Abstract Prints and Etchings

A collection of striking abstract artworks featuring bold colors and forms, primarily in black, red, and blue, showcasing etching and aquatint techniques.

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 292 x 162 mm (plate); 765 x 565 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Black Douglas Stone. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 511 x 410 mm (image); 1,054 x 753 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Milkmaid brings a jug with a lady, W.F. Barber, c. 1850 - in or before 1909 print paper. etching Milkmaid

Canto XVI, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 368 x 163 mm (image); 660 x 504 mm (sheet). Lithograph in red on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Light Bulb, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 164 x 220 mm (plate); 665 x 503 mm (sheet). Etching and aquatint in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Walter Ziegler's etching on Japanese paper around 1896 depicts a market scene, showing vendors, goods, and daily life in detailed 19th-century printmaking.

The Chimaera with green eyes, screaming, rotating; ... La Chimère Aux Yeux Verts, Tournoie, aboie; Tentation de Saint-Antoine (1); Temptation of Saint Antonius. A fabulous being with a bull head, flying above a mountainous landscape. Seventh print of ten from the first series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Omega's Eyes. Edvard Munch; Norwegian, 1863-1944. Date: 1908-1909. Dimensions: 229 x 186 mm (image); 651 x 481 mm (sheet). Lithograph on paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Berndtson, Gunnar, work, Sketch book, 1876, pencil and black chalk, drawing, 12 cm x 20 cm, Berndtson, Gunnar, 1876, pencil and black chalk

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 760 x 565 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

At the Concert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1896. Dimensions: 321 × 249 mm (image); 494 × 398 mm (sheet). Color zincograph on grayish-ivory laid chine. Origin: France. Museum: The Chicago Art Institute, USA.

Variation I on Mauve Corner. Helen Frankenthaler (American, 1928-2011); printed by Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 637 x 505 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A crossing, Lau Heidendael, 1979 print Sitting figure with crying cat. paper

Drawing examples of mouths, noses and chins, Jean Augustin Daiwaille, 1820 - 1833 print Displayed nine mouths, noses and chins of different views. Numbered at the top right: No. 5. Amsterdam paper parts of the face (CHIN)

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 767 x 565 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Wio Larz II; Kubicki, Stanis AW (1889-1942); 1917 (1917-00-00-1917-00-00);Rebellion (artistic group-1918-1920), Witke-Jeżewski, Dominik (1862-1944)-collection, expressionism

Toothbrushes #1. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 641 x 516 mm. Lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Simberg, Hugo, work, Sketch book (154 pp.+covers), 1906, drawing, 21.5 cm x 14.5 cm, Simberg, Hugo, 1906

Yellow Span. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 316 x 472 mm (image); 356 x 472 mm (plate); 508 x 650 mm (sheet). Color sugar-lift aquatint from one plate on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 292 x 162 mm (plate); 575 x 390 mm (sheet). Aquatint and etching in green and blue on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Dark Layer, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 423 × 325 mm (image); 635 × 453 mm (sheet). Lithograph on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fire on the Lauriergracht. Fire on the Lauriergracht in 1669 with a open-remaining field for a inscription at the top left; A modern pressure of the reduced version of the print with the same representation from 1690, from the second edition of the book by Van der Heyden in 1735.

Untitled. Lucio Fontana; Italian, born Argentina, 1899-1968. Date: 1964. Dimensions: 504 x 600 mm (primary support); 502 x 602 mm (secondary support). Torn and scratched white wove paper, over aluminum foil tipped to cream board. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Hommage a Rimbaud. Max Ernst; American and French, born Germany, 1891-1976. Date: 1961. Dimensions: 208 x 160 mm (plate); 570 x 450 mm (sheet). Etching with aquatint in two colors on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Transplant, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German, founded 1920). Date: 1924. Dimensions: 200 x 149 mm (image/plate); 475 x 353 mm (sheet). Etching and aquatint with roulette on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Irregular circle, Nono Reinhold, 1959 print Irregular circle built from surfaces. At the top left a recess. Netherlands paper

Portret van actress Yvette Guilbert in Columbine in Pierrot; Yvette Guilbert in Columbine in Pierrot.

Barking Dog, Lovis Corinth, After Anonymous, 1913 print print maker: Germanyafter design by: Pompeii paper drypoint watch-dog, dog watching

Portrait of T. Wright.

Variation I on Mauve Corner. Helen Frankenthaler (American, 1928-2011); printed by Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 640 x 505 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

White Portal. Helen Frankenthaler (American, 1928-2011); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 400 x 325 mm (image); 745 x 520 mm (sheet). Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lucky Strike in the Mirror (Lucky Strike I). Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1961. Dimensions: 495 x 358 mm (image); 760 x 570 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 1r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Lazio Latina Sezze Antiquarium Comunale01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

8, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 230 x 168 mm (image); 282 x 225 mm (sheet). Lithograph from one stone in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Is there no invisible world, Odilon Redon, 1887 print A vague figure applies in the black background. Bulbs float around it with human faces. Fifth print and series of seven illustrations for the Monodrama Le Jurgé. print maker: Franceprinter: Paris . face

Fire on the Lauriersgracht in Amsterdam, 1669, 1880 - 1882 print Fighting a fire in a sugar bakery on the Lauriergracht in Amsterdam with old fire sprayers and water from the canal, December 29, 1669. Nevertheless, the building burned down completely. Handraads are taken from an adjacent building on the right. At the top left an open just before an inscription. Northern Netherlands paper etching fire-extinguishing equipment Amsterdam. Lauriergracht

Mary Magdalene. The Sacred Mary Magdalene shown in oval in half. In the background on the left, Mary Magdalene can be seen again, kneeling under Christ on the cross. Copy in mirror image to engraving from Hendrick Goltzius from 1582. Reconstructed from two fragments.

Genowefa, in the background, the outline of the etienne du mont in pair; Remarka: a man playing on a tube; Willette, Adolphe Léon (1857-1926), Société d'EDition et de publications (Paris 1908 (1908-00-00-1908-00-00);France, Genowefa (Saint - Ca 422 -Ca 502), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Street Grajków, Churches (Archite. , remarks, religious scenes, tube (musical instruments)

15 Years Magnified Through a Drop of Water. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1973. Dimensions: 528 x 380 mm. Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Canto XIII, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1964. Dimensions: 377 x 335 mm (image); 452 x 375 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Cairo Passing, from 1776 USA 1976: Bicentennial Prints. Walter Darby Bannard; American, born 1931. Date: 1975. Dimensions: 669 x 463 mm (image); 726 x 559 mm (sheet). Color screenprint on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Front Roll. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1964. Dimensions: 870 x 665 mm (image, recto); 870 x 665 mm (image upside down, verso); 1070 x 759 mm (sheet). Lithograph in red on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Man im Schilf. Felix Droese; German, born 1950. Date: 1980. Dimensions: 280 x 695 mm (image); 780 x 1,020 mm (sheet). Woodcut heightened with watercolor on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Preface I, plate two from A Life. Max Klinger (German, 1857-1920); printed by Otto Felsing (German, 19th century). Date: 1883-1884. Dimensions: 173 x 329 mm (image); 209 x 359 mm (plate); 200 x 349 mm (primary support); 788 x 575 mm (secondary support, approx.). Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Planning, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 326 × 388 mm (image); 639 × 453 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Valley of El Yemen; Frederic Edwin Church (American, 1826-1900); USA; graphite, brush and white gouache on pale green-gray wove paper; 30.8 x 44.5 cm (12 1/8 x 17 1/2 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 225 × 177 mm (image/chine); 511 × 356 mm (sheet). Lithograph in black on light gray chine laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

DS SEEDLING I - 1998 - GOUACHE/PAPEL RICHARD DE BAS. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Head of Woman on Medallon on Lint and Bloemen, Willem Bilderdijk, 1766 - 1831 print Netherlands paper etching flowers ~ ornament

Scheppig Carl (1803-1885), Palazzo Ducale (Dogenpalast), Venice (29.04.1833): View of the ceiling. Pencil watercolor on the box, 32 x 22.9 cm (including scan edges) Scheppig Carl (1803-1885): Palazzo Ducale (Dogenpalast), Venedig

Element of Soil V, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 400 × 294 mm (image); 637 × 453 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Glacial Decoy Series: Etching III. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1979. Dimensions: 597 x 457 mm (plate, wider than sheet); 625 x 430 mm (sheet). Photoetching and etching in black on white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing Series II (1A & 1B). Sol LeWitt; American, 1928-2007. Date: 1969. Dimensions: 304 x 202 mm. Pen and black ink, over graphite, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Untitled, Karl Wiener -, artist

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 1006 x 753 mm (image/stone); 1350 x 808 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gauloises Bleues. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 292 x 162 mm (plate); 572 x 390 mm (sheet). Color aquatint and etching, with traces of graphite, on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral box (main title), 1911. Graphite, gouache on the front, gouache on the back on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Untitled. Donald Judd; American, 1928-1994. Date: 1982-1985. Dimensions: 894 x 623 mm (plate); 1,055 x 750 mm (sheet). Etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Textile Design: Wetterleuchten (Sheet Lightning); Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 24.6 × 20.8 cm (9 11/16 × 8 3/16 in.) Mat: 31.4 × 45.1 cm (12 3/8 × 17 3/4 in.)

Artist: Francois Chauveau, French, 1613-1676, C Monogram withPutti, Engraving, restrike from the original plate, platemark: 7 × 6.6 cm (2 3/4 × 2 5/8 in.), French, 17thcentury, Works on Paper -Prints

Loose fragments of Prints of the Great Hercules. Fragments of the upper left corner of five prints.

Petroseny, 1900., Vienna. Publisher, K.u.K. Militargeographisches Institut., 1900. Engravings

Untitled Etching 1. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 375 x 604 mm (image/plate); 491 x 752 mm (sheet). Etching with heavy bluish plate tone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Adam en Eva, anonymous, Philips Galle (rejected attribution), 1570 - 1590 print Adam and Eva stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermar, the text Genesis 3. Reconstructed from three fragments. Southern Netherlands paper engraving Eve offers the fruit to Adam

Scheppig Carl (1803-1885), Villa Spada in Rome (1835): View of the ceiling wrap b. Pencil watercolored on paper, on cardboard, 25.1 x 32.3 cm (including scan edges) Scheppig Carl (1803-1885): Villa Spada, Rom

Campania Caserta Capua Museo Campano46. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Early Rutgers Drawing. Keith Sonnier; American, born 1941. Date: 1966. Dimensions: 574 x 510 mm. Graphite and spray paint on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Card. Helen Frankenthaler (American, 1928-2011); published by Telamon Editions; commissioned by the Whitney Museum of American Art. Date: 1971. Dimensions: 265 x 405 mm (image); 528 x 753 mm (sheet). Color lithograph from two stones, with graphite and green crayon notations on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Circled Girl. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1957-1958. Dimensions: 243 x 303 mm (image); 341 x 433 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Forge, from Multiplizierte Kunst. Joseph Beuys, (German, 1921-1986); published by Propylaen Verlag, Berlin. Date: 1973-1974. Dimensions: 268 x 253 mm (image); 505 x 657 mm (sheet). Woodcut on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Daguerreotype: polished plate Daguerreotype: polished plate.

Preface I, plate two from A Life 1884 Germany. Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper . Max Klinger

Plate 6, from The Pocket Size Tlingit Coffin. Gérard Titus-Carmel; French, b. 1942. Date: 1976. Dimensions: 207 x 270 mm (image); 505 x 380 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Night Smoke. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1970. Dimensions: 390 x 260 mm (image); 715 x 520 mm (sheet). Lithograph in green on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Joseph Fischer after 1822 depicting illustrations from Martin of You, vol. II, executed with a feather technique, showing detailed compositions.

Böhmer Franz (1907-1943), Runow celebration (1939-1939): Views. Pencil on transparent, 45.3 x 37.8 cm (including scan edges) Böhmer & Petrich : Feierstätte Runow

False Start I. Jasper Johns (American, born 1930); printed by Robert Blackburn; published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 445 x 350 mm (image); 760 x 567 mm (sheet). Color lithograph from eleven stones on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Langhans Carl Ferdinand (1782-1869), Theater in Wroclaw. Reconstruction (without date): vertical cut of the cultivation, scale bar without designation. Tusche watercolor on the box, 45.5 x 26.1 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Theater, Breslau. Wiederaufbau

Carpet design for window in the Noordertransept of the Dom in Utrecht. .

Two performances, Julie de Graag, 1887 - 1924 print Sitting above a man and a woman under the capital 'm'. In the air a heart from which drops fall. The man catches them with a glass. Under a man and a woman who hold each other and give a kiss. paper couple of lovers. heart symbolism. initial

Design for a brooch with a bird motif 19th century Anonymous, French, 19th century French. Design for a brooch with a bird motif 392396

Loose fragments of prints of the Great Hercules, Anonymous, After Hendrick Goltzius, 1589 - 1596 print Fragments of the top left corner of five prints. Northern Netherlands paper engraving (story of) Hercules (Heracles)

Orange Hoop. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 275 x 335 mm (image); 662 x 485 mm (sheet). Color lithograph from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

2 Hearts (The Donut). Jim Dine (American, born 1935); printed by Bill Goldston; published by Universal Limited Art Editions (American, founded 1955). Date: 1972. Dimensions: 1055 x 745 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Calotis lappulacea Bentham in Endlicher, by Sydney Parkinson. Gift of the British Museum, 1895.

Free Wheeling. Helen Frankenthaler (American, 1928-2011); etching printed by Donn H. Steward (American, 1921-1986); pochoir printed by Helen Frankenthaler, with Sheila Marbain, Patricia Yamashiro, and Carl Lindgren; published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 780 x 556 mm (plate); 825 x 597 mm (image); 1,070 x 766 mm (sheet). Etching in black from one copperplate and color pochoir from one vinyl stencil on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 21 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Orange Hoop. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 647 x 503 mm (sheet). Color lithograph from three stones on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Abstract composition, Erich Wichmann, 1920 print paper Abstract, Non-representational Art

Album

Pablo Picasso: Žena s houslemi. (1911) Foto Kahnweiler v Paříži.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

Andreas Schwarz. Artist: Edvard Munch (Norwegian, Løten 1863-1944 Ekely). Dimensions: Plate: 10 15/16 × 8 9/16 in. (27.8 × 21.8 cm)Sheet: 17 5/8 × 12 1/16 in. (44.7 × 30.7 cm). Printer: Otto Felsing (German, born 1854). Date: 1906. Museum: Metropolitan Museum of Art, New York, USA.

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 565 x 380 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Circles of Confusion I. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1966. Dimensions: 918 x 910 mm. Graphite on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Green Rectangle, Harrie A. Gerritz, 1980 print Horizon with blue trees and white sky, framed by green rectangle. paper etching

Ritter P., the beautiful fountain, Nuremberg. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 21, 1871.) (1871-1871): Horizontal cuts. Stitch on paper, 43.8 x 29.1 cm (including scan edges) Ritter Paul (1829-1907): Der Schöne Brunnen, Nürnberg. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 21, 1871)

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