneys,1918?). Artist: Charles Demuth, American, 1883-1935

15 Years. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 560 x 740 mm (image); 749 x 1,047 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from Les Origines 1883 France. Lithograph in black on light gray chine laid down on white wove paper . Odilon Redon

Half -naked woman is on a table, Félicien Rops, Alphonse Lemerre, 1886 print Paris paper etching

Abklatsch of the chalk drawing on page 17 Recto, 1875 - 1934 The original drawing is no longer present in the sketchbook. Page 16 Verso from sketchbook XX with 26 sheets. Amsterdam paper

Cut and Snip. Jim Dine (American, born 1935); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 635 x 515 mm. Lithograph in black on gray-brown laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12 Made 1899 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

An etching by William Unger showing peasants dancing, created in 1886.

Untitled, from Body and Heart. André Masson; French, 1896-1987. Date: 1968. Dimensions: 299 × 238 mm (plate); 380 × 284 mm (sheet). Etching in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Angel; remarque: dog biting an angel. Willette, Adolphe Léon (1857-1926), graphic artist, Société d'Edition et de Publications (Paryż ; wydawnictwo ; 1899-1919 ; 1990- ), publishing house, Juven, Félix (1862-1947), publishing house

Doorway, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Sketch of a doorway., USA, 1881, architecture, Drawing, Drawing

Lazio Latina Sezze Antiquarium Comunale79. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Water, Jacques de Gheyn (II), After Karel van Mander (I), 1580 - 1596 print Presentation of the Element of Water in the form of a naked woman with a browse tiner on the head, which pours water from a large horny shell into another shell. In the background a boat on the water and a number of fishermen with nets on a beach. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving water (one of the four elements)

Visitation II. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 707 x 552 mm (image); 770 x 562 mm (sheet). Lithograph in black from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abklatsch of the chalk drawing on leaf 7 verso. Leaf 8 Recto from sketchbook IX with 28 sheets.

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from five fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

View of an image of a woman or goddess with wings, anonymous, 1900 - 1960 photograph paper. cardboard gelatin silver print sculpture

La petite bergère, d'après Millet.. Millet, Jean François (1814-1875). 1888. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dogs, Sheep, Shepherdesses

Garden of Passion. Paul Klee; German, born Switzerland, 1879-1940. Date: 1912-1913. Dimensions: 95 x 143 mm (plate); 255 x 325 mm (sheet). Etching on cream colored heavy wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Mlle Bécat at the Café des Ambassadeurs, Paris 1877-78 Edgar Degas French Although cafés had flourished in Paris throughout the late eighteenth and early nineteenth century, they became the rage in literature and art after 1875, when the society of the Third Republic increasingly sought an animated public life outside the home and traditional milieus. Degas was one of the first in the circle of French Impressionists to portray the café-concert, a subject previously confined to popular prints and illustrated weeklies.. Mlle Bécat at the Café des Ambassadeurs, Paris 341755

Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 310 × 231 mm (image/chine); 451 × 345 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sculpture of the head of a faun, prepared during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper piece of sculpture, reproduction of a piece of sculpture. satyrs, fauns, Sileni. temporary exhibition, 'Salon' Tours

Abklatsch of the chalk drawing on page 10 Recto, 1875 - 1934 Leaf 9 Verso from sketchbook IX with 28 sheets. The Hague paper

Don't Fall. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 450 x 350 mm (stone); 760 x 565 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Kleine Prelaat, Odilon Redon, 1888 print The prelate, a little man with a hat on. Put his hand in his jacket. France paper drypoint prelates, e.g. archdeacon, canon (Roman Catholic)

Study for 'Fortune', Elihu Vedder, American, 1836 - 1923, Pastel crayon on paper, Narrow section of drapery, extending from upper left to lower right., USA, ca. 1899, figures, Drawing, Drawing

Portrait of Whistler. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1859. Prints; etchings. Etching and drypoint, with drypoint cancellation

Fire, Jacques de Gheyn (II), After Karel van Mander (i), 1580 - 1596 print Presentation of the element of fire in the form of a naked man with flaming hair who hits a rock with a flint. In the background a group of people around a fire above which a kettle hangs. In the lower margin a two -line Latin text. Reconstructed from three fragments. Amsterdam paper engraving fire (one of the four elements)

Pan. Artist: Sergey Sudeykin (Russian, Smolensk 1882-1946 Nyack). Dimensions: sheet: 14 7/8 x 7 15/16 in. (37.8 x 20.2 cm). Date: first half 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Yellow Blossom John William Hill (American, 1812-1879). Yellow Blossom, ca. 1856-1857. Transparent and opaque watercolor over graphite with gum varnish on beige, thick, slightly textured wove paper, 8 7/8 x 9 3/8 in. (22.5 x 23.8 cm). After reading John Ruskins Modern Painters in the 1850s, Hill embraced Ruskinian aesthetic principles and became the first president of the Society for the Advancement of Truth in Art, the organization of the American Pre-Raphaelites. Hills commitment to exacting representations of nature is evident in his landscapes and botanical still lifes, such as this close-up study of a squash blossom. With fine brushstrokes, he articulated even the most minute details of petal creases and stem fuzz. American Art ca. 1856-1857

Pompe Notre-Dame, Paris (small plate). Charles Meryon; French, 1821-1868. Date: 1854. Dimensions: 108 × 80 mm (image); 108 × 80 mm (plate); 434 × 322 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Andelicku, my Guardian. Oldrich Kulhanek; Czech, born 1940. Date: 1969. Dimensions: 379 × 282 mm (plate); 503 × 380 mm (sheet). Mixed intaglio on white wove paper. Origin: Czech Republic. Museum: The Chicago Art Institute, Chicago, USA.

Frank J Mace, Embroidery, 1935 1942 Embroidery

A cup of water , Bodies of water, Drinking vessels, Reflections. Frank W. Benson (1862-1951). Prints and Drawings

Group figures around a pit on the beach, c. 1928 - c. 1930 The six young people are in and around the pit. One is in a beach chair, another has a parasol. Page 2 from a sketchbook with 51 sheets. paper. chalk beach (+ landscape with figures, staffage). parasol, sunshade

Linocut on Japanese paper by Dagobert Peche depicting a four-poster bed, created in 1915.

Frontispiece for Le mouvement idéaliste en peinture (The Idealistic Movement in Painting) by André Mellerio. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 82 × 86 mm (image); 137 × 175 mm (chine); 313 × 445 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Auld lang syne: cards depicting girls gathering flowers, birds, butterflies and a bee.. Proofs, Greeting cards, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Girls, Butterflies, Flowers

Zinkography by Paul Gauguin from 1889 depicting two elderly girls on yellow paper, showing detailed figures and expressions.

UN DESPERTAR SIN IMAGEN - DIBUJO - GRAFITO Y ACUARELA SOBRE PAPEL JAPONES - 2002 - 50x50. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

The Creation, from Illustrations of the Bible. John Martin; English, 1789-1854. Date: 1831. Dimensions: 190 × 290 mm (image); 268 × 357 mm (plate); 329 × 416 mm (sheet). Mezzotint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Personnages. Max Ernst; American and French, born Germany, 1891-1976. Date: 1952. Dimensions: 232 x 176 mm (plate); 480 x 332 mm (sheet). Color etching and aquatint on laid ivory paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Composition, 1962 print Composition in blue, white and ocher, with various lying figures and objects. paper. printing ink

Breakthrough II. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 248 x 296 mm (image); 766 x 564 mm (sheet). Lithograph in blue on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Paint Brushes, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 441 x 294 mm (plate); 660 x 505 mm (sheet). Etching and aquatint in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Child's Head With Flowers. Odilon Redon; French, 1840-1916. Date: 1897. Dimensions: 249 × 211 mm (image/chine); 451 × 349 mm (sheet). Lithograph in brown on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Vignette with flowers and leaves, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1884 - 1952 photomechanical print paper printing block flowers ~ ornament

A Throw of the Dice #5. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 480 x 365 mm (image); 610 x 457 mm (sheet). Lithograph in black from one stone on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A Man of the People, a Savage, from The Juror. Odilon Redon; French, 1840-1916. Date: 1887. Dimensions: 183 × 137 mm (chine); 434 × 306 mm (sheet). Lithograph on cream chine collé, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Guardian. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 983 x 710 mm (image); 1080 x 765 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Enckell, Magnus, Sketch book, drawing, Enckell, Magnus, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Expo 67 Mural--Firepole 33' x 17'. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 460 x 380 mm (image); 1,013 x 575 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Trooper; Le Reitre. Jean Dubuffet (1901-1985). Black ink and paper collage on paper. Signed and dated 1955. 83 x 50cm.

Depicts a deer and two eagles, created as an etching between 1825 and 1862.

The Horrors of War: Not ( In This Case) Either. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

The Horrors of War: Will She Rise Again. Francisco de Goya (Spanish, 1746-1828). Etching;

Head of Old Woman Jean-Paul Laurent . Head of Old Woman, 19th century. Drypoint on laid paper, 6 x 4 7/16 in. (15.2 x 11.2 cm). European Art 19th century

Ernest d'Hervilly.. 1883. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Cigarettes, Hervilly, Ernest d', 1839-1911

O'Hara Reading. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 255 x 329 mm. Lithograph in red (recto), and lithograph in yellow (verso), on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Emilio Scanavino, Birth, Growth I (Naszenza I), 1954, pen and black ink on paper.

William Miller, 1796-1882, British, The Simplon, 1834. Etching and engraving, first published state.

Salmon Run 1987 Diana Ong (b.1940 Chinese-American) India ink on paper

Quast Ferdinand von (1807-1877), man in the Roman wrinkle (Pallium) (without dat.): View of a running, bearded man's, bearded man, grid, grid with assistant lines (after or through). Pencil on transparent, 21.5 x 15.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Mann im römischen Faltengewand (Pallium)

Humility and; Kubicki, Stanis AW (1889-1942); 1919 (1919-00-00-1919-00-00);Rebellion (artistic grouping), expressionism, geometric compositions

Vignet, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing cardboard. India ink (ink). pencil brush

Bliżej Kultury Photographic Union Munich, Böcklin, Arnold (1827 1901)

Servitude and military magnitude. Carriole Alfred de Vigny (1797-1963), French writers, Louis Dunki, illustrator and Clément Bellenger (1851-1898), wood burner. Servitude and military magnitude. "The carriole". Woodcut. 1897-1898. Paris, museum of romantic life.

Murillo - Seville. Unknown

Bronze Smoke. Helen Frankenthaler (American, 1928-2011); printed by Thomas Cox and Bill Goldston; published by Universal Limited Art Editions (American, founded 1955). Date: 1978. Dimensions: 39 x 55 mm (image); 242 x 334 mm (sheet). Lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Viterbo Tarquinia Palazzo Vitelleschi42. Hutzel, Max 1960-1990 Exterior views of Palazzo and museum as well as interior courtyard views and interior views of vaulting. 15th cent. gothic architecture (1436-39, 1460-90). Inside palazzo is the Cappella gentilizia, 15th century, and the antecappella, with frescoes of the story of Lucrezia alternating with the cardinal virtues. Antiquities: Phoenician: faience. Etruscan: sarcophagi; pottery; bronze implements (weapons, vessels, mirrors, candelabra). Gold jewelry. Terracotta masks, statuettes and votive objects. Roman: marble statues, bronze vessels, pottery. Object Notes: Hutzel photo campaign dates: February 15, 1984 and November 9, 1985. It appears that there may have been another campaign for which there are no notes. Palazzo Vitelleschi houses the Museo Nazionale Tarquiniese, antiquities prints are located in antiquities section. Only a few of the antiquities prints are matched to negatives. However, the NNP numbers follow the hig

Roseaux et sarcelles.. 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Ducks, Reeds (Plants)

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Sleeping shepherd child". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-19

Blue pen draft by Anton Hanak for a Gustav Mahler monument with remarks, produced in a sketchbook from 1925 to 1933.

White Carrot. Rosemarie Trockel; German, born 1952. Date: 1991. Dimensions: 540 x 380 mm. Etching on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Study of hands, by H Linley Richardson.

GIPS fashion models for sculptures on the Palais du Louvre: "Les Beaux-Arts" by Auguste Pidevin, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. other architectural details (with NAME) Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Our Lady in Zodiac. Goryńska, Wiktoria (1902-1945), graphic artist

Ant 29. Yves Klein (1928-1962). Pigment and synthetic resin on paper mounted on canvas. 65 x 50cm.

To Nei-ji-ba. Yves Gaucher; Canadian, 1934-2000. Date: 1961. Dimensions: 570 × 380 mm. Color intaglio relief on white wove paper. Origin: Canada. Museum: The Chicago Art Institute, Chicago, USA.

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