Allegorical Engravings

A series of engraved prints showcasing allegorical themes and historical events, featuring intricate scenes with symbolic figures and rich decorative elements.

Expulsion of the Jesuits, Gabriel Jacques de Saint-Aubin, 1761 print A political print in response to the anti-Jezuits announcement of 6 August 1761. Two medallions framed with attributes. At the top of the all -sighted eye and a scales, on the right the hand of justice, a sword on the left. At the bottom of a fox that loses its tail, from one of the fables of Aesopus. In the left medallion a book burning of the writings of the Order, including works by Mariana, Busembaum and Suarez. A man tears a book broken, and a Jesuit runs away. On the stairs a figure with a list in his hands. Under the show the title in Latin and the date: Combustis Libris VI Die Augusti, M.D.CC.LXI. In the right medallion, two students run away from the Collège Louis-le-Grand. One points to the rules that are hung on the door frame. On the right is a Jesuit, looking at his broken stick on the ground. Under the show the title in Latin and the date: perversis tandem deletis scholis. M.d.cc.lxi. The whole is on a p

Allegory on the death of Michiel de Ruyter, 1676. Allegory on the death of Admiral Michiel de Ruyter, 29 April 1676. Mausoleum with the body of the deceased Zeeheld considered by the Dutch Virgin, the Amsterdam cityscape and a woman with his family crest. Behind this mercury, fortune, strength and other allegorical figures. On either side two columns with images of the victories of the Ruyter. At the bottom of a caption on the pedestal of a column in Latin.

Reproduction of the print with the negotiations with German commanders about the departure of the garrison, 1577; Reproductions of the medallions with the conquest of the Citadel of Antwerp in 1577. Reproduction of the printing with the negotiations between Liedekercke, Roeck and Bourse and the German commanders about a lump sum for the departure of the German garrison, 2 August 1577. Group of men standing In consultation, in the background the citadel. In the clouds the personification of God's punishment. Presentation in a round medallion with ornamental allegorical frame with the sitting female personifications of generosity (liberalitas) and thanklessness (ingratitudo). At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Minerva receives letters and books. Putti bring books and letters to Minerva. In the middle of the coat of arms of The Hague.

Expulsion of the Jesuits, Gabriel Jacques de Saint-Aubin, 1761 print A political print in response to the anti-Jezuits announcement of 6 August 1761. Two medallions framed with attributes. At the top of the all -sighted eye and a scales, on the right the hand of justice, a sword on the left. At the bottom of a fox that loses its tail, from one of the fables of Aesopus. In the left medallion a book burning of the writings of the Order, including works by Mariana, Busembaum and Suarez. A man tears a book broken, and a Jesuit runs away. On the stairs a figure with a list in his hands. Under the show the title in Latin and the date: Combustis Libris VI Die Augusti, M.D.CC.LXI. In the right medallion, two students run away from the Collège Louis-le-Grand. One points to the rules that are hung on the door frame. On the right is a Jesuit, looking at his broken stick on the ground. Under the show the title in Latin and the date: perversis tandem deletis scholis. M.d.cc.lxi. The whole is on a p

Teatro delle Nobili et Virtuose Donne... Author: Isabella Catanea Parasole (Italian, ca. 1565/70-ca. 1625). Dimensions: Overall: 7 1/2 x 10 7/16 in. (19 x 26.5 cm). Publisher: Mauritio Bona , Rome. Date: 1616.Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome. Engraved illustrated title page, dedication with woodcut initial letter, 44 pages of woodcut designs.Pages are numbered, but are not bound in the correct order. Museum: Metropolitan Museum of Art, New York, USA.

Title print with assignment to and coat of arms of Cosimo II De 'Medici and performances of justice, caution, fame and generosity; Oudtestament fighting scenes. .

. Large coat of arms on which the title, with the bull Europe above it. The weapon is awarded by the bazuin blowing faMA and flanked by Pictura and Optics (naked women's figures) and Assidhus and Labor (Putti). At the bottom of the performance the text: fructus laborum. Title print of the later edition of the first part of a series of 72 artists' portraits, of which 36 made by Hendrick Hondius I, the other by Robert de Baudous, Simon Frisius and Andries Jacobsz. Stock.

Dispose of the Jezuites; Expulsion des Jésuites. A political print following the anti-Jesuits proclamation of August 6, 1761. Two medallions framed with attributes. At the top of the all-seeing eye and a scale, on the right of justice, on the left a sword. At the bottom of a fox that loses its tail from one of the fables of Aesopus. In the left medallion a book burning of the scriptures of the Order, including works by Mariana, Busembaum and Suarez. A man tears a book, and a Jesuit runs away. On the stairs a figure with a list in his hands. Under the show the title in Latin and the date: COMBUSTIS LIBRIS VI THAT AUGUSTI, M.D.C.LXI. In the court medallion, two students run away from the Collège Louis-le-Grand. One pointed to the rules that are hung on the door frame. On the right is a Jesuit, looking at his broken stick on the floor. Under the show the title in Latin and the date: Perversis Tandem Deletis Scholis. M.d.cc.Lxi. The whole stands on a piedolder with a six-line text in Frenc

Print (France)

Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik, 1629; Dutch Triomff Tonneel. Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik on September 17, 1629. On a stage, the Stadholder Frederik Hendrik is married by the Bishop Ophovius with the city mawn from Den Bosch. Behind the city mawn is governor of Grobbendonck, like the bride's father. The columns on either side of the stage decorated with weaponian and medallions with previous military conquests under the policy of the Stadholder. At the top a canvas with a map of the siege of Den Bosch hangs. Left Portraits of Palatensgraaf Frederik van Bohemia, Frederik Hendrik and Ernst Casimir, on the right the portraits of their spouses. Printed entirely of three plates.

Magdalene Sibylle, Princess of Saxony-Weissenfels.

Allegory of the golden wedding of Pieter van Loon and Agneta Graswinckel Content of the medal, struck in memory of the Goude bruyloft van den called Mr. Pieter van Loon and lady Agneta Graswinckel (title on object), A triumphal arch in honor of the golden wedding of Pieter van Loon and Agneta Graswinckel. The gate is decorated with tokens in honor of the anniversary. Several putti in the gate opening making and keeping tokens. In the middle of the gate two personifications, Trouw and Eendracht, on either side of a Dutch inscription, triumphal arch, cupids: 'amores', 'amoretti', 'putti', golden anniversary, nymphs (in general), 'Ninfe in commune' (Ripa), ornament, medallion, Agreement, Unity, 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa), Frankness, Loyalty, 'Lealtà', 'Realtà' (Ripa), Agneta Graswinckel, Pieter van Loon (1641), Jan Goeree (mentioned on object), Amsterdam, 1722, paper, engraving, w 409 mm × h 510 mm

Allegory on the marriage commitment between Abraham Lestevenon and Geertrui de Vroede, Jan Goeree, After Simon Schijnvoet, 1700 print An architectural garden with a monument in honor of the marriage commitment between Abraham Lestevenon and Geertrui de Vroede. On top of the monument, two putti 21 hearts set fire to the letters of the names of the celebrated pair. Putti and angels sprinkle flowers at the top of the sky. On either side of the monument a column with the coats of arms of the Lestevenon and De Vroede families. A Dutch inscription on the monument. Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. (civil) marriage ceremonies. angels. monument, statue. heart symbolism. monument, statue

Josef I., Roman-German Kaiser.

Cadmus kills De Draak, Gerard de Lairesse, 1682 print Cadmus kills the dragon that has devoured his companions. The mythological representation is contained in a medallion -shaped list. To the left of this, a woman with a whistle points to sheet music above the list. On the right, three putti play different instruments. At the bottom of the print is a three -faced caption in French. paper etching Cadmus slays the dragon. cupids: 'amores', 'amoretti', 'putti'. musical instruments; group of musical instruments

Orpheus playing to the animals, print maker: Hendrick L. de Weyck

Schut, Cornelis (I), Allegorical print, verso lower left - stamped, Two lions hold up banners and the family crest of the Italian general Don Andrea Cantelmo. An eagle sits on top of the crowned crest. The dedication, in a cartouche, is flanked by two harpies and cannons. In a cartouche at the bottom a river god and a nymph with the city of Antwerp in the background., print, prent, prints, height 412 mm, width 274 mm, South Netherlands, 1597-05-13 - 1655-04-29, print maker, printmaker, 1618 - 1655, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception

Amsterdam, Hooghe, Romeyn de, Allegory of the death of Michiel de Ruyter, 1676, Allegory of the death of Admiral Michiel de Ruyter, 29 April 1676. Mausoleum with the body of the deceased naval hero mourned by the Dutch Maiden, the Amsterdam city maiden and a woman with his family crest. Behind this Mercury, Fortune, Strength and other allegorical figures. On either side two columns with images of De Ruyter's victories. At the bottom an inscription on the pedestal of a column in Latin., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 525 mm, width 420 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, prentmaker, 1676 - 1677, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen, Work conception, after own design by

Apocripha. Wolfgang EndtePeter Troschel (Germany, Nuremberg, 1620-1667). before 1643, printed 1643. Prints; engravings. Engraving

Collection of the most beautiful buildings and frontispices of the churches of Paris. Dedicated to Henry de Harlay. Jean MAROT (1619-79), engraver, architect and French draftsman. Collection of the most beautiful buildings and frontispices of the churches of Paris. Dedicated to Henry de Harlay. Water-strong on waterfree paper. Paris, Carnavalet Museum, Paris Story.

Victories of the Allies, 1691; La Campagne des Alliéz. Large print on two blades in which the victories of the Allies on the Turks and French are celebrated in the year 1691. Upper half with the victory over the Turks at Salem Kamen by Lodewijk Willem, Markgraaf van Baden-Baden, August 19, 1691. Lower half with centrally victory from the English army of King Willem III under the Dutch General Godard, Baron van Reede-Ginckel , On the Catholics of Jacobus II, at Aghrim (or Aughrim) on July 22, 1691. On the sides Six smaller representations of victories of the English in Ireland and of the Allies against the French. At the bottom of the Almanac for the year 1692.

Allegory on the victories of Willem III in 1673; Princellycke Almanach on 't Jaer, MDCLXXIII. Allegory on the victories of Willem III in 1673. The young prince with commandstave standing next to the young Hendrik Casimir. For this commanders who obtained 1673 victories: Michiel de Ruyter, Cornelis Tromp, Adriaen Banckert, Johan Maurits, Paulus Wirtz, George Frederik van Waldeck, Rabenhaupt and Count Willem van Hornes. Here it is medallions and cartouches with victories. At the top left the portrait of Montecuccoli and on the right Monterrey. At the bottom of an almanac for the year 1674 printed in black and red. Crushed prisoners on either side of the Almanac. In the plate under the almanac a verse in two columns in Dutch aimed at the frost.

Card game, Johann Esaias Nilson, 1731 - 1788 print Two men and three women are in a landscape around a table drinking and cards. Behind them a rocaille discharge with an angel and a putto. At the bottom of the show a rocaille frame with vases and a reading man on the right. A German text in the lower margin. Augsburg paper etching / engraving playing-cards. rocaille ornament. reading

Four figures around a framework on which a coat of arms, a face of the city of Dordrecht and figures in the water. Two angels with banderoles in which the title. In a cartouche the name of the bookseller.

Wapenschild geflankeerd door Minerva en Prudentia.A brazed coat of arms with the depicting of a tulip, both on the shield and on top of the helmet, is in the open air on a base. A winch appears on the base. Left of the weapon is Minerva in her armor; Behind behind that an angel blows the trumpet. On the right is prudentia or caution, with a snake and a mirror in her hands. Behind Prudentia a putto holds the caduceus, Pegasus flies in the distance.

Stirling Maxwell, William, Vos, Maerten de, Wierix, Great Britain, Waterston, Sons, & Stewart, G., Reproductions of the medallions with the conquest of the citadel of Antwerp in 1577, Reproduction of the print with the digging up of the bulwarks by the people of Antwerp, 1577, 23 August 1577. Procession of inhabitants of Antwerp armed with spades and baskets on their way to the citadel. In the background the demolition and digging up of the fortress. Representation in a round medallion with ornamental allegorical frame with the seated female personifications of Diligence (Diligentia) and Freedom (Libertas) at the top. At the bottom a cartouche with 2 verses of 6 lines each in French and Dutch., print, picture, historical object representation, prints, pictures, Frederik Muller Historieplaten, height 412 mm, width 247 mm, print maker, printmaker, 1877 - 1877, fourth quarter 19th century, paper, photolithography, Work conception, after a print by, Southern Netherlands, 1532 - 1603-12-04,

Call for involving the guard at the Schutterij van Amsterdam by Jacob Guillot, Pieter Tanjé, After Louis Fabritius Dubourg, 1716 - 1761 print The personification of bravery, standing with shield and sword, protects trade, in the person of Mercury, the truth, with the sun above her head, freedom with the lance of freedom, and religion with temple. In the foreground different weapons. Under the performance a call for the involvement in the company of Capitein Jacob Guillot with a field not yet filled in for the name of the shooter in question. Amsterdam paper etching / engraving The Company, The Unit, The Troop ~ Military Service. Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'gagliardezza', 'value', 'virtue heroic', 'virtue of the soul and body' (Ripa). Freedom, Liberty; 'Freedom' (Ripa)

Alcove with eagle; Alcofen a la romaine. An alcove with carians, drapers and an eagle on the top. In the middle of a balustrade with cartouche with the serene title. There are various figures in the alcove, pointing to the middle. Numbered at the bottom right.

In a round tent a putto bubble is blowing ('homo bulla' - 'Man is a bubble' - stands on the edge of the niche in which he sits), flanked by an emperor and a farm labourer. Above the putto a representation of the Last Judgment. Above left a cartouche with round representation of the Fall of Sin, above right a cartouche with round representation of the Crucifixion. In the foreground are two corpses (the emperor and the farmer, according to the broken crown at the far left front and the battered shovel at the right front). On the left in the foreground also a vase with flowers, on the right a vase from which smoke rises and a broken hourglass. Equipped with explanatory texts referring to death (which makes no distinction between the positions) and the transience of human life. With Latin caption in the form of four quatrains, Allegory of death and the transience of life., print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (men

Illustration at Canto III of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto III of Tasso's 'Gerusalemme Liberata'. A struggle for the city walls of Jerusalem. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche Jerusalem

These by Paul, Count of Zicky (top part), Benoît Farjat, After Agostino Scilla, 1695 print paper engraving / etching doctoral thesis. ornament ~ cartouche

Urban VIII., Papa Publisher: Honervogt, Jacques (1) Dating: 1623 / 1666Sort:

History sitting on a throne, Cornelis Galle (II), After Peter Paul Rubens, after Erasmus Quellinus (II), 1640 print The female personification of history is on a stone throne and writes with a spring in a book. On either side of the throne are Mercury and a woman who hang garlands with medals on a palm and a deciduous tree. On the pedestal of the throne a reference to the robbery of Europe. Antwerp paper engraving 'Historia'; 'Historia' (Ripa). (story of) Mercury (Hermes). Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Titelprent Met Trompetterende Engelen, Raffaello Schiambinossi, 1609 print Title print with the title in the middle, flanked by two trumpeting angels. Above the title a cherubine and the Holy Spirit as a pigeon. publisher: RomeVaticaanstadRome paper etching angels singing, making music. horn, trumpet, cornet, trombone, tuba. Holy Ghost represented as a dove (in flames). cherubs, i.e. children's heads with wings

Verbruggen, Hendrik Frans, Southern Netherlands, Bouttats, Gaspar, on Court by the Venerable PP Livevrouwens- Brothers, Triumphal Gate erected by the Brothers of the Cathedral of Our Lady, 1685, Triumphal Gate erected by the Brothers of the Cathedral of Our Lady in Antwerp. Part of the illustrations of the decorations erected in Antwerp on the occasion of the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 168 mm, width 135 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, Zuid-Nederlands, 1655 - 1724-12-12

Kunigunde the holy, Duchess of Poland.

Plate One, from A New Book of Ornaments. Simon Gribelin II; French, 1661-1733. Date: 1704. Dimensions: 196 × 161 mm (image/plate); 195 × 233 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Bride during her wedding party, Anonymous, After Adriaen Pietersz van de Venne, 1625 - 1635 print A bride, flanked by two women, sitting on a chair during her wedding party. In the interior other men and women and a child. Flowers lie on the floor. In the foreground two putti; One with a basket with lace and the other with a box with jewelry. Between them in a banderole with a text that indicates that only true love makes a marriage and not jewelry, a ring or other appearances. Middelburg paper etching / engraving wedding feast, wedding meal. cupids: 'amores', 'amoretti', 'putti'. embroidering ~ textile industry. jewel-box

Title page for the Europisch Mercury for the year 1706. Title page for European Mercury, DL. XVII, first part, included the first six months of the year 1706. On either side of a vase with the order chain of the Golden Fleece are the English unicorn and the Dutch lion. In the background a hanging cloth with folded hands on which Mercury hangs and pointing to the solar eclipse from May 12, 1706.

A 1607 copper engraving by Hieronymus Wierix depicting an allegory of the old and new federal government, showing symbolic figures and governance elements.

Engraver: Domenico Maria Bonaveri, Italian, 1653-1731, After: Annibale Carracci, Italian, 1560-1609, The Founding ofRome, Engraving, sheet: 44.7 × 32.8 cm (17 5/8 × 12 15/16in.), Italian, 18thcentury, Works on Paper -Prints

Judge, Christoph Philipp.

Vredeman de Vries, Hans, Antwerp, Doetechum, Lucas van, Joannes van (I), Heemskerck, Maarten van, Groeningen, Gerard van, Muller, Harmen Jansz, Cort, Cornelis, Coornhert, Dirck Volckertsz., Parable of the Merciless Slave, King forgives the Merciless Slave his debts, A servant kneels before his king and begs him to have patience with him, so that he still has some time to pay his debt. The king takes pity and forgives him his debt. At the table next to the king a man writing and someone reading the debts from a book. The representation is set in a frame with scrollwork and ornaments., print, prints, height 223 mm, width 321 mm, height 109 mm, width 135 mm, print maker, printmaker, 1568 - 1577, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Northern Netherlands, 1522 - 1590-10-29, 1533 - 1578, Dutch, 1540 - 1617-10-07, Work conception, Southern Netherlands, 1515 - 1599, after a design by, 1498 - 1574, 1530 - 1605, - 1589, South Netherland

The holy church father Athanasius of Alexandria, standing on a pedestal. On the obverse a scene in which he is a boy blessing other children. Print marked top center: III. Part Pag. 118., Saint Athanasius of Alexandria, Church Father Athanasius, Bishop of Alexandria, Effend, nog Jongeling zynde, het ampt van Bisschop , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 272 mm × w 169 mm

A 1552 copper engraving by Hans Lautensack showing the coat of arms of Eckh-Pienzenau, including heraldic symbols and design details.

Wedding angle for King Johan V of Portugal, 1708, 1708 print Print on the occasion of the marriage between King Johan V of Portugal and Maria Anna of Austria on October 27, 1708. Portraits in medallions surrounded by symbols of Trouw en Verbond, Allegorical figures and the Austrian eagle. At the bottom a performance of the visit the Archduchess Maria Anna van Austria to Rotterdam in August 1708. Inscriptions and caption in Latin. Amsterdam paper etching / engraving (civil) marriage ceremonies Rotterdam

Allegory on the restoration of true religion in England with the arrival of the Prince of Orange, 1688, Gerard de Lairesse, 1688 print Allegory on the restoration of true religion in England with the arrival of the Prince of Orange, 1688. A Roman general, William III, hands a sealed Bible to the English Virgin located in bed. William III is accompanied by the Hollandse Leeuw, the English Lord and Burger kneel at the foot. In the air the angel of the revenge of God flies with lightning bolts and a trumpet, above the truth. In the foreground are two female figures on either side of a Frisian with the image of Hercules that is crowned. paper etching personifications of countries, nations, states, districts, etc.. Truth; 'Verití' (Ripa). lion's den (+ animals used symbolically). (story of) Hercules (Heracles) Netherlands. England

Weird woman calls for the help of Juno Lucina; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. A giving woman on a bed. She is being held by a woman. Another woman is sitting between her legs and holds a baby. The lying woman calls for the help of Juno Lucina (goddess of birth). Under a four-line verse in Italian. The show is caught in a decorative frame with putti and skulls.

Men and women look in the opened tombs of historical persons, Cornelis van Dalen (I), after Adriaen Pietersz van de Venne, 1655 print Men and women, including high -ranking people such as Kings and Queen, look into the opened tombs of historical people whose skeletons are left. All react with horror when seeing the remains of Alexander the Great, Helena or Salomon. Above a hand with banderole with the text sic transit gloria mundi, under a banderole with the text Mors Ultima Linea Rerum. Amsterdam paper engraving opening of grave, exhumation. life versus death. Mortality, Extinction of Life

Portrait of Girolamo Barbarigo with the personifications of wisdom and martial art, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Girolamo (Hieronymus) Barbarigo, procurator of the Basilica of San Marco in Venice. On the back a knight on horseback. The pedestal is flanked by a Roman man in a gown with caduceus or snake meadow and a harnessed woman with a sword. They hold a wreath of bay leaves and a wreath of oak leaves above a stack of books and armor. It may be about the personifications of wisdom and martial art. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena). garland, wreath. book

Fountain of youth. A bathhouse with bathing men and women and, on the "roof terrace", ministers and musicing people. On the right the fountain of the youth, in which old and defective are immersed. They come out to emphasize. Right rear is a rejuvenated woman in a fire in which crutches and sticks burn. Three naked men around it. A jester, on the terrace, mock the whole.

New Year's wish for Archduke Matthias, 1580, 1579 - 1580 print New Year's wish for Archduke Matthias, of the provosts of Antwerp for the year 1580. Allegory with justice and peace that hugs each other, at their feet symbols of the war. On the left David with the head of Goliath, Judith on the right with the head of Holofernes. At the top in a cartouche a text of 6 lines in Latin, at the bottom 2 verses of 2 and 9 lines each in Dutch and French. Southern Netherlands paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. David with Goliath's head. Judith shows Holofernes' head to the people

Title print with a man and woman on either side of a coat of arms with festons, Anonymous, After Giulio Parigi, 1610 - 1668 print Paris paper etching / engraving

COËFIER de Ruzé, Marquis d'Effiat, Antoine.

Rectangular cartouche between two hermen, caught in rollerwork; Cartouches in a picture frame with grotesken, mascarons and garlands. From series of 17 sheets.

Cartoon on the peace negotiations with Spain, 1632, 1632 print Cartoon on the peace negotiations with Spain, 1632. Balzaal in which the European princes dance together. On the floor are olive branches and disputes, scattered through the peace and the envy that fly in the air. On the right the French King Louis XIII with the Dauphin, Prince Frederik Hendrik and the Swedish General Torstenson (Banier), on the left the Spanish King Philip IV, Emperor Ferdinand II, the Duke of Bavaria and the Cardinal-Infant Ferdinand of Austria. In the foreground, the dukes of Venice, Florence and Genoa and the Vorst Ragotzi on the left look left. Gustaaf II Adolf, King of Sweden, is dead under a rug. In the background on the right, an orchestra of Jesuits plays under the leadership of Pope Urbanus VIII. In the background, the English king Charles I and the count of Essex (Robert Deverux) Dance. The print includes a text magazine with a song in 28 couplets and the legend A-AA in Dutch. Northern Netherland

Title print of the series about the seven planets and the seven ages; September Planetae, Septem hominis; The seven planets and the seven ages. In an oval the Latin title, description and the publisher's address. On either side of the oval the four personnifications of the four temperaments and the symbols for the four elements. At the top right venus as sanguis, upper left Diana as phlegma, bottom left an older nun like melancolia and bottom right minerva as cholera. Between these allegorical figures four cartouches with the symbolic animals of the four elements: the chameleon stands for air, the dolphin for water, the mole for earth and the salamander for fire. The print is the title print of a series about the power of the seven planets about the seven ages of man.

Wandelaar, Jan, Noord-Nederland, Fabriek van Abraham van Wylick tot Amsterdam, Frame with Minerva and Mercury, verso lower left - stamped, Label of the fabric factory of Abraham van Wylick. Frame with an empty frame crowned with two coats of arms. On the left is Minerva looking up at a putto holding a woven drapery and a putto with a pair of scales in his hands. On the right is Mercury, at his feet a rooster (roosters pull his chariot). In the background on the left a putto flies with a ball of yarn in its arms., print, label, prints, height 164 mm, width 214 mm, Northern Netherlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1732 - 1732, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Vignette with image of Diana from Ephesus in a landscape. Poetry and an allegorical woman character with wings on the head decorate an image of Diana from Ephesus with garlands of flowers. The performance is caught in an ornamental frame. On the left the poetry. On the right painting, with whom a cloth is bound for the mouth. This refers to Horace 'Ut Pictura Pussis (poetry is like painting).

Titelprent Voor: The portraits of all the sovereigns, Princes and Dukes of Brabant, Richard Collin, After Joannes Meyssens, c. 1651 - C. 1660 print Title shield with the name of the press series worn by two lions. There are two putti on the shield, one with a laurel wreath, the other with a palm branch. The putti lean against the weapon of Brabant. Under the performance an assignment to Karel van den Bosch, in the middle his weapon and motto. paper engraving

Copper engraving and etching by Simon de Passe, 1628, titled 'Free Belgium,' depicting allegorical imagery connected to the idea of liberty and independence.

Five biblical scenes on a leaf. Top left a medallion with David and Jonathan shaking hands. Top right David and Nathan. In the center, the death of Absalom. Bottom left the judgment of Solomon. At the bottom right Job. This print is an illustration from 'Uitgezogte bijbelsche verhaalen, tot een leesboek voor de jeugd', sheet with five biblical scenes., print maker: Theodoor Koning, Jacobus van Meurs, publisher: Kuijper & van Vliet, Amsterdam, 1794, paper, etching, h 154 mm × w 90 mm

The Arminiaan Testament, 1618; t 'Arminiaens Testament. Detailed allegorical performance in which the Arminians are mocked. The print is an editing of an old Simon Frisius plate manufactured in 1609 on the occasion of the file. Central to the show is a tower with small scenes of the transactions of the Arminians in the cities of Utrecht, Leiden, Haarlem, Rotterdam, Gouda, Schoonhoven, Hoorn, Alkmaar and Kampen. The tower stands on the tower and personifications of envy, deception, slander, temptation and error. In the foreground, at the foot of the tower, the seven province layers are. Left and right towers of the Prince of Orange and the Dutch Lion. Fly and time fly in the air.

Ferdinand II, the Catholic, King of Aragon.

Allegory on the Peace of Nijmegen and other events in the year 1678, 1679 print Allegory on the Peace of Nijmegen and other events in the year 1678. In the middle, a small representation of the oath was carried by two fascinated prisoners and the weapons of Spain, France and the Republic. The main players are: Louis XIV, Karel II of England and William III for the temple of Janus on which portrait medallions of seven German princes. Below an open space intended for the Almanac of 1679. At the bottom of a few small scenes, including the Battle of Saint-Denis. Amsterdam paper etching signing of peace treaty, concluding the peace

Two performances on trace box: donation of the new weapon of Amsterdam, 1342; Addition of the Keizerskroon, 1489, 1723 - 1738 print Two performances on a penny box from 1655 that remember the donation of the new Wapen van Amsterdam in 1342 and the addition of the Keizerskroon in 1489 (NG-VG-1-41-A). The treasure box consisted of two round silver plaques that could be screwed on top of each other. Upstairs: Count Willem sitting on a throne, surrounded by courtiers and warriors, gives the new weapon to a group of citizens. Below that an inscription in Latin. Below: Keizer Maximilian standing in the midst of a group of courtiers and warriors places the Keizerskroon above the weapon that someone from the group of citizens tells him. Below that an inscription in Latin. Penning box in which the medal made by the city of Amsterdam on the Peace of Breda (NG-VG-1-1016) was awarded. Amsterdam paper etching / engraving memorial medal. coat of arms (as symbol of the state, etc.) (+ city; municipal

Frontispiece, from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe 1627 Jacques Callot French. Frontispiece, from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe. Le Combat a la Barrière. Jacques Callot (French, Nancy 1592-1635 Nancy). 1627. Etching and engraving; second state of three (Lieure). Prints

Goeree, Jan, Amsterdam, Baptist, Jacobus, Three wood nymphs and a young woman at a grave monument, On a plaque an image of three wood nymphs and a young woman at a tomb monument. On either side of it two caryatids and Ceres opposite a water goddess., print, prints, height 90 mm, width 212 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1693 - 1704, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), 1670-10-20 - 1731-01-04, intermediary draughtsman

Allegory of the Peace of Aachen concluded on 18 October 1748 between the Allies Republic, England and Austria and France, Prussia and Spain At the gate of the Dutch Garden stand the personifications of Peace and Bravery, in front of the Temple of Peace stands the State Administration with the Dutch Lion Outside the garden are the defeated vices such as Selfishness, Envy and Ignorance On the leaf below the plate a verse and the legend 1-38 in a three-column statement, Zinneprent op de Vrede van Aken, 1748 Tempel des Vreedens: To commemorate the long desired and blessed Peace: Happily, under the blessed Patronage of His Serene Highness, Willem Carel Hendrik Friso Signed and executed within Aachen, den 18 October, in the year 1748 , print maker: C. van Beughem, (mentioned on object), unknown, (mentioned on object), publisher: weduwe Jacobus van Egmont en Zoon, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1748, paper, engraving, h 595 mm × w 480 mm

In a mountain landscape, a man stands with a dog on the right and two cows lie. In the background left, two riders on horseback and architecture. Surrounding the scene is a frame with shell motifs and agricultural objects, Man with Dog and Cows in Mountain Landscape Figures in Landscapes 4 D Morceaux de Caprices a divers usages , print maker: Carl Albert von Lespilliez, François de Cuvilliés (Sr.), Keizerlijk hof, Germany, 1745, paper, etching, h 188 mm, w 242 mm

Panel with the victory in Roermond, 1702, 1702 print Panel with a performance of the victory in Liège on October 23 and 29, 1702. Part of the decorations on the scaffolding with the temple of Mars during the fireworks on the Hofvijver on December 13, 1702 in The Hague. The temple of Mars was decorated with eight panels with representations of victories of the Allies over France and Spain in the year 1702. Northern Netherlands paper etching capture of city (after the siege) Hofvijver. Liège

Parijs, Galle, Cornelis (II), Lepautre, Jean, Antwerpen, Ertinger, Franz, Vasi fatti al moderno, Jug with a lion as a handle, Paris, Antwerp, The jug has a foot in the form of two tied up slaves, the handle is formed by a lion standing on a console. Copy after a print in the series Vases à la moderne. Print is part of an album., print, ornamental print, album page, prints, height 217 mm, width 143 mm, 1640, print maker, printmaker, 1659 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

Klemens X., papa .

Copper engraving by Hendrick Goltzius from 1578 depicting construction or building on a rock, showing figures, architectural elements, and gestures.

Print, Decorations by Lebrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-60

Illustration at Canto XIII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto XIII from Tasso's 'Gerusalemme Liberata'. Night scene in a military camp with sleeping soldiers and horses. Other soldiers build a battle tower. In the background the burning Jerusalem. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche Jerusalem

Fortune Favoring France ca. 1635-37 Abraham Bosse French. Fortune Favoring France 387614

Venice, Rampazetto, Francesco, Oselli, Gaspare, Impresa of Isabella da Correggio, verso - stamped, An impresa of Isabella da Correggio, widow of Giberto da Sassuolo, with an image of two anchors and the motto His suffulta. Around scrollwork and medallions with a landscape, Lady Justice, a personification with two vases and a coat of arms flanked by two fantasy figures with horns and wings., print, engraving, ornamental print, book illustration, prints, ornamental prints, height 90 mm, width 112 mm, Italian, 1536, print maker, printmaker, 1566 - 1566, paper, engraving (printing process), letterpress printing, Publication (Event), Publication, publisher

Coat of arms of the Duke of Solms, Anonymous, After Michiel Le Blon, 1628 print Leaf numbered f.17. Frankfurt paper engraving

Allegory on North Africa and Malta, Carel Jacob de Huyser, After Willem Kok, 1786 print For a monument, with an image of Joris and the dragon, a harnessed man who is offered a robe by a kneeling man with the Maltese cross on it. Left front two donkeys and two sheep. At the rear left a ship and sea, with men tied to slave. Amsterdam paper etching / engraving military orders, e.g.: Knights Templars, Knights of Malta, Teutonic Knights ~ Roman Catholic church. slavery; serfs and the enslaved

Collection of Various Caprices and New Designs of Cartouches and Ornaments, 1646. Stefano Della Bella (Italian, 1610-1664). Etching;

. .

Louis A new book von allerhand Gold-Arbeit, Augsburg, Germany, The text is in two cartouches, covered with leaf tendrils, garlands and festoons. Title page from a series of 17 sheets., print, ornamental print, prints, ornamental prints, height 190 mm, width 278 mm, 1668 - 1726, print maker, printmaker, 1695 - 1695, fourth quarter 17th century, paper, engraving, engraving (printing process), Work conception, - 1703, after a design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

This woodcut and type print by Hans Suess von Kulmbach from around 1513 depicts the ship of St. Ursula, showing figures, sails, and the vessel.

Antwerp, Jode, Gerard de, Vos, Maerten de, Collaert, Adriaen, The seven planets and seven ages, Septem planetae, septem hominis, Title page of the series on the seven planets and the seven ages, verso lower right - stamped, In an oval the Latin title, description and the address of the publisher. On either side of the oval the four personifications of the four temperaments and the symbols for the four elements. Top right Venus as Sanguis, top left Diana as Phlegma, bottom left an elderly nun as Melancolia and bottom right Minerva as Cholera. Between these allegorical figures four cartouches with the symbolic animals of the four elements: the chameleon stands for air, the dolphin for water, the mole for earth and the salamander for fire. The print is the title print of a series about the power of the seven planets over the seven ages of man., print, title print, prints, height 288 mm, width 202 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1581 - 15

Wszyscy Święci w MNK

TitelPrent van de series of medical family, 1583 Cartouche with the title of the series: Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. Around the cartouche weaponry (armor, stab weapons, drums, guns and banners) and four prisoners, the hands on their back tied. At the top left and top right successively the weapon of Giovanni de 'Medici (nicknamed Dalle Bande Nere) and Cosimo I de' Medici. The last crowned and with the order of the Golden Fleece. The weapon directly above the cartouche refers to the Habsburg emperors. It is a double -headed eagle with the weapon of Austria on the chest. In addition, the Order of the Golden Fleece and the two columns of Hercules with the arms spell of Charles V: Plus Oultre. On the left in the margin with pen numbered 1. The print is part of an album. print maker: Antwerpafter drawing by: Florencepublisher: AntwerpAntwerp paper engraving Cartouche with the title of the series: Mediceae Familiae Rerum Feliciter Gestarum Victoriae et T

Fontein with assignment to and weapon of Giovanni Francesco Negroni, Anonymous, 1653 - 1691 In the middle a fountain with an assignment on and the coat of arms of Cardinal Giovanni Francesco Negroni. On the left in the foreground two figures that with a hammer and chisel a shield with a weapon. The print is part of an album. publisher: RomeRomeItaly paper etching / engraving In the middle a fountain with an assignment on and the coat of arms of Cardinal Giovanni Francesco Negroni. On the left in the foreground two figures that with a hammer and chisel a shield with a weapon. The print is part of an album. publisher: RomeRomeItaly paper etching / engraving

Illustration at Canto II of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). Clorinda in conversation with King Aladin. She recommends him to free Sophronia and Olindo, which is about to die on the stake. Italian rules by tasso in two columns in undermarge.

Recüeil de figures antiques, Pl. 1, page. Oppenord, Gilles-Marie, 1672-1742. Prints, Title pages. 1769. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Antiquities in art

Fortune Favoring France (La Fortune de la France) ca. 1635-37 Abraham Bosse French. Fortune Favoring France (La Fortune de la France) 390843

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Folkema, Jacob, Northern Netherlands, Sassen, Joost van, Bombario Actionist and the Spirit of Aesop, Satirien de Bain-Paillard et Susanne d'Amour Constant, Badboevius Luimlegger and Millionia of-niet, Miriplacia Ebenrecht Forlifacius Dappinsmusz, Augustus. Augustmonat, Two Dwarfs for the Month of August, 1720, Two Dwarfs for the Month of August (Harvest Month). A joker with a sleeping woman. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate for the month of August with two bathing dwarfs and dogs. Part of part III (a series of the twelve months) in the second Dutch bound edition of 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel, partly copied after an older German example., print, caricature, books, Frederik Muller Historieplaten, height 165 mm, width 110 mm, height 265 mm, width 175 mm, 1755, pri

Amsterdam, Passe, Crispijn van de (II), Les abus du mariage, misbruyck des houlycx, Allegory of marriage deception, Allegorical title print. The personifications of bought love (with money box) and deception (with mask) stand to the left and right of a pedestal on which Amor sits on a bull's horn. Grapevines hang over the pedestal. On the front are symbols that refer to adultery: full money bags, drink, gifts such as a ring and a lace collar (referring to the female sex). The print is part of an album., title page, album page, prints, height 99 mm, width 147 mm, 1597 - 1670-01-06, print maker, printmaker, 1641 - 1641, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Amsterdam, Verschuere, Denijs, Savery, Salomon, Frame with scenes from the Old and New Testament, verso - stamped, print, prints, height 287 mm, width 178 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Bookplate of Aleksander Lubomirski. Wachsmuth, Michael (fl. 1760-1770), graphic artist

Disagreements within the church, Hendrick Goltzius, 1578 print Allegories with a central representation of a church interior where various Biblical figures tackle each other with a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. In the margin at the bottom three Bible texts in Latin. print maker: Haarlempublisher: Antwerp paper engraving fighting

Title print with two lions and two men who are half into a tree; Scenes from the life of Pope Leo X. Title print with two lions and two men who are half to tree. In the middle above the coat of arms of Pope Leo X. In the middle of a frame with text in Latin.

Sacrificial ceremony (top); two snakes on the grass eating eggs and fruit from a round altar decorated with bas-relief figurines (bottom), Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 13, 1757-1787, Naples.

Allegory on the recovery of true religion in England with the arrival of the Prince of Orange, 1688. Allegory on the recovery of true religion in England with the arrival of the Prince of Orange, 1688. Allegory in which a Roman general, Willem III , accompanied by the Dutch lion, a sealed Bible hands over to the English Virgin, leaving her lord in bed. The English Lord and citizen kneel at the foot end. In the air the angel of the revenge of God with lightning bolts and trumpet and the throne truth. In the foreground two women's figures seated on either side of a Frisian with a show of Hercules crowned. Mirror-image counterprint.

Rome, Panzera, Battista, Italy, Tempesta, Antonio, XII caesares in equestri, The first twelve Roman emperors on horseback, Title print with cartouche with two winged figures, coats of arms and weaponry, print, title print, prints, height 303 mm, width 229 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1596 - 1596, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Expression creation

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