Allegorical Prints

Dramatic allegorical scenes featuring figures from literature and mythology, illustrating themes of truth, creation, and inspiration amidst detailed backgrounds.

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Sovius, Simon, Spranger, Bartholomeus, Haarlem, Rest on the Flight into Egypt, verso lower left - stamped, Mary with the Christ Child on her arm and the child John the Baptist on the arm next to her. In the background an angel and two putti unsaddle the riding animal. Joseph in the background hangs his hat from a tree branch., print, prints, height 414 mm, width 299 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1546-03-21 - 1611-08, after a design by, writer, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Allegory on Drawing, Johannes Glaber, After Gerard de Lairesse, 1656 - 1726 print A woman with a palm branch in her hands (truth) Points to an image of Diana van Ephese. Her index finger shines light. In the foreground are some draughtsmen who make the image. The print is part of a series with mythological and allegorical representations. unknown paper etching drawing. symbolic representations, allegories and emblems ~ drawing. draughtsman at work - CC - out of doors. triumphs (allegorical and symbolic) - AA - on the water, 'triomphe marin'. (story of) Diana (Artemis). statues, paintings, etc. ~ objects of worship in Roman religion

Bliżej Kultury unknown

Giovanni Bottani, after Giuseppe Bottani, The Incredulity of Saint Thomas, mid 18th century The Incredulity of Saint Thomas

Jonas under the miracle plant, Jan van de Velde (II), 1603 - 1641

The holy jeronymus with his students; Paintings and sculptures in Rome. Hieronymus sits, scarce dressed, in the open air at a cross, the lion at his feet. Six men are listening to him. This print is part of (the second ? State of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print.

Poverty, from Virtues and Vices 1596-97 Zacharias Dolendo Netherlandish. Poverty, from Virtues and Vices. Vices and Virtues. Zacharias Dolendo (Netherlandish, 1561-ca. 1604). 1596-97. Engraving; first of two states (New Hollstein). Prints

Cambyses punishing the unjust judge Sisamnes ca. 1630-80 Rombout Eynhoudts. Cambyses punishing the unjust judge Sisamnes. Rombout Eynhoudts (Dutch, Antwerp 1613-1680 Antwerp). ca. 1630-80. Etching. Prints

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Sovius, Simon, Spranger, Bartholomeus, Haarlem, Rest on the Flight into Egypt, verso lower left - stamped, Mary with the Christ Child on her arm and the child John the Baptist on the arm next to her. In the background an angel and two putti unsaddle the riding animal. Joseph in the background hangs his hat from a tree branch., print, prints, height 414 mm, width 299 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1546-03-21 - 1611-08, after a design by, writer, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Allegorical women's figure describes a panel in the clouds; Title page for: P. Cakeus, La Republique des Hebreux dl. II, 1705.an Allegorical Women's Figure Describes A Panel In The Clouds That's hero by an Angel. Below Two Angels Guard The Ark of the Covenant.

Birth of the Virgin, Jacques Callot, 1633 - 1634 print A number of women take care of the newborn Maria, while in the background angels are tumbling above the bed of Anna just gave birth. Under the performance a caption in Latin. This print is part of a series of prints around the life of Maria, consisting of a title print and thirteen narrative performances. print maker: Nancypublisher: Paris paper etching birth of Mary

The Ecstasy of Saint Paul. Dated: c. 1655. Dimensions: plate: 41.8 x 29 cm (16 7/16 x 11 7/16 in.) sheet: 52.5 x 39 cm (20 11/16 x 15 3/8 in.). Medium: engraving and etching on laid paper proof. Museum: National Gallery of Art, Washington DC. Author: JEREMIAS FALCK.

Italy, Cignani, Carlo, San., Antonio de, Christ Appearing to a Cleric, verso - stamped, The dead Christ appears to a cleric. Christ is floating in the air and is surrounded by cherubim. The cleric is lying on the ground and is supported by an angel., print, prints, height 520 mm, width 305 mm, Italian, print maker, printmaker, 1600 - 1699, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1628-05-15 - 1719-09-06

Monument to the poet Jacques Bellamy, print maker: Izaak Jansz. de Wit, (mentioned on object), Jacob Hendrik van Doelen, (mentioned on object), publisher: M. van Loopik & Comp., (mentioned on object), Gouda, 1791, paper, etching, engraving, h 223 mm × w 147 mm

Mercury watches trade and shipping, Gerard de Lairesse, 1670 print From the air, Mercury with a trumpet in his hands looks at the Personified trade (Caduceus) and shipping (sailing ship in minature). A putto brings the trade a horn -filled horn, behind this a second putto packed merchandise. The Personified Shipping is behind the trade and has laid a hand on its shoulder. Behind this group of figures there is a statue of the Peace (olive branch) on a high pedestal, flanked by a trumpet -blowing angel. On the right is a large globe in the foreground, behind it a view of a port. paper etching (story of) Mercury (Hermes). allegory of trade; 'Commertio della vita humana' (Ripa). 'Navigatione' (Ripa). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Seven ways and a jester; The Seven Wyzen and a Nar.Seven Ways Are Seen in a Forest Landscape, They Listen to The Nar of the Middle.

H. Sebastiaan, Remoldus Eynhoudts, After Cornelis Schut (I), 1626 - 1680 print Saint Sebastiaan is tied to a tree with his arms. A arrow pierces his leg. Next to him two people and a basket with arrows, on the other side an angel who takes care of his wounds. Under the show two lines of Latin and a Dutch inscription in three lines. Antwerp paper etching the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk

Judit Onthoofdt Holofernes, Cornelis Galle (I), After Peter Paul Rubens, 1608 - 1654 print Judit beheaded Holofernes in the army tent. In the background Judits operated and angels in the air. paper engraving Judith and Holofernes (Judith 8-16)

Saint John Nepomucen Venerating a Crucifix. Artist: Gaspare Diziani (Italian, Belluno 1689-1767 Venice). Dimensions: 8 15/16 x 6 5/8in. (22.7 x 16.8cm). Date: 1689-1767. Museum: Metropolitan Museum of Art, New York, USA.

The execution of Saint Barbara, Willem Basse, After Johann Boeckhorst, After Anthony Van Dyck, 1633 - 1672 print Barbara kneels on the floor, her hands are tied together. Her father is about to chop her head with a sword. In the background you can see part of the tower where Barbara was held imprisoned by him. paper etching St. Barbara is beheaded by her father Dioscuros, who usually wears a turban and brandishes a scimitar (sword); sometimes Dioscuros is struck by lightning

Who hits the pigs, has lost his pennings, before he knows it, Hendrick Goltzius (attributed to workshop or), after Karel van Mander (I), 1590 - 1594 print Two boys are about to break their piggy bank with a hammer. A poor old man who leans on a stick points out to them that they might be able to keep saving even better. Otherwise it is going to them as him. The man makes a gesture with three vast fingers. paper engraving Poverty; 'Povertí', 'Povertí del doni', 'Povertí in uno ch'habbia bell'ingegno' (Ripa). the rich. contrast between rich and poor. Wealth, Opulence; 'Opulenza', 'Richezza' (Ripa). money-chest, treasure-chest, money-box. proverbs, sayings, etc.

Triumph of the truth, monogrammist cr (16th century), After Maerten de Vos, afterononymus Wierix, 1581 print In the middle, the personification of the truth, which identifies with Christ. On her lap an open book with biblical spells. She holds up a burning oil lamp as light of the world. Her foot rests on a being, the lie, one half of which consists of a skeleton and the other half of a woman. The creature embraces a globe with a cross. On the left is the personification of the (incorrect) opinion in the shape of an old man in a pure with glasses and a lantern, which is on a pile of books. On the right the personification of hipocrisie with snakes and a lobster in her hands. Upstairs a putto with a palm branch and a putto with a laurel wreath (symbols of victory) hold a banderole with the Latin translation of: Truth overcomes everything. Above them serfines and under the banderol the Holy Spirit. Above a six -line text in Latin and below the show verses in Italian, Spanish and French.

The Four Angels Staying the Winds, from The Apocalypse Made 1496-1498 Germany. Woodcut in black on tan laid paper . Albrecht Dürer

Maria with child on Wolk, Simone Cantarini, 1622 - 1648 print With the Christ child, Mary sits on a cloud on her lap. At the bottom right two cherubs. Italy paper etching Madonna: i.e. Mary with the Christ-child

The Resurrection of Christ. Dated: c. 1528/1529. Dimensions: sheet (trimmed to plate mark): 21 x 13.6 cm (8 1/4 x 5 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: PARMIGIANINO.

The Pridaying a t temple by apr�s (Dutuit P.26, law line 28) Cornelis II Blloert, said U Young (1603-1692). The presentation at the temple of plates (Dutuit p.26, Law Line 28). Burin, Curnitely sites. Museums of the city of the city of Paris, small palace.

Entombment ca. 1527-30 Parmigianino (Girolamo Francesco Maria Mazzola) Italian. Entombment 419442

Rome, unknown, Italy, Salimbeni, Ventura, Tota pulcrias amica mea et macula non est inte cant iiii, Destiny of the Virgin Mary, recto upper left - handwritten in brown ink, God the Father and angels appear to the Virgin Mary on clouds. Title in Latin in bottom margin., print, prints, verso - stamped, 3, width 204 mm, height, 150 mm, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, plaattoon, Work conception, Italian, 1568-02 - 1613, after print by, Publication (Event), Publication, publisher

The Life of the Virgin: The Assumption and Coronation of the Virgin, 1510. Albrecht Dürer (German, 1471-1528). Woodcut; platemark: 29 x 20.6 cm (11 7/16 x 8 1/8 in.); paper: 29 x 20.6 cm (11 7/16 x 8 1/8 in.).

Thulden, Theodoor van, Antwerpen, Galle, Cornelis (II), Tabula summi altaris ecclesiae parochialis in Calloo, Ferdinand receives the sword to fight the States at Kallo, 1638, Antwerp, 1638. The cardinal-infant kneeling receives the sword from the hands of Paul. In heaven Mary with child, Peter and angels. In the background fleeing soldiers of the States army under Count Willem van Nassau-Siegen after the failed attack on the fort at Kallo, 21 June 1638. After the altarpiece in the church at Kallo., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 259 mm, width 171 mm, Zuid-Nederlands, 1615 - 1678-10-18, print maker, prentmaker, 1638 - 1638, second quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, 1606 - 1669

Depicts Judith beheading Holofernes, created as a copper engraving print by Cornelis Galle the Elder around 1616, illustrating biblical narrative and figures.

Judit beheaded Holofernes, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, c. 1547 - c. 1559 print Holofernes is sleeping drunk in bed. Judit has grabbed his sword and beheads him. The print is part of an eight -part series that tells the story of Judit and Holofernes. Haarlem paper etching Holofernes beheaded by Judith with his own sword; the maidservant may be keeping watch

Judit Onthoofdt Holofernes, Cornelis Galle (I), After Peter Paul Rubens, 1610 - 1650 print Judit beheaded Holofernes in the army tent. In the background Judits operated and angels in the air. Antwerp paper engraving Judith and Holofernes (Judith 8-16)

Saints Peter and John Healing a Cripple at the Gate of the Temple. Artist: Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Dimensions: 9 3/4 x 6 1/8in. (24.8 x 15.5cm). Date: 1501-47. Museum: Metropolitan Museum of Art, New York, USA.

After Lucas van Leyden, The Resurrection, engraving on laid paper.

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Annunciation, verso lower left - stamped, The angel Gabriel announces to Mary that she will become pregnant. Mary is kneeling at a lectern, on which lies an open book., print, engraving, book illustration, prints, engravings, height 88 mm, width 61 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

Allegorical representation with caution, faith and Asclepius, Simon Fokke, 1740 print Caution with mirror, faith with burning sun on the head and Asclepius with escula monkey stand around a sitting figure. Caution hands him a writing spring. On the right two putti with flowers. In the background, people on land and Fama work blowing on a trumpet. Amsterdam paper engraving / etching Prudentia (Prudence) as Roman personification. Fides (faith) as Roman personification. (story of) Aesculapius (Asclepius)

Saint Stephen of Hungary Presenting his Son, Saint Emeric, to the Virgin. Artist: Franz Xavier Karl Palko (Bohemian, Wroclaw 1724-1767 Munich). Dimensions: 13 1/16 x 8 1/8 in. (33.1 x 20.6 cm). Date: 1740-67. Museum: Metropolitan Museum of Art, New York, USA.

Minerva and Apollo with his muses, Simon Fokke, 1722 - 1784 print Minerva is sitting on a cloud and points her hand to Apollo who plays the winch in the midst of his muses. Above Minerva, a trumping putting putto flies with the symbol of eternity, a snake that bite into its own tail. Three putti bend over a book in the foreground. Amsterdam paper etching (story of) Minerva (Pallas, Athena). Apollo and the Muses, Apollo Musagetes. serpent Ouroboros. cupids: 'amores', 'amoretti', 'putti'

Judging by Paul, Johann Sadeler (i), After Frans Pourbus (i), 1580 print Paul is beheaded. His turned head is on the floor. The executioner with the sword next to him. Around them a Roman crowd with emperor Nero on horseback. At the top a light beam shines through the clouds. Cologne paper engraving the beheading of Paul; maybe three fountains spring from his head

Moderation overcomes gluttony, 1550 - 1625 print At a source, the personification of moderation (Sobietas) fills a bowl of water and looks down on the personification of gluttony (Laemargiam) that lies on the ground with a wine jug in her arms. The print has a Latin caption and is part of a series about virtues and vices. paper engraving Gluttony, intemperance, 'gula'; 'Gola', 'Ingordigia', 'Ingordigia overo aviditè', 'voracitè' (Ripa) ~ Personification of one of the seven deadly sins. Temperance, 'Temperantia'; 'Temperance' (Ripa) ~ One of the Four Cardinal Virtues

Susanna and the elders. The bathing Susanna is harassed by two old men who are in danger of giving her to accusation of adultery if they resist them. In the foreground a fountain with a putto on a turtle and a naked figure standing on a shell. A landscape in the background.

Agony in the Garden. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1508. Prints; engravings. Engraving

Umbria Terni Narni Santuario Madonna del Ponte9. Hutzel, Max 1960-1990 Medieval: Frescoes (12th century). Post-medieval: Architecture (c. 1724), painting (18th century), frescoes (14th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Allegory on the history of Great Britain with the portrait of Isaac de Larrey. The personification history, seated on the floor, writes the history of Great Britain with the Personification inspiration. Right at a column The personification of Great Britain, sitting on a lion. In her hands the coat of arms of Great Britain. In the foreground three putti attempts to stop the winged time, which has shredded and eating books. Above the personification fame, blowing on a portrait. She is wearing the portrait in oval list of the French historian Isaac de Larrey. In the background the city of London. The print has a French caption.

Allegorical show with poetry, Apollo and Muzen, Jan Wandelaar, 1721 print Apollo with Lier illuminates poetry and keeps her a goal in the form of a figure blowing on two trumpets. In the background the horse Pegasus and the musician Muzen Clio, Erato and Euterpe. On the right are putti and a man bent to the left at a water stream. paper engraving / etching symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). (story of) Apollo (Phoebus). (story of the) Muses; 'Muse' (Ripa)

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Offer van Isaak. Abraham, with a knife in hand, is about to sacrifice his son Isaac, but an angel prevents him from it. On the left a ram in the bushes, which will be sacrificed in Isaak.

Diepenbeeck, Abraham van, Antwerp, Galle, Cornelis (II), Resurrection, verso - stamped, Christ hovers above the grave, a palm branch in his hand. The soldiers who slept at the grave flee in panic. In heaven, angels and cherubs accompany Christ., print, book illustration, prints, height 268 mm, width 173 mm, Work conception, South Netherlands, 1615 - 1678-10-18, after print by, 1650 - 1700, paper, engraving, engraving (printing process), print maker, printmaker, 1596-05-09 - 1675

Reconciliation of Jakob and Esau, Pieter de Bailliu (i), after Peter Paul Rubens, 1623 - 1660 print The Jakob and Esau brothers fall into each other. Right, behind Esau is his army. On the left the kneeling women, children and servants of Jakob. Under the performance are two couplets in Latin. paper engraving the meeting between Esau and Jacob

Vision of Petrus, 1646 - 1658 print Peter sleeps against a rock in a mountainous landscape. Next to him is an open book and above him three angels hold a sheet with all kinds of unclean animals. paper engraving Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Battista Angolo del Moro, after Andrea Meldolla, called Schiavone, The Finding of Moses, 1540s The Finding of Moses

The Passion: The Agony in the Garden, c. 1480. Martin Schongauer (German, c.1450-1491). Engraving;

Marches Macerata Mevale Pieve5. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, r

Bliżej Kultury Will, Johann Martin (1727 1806)

St Anthony of Padua Artist's working dates 1642-1648 Italy. Simone Cantarini was born in Pesaro but studied and traveled widely. He was the most important follower of Guido Reni and worked with him in Bologna until they parted company in 1637. Cantarini returned to Bologna around 1642, after Reniís death, but he also spent time in Rome and Mantua, ultimately dying in Verona. He etched about 35 prints.. Etching on paper . Simone Cantarini

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Maria as Mater Dolorosa, Cornelisz van Oostsanen, Maria sits on the ground with folded hands. Her heart pierced by a sword. The print is part of a book., print, book illustration, prints, height 113 mm, width 82 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Portrait of Theresia van Avila with allegories and emblems, Johann Jakob Sartor, 1700 - 1799 print paper engraving historical persons - BB - woman. Abstract Ideas and Concepts (+ emblematical representation of concept). symbols of Mary

Wszyscy Święci w MNK Zenger, Augustin (ﬂ. 1760 1780), Borowsky, Georg (Fl. 1797)

Illustration design with two young women and a dog, Anonymous, 1700 - 1800 drawing Illustration design: two young women and a dog, under the trees; In the background a group of people at a garden image. Possible design for a print. paper. ink. pencil. chalk pen / brush dog

Italian 17th Century, Scipio Restoring His Captive to Her Lover, 17th century Scipio Restoring His Captive to Her Lover

Visitation Elzbieta; Le Febre, Valentin (1642-1680), Veronese, Paolo (1528-1588), Camen, Jacob Van (1595-1657); 1682 (1682-00-00-1682-00-00);

L'Assomption. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Dimensions: sheet: 7 1/2 x 4 3/4 in. (19 x 12 cm). Museum: Metropolitan Museum of Art, New York, USA.

Plato and His Disciples. Salvator Rosa (Italy, Naples, 1615-1673). Italy, 1662. Prints; etchings. Etching with drypoint

Allegory on the visit of Willem III of Orange to Holland with his portrait, 1691 print Allegory with portrait of Stadholder-King Willem III. The Dutch Virgin with personifications of Eendracht, Architecture, Painting and Faam. paper etching historical persons. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). personifications of countries, nations, states, districts, etc.. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). coat of arms (as symbol of the state, etc.) The Hague

. The freedom, with a freedom lance, presents itself to poetry. Poetry holds a winch in the hands and is assisted by history, with pen, and religion, who has the flame of divine inspiration on her head. Minerva is in the foreground. Putti show a map with the stream of the River Amstel. In the foreground Putti show the coat of arms of villages on the Amstel. In the background the city of Amsterdam with the IJ. Title page for a book with poems across the River Amstel.

Bliżej Kultury Falck, Jeremias (ca 1610 1677), Liss, Johann (ca 1597 1631)

Albrecht Dürer, The Virgin and Child with the Pear, 1511, engraving on paper.

fine arts, Ribera, Jusepe de (1591 - 1652), etching, Saint Jerome and the Angel, 1622, private collection,

David as a repentant sinner; Eight repentant sinners from the old and New Testament. David lying in a four-poster bed. On the table next to the bed is a crown, the table is a harp - references to Davids kingship and musical gifts. In the background a scene from the story of David and Bathseba: Bathseba takes a bath in the presence of two women, David watches from the roof of his palace. Under the show a two-person Latin text. This print is part of a series of eight repentant sinners; Each print in this series consists of an image of a sinner, above him / her a number of (musician) angels in a cloud wreath, in the background a scene from the relevant sinner, under the representation two lines text in Latin.

Apollo sits, surrounded by muses, on Mount Parnassus. In his left hand he holds a scepter, with his right hand he points heavenward. To his right, Pegasus has appeared in the sky. Lower on the mountain, a poet is writing, looking to Apollo for inspiration., Apollo on Mount Parnassus, print maker: Gerard de Lairesse, (rejected attribution), 1669, paper, etching, h 120 mm × w 64 mm

Estaing, Francois d '.

The personification of the church stands on a pedestal and preaches. An angel with laurel wreath on his head, kneels before her and holds open a book for her, The Church Preaches Title page for: G. Brandt, Stichtelijke gedichten. Amsterdam, 1665, print maker: Hendrik Bary, (mentioned on object), publisher: Jan Rieuwertsz. (I), print maker: Netherlands, publisher: Amsterdam, 1665, paper, engraving, h 134 mm × w 85 mm

Lazio Roma Bracciano Madonna del Riposo4. Hutzel, Max 1960-1990 Medieval: Fresco painting. Post-medieval: Architecture, architectural sculpture, fresco painting Object Notes: Simple Renaissance church which was donated by the last surviving Orsini descendant as a cultural center for Bracciano a few decades ago. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Graflegging, Valentine Green, after George Farington, after Ludovico Carracci, 1775 print paper etching Christ's entombment (possibly by angels)

Bliżej Kultury Will, Johann Martin (1727 1806)

Depicts a proclamation scene, created by Lucas Cranach the Elder as a woodcut. The work shows figures in a public or ceremonial setting, emphasizing gesture and expression.

Judith cutting the head off Holofernes 1705 Hieronymus Ferroni. Judith cutting the head off Holofernes. Hieronymus Ferroni (1687-1730). 1705. Engraving. Prints

Martyrdom of a Female Saint (Agnes) 1605-9 Camillo Procaccini Italian This highly finished modello, drawn with richness of materials, was recognized as the work of Camillo Procaccini by Philip Pouncey in 1953 and identified by Nancy Ward Neilson in 1968 as a study for a painting of the same subject by Camillo in the Santuario dell'Addolorata at Rho (near Milan), datable around 1605-1609 (Neilson 1979, p. 63, fig. 142). In both the painting and the drawing the Castel Sant'Angelo seen at right identifies the place of martyrdom as Rome: the victim could be Saint Agnes. The Museum owns a second drawing for the same composition, a detailed study in red chalk for the face of the Roman soldier seen at left (acc. no. 1975.131.19).. Martyrdom of a Female Saint (Agnes) 340560

Rohscan

Weigel, Christoph, Nuremberg, Luyken, Caspar, Elia and the Angel, verso - stamped, print, prints, height 251 mm, width 203 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Design for the title page of W. van der Hoeven, Westermeer The Netherlands, 1721, Jan Wandelaar

Repose in Egypt, Holy Family seated while an angel pulls at tree branches, copy after Cantarini. Artist: After Simone Cantarini (Italian, Pesaro 1612-1648 Verona). Dimensions: Sheet: 9 11/16 × 6 15/16 in. (24.6 × 17.6 cm)Plate: 8 3/8 × 5 5/8 in. (21.3 × 14.3 cm). Date: ca. 1637-1639 or after. Museum: Metropolitan Museum of Art, New York, USA.

Carracci, A., Venice, Sadeler, Johann (I), Saint Hyacinth of Poland adoring Mary with the Christ Child, verso lower left - stamped, Saint Hyacinth of Poland as a monk, kneeling before an apparition of the Virgin Mary with the Christ Child, on a cloud. Mary speaks to him. The print has a Latin caption with explanation., print, prent, prints, height 206 mm, width 152 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1595 - 1600, paper, papier, engraving, engraving (printing process), Work conception

Barberini, Francesco.

Bliżej Kultury Pute, Józef (Fl. 1865 1870), woodcut Tygodnik Ilustrowany, Tegazzo, Franciszek (1829 1879), Sachowicz, Grzegorz (fl. Ca 1846 1863), Palma, Jakub (young)

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)02. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Personificatie van The London Magazine neemt masker af van The Times; Frontispiece / The Genius of the London Magazine Unmasking the Times; Titelpagina voor: S.n., London magazine, or Gentleman's monthly intelligencer, 1772.The personification of the magazine The London Magazine, like an angel with flame on the head, decreases the mask from the sitting, labeled figure beside her. The seated figure personifies the Dagblad The Times. A four-line English text in the undermarge.

Offer by Abraham, Johann Gottfried Haid, after Rembrandt van Rijn, 1767 print paper when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand. armorial bearing, heraldry

Antwerp, Woons, Cornelis, Sallaert, Antoine, Jegher, Jan Christoffel, Christ and the Canaanite Woman, verso lower left - stamped, A Canaanite woman throws herself before Christ and begs him to heal her daughter, who is tormented by a demon., print, engraving, book illustration, prints, engravings, height 89 mm, width 64 mm, 1618-11-03 - 1667-09-18, print maker, printmaker, 1649 - 1649, paper, papier, houtcut, letterpress printing, Work conception, Zuid-Nederlands, 1585 - 1650, after a design by, Publication (Event), Publication, publisher

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Heraclitus. Line engraving by B. S. Setlezky after G. B. Göz (Goetz).

Judit with the head of Holofernes, Aegidius Sadeler (II), After Hans von Aachen, 1580 - 1600 print Judit puts the head of Holofernes in a bag, which is kept open by her maid. In her right hand the sword. Behind her the beheaded Holofernes in his tent. The print has a Latin caption. print maker: unknownpublisher: Antwerp paper engraving Judith and her maidservant put Holofernes' head in a sack

Releasing Peter from prison, print maker: Jan Luyken, (mentioned on object), publisher: weduwe Pieter Arentsz & Cornelis van der Sys (II), Amsterdam, 1712, paper, etching, h 136 mm × w 80 mm

Design for a book illustration with an old narrator, a young family and all kinds of animals, Jacques Kuyper, 1771 - 1808 drawing Design for a book illustration: old narrator with a young family in landscape with all kinds of animals. Design for a print. paper. ink pen / brush

Pastoral (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") December 8, 1778 Etched and published by John Hamilton Mortimer British. Pastoral (from "Fifteen Etchings Dedicated to Sir Joshua Reynolds") 407886

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