Allegorical Imagery

A series of prints illustrating allegories related to arts and philosophies, featuring figures like Rhetorica and Apollo in classical settings, rich in detail and narrative depth.

Pilate washes his hands in innocence, Jan Luyken, Wilhelmus Goeree (I), 1690

Rhetorica sits on a chair and listens to the speech of a young man sitting behind her. An older man is looking over the young man's shoulder at his concept. Through the window you can see the plaza in front of the building where a grandstand is being built. Rhetoric holds a caduceus in her hand., Rhetoric (Eloquence) The Seven Liberal Arts (series title), print maker: Cornelis Cort, Frans Floris (I), (mentioned on object), publisher: Hieronymus Cock, Antwerp, 1565, paper, engraving, h 252 mm × w 282 mm

Drawing by Friedrich Philipp Reinhold circa 1810 showing a biblical scene referred to as the question of the largest in the kingdom of heaven, executed in black-gray ink, brown laved, with white brush highlights on brownish-primed paper.

Allegory with Apollo, Muses and artists in amphitheater. Allegory with Apollo and his muses are seated between artists in amphitheater where a show is going on.

Raguel's Reception of Tobias at Ecbatana. Artist: Pieter Aertsen (Netherlandish, Amsterdam 1507/8-1575 Amsterdam). Dimensions: 7 1/8 x 13 3/8 in. (18.1 x 33.9 cm). Former Attribution: Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Date: 1520-75. Museum: Metropolitan Museum of Art, New York, USA.

Victory creates the coat of arms of Scipione Borghese, Francesco Villamena, c. 1576 - 1624 print A personification of the victory (Victoria) creates the coat of arms of Scipione Borghese. On the right is the Roman emperor Trajanus and in the background the column of Trajanus in Rome. Italy paper engraving Armorial Bearing, Heraldry. 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa) Column of Trajanus

Decapitation of two kings by order of a Roman emperor Debellare Superbos (title on object) Fundamental principle of Roman politics (series title), From his throne, a Roman emperor orders an executioner to behead a blindfolded king. The head of the second king is already chopped down on the ground. In addition to the emperor, a begging man is stopped by a number of soldiers. This print illustrates the second part of the fundamental principle of Roman politics, as incorporated by Vergilius: 'Parcere subiectis, sed debellare superbos' (Vergilius, Aenei 6 853). According to this principle, the subjects would be spared, but those who persisted in resisting were destroyed. Pendant of a print on the first part of this maxim., Violent death by beheading, emperor, Gerard de Lairesse (mentioned on object), Amsterdam, 1670, paper, etching, h 314 mm × w 209 mm

Pilate washes his hands in innocence, Jan Luyken, Wilhelmus Goeree (I), 1690

Women in a classic robe meet, Anonymous, 1680 - 1750 print Women in a classic robe meet. In the background a fight that one of the women points to. A man hides his face in a woman's lap. paper etching / engraving female persons from classical history

The Nativity 16th century Parmigianino (Girolamo Francesco Maria Mazzola) Italian. The Nativity 391580

Faam flies about the personnemes of trade, abundance and sea shipping. Faam flies over a harbor and blows on the praise. At the Havenkade the personification is abundance with the Cornucopia in hand. In addition to abundance, Mercury, God of Trade, and the Personalization of Seaver, with a globe and a sailing ship as attributes.

Visit of the Queen of Seba, Philippe Lambert Joseph Spruyt, after Peter Paul Rubens, 1747 - 1801 print The queen of Seba kneels for King Solomon. Behind her are her servants with gifts for Solomon. Ghent paper etching Solomon and the queen of Sheba (1 Kings 10:1-3; 2 Chronicles 9:1-9)

Zaire / tragedy unknown

Tenth Day, Ninth Story: Saladin Bestows Rich Gifts on the Sleeping Torello. Dated: c. 1757. Dimensions: overall (to outer framing line): 11.3 x 5.7 cm (4 7/16 x 2 1/4 in.). Medium: pen and black ink with brown wash over touches of red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert François Gravelot.

Allegorial Composition with the Coat of Arms of Cardinal Richelieu and Charity. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 15 15/16 in. × 20 in. (40.5 × 50.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Venus, Mars, Mercury and Amor on a terrace, Anonymous, After François Perrier, 1680 - 1720 print France paper etching / engraving (story of) Mercury (Hermes). (story of) Venus (Aphrodite). (story of) Mars (Ares). (story of) Cupid, Amor (Eros). terrace

Old man and a courtesane, agostino Carracci, c. 1590 - c. 1595 print A young woman is half on a four -poster bed and ways an old man. This touches in its hefty money pouch. Amor stands on the bed and breaks his bow in half. There is a dog in front of the bed. In the lower margin a rebus that reads 'Ogni Cosa Vince l'Oro' (everything wins gold). Italy paper engraving courtesan, hetaera. old man. rebus

The Banquet of Alexander 1540-50 Domenico del Barbiere Italian. The Banquet of Alexander 368798

Child murder in Bethlehem. Desperate mothers try to protect their children against the soldiers of Herod. Buildings in the background. Above two putti with woods palm branches on clouds.

Lucretia instructing her daughters in needlework from Giovanni Ostaus's, La vera perfettione del disegno di varie sorte di recami (Venice, 1557). Artist: Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Dimensions: Sheet: 3 11/16 × 5 9/16 in. (9.3 × 14.2 cm). Published in: Venice. Date: 1557.An argument among the generals of the Roman tyrant Tarquin about whose wife was the most chaste resulted in a surprise visit to Rome, where the men discovered that their women were up to no good. Only the beautiful Lucretia, wife of Collatinus, was found virtuously engaged in needlework. In the background of this woodcut, we see Collatinus with the king's son, who conceived a passion for Lucretia that led to her rape and subsequent suicide. When her kinsmen, seeking vengeance, drove Tarquin from Rome, the Roman republic was founded. Giuseppe Salviati painted a fresco of the same subject on the façade of the Palazzo Loredan in Ven

Italy, Veronese, Paolo, Presentation of Christ in the Temple (left part), verso - stamped, In a temple, Mary kneels with the Christ Child in her arms. Mary is surrounded by several figures, including Joseph and the high priest Simeon. In front of Mary is an altar, carried by putti, and a man with a large book. Behind Mary stands a woman with two doves., print, prints, height 430 mm, width 504 mm, print maker, printmaker, 1538 - 1538, paper, papier, etching, etchings, plate tone, Italian, 1528 - 1588-04-19

The lost son wastes his legacy; Parable of the lost son. The lost son wastes his legacy in a brothel. Seven women surrounded him, make music for him and bring it to eat and drink. On the right is to see the window how the lost son arrives, left is to see how Him, after the money is up, the door is pointed out.

Les martyrs…. Artist: Etienne Picart, French, 1632-1721

Frisian with putti making wine and sacrifice to priapas. .

Connection Coring. .

Judgement of Count William III the Good about the bailiff of South Holland, draughtsman: Anthonie Blocklandt, c. 1572 - c. 1583, paper, pen, brush, h 190 mm × w 289 mm

Abraham Bosse after Claude Vignon, Illustration to Jean Desmarets' L'Ariane, published 1639 Illustration to Jean Desmarets' L'Ariane

The Garden of Love (right block). Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Christoffel Jegher (Flemish, 1596-1652/53). Dimensions: Sheet: 18 1/8 x 21 1/16 in. (46 x 53.5 cm)Mount: 22 x 28 in. (55.9 x 71.1 cm). Date: 1630s.Having realized the potential profits to be made from reproductive prints of his work, Rubens began to engage printmakers from 1619 onward. In the early 1630s, he turned to woodcuts in close collaboration with Christoffel Jegher. Indeed, Jegher's place in art history as the most important woodcutter of his time rests exclusively on the nine large single-page woodcuts that resulted from this collaboration.The Garden of Love is a variation of a picture by Rubens from the 1630s (Museo del Prado, Madrid). Two drawings by Rubens (finished by Jegher; see 58.96.1,.2) served as models. The woodcuts reproduce these drawings in reverse. The drawings, and consequently the prints, transform the composition of the painting into a frieze, most notably by

Copper engraving by Hendrick Goltzius depicting Tarquin assaulting Lucretia, created between 1580 and 1617, showing dramatic and expressive figures.

Esopus in Europe: Europe in mourning; Europe in mourning; Esopus in Europe. Europe mourns under a large sheet to the death of Willem III that takes off in the background to heaven. Title is on separate text sheet.

Alexander the Great Let the works of Homer safe store.

Jozef is familiar with his brothers, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Joseph reveals his identity and in tears forgives his brothers' past misdeed

Josef I., Roman-German Kaiser.

Allegorical composition celebrating the Humanities 1695 Sir Nicolas Dorigny French. Allegorical composition celebrating the Humanities 400385

The Adoration of the Magi 1540-50 Attributed to Niccolò Vicentino Italian. The Adoration of the Magi. Attributed to Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from three blocks in green-brown. Prints

Charles Louis Lingée after Jean Honoré Fragonard, Le paysan Le paysan

Diana and her nymphs return from the hunt, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Diana and her nymphs return from hunting with their loot and hunting dogs. Saters welcome them with baskets full of fruit. Under the show is a rule of Latin. paper engraving Diana hunting with her nymphs. satyr(s) (in general)

Painting is brought to perfection by father Time, Louis Fabritius Dubourg, 1713 - 1775 print A young man with pallet and brushes, the personification of painting, is led by father time and a woman with helmet and a hand on a stick to the personification of perfection. The perfection is on a throne and draws a perfect circle on a piece of paper with a passer. Amsterdam paper etching Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). Father Time, man with wings and scythe. painting (including book-illumination, miniature-painting). Perfection, Completeness; 'Perfettione', 'Operatione perfetta' (Ripa)

Susanna and the elders, Antonie Wierix (II), After Maerten de Vos, 1579 - Before 1611 print Susanna is touched by two elders when bathing in a fountain. She tries to ward off them. Her two servants walk in the background in the garden through a gallery. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving the elders making advances towards Susanna

Nieuweveen, Jacobus van, Luyken, Jan, Amsterdam, Traagheid slapendnaast de duivel, verso midden onder - stamped, The personification Traagheid, with donkey ears, lies sleeping near a poppy flower. The devil lies next to him. In the background a ruin and some young men pointing at the devil., print, engraving, book illustration, prints, height 92 mm, width 80 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1699 - 1699, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, printer, drukker, bookseller

Alexander and the Book of Homer, Etienne Delaune, French, 1519 - 1583, Engraving on paper, France, 1560, figures, Print, Print

Antwerp, Vrints, Johannes Baptista (I), Monogrammist AB (late 16th century; writer), Vos, Maerten de, Wierix, Antonie (II), Susanna and the Elders, verso center bottom - handwritten in brown ink, Susanna is groped by two elders while bathing in a fountain. She tries to fend them off. Her two servants walk through a gallery in the garden in the background. In the margin a four-line caption, in two columns, in Latin., print, prints, verso lower left - stamped, 38 - 6, height 273 mm, width 199 mm, South Netherlands, 1559 - 1604-03, print maker, printmaker, 1579 - 1611, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, writer, Publication (Event), Publication, 1555 - 1610, publisher

Etcher: Johannes Episcopiues, 1646-1686, After: Annibale Carracci, Italian, 1560-1609, Christ and the Woman ofSamaria, Etching, Sheet: 41.116 × 34.29 cm (16 3/16 × 131/2in.), 17thcentury, Works on Paper -Prints

Apollo en De Muzen, Anonymous, 1600 - 1700 print Apollo plays De Lier on Mount Parnassus. He is surrounded by the muses. Possibly a title page. Netherlands paper etching / engraving Apollo and the Muses, Apollo Musagetes

Offer van Polyxena, Antoine Sallaert (attributed to), 1600 - 1658 drawing Polyxena is sacrificed by Neoptolemeus on the Achilles tomb. Design for a print. paper. chalk brush Polyxena is sacrificed by Neoptolemus on Achilles' tomb

Etching by Pietro Aquila from 1675 depicting Solomon's judgment, showing Solomon with figures, gestures, and expressions in a courtroom or hall.

Eteocles and Polynories, admonished by their mother Jocaste to Peace, Pieter Franciscus Martenasie, After Andries Lens, 1774 print Jocaste, spread with the arms, accompanied by her daughters Antigone and Ismene, begs Eteocles and Polynories for peace. On the right Polynes with a helmet on and a spear in the right hand. Left Eteocles. Antwerp paper etching / engraving prelude to the war against Thebes

Hyrkanus cut off the ears in prison, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing prison, jail. violent death by removal of parts of the body by cutting, sawing, tearing - EE - death not certain; wounded person

Title page for: Samuel Pitiscus, Lexicon Latino-Belgicum novum, sa, Allegorical representation with personifications of the Netherlands and the Roman Empire and a portrait of Minerva, verso - stamped, The personification of the Netherlands with a bundle of arrows and a lion and the personification of the Roman Empire with an eagle, a globe and the image of the she-wolf with Romulus and Remus, hold up a portrait of Minerva in a laurel wreath. A merman falls at their feet. On the wall behind them portraits in medallions of figures from antiquity and contemporary times., print, engraving, title page, prints, etchings, height 186 mm, width 142 mm, print maker, printmaker, 1725 - 1754, third quarter 17th century, paper, engraving (printing process)

History writes in her book about the true history of the French monarchy. She trambles the allegorical figures of the beautiful things and satire, which lie on her feet. In addition to her state truth. On the other side of the table, the female personnifications of medal art, chronology and genealogy. In the air crown Providence) The portrait of Louis XV that is worn by fame. Amor holds the portrait of the infant Marianne Victoria from Bourbon, the then fiancé of the king, in the hands. In the foreground a putto that signs the map of France. The company is located in the memory temple that is decorated with the statues of French princes. In the margin the title and a six-line caption in French.

Lazio Viterbo Bolsena Palazzo del Drago81. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Presentation of the head of John the Baptist to Salome. In an oval list: De Beul presents the head of John the Baptist to Salome, which holds a dish. To a painting by Adam Elsheimer.

Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . ., And Johann G. Facius, 1750-after 1802, German, after Henry Tresham, 1751-1814, British, George Siegmund Facius, 1750-1804, 1803, Engraving, Sheet: 17 5/8 x 23 3/8in. (44.8 x 59.4cm)

. The Personalization Procedure (LIS), a man with a wolves head, a Hellemond as abdomen and screws as legs, is accompanied by the Personifies Poor View (Opinio Mala) and Legacy (Testamentum). They follow Blind desire (Cupid Caeca) who blinded through a money bag over his head. Behind process formation Hiking Mijn and Dijn's Personifications. The print has three captions (two in Latin and one in Dutch) and is part of an eight-language series about the abuses in process.

Illustration for Boccaccio decamerone. Illustration for the Boccaccio decamerone, history xxxvii. Silvestra and her husband discover the died Jeronimus in their bed.

Amsterdam, Luyken, Caspar, Esau sells his birthright to Jacob, verso - manuscript in brown ink, print, prints, verso - stamped, 28, height 114 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Engraver: Giovanni Jacopo Caraglio, Italian, ca. 1505-1565, After: Parmigianino, Italian, 1503-1540, The Martyrdom of Saint Paul and Condemnation of SaintPeter, ca.1525-27, Engraving, image: 25.7 × 44.8 cm (10 1/8 × 17 5/8in.), Italian, 16thcentury, Works on Paper -Prints

Martyrdom of Saint Emerentiana. Red chalk drawing.

Tiran Phalararis gives the order to burn Perillus in the Bronze Bull, Jan Snellinck (I), Chrispijn van den Broeck (Rejected Attribution), c. 1575 - c. 1580 drawing Design for a print. paper. ink pen / brush death of Perillus: he is thrown into a heated bronze bull by order of Phalaris. (story of) Phalaris, tyrant of Agrigentum

The rape of the Sabine women. Etching by G.B. Galestruzzi after Polidoro da Caravaggio.

Amsterdam, Visscher, Claes Jansz. (II), Coignet, Gillis (I), Collaert, Hans (I), Theatrum biblicum, History of Susanna, Susanna and the Elders, verso - stamped, Susanna, who sits on the edge of a basin to bathe, is bothered by the two elders. Below the representation a reference in Latin to the Bible text in Dan. 13:19. Marked top left: aaa., print, prent, prints, prenten, height 202 mm, width 262 mm, Zuid-Nederlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1542-09 - 1599-12-27, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher

Visitation (copy in reverse) Joseph Wagner. Visitation (copy in reverse) 400382

Weigel, Christoph, Amsterdam, Luyken, Jan, Parable of the rich man and the poor Lazarus, verso - stamped, print, prints, height 250 mm, width 200 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Vatican City, Gregory XIII, Campi, Giulio, Rome, Mantuana, Diana, Christ at the House of Simon the Pharisee, verso - stamped, Christ is seated at the table in the house of Simon the Pharisee. Mary Magdalene kneels at his feet as she anoints them. Several other figures are seated around the table. Two-line Latin text in the lower margin., print, prent, prints, engravings, height 279 mm, width 210 mm, Italian, 1547 - 1612, print maker, printmaker, 1576 - 1576, paper, papier, engraving, engraving (printing process), Work conception, 1502 - 1572, after a design by, 1502-01 - 1585-04-10, granter of privilege

Jan Muller, after Abraham Bloemaert, The Raising of Lazarus, c1600 The Raising of Lazarus

Print, Alexander and the Book of Homer; Print Maker: Etienne Delaune (French, 1519 - 1583); France; engraving on paper; 8.4 x 13 cm (3 5/16 x 5 1/8 in.); 1896-31-4

Coronation with laurel wreath, A man with a text on his lap is crowned with a laurel wreath. Around him stand and sit men, some of whom wear frygic hats. In the front left is a Roman soldier. To the right is a Roman soldier who listens to the one on his right. In the background a fortress, crowning with laurel, Phrygian bonnet, Abraham Jacobsz. Hulk (mentioned on object), Paris, 1806, paper, engraving, h 163 mm × w 107 mm

Saint Andrew kneeling in prayer as he is led to the cross, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Carlo Cesi (Italian, Antrodoco ca. 1622-1682 Rieti). Dimensions: Sheet (Trimmed): 11 7/8 × 17 1/4 in. (30.1 × 43.8 cm). Publisher: Arnold van Westerhout (Flemish, Antwerp 1651-1725 Rome). Date: 1650-80.After a fresco by Reni in the church of San Gregorio Magno in Rome. Museum: Metropolitan Museum of Art, New York, USA.

Fabius Maximus Before the Carthaginensis Senate Made 1763-1764 France. Etching on cream laid paper . Jean Honoré Fragonard

Amsterdam, Picart, Bernard, Thetis presents Achilles with his new armour, verso lower left - stamped, Thetis brings her son Achilles his new armour, which Vulcan made for him at her request. Now he can avenge the death of his friend Patroclus. In the margin a caption in French., print, book illustration, prints, height 186 mm, width 123 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Psyche's father consulting the oracle, from 'The Fable of Psyche' 1530-60 Master of the Die Italian. Psyche's father consulting the oracle, from 'The Fable of Psyche' 396184

Hercules driving off the cattle of Geryon, at the right are the nymphs of Hesperides 1531-76 Giulio Bonasone Italian. Hercules driving off the cattle of Geryon, at the right are the nymphs of Hesperides 392923

. The Spirit of Gustaaf II Adolf appears with burning torch at the Bed of Johan Georg I, Keurvorst van Saxes. Allegory on the Prague Convention, the peace closed on May 30, 1635 between the Protestant princes, including the Keurvorst of Saxony, and the Emperor Ferdinand II. To the bed and sitting on the foreground with a book The two Keurvorst Raadsheels Dr. Turing and Dr. Hoy. On the floor a print of the last Swedish victory at Havelsberg (7-11 December 1635).

Soldiers and peasants, sitting and fighting near a table ca. 1635-79 Frans van den Wyngaerde. Soldiers and peasants, sitting and fighting near a table. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). ca. 1635-79. Etching and engraving. Prints

Louis Lafitte drawing of Marcus Atilius Regulus returning to Carthage against the wishes of his family and friends, executed in black chalk with white heightening around 1791.

The birth of Saint John the Baptist set within a classical building. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 11 1/4 x 17 3/8 in. (28.5 x 44.2 cm). Publisher: Antonio Salamanca (Salamanca 1478-1562 Rome). Date: ca 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Samson and Delila. Design for a print.

Hubert François Gravelot drawing depicting Julius Caesar, executed in black pen with brown wash, circa 1740-1744.

Louis XIV (King of France), Paris, Comte, Florent le, Dumesnil, Louis-Michel, Picart, Bernard, Title page for: F. Le Comte, Cabinet des singularitez d'architecture, peinture, sculpture, et engraving, 1699-1700, Allegorical representation with personifications of the arts, verso lower left - stamped, Painting sits at an easel and holds a palette in her hand. She looks up at Architecture, who leans on a ruler, and Sculpture, holding an antique bust in her hand. In the foreground at a table Engraving holding a burin. In the margin a caption from Virgil's Aeneas in Latin., print, title page, prints, height 146 mm, width 87 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1699 - 1700, fourth quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), 1680 - 1746, after, after a painting by, Publication (Event), Publication, French, 1655 - 1712, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Augustus and the TiburtineSibyl. Woodcutter: Unknown Woodcutter formerly attributed to: Niccolò Vicentino, Italian, active 1540-50 After: Antonio da Trento, Italian, 1508-1550 After: Parmigianino, Italian, 1503-1540

Fame, eternity and writing art; Title page for Louis Moréri, Le Grand Dictionary historique, 1731. In the middle Three Winged Personifications: Faam is in the foreground and signs a map. She looks at a medallion chain with portraits of princes; In one hand, eternity bears a medallet chain with portraits and in the other hand the sign of infinity, the OUROBOROS ring. On the left is writing art. She writes everything in a big book on which the title of the book work. Around them important figures in history, such as popes and kings. In the background the winged time with a zeis.

Antwerp, Cock, Hieronymus, Jode, Gerard de, Heemskerck, Maarten van, Haarlem, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Ahab, Jezebel and Naboth, Naboth is falsely accused of blasphemy and lèse-majesté, A crowd has gathered on a square in front of a building. On the gallery of the building a judge stands next to a man who is reading out an indictment. Naboth is falsely accused of blasphemy and lèse-majesté. Below the image is a verse in Latin. The print is part of an album., print, prent, albumblad, prints, enten, height 201 mm, width 247 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1559 - 1563, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1509 - 1591-02-05, publisher, Southern Netherlan

Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries 1650-70 Pietro Santi Bartoli Italian This series consists of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. The series is dedicated to Niccolò Simonelli.. Christ speaking with Saint Peter, who kneels before him in adoration and with his hands joined in prayer, while the Apostles draw up their nets behind him, after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. Series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1650-7

French Virgin Being the disaster of France; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Tableau Vivant with the animal of France's disaster by De' Medici proposed, French virgin to the left. The Globe of the French Empire is split and secured by discrimination and envy. Peace, with olive branch, and justice are crushed right. Venus raises her hands. Presentation used in the water theater on the Rokin. Plate 9 of the illustrations in the description of the festivities around Maria de 'Medici to Amsterdam from 31 August to 5 September 1638.

. Portrait of Philip II, Duke of Orleans, for a palm tree. The portrait is surrounded by Apollo, Minerva and a muse, with a winch in hand. At the foreground attributes that symbolize the arts and science and a putto writing the name of the duke on a shield. Pegasus flies in the background. In the context of a six-line caption in French.

Wszyscy Święci w MNK Campana, Pietro (1725 Post 1779), Stern, Lodovico (1709 1777)

Jason swearing fidelity to Medea still image. Art reproductions. 1896. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Jason (Greek mythology), Courtship, Gardens, Mythology, Greek, Medea (Greek mythology), Drapers Company (London, England)

Hendricx, Gilles, Rubens, Peter Paul, Antwerp, Jode, Pieter de (II), Regimen, Allegorical representation with Earth and Justice, verso lower left - stamped, Allegorical representation with the personification of the Earth, sitting on a throne. On her head a castle, in her right hand a scepter with which she leans on a globe. She is crowned by a woman and a putto with a laurel wreath. Next to her stands the personification of Justice with a pair of scales and a sword, with her left foot she tramples a snake., print, prints, height 271 mm, width 200 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1628 - 1670, paper, papier, engraving, engraving (printing process), etching, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher

Laban Searching for his Household Gods. Gabriel Jacques de Saint-Aubin; French, 1724-1780. Date: 1753. Dimensions: 152 × 227 mm (image); 180 × 240 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Street Seller with Slangen, Diana Mantuana, After Giulio Romano, c. 1557 - c. 1612 print On an elevation is a man with snakes around his neck and arms. In front of him there are spectators to whom a antidote is sold. Italy paper engraving snakes. selling

Allegory with expulsion of envy and discord. Only the foreground and discord are driven by a sater; In the background an old man with beard, flanked by wisdom and caution, with a sieve in which the globe. On the left in the background three allegorical figures. Design for a print.

Martyrdom of Saint Bartholomeus, Jean Couvay, After Nicolas Poussin, 1632 - 1675 print print maker: Franceafter painting by: Romepublisher: FranceFranceFranceRome paper engraving Bartholomew flayed alive

Pilate washes his hands in innocence.

Soldiers outside a city, Jacques Bellange, 1602 - 1616 print A group of four soldiers, one of whom saw. In the landscape behind two walking women and a city. France paper engraving / etching the soldier; the soldier's life

Pierre Mignard allegorical drawing of the death of an artist, executed in red chalk, brown pen, brown wash, and white heightening around 1649-1650.

Cleopatra en Augustus, Albertus Clouwet, After Pietro da Cortona, 1646 - 1679 print The print depicts a fresco that states in the Pallazo Pitti: the meeting between Cleopatra and Augustus, after the Battle of Actium and the death of Antonius. Cleopatra kneels his feet for August and with her arms spread out she begs to save her. Augustus continues to stare at the ground, following the historical description of this event by the Roman historian DIO. The print has a Latin caption. print maker: Romeafter painting by: Florencepublisher: Rome paper engraving Cleopatra before the victorious Augustus; she possibly gives him a list of her treasures

Antwerp, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Dinae Jacobi filiae, History of Dina and Shechem, Chamor and Shechem ask Jacob for Dina's hand, Shechem and his father Chamor come to Jacob and ask him to marry his daughter Dina to Shechem. Jacob sits in his tent surrounded by his wife and twelve sons. Jacob's sons stipulate that Shechem and his people must be circumcised, because they only want to marry their women to circumcised men. At the bottom in the margin a reference in Latin to the Bible text in Gen. 34. Print is part of an album., print, prent, albumblad, prints, enten, height 200 mm, width 249 mm, Dutch, 1540 - 1617-10-07, print maker, prentmaker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands,

Sophonisba Receiving the Poisoned Cup Artist's working dates 1603-1633 Holland. Etching on paper . Pieter Lastman

Sadeler, Raphael (I), Aachen, Hans von, Frankfurt, Cologne, Judgement of Paris, verso under - stamped, The shepherd Paris in the foreground. He has to judge the three most beautiful goddesses of Olympus on their beauty: Juno (right, with the peacock), Minerva (left, with shield, helmet and lance) and Venus (accompanied by Amor). He gives the golden apple to Venus. Mercury stands next to Paris. In the background some river gods. In the air two putti., print, prints, height 275 mm, width 377 mm, South Netherlandish, 1560, print maker, printmaker, 1589 - 1589, paper, papier, engraving, engraving (printing process), Work conception, German, 1552 - 1616-01-06, after a design by, Publication (Event), Publication, publisher

Haarlem, Galle, Philips, Six famous women from the Old Testament, Solomon's idolatry, verso - stamped, Solomon honored, deceived by his beloved, an image of an idol. In a palace he kneels before the statue of a pagan deity., print, prints, diameter 240 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Samson and Delila. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

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