Allegorical Prints

Intricate prints featuring mythological and allegorical themes, illustrating concepts like eloquence and nobility with rich details.

The holy water basin is supported by three putti and six cherubs. The backplate is formed by an oval medallion, held by two angels, depicting Christ on the cross, Water Basin Varie inventioni di vasi da acqua benedetta fatti al moderno (series title), print maker: Franz Ertinger, Jean Lepautre, Jean Lepautre, Antwerp, c. 1677 - c. 1692, paper, etching, h 223 mm × w 149 mm

Title vignette with Orpheus who lures wild animals with his winch, François van Bleyswijck, 1681 - 1746 print Title vignette with Orpheus who lures wild animals with his winch, in frame with leaf ornaments and two figures who hold a banderol with the words fugant Carmina Ouras. Leiden paper etching Orpheus playing the lyre: trees and rocks move, beasts and birds are enchanted

Coat of arms of King Louis XIV van France, Bernard Picart (workshop of), After Bernard Picart, 1717 print The coat of arms of Louis XIV, King of France, with in the middle of the order of the Order of the Holy Spirit, is crowned by Putti. In the background bookshelves. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). study; 'studiolo'; library. cupids: 'amores', 'amoretti', 'putti'

Title Vignet with orpheus who lures wild animals with his winch. Title VIGNET with orpheus who lures wild animals with his winch, in frame with leaf ornaments and two figures that hold a banderole with the words Fugan Carmina Ouras.

TITELBLAD: The cabinets, Anonymous, After Jean Lepautre, c. 1680 - C. 1700 print Cabinet with variant for the right half. In the middle an oval medallion with Perseus and Andromeda, at the bottom of Neptune in his chariot with two seahorses with putti on the left and right. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching

Allegory of eloquence, Bernard Picart, 1720 print Allegorical representation with poetry in the middle in a dress -embroidered dress, a horn of abundance in hand, as a reference to the fertile ideas that she expresses. She receives flowers from Mercury (eloquence), Apollo (poetry) and faith and wisdom. In the foreground putti who learn to speak and read. In the margin a six -line caption in French. Amsterdam paper etching / engraving Eloquence; 'Eloquenza', 'Fermezza & Gravití dell'Oratione' (Ripa) (+ symbolical representation of concept). Hermes Logios, Mercury as god of eloquence. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). wisdom, 'Sapientia' ~ one of the seven gifts of the soul. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues

Elisabeth Christine, Princess of Braunschweig-Wolfenbüttel.

Thetis receives weapons for Achilles, Franz Ertinger, after Peter Paul Rubens, 1679 print Vulcanus presents Thetis, the mother of Achilles, a shield for her son. Achilles stands between his mother's arms. In the background, two men are forging weapons, and other parts of the armor are brought. In the foreground an Atalant and Caryatide and attributes of a blacksmith. Antwerp paper etching (story of) Vulcan (Hephaestus)

The holy water basin is supported by three putti and six cherubs. The backplate is formed by an oval medallion, held by two angels, depicting Christ on the cross, Water Basin Varie inventioni di vasi da acqua benedetta fatti al moderno (series title), print maker: Franz Ertinger, Jean Lepautre, Jean Lepautre, Antwerp, c. 1677 - c. 1692, paper, etching, h 223 mm × w 149 mm

Weapon trophy on Standard, Anonymous, After Jean Lepautre, c. 1657 - c. 1670 print In the middle there is a cartouche with a emperor's bust in a medallion. From series of 6 magazines. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

The Royal Majesty, before 1561. Jean Duvet (French, 1485-1561). Engraving;

Camee with the glorification of Germanicus, Paulus Pontius (attributed to), after Peter Paul Rubens, 1616 - 1657 print A cameee (Gemma Tiberiana) with a representation of the glorification of Germanicus. Emperor Tiberius and his mother Livia are sitting on a throne. The Roman general Germanicus says goodbye to them. Above them the bodies of the deceased rise to heaven. Among them a group of barbarians who were imprisoned by the Romans. Antwerp paper engraving lapidary. brooch, agraffe, clasp. precious and semiprecious stones. (story of) Germanicus (+ ideal or heroic representation)

. Exuberantly decorated frame with an empty cartouche. The cartouche has been awarded the pendant of the order of the golden fleece.

Afrika, Philips Galle (attributed to workshop of), after Marcus Gheeraerts (I), 1547 - 1622 print The personification of Africa, standing on a pedestal surrounded by ornamental decorations. She has a Takekebos in her hands and is flanked by an elephant and a lion. Above her a chameleon and two Africans. At the bottom of the print two sea monsters. The print is part of a series over the four continents. print maker: Antwerpafter design by: Brugespublisher: Antwerp paper engraving Africa represented allegorically; 'Africa' (Ripa). ornament ~ arabesque

Flat decoration with the hearing; Persons of the five senses surrounded by grotesken with animals and fruits. A woman with a string instrument between two deer. Shaded background. From series consisting of a title page and 5 sheets with flat decorations.

The image of Faith is framed in an ornamental frame with floral motifs and two lions, Faith with cross and lion, print maker: Caspar Luyken, publisher: Jacob Lindenberg, Amsterdam, 1705, paper, etching, h 112 mm × w 147 mm

Copper engraving by Sebald Beham depicting a centaur frieze, showing mythological figures, ornamentation, and 16th-century German decorative style.

Allegorical figures around portrait of Julius Caesar, 1737 print In the middle a portrait medallion of Julius Caesar on a pedestal. On the left is an acclaimed angel with laurel wreath and palm branch in hand and a shield and helmet at her feet. Behind it are a woman who scatters coins and a crowned woman with a pyramid and a crown in her hand. On the right is an angel with flame on the head and architectural drawings. For that there are a drawing putto and a half -naked woman with her foot on a wheel. Together with the sitting angel, the woman holds a necklace with buoys. Above the group is Fama with two trumpets on clouds. paper engraving Portrait of Caesar. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Angels. Architectural Design or Model

Hearing, Anonymous, After Franz Cleyn, c. 1655 print A woman plays on a lute and sings, with a rabbit at her feet. Leaf from series consisting of a title page and 5 magazines with personifications of the senses, third edition. print maker: England (possibly)after design by: England (possibly)publisher: London paper etching

Smell, Franz Cleyn, c. 1655 print A woman smells a flower from a bowl of flowers on her lap. Leaf from series consisting of a title page and 5 magazines with personifications of the senses, third edition. print maker: England (possibly)print maker: England (possibly)publisher: London paper etching

Medea flees in a car pulled through Draken, René Boyvin, After Léonard Thiry, 1563 print The whole is framed by an ornamental list of putti and garlands. paper engraving the story of the Argonauts: the quest for the Golden Fleece. Medea kills her two children; she flees from Corinth in a chariot drawn by winged dragons

Punitio Malorum, from Allegories of the Christian Faith, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 10 3/8 x 7 11/16 in. (26.4 x 19.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

unknown, Paris, Mariette, Pierre (II), France, Lepautre, Jean, Grands Carts de Plafons, Ceiling with cartouche in the form of a tapestry, On the cartouche a Lapith fights a Centaur. Ceiling with variants for two quarter parts of the border. Sheet 3 from a series of 6 sheets with designs for ceilings, some with variants for the borders. From the second edition., print, ornament print, prints, ornament prints, height 221 mm, width 308 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1666, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, granter of privilege

The Lion Hunt, Etching on paper, mounted, A lion, center, is attacked by dogs, a man with a forked spear, and another at right, on a unicorn. Another, at left, blows a trumpet. All in 'Oriental' costume. In landscape with houses in background. Bottom center: 'LA CAZA DEL LEON / Venatio Leonum'., Spain, 1750-1800, Print, Print

Jason beats the dragon that guards the Golden Fleece, René Boyvin, After Léonard Thiry, 1563 print The whole is framed by an ornamental list of putti and mythological figures. paper engraving fight with the dragon; Jason sprinkles a drug in its eyes, possibly assisted by Medea. the story of the Argonauts: the quest for the Golden Fleece

Zeeman, Abraham, Amsterdam, Title page for: Jan Vos, Alle de Gedichten, 1726, Allegory of the authorship of Jan Vos, verso - stamped, Faam, with writing quill and trumpet in his hands, stands among putti who play with the titles of the books of Jan Vos. Another putto beats a goose with a whip. Above, Victoria crowns the bust of the writer. On the left in the background the tomb of the writer., print, title page, prints, height 192 mm, width 151 mm, Dutch, 1696 - 1754-10-25, print maker, printmaker, 1726 - 1726, paper, engraving, engraving (printing process), etching, Work conception, after own design by

Thiry, Léonard, Fiorentino, Rosso, Milan, Pierre, Boyvin, René, Neptune and Thetis, verso lower left - stamped, Neptune and Thetis making love in a shell resting on a fish head. On the arch above them sit sea creatures and at the top hang nets with fish., print, ornament print, prints, ornament prints, height 227 mm, width 147 mm, French, 1525 - 1598, print maker, printmaker, 1551 - 1580, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), 1500 - 1557, Italian, 1494-03-08 - 1541-11-14, intermediary draughtsman, after a drawing by, Work conception, South Netherlandish (before 1775), 1500 - 1550

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, When Adam Delved, 1651 When Adam Delved

Element water as a woman at source with fish; Aqua; The four elements. Element water as a naked woman sitting at source with fish, water flows out of her breasts. In frame with fish and other animals that live in or at the water like an otter, seal, spoonbill, turtle and shellfish.

Achilles, Bernard Baron, after Peter Paul Rubens, 1724 print London paper etching / engraving arming of Achilles

Scene with a Feast of Love in a Circle at Center. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 5 7/16 × 5 9/16 in. (13.8 × 14.1 cm). Date: 1580-1600.In a circle at center, a scene with the Feast of Love in a garden with a large building in the background at right. In the forefront, five female figures and one male figure dance around a table with fruit. The male figure, at left drapes his arm around one of the female figures, while the figure at the right holds a torch. Various animals, including an eagle at lower right, a turtle at lower left, and a monkey at top center, also appear in the celebration. Around the central circle, a band with rosettes and vines growing various fruits. In the corners, inscription in Latin on ribbons. Museum: Metropolitan Museum of Art, New York, USA. Author: Theodor De Bry.

Diana and Actaeon; Les Peintures de Charles Le Brun et d'Eustache le sumer qui sont dance (...) La Maison du Président Lambert. Grisaille, with the representation of the Hunter Actaeon, who finds Diana and her nymphs in the corner of the ceiling of the Chambre des Bains in the Hôtel Lambert. The show is flanked by a flow god and a current godin, each with a water gun. Around the show ornaments and in the middle of two putti with coral. Print is part of a series of prints to the paintings at the Hôtel Lambert in Paris.

Copper engraving 'Two Putti Sitting on Clouds in the Tendril' by Lucas Hugensz. van Leyden, 1517, depicting two cherubs with ornamental foliage.

Vignet with Mercury as eloquence. Mercury stands on a block in a landscape. In his hands he holds the caduceus and an olive branch. Above him three laurel curses hang on a rope. A picture of a Sphinx and figures worked on the land behind him. He is flanked by a river god with a coat of arms of Amsterdam as a personification of the Amstel and two swans. In the background a pasture and in the distance a face on Amsterdam. In an ornamental picture frame with hat, cornucopia and two cartouches.

Two women with portrait medallion; Various orders, Trophées et Panneaux. The women are sitting on a pedestal. Leaf 9 from series of 12.

Title Page with Models for Anatomical Drawing Exercises. An écorché (a figure with the skin removed to display the musculature), presented as a living man, sits on a dais flanked by a young man and woman, and an elderly couple. A mixed audience looks on from behind. This drawing may have been made for a book of the Haarlem Guild of Saint Luke. Casper Casteleyn had just joined this professional artists association in 1653, the very year he made this drawing.

Woodcut by Hans Burgkmair the Elder from around or before 1514 depicting Venus, showing the figure with classical attributes and symbolic composition.

Netherlands, France, Lepautre, Jean, Schenkkannen, Schenkkan met twee gevleugelde paarden, On the jug sits a man who is bitten is passed through a snake. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 192 mm, width 129 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1628 - 1732, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Gehoor; Avditvs; Quinque Sensuum.A woman plays on a lute and sings, with a rabbit at her feet. Leaf from series consisting of a title page and 5 sheets with senses of the senses, third edition.

Portrait of Marco Barbarigo and the Spirit of the Roman people; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Marco Barbarigo with Dogehoed on the front. On the back three soldiers holding each other's hand. In addition, the text: Concordia Ducum. On the pedestal lies the genius or spirit of the Roman people surrounded by soldiers. She has a bowl in her right hand and a cornucopia in her left hand. In addition, a burning altar. The print is part of an album.

A Fountain in a Grotto ca. 1598 Giovanni Guerra Italian During the 16th century, Italian nobles developed a taste for artificial grottoes in their gardens and sometimes even in their houses. Artists, such as Giambologna and Bernardo Buontalenti became very skilled in inventing landscapes of rocks and shells often inhabited by amphibians, invertebrates and other animals. The aquatic nature of most of these grottoes also lent itself well to the inclusion of fountains and statues of deities connected to water. In this design by Giovanni Guerra, a river god is seated on the rocks. He supports two amphorae from which water falls into the basin below.. A Fountain in a Grotto 337170

Allegory of transience, the three graces and Hercules, Charles Joseph Dominique Eisen, 1740 - 1778 print Three different representations: an allegory on transience with a crowned empty cartouche surrounded by two crying putti and death with a scythe; Hercules in fight with Antaeus; The three graces on a pedestal. print maker: Paris (possibly)France paper etching the giant Antaeus is lifted in the air and crushed to death by Hercules. Graces (Charites), generally three in number; 'Gratie' (Ripa)

Valois, Adrien de.

Fotoreproductie Van Detail Van Fresco's Door B. Peruzzi in De Cappella Ponzetti in de Santa Maria della Pace Te Rome, James Anderson (ACTRUTED TO), After Baldassare Peruzzi, c. 1857 - c. 1875 photograph This photo is part of an album. Santa Maria della Paceafter Painting by: Ponzetti Chapel paper albumen print picture, painting. interior of church Ponzetti Chapel. Santa Maria della Pace

Element fire as a young man with lightning bolts; Ignis; The four elements. Element fire as a young man sitting on the back, lightning bolts in hand, salamander at his feet. In a frame with objects from the kitchen, ovens, forge, metal weapons and armor.

Dood van Cleopatra, c. 1652 - before 1669 print Cleopatra commits suicide by being biting a snake. Behind her a putto. The show is caught in an ornamental edge that is decorated with flowers. In the margin a caption in Latin. paper engraving death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs. flowers ~ ornament

. Two putti, the one with fasces, the other with petasus and caduceus, show a coat of arms.

Fontein with Ceres, sitting on a lying deer, Wendel Dietterlin (I), 1560 - 1598 print In one hand she holds a horn of abundance, in the other agricultural equipment. There are various animals around her. One of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Frontispiece from Frederick Hendrick van Nassauw by J. Commelijn. The depiction is engraved on a copper plate. When printed, the scene appears in reverse from the design drawing. Upon delivering his drawing, Jansz must have given instructions about what should appear in the background. The landscape in the background of his design drawings can hardly be discerned. The cartouche, too, which in the drawings is still blank or missing entirely, has been filled in with a cavalrycharge led by Prince Maurice.

An etching by Giuseppe Maria Mitelli from 1678 depicting the baptism of Christ, showing John the Baptist, Jesus, and surrounding figures in a religious scene.

Print, Ceiling, from "Grands Carts de Plafons"; Print Maker: Jean Le Pautre (French, 1618-1682); France; etching on paper; 25.3 × 34.6 cm (9 15/16 × 13 5/8 in.)

The Infant Christ, from Allegorical Scenes on the Life of Christ, from Christian and Profane Allegories. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: sheet: 10 5/8 x 7 1/2 in. (27 x 19 cm)mount: 13 7/8 x 10 5/16 in. (35.2 x 26.2 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Museum: Metropolitan Museum of Art, New York, USA. Author: HENDRICK GOLTZIUS.

France, Jacquard, Antoine, Les Divers Pourtraicts & figures faictes sus les meurs Des habitans du Nouveau Monde, Figures in motion, captured in architectural niches, Revolving naked woman with small boy in niche, verso - stamped, print, prints, height 46 mm, width 141 mm, French - 1640, print maker, 1610 - 1640, paper, engraving, engraving (printing process)

Scene with Misericordia and Veritas in a Circle at Center. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 5 1/2 × 5 1/2 in. (14 × 13.9 cm). Date: 1580-1600.In a circle at center, a scene with misericordia (mercy) and veritas (truth) personified as female figures. In the forefront at left, a seated nude female figure with an open book places her right leg on a globe. At right, another figure feeds the children that surround her. Behind, two winged figures embrace, while the one at right holds a set of scales. Around the central circles, a band with rosettes. In the corners, ornamental blackwork with putti heads. Museum: Metropolitan Museum of Art, New York, USA. Author: Theodor De Bry.

Triton and stirred centaur, c. 1625 print In the background, a leaf shelf grows on which a child hangs. Leaf from series of 10 sheets with vertical panels full of leaf vines, figures and animals. Venice (possibly) paper etching

Print made by Alexander van Haecken, 1701-1758, Flemish, Juno, undated. Mezzotint on moderately thick, moderately textured, cream wove paper.

Print, Design for Ceiling, from "Quarts de Plafons"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 21.4 × 14.3 cm (8 7/16 × 5 5/8 in.)

Louis XIV (King of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Mobile water fountains and water basins in cartouches, Basin and mobile water fountain in cartouche, The water fountain rests on a dragon. From the third edition., print, ornamental print, prints, ornamental prints, height 145 mm, width 220 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1657 - 1661, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Garden of Eden. Dated: 1651. Medium: etching with border "Democritus and Heraclitus" (Pennington 233A). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Cartoon on the public execution of the Amsterdam usury and cheaper Aron Abrams, monogrammist RDZ, 1737 - 1739 print Cartoon on the public execution of the Amsterdam usury and cheaper Aron Abrams. The personification of the truth reveals deceptions on the right in the foreground by pulling him off his black rug. In the background, justice with sword and scales are in the hands. She tramples and overcomes myself, envy and home under her feet. On the left, Aron Abrams, a fox sheet around the waist, is bound to the scenal pole as a vice. He is beaten with the roe. Netherlands paper etching / engraving corporal punishment in public. Truth; 'Verití' (Ripa). Cheat, Deceit; 'Fraude', 'Inganno' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Juno at left asks Jupiter to help the Greeks, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 1531-76 Giulio Bonasone Italian. Juno at left asks Jupiter to help the Greeks, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno' 392807

Expulsion from Paradise, Virgil, after Albrecht Dürer, 1552 print Nuremberg paper an angel chases Adam and Eve out of paradise with a (flaming) sword

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Triumph of Juno, verso attachment sheet - stamped, Juno sits on her chariot and is surrounded by women. A peacock sits on her shoulder. Below a four-line verse in Italian. The representation is set in a decorative frame with putti and owls., print, prints, height 135 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Title print with child between tamed lion and bird of prey on top of the shield with fresh, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1611 print A child calms or tacks a lion and bird of prey. They are on top of a shield with a fresh in Latin. The shield is richly ornamented with curl, two cherubins and dolphins. According to the verse, this child shows by taming the animals that man is in charge of the animal kingdom through God. paper engraving beasts of prey, predatory animals: lion. predatory birds: eagle. dolphin ~ ornament

Ceiling with cartouche in the form of wall carpet, 1661 print On the cartouche, a Lapith fights against a centaur. Ceiling with variants for two quarter parts of the edge. Leaf from series of 6 blades with large quarters of ceilings in classic style, some with variants for the edges. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Faam does dead artists revive, Anonymous, 1568 print The winged fame revives dead artists. On the right are the female personifications of architecture, sculpture and painting. At the bottom of Latin text in a cartouche. print maker: Italypublisher: Florence paper 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). honouring the artist. Fame ~ artist

Mary is carried away to heaven by angels. Entirely in an ornamented frame., Ascension of Mary, print maker: Antoni van Leest, (mentioned on object), Pieter van der Borcht (I), (mentioned on object), publisher: Christoffel Plantijn, Antwerp, 1571 - 1632, paper, letterpress printing, h 183 mm × w 135 mm

Rubens, Peter Paul, Antwerp, Pontius, Paulus, Various figures of antique figures, designs by Pietro Paolo Rubenii, Cameo with the glorification of Germanicus, verso lower left - stamped, A cameo (Gemma Tiberiana) with a representation of the glorification of Germanicus. Emperor Tiberius and his mother Livia are seated on a throne. The Roman general Germanicus is taking leave of them. Above them, the bodies of the deceased rise to heaven. Among them a group of barbarians who had been captured by the Romans., print, prent, prints, height 329 mm, width 274 mm, South Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, graveren (drukprocedé), 1577-06-28 - 1640-05-30, intermediary draughtsman

Design for a Plate with Galatea on a Shell Flanked by Trumpeters in a Medallion Bordered by Sea Monsters ca. 1600 Adriaen Collaert Netherlandish Design for a circular plate with Galatea on a shell holding a branch and being crowned by winged putti from above, against a seascape where two mermen are seen playing the trumpet. Plate 4 from a series of four plates, each showing a mythological figure associated with the sea in a medallion at center, surrounded by a broad border with various sea monsters and creatures.. Design for a Plate with Galatea on a Shell Flanked by Trumpeters in a Medallion Bordered by Sea Monsters 425886

Nuremberg, Solis, Virgil, Resurrection of the Dead in a scroll frame, verso - handwritten in brown ink, print, prints, verso - stamped, 86, height 76 mm, width 56 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, engraving, engraving (printing process)

Mars with constellations Scorpio and RAM in architectural frame, monogrammist Andl, after Hans Burgkmair (i), 1483 - 1581 print The God Mars as personification of the planet Mars dressed in armor. At his feet are the constellations Scorpio and Ram, his planet children. He is on a pedestal in an architectural frame decorated with ornaments. In the Frisian at the bottom there is a star in a medallion, which is flanked by playing putti. The print is printed with multiple logs. paper Mars and his children ('Planetenkinder') ~ Aries and Scorpio

Putto on garland and tendrils with acanthus leaves; Frisians.a Fries with a putti sitting on a fruit guy. Ranches of Acanthus leaves on either side.

Wood engraving, England, by Thomas Bewick.

Paris, Leblond, Jean (I), France, Lepautre, Jean, Ornamental panels, Vertical panel with vase, At the bottom is a vase in an oval medallion. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 290 mm, width 111 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1650 - 1664, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher

Salvation of the ancient art treasures by the gods, Cornelis Galle (I), after Peter Paul Rubens, in Or Before 1645 print Father Time and Death, the representatives of the ancient cultures put in an abyss. The gods save the ancient art treasures. Mercury lifts a Roman image from a pit, Hercules passes a basket with old coins and Minerva helps a man to receive the basket. In the middle a bust of the personification of the antique, with laurel wreath and book. Proef pressure for a title page of a book about the ancient art treasures. Southern Netherlands paper engraving classical antiquity (historical epoch). Father Time, man with wings and scythe. Death as man. (story of) Hercules (Heracles). (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena)

Sebald Beham (German, 1500-1550), Luna, engraving

Odysseus on the island of Circe, Antonio da Trento (Possible), 1537 - 1550 print Odysseus and his men arrive on the island of sorceress Circe. In the middle is Circe who gives the men a magic drink so that they will change into boar. Italy paper Ulysses on the island of Circe (Homer, Odyssey X). Circe. Ulysses' companions are changed into all kinds of animals

Antwerp, Cock, Hieronymus, Floris, Frans (I), unknown, Cort, Cornelis, The history of Jacob, The return of Jacob to Canaan, verso - stamped, Ornament for the rim of a dish. Jacob and his family riding on donkeys, returning to Canaan. With text in Latin in cartouche below the scene., print, prints, Jacob cum uxoribus, filijs, et iumentis opibusque, facultatibus suis redit ad patrem suum Isaac., in cartouche below scene - engraved, height 132 mm, width 224 mm, Northern Netherlands, 1533 - 1578, print maker, 1563 - 1563, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Allegory of the coronation of Joseph I King of Hungary, Justus van den Nijpoort, 1687

Woodcut by Albrecht Dürer showing the coat of arms of Johann Tscherte, created around 1518. The sheet is cut to the edge of the plate and displays precise heraldic design and line work typical of early 16th-century German prints.

LIBRO DE MUUSICA - EL MAESTRO(1535) GRABADO ORFEO CON VIHUELA. Author: LLUIS MILAN (S XVI). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPANIEN.

Portrait of Marco Barbarigo and the Personifications of Vigilance and Justice; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Marco Barbarigo with Dogehoed on the front. On the back a laurel wreath with the text: Servavi Bello Patriam ... The base is surrounded by personifications. On the left is vigilance with a crane on her helmet and a torch and shield in her hands. On the pedestal beats righteousness with sword and scales evil. The print is part of an album.

Map of a part of Sumatra, Anonymous, 1850 - 1900 print paper maps, atlases Sumatra

Wood engraving, England, by Thomas Bewick.

Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Enthroned Historia with Mars and Peace, verso - stamped, Historia is enthroned on a stone altar. In her hands a book and a torch. Next to the open field for the title of the book are the personifications of War and Peace. Bottom left a river god who symbolizes the Scheldt. Bottom right a woman with a city crown who leans on a lion. This is Belgica, the personification of the Southern Netherlands. Proof for a title page., print, title page, prints, height 290 mm, width 180 mm, 1576 - 1650-03-29, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Wedding night of Tobias and Sara; History of Tobias. Before Tobias slept with his wife Sara, he put the liver and the heart of the fish on a fire around the demon, of which Sara was possessed and that all men with whom she would have married, expel. In the background the demon flight away and haunted by Rafaël with a sword. In the foreground Sara knebs in prayer to ask God's blessing and protection about her marriage with Tobias. Around the show a peripheral in Dutch and in Latin.

Love. A female personification of love (Caritas), with three children whose chest they gives.

Advertising card by lithographer Jacques Petyt in Brugge, 1860 - 1871 print. porcelain card Landscape with a woman with a painting palette, next to her a young man with a piece of paper with the address of the lithographer. Three putti around them, one of which is drawing. Book in the foreground and a globe, the city of Bruges in the background. . tools, implements of painter. cupids: 'amores', 'amoretti', 'putti'. book. globe. cupids: 'amores', 'amoretti', 'putti'

Decorations at the house of Mr. D.A. Bishop in Rotterdam, 1766, Noah van der Meer (II), After Dirck Anthony Bisschop, 1774 - 1776 print Decorations applied to Mr. Dirk Anthony Bisschop in Rotterdam's house. Six panels with allegorical performances and emblems. On the occasion of the majority of Prince Willem V on March 8, 1766. Numbered at the top: XVII. Northern Netherlands paper etching / engraving public festivities (+ festive decoration ~ festive activities) Rotterdam

Sixth Day of Creation: God creates the animals and Adam and Eva, Nicolaes de Bruyn, After Maerten de Vos, 1581 - 1656 print Sixth day of creation: God creates the animals and Adam and Eve. He blows Adam into life through his nose. In medallion with a Bible text in Latin from Genesis 2 as the inscription, within a rectangular frame. Netherlands paper engraving creation of land-animals. the man (Adam) comes to life: usually God reaches out his hand or breathes life into his nostrils

Bust of Scipio Africanus, Roman general and statesman, c.235-183 BC. In winged and crested helmet, breastplate with head of Medusa. Surrounded by trophies, anchors, ship rams, weapons, horns, armour, SPQR vexillum, signa, military standards, war machinery, etc. Lucu. Scipionis Statua. Publius Cornelius Scipio Africanus. Copperplate engraving by Georg Christoph Eimmart from Joachim von Sandrarts LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Lazio Roma Rome S. Maria in Aquiro7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A man and woman offering a platter of coins to a king seated on a throne, set within an elaborate frame. Artist: Battista Angolo del Moro (Italian, Verona ca. 1515-ca. 1573 Murano); Formerly attributed to Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet (Trimmed): 5 1/16 × 7 1/16 in. (12.8 × 18 cm). Date: ca. 1540-80. Museum: Metropolitan Museum of Art, New York, USA.

Ludwig Krug, Shield with Mascaron Shield with Mascaron

Allegory of Venetian Power 1637-1712 attributed to Andrea Celesti Italian. Allegory of Venetian Power 338445

Saint Peter. Engraving by J. and J. Klauber.

The birth of Jakob and Esau, Cornelis Cort, After Frans Floris (I), After 1563 - Before c. 1601 print Ornament for dish edge. Rebekka is located in childbirth. On the right the midwives with the ignited babies Jacob and Esau. In the foreground a cradle. print maker: unknownpublisher: Antwerp paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils. cradle, crib. ornament ~ cartouche

Cartouche with weapons and wounded. A Rocaille cartouche surrounded by weapons and a water flow. On the right there are a wounded or dead horse and two wounded or dead fighters. Right above A numbered.

Archangel Michaël kills the devil, Lucas Kilian, after Peter de Witte, after Hubert Gerhard, 1589 - 1615 print Text in Latin in the lower margin and on the columns. paper engraving the Archangel Michael fighting the dragon (devil, Satan). piece of sculpture, reproduction of a piece of sculpture (+ engraving, etching)

Cartouche with Nereïde and Sater surrounded by musical instruments ..

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