Allegorical Battle Scenes

Etchings illustrating biblical and mythical battles, with dramatic compositions depicting conflict and triumph. The artworks showcase intricate details and historical significance.

Antwerpen, Cock, Hieronymus, Straet, Jan van der, Muller, Harmen Jansz, Jachtscènes, Leeuwenjacht, Antwerp, verso - stamped, Hunters with spears hunting a lion. The lion has jumped on the back of one of the riders' horses. The image is set in an ornamental frame, which includes hunters and ibexes., print, prent, prints, prenten, height 321 mm, width 440 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1570 - 1570, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Moyses in Aethiopas tendit, Moses commands the Israelites to attack the Ethiopians, verso - stamped, Moses, seen on horseback and from behind, commands his army of Israelites to attack the Ethiopians. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etsen, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

Triumph of De Tijd, Philips Galle, After Maarten van Heemskerck, c. 1565 print Spreader on which time (tempus), like a winged old man with crutches, sits. At his feet is an hourglass that indicates the passage of time. His car - with the dials of a clock as wheels - is drawn by quick -footed deer. The time is accompanied by the four seasons. The buildings in the background have fallen into ruins. An obelisk, founded to commemorate a powerful man, fell off his pedestal. This way time overcomes the fame. The print has a Latin caption and is part of the series about the triumphs of Petrarca. Haarlem paper engraving 'Triumph of time', 'Triumphus Temporis'; 'Carro del Tempo' (Ripa). Seasons of the Year (Esp. Personifications); 'Season', 'The four season of the year' (Ripa). Landscape with Ruins

Triumph of the King, Anonymous, 1564 - 1600 print A king is supported in triumph by wisdom and justice. Theft, war, loot and poverty are at the forefront of the procession. Fighting and houses are on fire in the landscape. There are peace, trade and agriculture behind the king. Building in the background and the country is processed. Under the show a four -line verse in Latin. Low Countries paper engraving triumphs (allegorical and symbolic). king. symbols, allegories of war; 'Guerra' (Ripa). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Antonio Tempesta, The Taking of the City of Jericho, 1613 The Taking of the City of Jericho

Antwerpen, Cock, Hieronymus, Straet, Jan van der, Muller, Harmen Jansz, Jachtscènes, Leeuwenjacht, Antwerp, verso - stamped, Hunters with spears hunting a lion. The lion has jumped on the back of one of the riders' horses. The image is set in an ornamental frame, which includes hunters and ibexes., print, prent, prints, prenten, height 321 mm, width 440 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1570 - 1570, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Vatican City, Clement VIII, Rome, Orlandi, Giovanni, Italy, Tempesta, Antonio, Battle between the Greeks and the Amazons, verso - stamped, Greek soldiers fighting the female Amazons on horseback and with spears. Dedication in Latin in bottom margin., print, prints, height 303 mm, width 401 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1565 - 1630, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, 1536 - 1605, verlener van privilege

Giovanni the 'Medici surrounded in Rome; Family history of the genus the 'Medici (Part 1); Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. The young Giovanni de Medici, nicknamed 'Dalle Bande Nere', is surrounded by members of the Orsini family during a street fight on the Engelenbrug. He skips wildly with his sword and flees the biestomers. Right flight a family away from the unsafe situation. The statues at the start of the bridge depict Paul and Peter. In the bottom margin two lines text in Latin. The number 1 with pen changed to 4. The print is part of an album.

Martyrdom of Saint Ursula and the eleven thousand virgins, intermediary draughtsman: Jan van Scorel, draughtsman: anonymous, c. 1550, paper, pen, brush, h 269 mm × w 358 mm

Giovanni de 'Medici surrounded in Rome, 1583 The young Giovanni de Medici, nicknamed 'Dalle Bande Nere', is surrounded by members of the Orsini family during a street fight on the Engelenbrug. He wraps his sword wildly and flees the besiegers. On the right a family flees away from the unsafe situation. The statues at the beginning of the bridge represent Paul and Peter. In the lower margin two lines of text in Latin. The number 1 with pen is changed to 4. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome. Engelenburcht. Angel bridge The young Giovanni de Medici, nicknamed 'Dalle Bande Nere', is surrounded by members of the Orsini family during a street fight on the Engelenbrug. He wraps his sword wildly and flees the besiegers. On the right a family flees away from the unsafe situation. The statues at the beginning of the bridge represent Paul and Peter. In the lower margin two lines of text in Latin. The number 1 with

Gideon Frightens His Enemies in Their Camp. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

David stands with the head of Goliath before Saul. Several soldiers look on. In the margin a one-line caption in Latin from 1 Sam. (incorrectly labeled as 1 Kings on the print), David shows the head of Goliath to Saul Story of David and Saul , print maker: anonymous, Maarten van Heemskerck, publisher: Hieronymus Cock, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1555 - 1633, paper, engraving, h 200 mm × w 248 mm

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Pharaoh Hebreos persequitur, The Egyptians pursue the Israelites through the Red Sea, verso - stamped, The army of the Pharaoh pursues Moses and the Israelites through the Red Sea. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher, uitgever van privilege

Het Aanbod Van Abigaïl, Anonymous, Antonio Salamanca, After Baccio Bandinelli, After Giulio Romano, 1543 print Abigaïl kneels for King David and his army. Abigaïl and her service stomachs bring the men's drinks and food. Fresh in four columns in Latin in STUPMEP. print maker: Italyafter design by: Italyafter design by: Italypublisher: Rome paper engraving meeting of David and Abigail, who kneels before him

The Triumph of Death on Time. 1539. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Adulthood (Evening) from The Four Ages of Man and Death with the Last Judgment. Artist: Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553-1619 Antwerp); After Ambrosius Francken I (Flemish, 1544-1618 Antwerp). Dimensions: Sheet: 8 15/16 x 12 5/8 in. (22.7 x 32 cm)Plate: 8 11/16 x 12 3/16 in. (22 x 31 cm). Date: Before 1619. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Galle, Philips, Haarlem, Heemskerck, Maarten van, Acta Apostolorum, Acts of the Apostles, Philip and the Eunuch, verso middle bottom - stamped, Philip speaks with the eunuch he meets on the road from Jerusalem and Gaza. As treasurer of the queen of Ethiopia, the eunuch rides in a beautiful carriage. Philip converts the eunuch to Christianity and baptizes him in a river. He is then taken away by an angel. The print has a Latin caption and is part of a 34-part series on the subject of the Acts of the Apostles., print, prints, Den gesneuden word gedopop, recto midden onder - geschreven, height 212 mm, width 272 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1582 - 1582, paper, papier, engraving, graferen (drukprocedé), Work conception, Noord-Nederlands, 1498 - 1574, naar ontwerp van, Publication (Event), Publicatie, publisher

Israelites cut Achior loose, Philips Galle, After Maarten van Heemskerck, 1564 print Achior, who was squeezed by the Assyrians on a tree, is cut loose by the Israelites and taken to the city of Betulia. Haarlem paper engraving Achior is freed by the Israelites

Amsterdam, Picart, Bernard, Jupiter sends Iris to Hector, verso lower left - stamped, Jupiter sends the goddess Iris, descending from her rainbow, to Hector. She gives him his message to withdraw from the battle. In the margin a caption in French., print, book illustration, prints, height 187 mm, width 125 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, etching, engraving, engraving (printing process), intermediary draughtsman

As King Sedekiah flees the city at night toward the Jordan Valley, he is captured by the Chaldese army on the plain of Jericho. Below the scene a reference in Latin to the Bible text in Jer. 39, Capture of King Sedekiah History of Jeremiah Theatrum biblicum , print maker: Antonie Wierix (II), intermediary draughtsman: Maerten de Vos, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1585 and/or 1643, paper, engraving, h 190 mm × w 258 mm

Rowry of Scipio, Anonymous, After Rafaël, 1542 print In the middle under a tree there is Scipio the Elder, who gave a captured virgin back to her fiancé. On the left the Virgin and her family who offer gifts to Scipio. Scipio refused the gifts and gave them as a wedding gift to the groom. In the middle of a Latin text. paper engraving / etching the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Abraham Lot, et familia reducit, Abraham brings Lot and his family back to his own country, verso - stamped, Abraham and his army bring Lot and his possessions and wives back to their country. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etsen, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Simson, Simson defeats the Philistines with a donkey jaw, Samson kills the Philistines with the jawbone of a donkey. Below the image a reference in Latin to the Bible text in Judg. 15:15. This print is part of an album., print, album leaf, prints, height 206 mm, width 286 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Olifanten cavaleristen bij een veldslag met drie; cavalerie; Unfamiliar, and it is beloved of men of keen innate talent Faecvnda how I gratys Library of Florence, is enough to refer to the PVGN, enthea timely manner by the force of the heart which the mercury is the maker of the client ..

The troops of Ferdinando I the 'Medici gain the fight against the Turkish cavalry; Life of Ferdinando I the 'Medici. In the middle of a boost in the vicinity of a city, a Turkish rider his spear to chop the "Medici on soldiers from Ferdinando. Under the show a blank margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I the 'Medici, intended as a supplement to an already existing series of illustrations of the history of the Medicis.

Allegory around the fight with Bavaria and Burgundy. Allegorical show around the battle with Bavaria and Burgundy. With caption of two lines in one line.

Antiochus Epifanes robes the temple of Jerusalem, Johannes Wierix, after Gerard van Groeningen, 1579 print After his victory over Egypt, Antiochus moves to Jerusalem with a large army. There he robes the temple and turns on a massacre among the inhabitants. Under the show a reference in Latin to the Bible text in 1 bubble. 1. Antwerp paper engraving Antiochus IV Epiphanes robbing the temple of its treasures (1 Maccabees 1:21-23)

Allegory with Overijssel, Romeyn de Hooghe, 1704 - 1706 print Netherlands paper etching personifications of countries, nations, states, districts, etc. Overijssel

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Abraham Lot, et familia reducit, Abraham brings Lot and his family back to his own country, verso - stamped, Abraham and his army bring Lot and his possessions and wives back to their country. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etsen, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

Sketchbook Page: Battle of the Centaurs and Lapiths, Felice Giani, Italian, 1758-1823, Pen and dark brown ink over traces of graphite on cream laid paper, Horizontal rectangle showing centaurs and men., Italy, ca. 1820, figures, Drawing, Drawing

Netherlands, Daniel and King Cyrus at the dragon, verso lower left - stamped, Right half of a larger representation. Copper dragon is worshipped by inhabitants of Babylon, Daniel and King Cyrus pointing., print, prent, prints, height 263 mm, width 358 mm, print maker, prentmaker, 1540 - 1560, second quarter 16th century, third quarter 16th century, paper, papier, houtsnede

Allegory around the kerstening of Friesland and Eendracht among the Germanic. Allegorical show around Allegory around the kersting of Friesland and Eendracht among the Germans. With caption of two lines in one line. Believe standing in radiant light.

Etching by Augustin Hirschvogel from 1547 depicting Christ in the atrial, showing detailed figures and architectural elements.

Section G: martyrs holding palm branches, from The Triumph of Christ 1836 Andrea Andreani Italian Pasted together with 22.73.3-146. Section G: martyrs holding palm branches, from The Triumph of Christ. Andrea Andreani (Italian, Mantua 1558/1559-1629). 1836. Lithographic copy of a woodcut. Callisto Ferranti (Italian, active Rome, 1626-47). Prints

Gedeons victory over the Madianitans. Gideon and the three hundred blew the trumpets and broke the jars. Judges Book. Sacred biblical history Old Testament. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras

Hunt for Lions, from the series Hunting Scenes, in OrnamentalFrames. Engraver: Harmen Jansz. Muller, Dutch, ca. 1538/39-1617 After: Stradanus (Jan van der Straet), Flemish, 1523-1605

Triumph of Tobias; Triumph of the livelihood; Patientiae trivmphvs. In the foreground Tobias, moving on a donkey. In his left hand a cross with a banner. In the field of four firesters, with the symbol of mercy, a fountain in the form of a woman in the middle. His wife (with a mess) and blind poverty (Cecas paupertas) follow behind Job. The print has a Latin caption of six rules and is part of an eight-language series about the triumph of the livelihood.

Plate 11: Joshua Ordering the Sun to Stand Still, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 11: Joshua Ordering the Sun to Stand Still, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, The Ark of the Covenant Carried Across the Jordan, verso - stamped, A group of men and soldiers carry the Ark of the Covenant. In the foreground on the left lies a river god (the Jordan)., print, prent, prints, prenten, height 164 mm, width 204 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Lion Hunt. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Christ, St. Paul, and the Twelve Apostles: St. Thomas, c. 1578. Hendrick Goltzius (Dutch, 1558-1617), after Maarten de Vos (Flemish, 1532-1603). Engraving; plate: 21 x 28.9 cm (8 1/4 x 11 3/8 in.).

Hercules prevents the roof of Hippodamia through the Centauren, Cornelis Cort, after Frans Floris (I), in or after 1563 - Before 1595 print Hercules and his men fight against the cents to prevent the roof of Hippodamia during her wedding with pelops. The party table has been destroyed. Hercules hits one of the centers with his club. paper engraving the Twelve Labours of Hercules: second series

Antwerp, Jode, Gerard de, Vos, Maerten de, Wierix, Antonie (II), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Samson, Samson and Delilah, Samson lies asleep on Delilah's lap and she cuts off his hair. Armed Philistines appear from behind the tree to capture Samson. On the right in the landscape a bridge over a river. Below the representation a reference in Latin to the Bible text in Judg. 16:19. This print is part of an album., print, album page, prints, height 214 mm, width 282 mm, South Netherlands, 1559 - 1604-03, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Dutch, 1509 - 1591-02-05, publisher

Deputy van Vienna, 1529, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1570 - 1640 print Emperor Charles V on horseback with his brother Ferdinant of Hungary behind him. His army chases the Turkish siege troops to the flight that had tried to conquer Vienna (1529). In the background on the right Sultan Süleyman I who blows the retreat. In the background on the left the city of Vienna. The print has a Latin caption and is part of a twelve -part series about the victories of Karel V. Haarlem paper etching / engraving / letterpress printing Vienna

Plate 8: Alexander Encircling the Enemy Troops with Fire, from The Deeds of Alexander the Great 1608 Antonio Tempesta Italian. Plate 8: Alexander Encircling the Enemy Troops with Fire, from The Deeds of Alexander the Great. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1608. Etching, first state of two (Bartsch). Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 15751610). Prints

King Herod fights robbers who have hidden themselves in caves, 1574 print King Herod on horseback lets the caves of the rock walls combine to detect the robbers that have hidden there. The men of Herod are lowered in baskets. Several men are falling from the rocks. The print is part of an album. paper letterpress printing Jewish religion and culture. robber. cave, grotto. male persons from classical history (HEROD)

Christ Carrying the Cross (copy). Artist: After Nicolaes de Bruyn (Netherlandish, Antwerp 1571-1656 Rotterdam). Dimensions: Sheet: 16 1/8 × 20 3/8 in. (41 × 51.7 cm). Publisher: Joannes de Ram (Dutch, Amsterdam 1648-1696 Amsterdam). Date: 1660-96. Museum: Metropolitan Museum of Art, New York, USA. Author: After Nicolaes de Bruyn.

First pretext: De Nieuwe Akker, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1581 - 1633 print The messenger comes to the first guest and invites him to the party. The guest apologizes with the pretext that he has bought a new field. He points to the field in the background. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching those that are invited to the royal wedding-feast excuse themselves

Triumphar with wealth (opulentia); Circulus vicissitudinis Rerum Humanarum. On a triumphander, the personification of the wealth (opulentia) with crown and scepter, pockets with money under her throne. The car is supervised by Personifications from Woeker (Usura), Lust (Libido), betrayal (Proditio) and List (Dolus) who ensure that wealth comes about. Print from a series of nine prints with triumph trolles from the Antwerp circumcision-circumction of 1561. The personifications on the cars represent the cycle of human acting together.

Edouard Eckman after Jacques Callot, Skirmish in a Roman Circus, 1621 Skirmish in a Roman Circus

Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: plate: 6 11/16 x 8 5/16 in. (17 x 21.1 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Galle, Theodoor, Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Parable of a wedding feast, First pretext: the new field, verso bottom center - stamped, The messenger comes to the first guest and invites him to the feast. The guest apologizes with the pretext that he has bought a new field. He points to the field in the background. The print has a Latin caption and is part of a six-part series on the parable of a wedding feast., print, prints, height 205 mm, width 251 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1558 - 1559, paper, papier, engraving, engraving (printing process), etching, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

The Israelites attack the fleeing Assyrian army. On the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Below the scene a reference in Latin to the Bible text in Judit 14:8, Victory over the Assyrians History of Judit and Holofernes Theatrum biblicum , Jan Snellinck (I), print maker: anonymous, publisher: Claes Jansz. Visscher (II), Amsterdam, 1579 and/or 1643, paper, engraving, h 205 mm × w 264 mm

The Triumph of Eternity on Death. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A Battle 1540-45 Antonio Fantuzzi Italian. A Battle 336722

Christ Carrying the Cross. Dimensions: sheet (trimmed to plate mark): 28.9 x 43.9 cm (11 3/8 x 17 5/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

Battaglia d'Antichi Romani. Baur, Johann Wilhelm (1607-1642), graphic artist

OUDDDDOM, HOMEONYMONYMONY WINIZED, AFTER Ambrosius Frock (I), 1563 - 1584 print Allegory of old age, corresponding to the four times of the day and the four seasons. The triumphal wagon of the night (NOx) contains fame (Fama) and the three hide goddinnen (parcae). The car is pulled by an ox, driven by father Time (Tempus), and rolls over people and animals. The procession is preceded by an old man with a banner on which the signs of the zodiac are depicted, Capricorn, Waterman and Fish, and death (fatum) on horseback. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving human life divided into stages. personification of the night, 'Nox'; 'Notte', 'Carro della notte', 'Serenití della notte' (Ripa). chariot, triumphal car. Fates, Parcae (Moirae). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). Father Time, man with wings and scythe. Death as skeleton. zodiacal signs of the winter season

Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

The War with Venice, from The Triumphal Arch of Maximilian I. School of Albrecht Dürer (German, 1471-1528); probably Hans Springinklee (German, c. 1495-1522); possibly Wolf Traut (German, c. 1480-1520); printed by Hieronymus Andreae (German, died 1556). Date: 1515-1517. Dimensions: 190 x 161 mm. Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

French invasion and breaking of the unity of the Union, Romeyn de Hooghe, 1674 print French invasion and breaking of the unity of the Union in 1672. The provinces of Utrecht, Gelderland and Overijssel throw themselves at the feet of Louis XIV. Others flee or are fascinated as prisoners. In the middle behind, the Dutch Virgin is sitting on a plateau on four columns, behind this the names of the remaining provinces of Groningen, Friesland, Zeeland and Holland. Devils and decapitation in the background. Amsterdam paper etching / engraving Netherlands

Judit presented to Holofernes; History of Judit and Holofernes; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Judit and her maid are presented to Holofernes. The Assyrian army looks. Under the show a reference in Latin to the Bible text in Judit 10:10. This print is part of an album.

Scene from the dacic wars. Scene from the dacerous wars to the bass relief on the column of Trajanus in Rome.

The murder of the De Witt brothers in the Hague on 20 August 1672. Etching by R. de Hooghe.

Germany, The plague of Alva's tyranny in the Netherlands, ca. 1572, Allegory of the contrast between the tyranny of the Duke of Alva and the struggle for freedom of the Prince of Orange in the Netherlands, ca. 1572. On the left, the Prince of Orange sits on the throne with the personifications of the provinces of Holland and Zeeland at his side. On the right, Alva sits on his throne with the personifications of the other enslaved provinces of the Netherlands kneeling and blindfolded before him. In the middle, Tyranny chases Gelderland back to Alva's camp. With a superscript with an appeal to the reader in 6 lines and a subscript of 4 verses of 4 lines each in German., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 240 mm, width 315 mm, print maker, prentmaker, 1572 - 1572, third quarter 16th century, paper, papier, etching, etsen

The Triumph of Time, plate four from The Triumphs of Petrarch. Georg Pencz; German, c. 1500-1550. Date: 1534-1544. Dimensions: 151 x 210 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Antonio Tempesta, David Kills Goliath, 1613 David Kills Goliath

Disastrous consequences of the action trade, 1720; The Spirit of the Orange Heeraklite Schryend about the Lagh fabric of Demokriet; The large scene of foolishness (extra pieces). The disastrous consequences of the action trade. Several men commit suicide after having lost everything in the action trade, others have become crazy or commit a robbery. In the foreground the crying heraclitus, in the background the carriage of the Rijkaard going on the broad road. In the caption the declaration of the figures 1-9. Belongs to the group of prprans added to the scene of scene of foolishness with cartrents at the 1820 wind trade.

Hunting on lions; Yacht scenes (part 5). .Landscape with Oriental Hunters with Spears on Horse Hunting on Lions.

Rome, Rossi, Giovanni Giacomo de', Italy, Lanfranco, Giovanni, Triumph of a Roman Emperor, A Roman Emperor on a triumphal chariot in a procession of soldiers and musicians., print, prints, height 297 mm, width 625 mm, Italian, 1582-01-26 - 1647-11-30, print maker, printmaker, 1592 - 1647, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1627 - 1691, publisher

Giovanni de 'Medici escaped from captivity, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Giovanni de 'Medici escapes from captivity in France. A procession of people and horses to the right. On the right a lying female figure on a straw bed. Title in the end margin. Numbered in the middle: 7. print maker: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving escape, escape attempts

Aeneas and his companions fight with the harpies, 1663 print Aeneas and his companions are disturbed during a meal by harpijen. A fight arises between the soldiers and the harpijen. Numbered: X. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching stay of Aeneas on the Strophades Islands: fight with the Harpies that befoul the crew's food

Hans Schäufelin's 1533 woodcut depicts Titus Manlius beheading his son, showing figures, posture, and Roman historical context.

Envy driven from the temple of the muses, master of the dice, after bingasare peruzzi, c. 1530 - c. 1560 print Enious (invidia) In the form of a woman is driven by Hercules from the temple of the muses. Apollo, Minerva and the muses watch. Italian text in two columns in STUDMARGE. Italy paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. (story of) Hercules (Heracles). (story of) Apollo (Phoebus). (story of) Minerva (Pallas, Athena). (story of the) Muses; 'Muse' (Ripa). wind instruments. mask

Tomb of Nero; Capricci Decorativi; Grotteschi. Decorative fantasy with the remains of the Tomb of Nero, remains of structures and snakes.

Italy, Master of the Dice, Triumph of Scipio, verso - stamped, Triumphal procession of Scipio Africanus in Rome after his victory over the Carthaginian army. Behind the victors on horseback walk the chained defeated. On the left a triumphal arch., print, prent, prints, prenten, height 194 mm, width 246 mm, print maker, prentmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plaattoon, Work conception, Italian, German

Death of Timoteüs, Chereas and Apollofanes, Johannes Wierix, after Gerard van Groeningen, 1579 print The army of Judas Makkabeeër storms the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 bubble. 10. Antwerp paper engraving other scenes ~ second book of the Maccabees

Massacre of the Innocents. Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome); Master ND (Italian, active 1540s). Dimensions: Sheet: 11 x 20 3/16 in. (28 x 51.2 cm). Date: ca. 1544. Museum: Metropolitan Museum of Art, New York, USA. Author: After Raphael (Raffaello Sanzio or Santi). Master ND.

Simson beats the Philistines with the jawbone of a donkey; History of Simson. Simson was hosted by the Philistines. From anger he slames a large group of men with a donkey sauce. On the right can be seen how Simson then drinks water from the donkey fuse to be thirsty. In the background the reason for the battle is portrayed: Simson puts the cornfields of the Philistines in flames using foxes that walk through the fields with burning torches. Completely in the background Simson carrying the gates of Gaza.

Torture death of Petrus on the Kruis, Jan Luyken, 1685 print Amsterdam paper etching Peter crucified upside down

A work by Étienne Parrocel depicting the killing of the Israelites, executed with pen, brush, ink, and chalk on brownish paper.

Wild Bull Hunt. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Judith and Holofernes, Flight of the Assyrian Army, Upon hearing of the death of Holofernes, the Assyrian army takes flight. The Israelites pursue the army and slaughter the Assyrians. The print is part of an eight-part series telling the story of Judith and Holofernes., print, prints, width 195 mm, height, 236 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1547 - 1559, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

A Roman ruler in an ermine trimmed cloak stands up on a chariot pulled by horses. He carries a scepter and a laurel wreath. In front of him stands Justice. To his right are two soldiers holding a banner. To his left two prisoners, one of whom wears a crown. In the distance battles near a castle. Verso a typographus lectori, a message from the printer to the reader, Roman ruler and Justitia on a chariot Title page for: Sallustius Crispus, Gaius, Gronovius, Johannes Fredericus and Thysius Jr., Antonius. C. Sallustii Crispi Quae extant, 1665, print maker: G. Wingendorp, (mentioned on object), publisher: officina Hackiana, (mentioned on object), print maker: Leiden, publisher: Zuid-Holland, 1665, paper, engraving, letterpress printing, h 163 mm × w 106 mm

Scaevola voor Porsena . Scaevola voor Porsena

Odysseus cremates the body of Elpenor, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus lets the body of Elpenor cremate. Elpenor had asked Odysseus in the underworld to perform the right funeral rituals. Odysseus leaves in the background and says goodbye to Circe. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus lets the body of Elpenor cremate. Elpenor had asked Odysseus in the underworld to perform the right funeral rituals. Odysseus leaves in the background and says goodbye to Circe. The print is part of an album. Paris paper etching / engraving / letterpress printing

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Balaam, History of Moses after the Exodus, Balaam and the Donkey, Balaam urges his donkey to riding and strikes her with a club, but she is stopped by an angel with a sword. In the landscape behind Balaam are three warriors. Below the representation is a reference in Latin to the Bible text in Num. 22:21. This print is part of an album., print, prent, albumblad, prints, height 192 mm, width 264 mm, Work conception, Zuid-Nederlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), print maker, prentmaker, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Triumph of King William III, 1697, 1697 print Allegory on the regime of King William III, possibly in connection with the Peace of Rijswijk concluded on 20 September 1697 between France and the Allies. Hercules leads William III to the Temple of Honor. On the right Apollo, Pegasus and the Muses on the Parnassus. In the foreground a donkey with a woman with attributes of reprehensible time seals: drinking, making music, gambling and playing and love. With two fleeing saters and a woman with snake hair (discord or envy). Northern Netherlands paper etching / engraving symbolic triumphs of individual persons. Pegasus, the winged horse. Parnassus, sacred to Apollo Musagetes. Apollo and the Muses, Apollo Musagetes. Hercules as personification of Virtue. 'Frau Welt'

The Tournament 1500 Germany. Engravings by this appealing master often illustrate the secular life of the period, in this case, possibly a festival held in Munich in 1500 over which the Duke and Duchess of Bavaria, Albrecht IV and Kunigunde of Austria, presided.. Engraving in black on ivory paper . Master M.Z.

The Doood Van Titus, 1572 - 1573 The soldiers of Romulus kill Titus Tatius and his entourage. The print is part of an album. Italy paper etching The soldiers of Romulus kill Titus Tatius and his entourage. The print is part of an album. Italy paper etching

Artist: Lucas van Leyden, Netherlandish, 1494-1533, The Triumph of Mordecai, Esther6.11, Engraving, 21.1 × 28.9 cm (8 5/16 × 11 3/8in.), Made in The Netherlands, Netherlandish, 16thcentury, Works on Paper -Prints

Neptunus on his car, Anonymous, After Johann Friedrich Greuter, After Pietro da Cortona, After 1633 print Neptunus is on his car, which is drawn by two hippocampuses. Tritons and mermaid swim around the car. At the top left floats fame. In the foreground is a woman with a fee and arrow -and -bow - possibly a personification of America - who provides Neptune a bowl. paper engraving (story of) Neptune (Poseidon). America represented allegorically; 'America' (Ripa). Native peoples of the Americas

Sarbiewski, Maciej Kazimierz, Soutman, Pieter Claesz., Dyck, Anthony van, Capture of Christ, verso lower left - stamped, Christ is captured on the Mount of Olives after being betrayed by Judas. On the left is Judas, holding the money bag around his neck. Christ is pushed along by the soldiers and is pulled by his hair. Depiction of the Bible verse John 18:6. Below the representation four lines of verse in Latin by the Polish poet Maciej Kazimierz Sarbiewski., print, prent, prints, prenten, height 247 mm, width 332 mm, Noord-Nederlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, Work conception, Flemish, Dutch, 1599-03-22 - 1641-12-09, after a design by, Publication (Event), Publicatie, publisher, uitgever, pools, 1595-02-24 - 1640-04-02, schrijver

Canto VII. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Bringing in of Troje's horse, Jean Mignon (attributed to), after Luca Penni, 1543 - 1545 print paper etching the Trojan horse

The Lost Son as a pork keeper, Philips Galle, After Maarten van Heemskerck, 1596 - 1633 print The lost son has wasted his inheritance and works with a farmer as a pig herd. He kneels between the pigs and eats them together from the feeder. He can be seen praying in the back left. print maker: Haarlempublisher: Antwerp paper engraving the parable of the prodigal son (Luke 15:11-32). the prodigal son tends the swine and eats from their trough. the prodigal son repents his former life and prays

Josephus is threatened in a rain pit at Jotapata / Josephus remains with a companion after the others have killed each other / Romans lead the struggle on the sea of Tiberias / Vespasianus to kill the captured Jews, Jan Luyken, 1698 print Uncuted leaf with four performances, numbered: 227, 243 and 244. Amsterdam paper etching threatening behaviour, challenging. killing ~ aggressive relationships. battle

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. armour

Triumph of Bacchus, middle plate. Procession in honor of the God Bacchus. SATERS and Putti walk out to party in the procession. Some play on flutes and tambourines. The car with Bacchus is drawn by two men and a donkey. Middle part of a print consisting of three plates.

Bergrede, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), Amsterdam, 1712, paper, etching, h 138 mm × w 80 mm

Haarlem, Junius, Hadrianus, Antwerp, Galle, Philips, Heemskerck, Maarten van, The misery of wealth, Famous and notorious rich people, verso bottom center - stamped, A procession of famous examples of rich people from Antiquity. At the forefront of the procession is Pythius, with in his hand a vine made of gold and precious stones. Then Lucullus, the rich Roman magistrate and glutton. He carries a banner with a chicken pie. Behind him is Crassus, who drinks from a cup. This is an allusion to his thirst for money and his death (stitched in molten gold). After Crassus come the dictator Sulla with a sword and a lance, Croesus as a richly dressed king and Midas with Midas ears under his crown. The print has a Latin caption and a Dutch and French caption in letterpress. The print is part of a series on the subject of the misery that wealth brings., print, prints, 114, recto top right - written, height 229 mm, width 170 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 -

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