Allegorical Representations in Engravings

Elaborate illustrations combining human figures and symbolic elements, representing various concepts and historical grandeur.

Allegorical title page with the portrait of writer Edward Simson, 1729 print Minerva sits next to history and looks over her shoulder to the book in which she writes. History is looking up to three allegorical female figures (truth, poetry and a third figure). Behind them father Time, fame and a two -headed figure who hits an inscription in a pyramid with a chisel. Four putti fly in the air, with eternity symbols in the hands, who carry the portrait of writer Edward Simson. paper engraving / etching (story of) Minerva (Pallas, Athena). 'Historia'; 'Historia' (Ripa). symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Father Time, man with wings and scythe. Eternity, 'Aeternitas'; 'Eternití','Eternití o Perpetuití' (Ripa)

Allegorical title page with the portrait of writer Edward Simson, 1729 print Minerva sits next to history and looks over her shoulder to the book in which she writes. History is looking up to three allegorical female figures (truth, poetry and a third figure). Behind them father Time, fame and a two -headed figure who hits an inscription in a pyramid with a chisel. Four putti fly in the air, with eternity symbols in the hands, who carry the portrait of writer Edward Simson. paper engraving / etching (story of) Minerva (Pallas, Athena). 'Historia'; 'Historia' (Ripa). symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). Father Time, man with wings and scythe. Eternity, 'Aeternitas'; 'Eternití','Eternití o Perpetuití' (Ripa)

The Madonna and Child in Glory with Saints Gregory the Great and Andrew. Dated: 1734/1735. Dimensions: overall (lunette): 46.8 × 22.7 cm (18 7/16 × 8 15/16 in.). Medium: pen and brown ink with gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: ANTONIO BALESTRA.

Louis XIV Kniblend at Kruis en Doornenkroon, Gerard Edelinck, After Charles Le Brun, 1666 - 1707 print Louis XIV, king of France, is kneeling in front of a pillow with a pattern of French lilies, on which a cross and a crown of thorns lie. Three angels look above him. Under the show Het Wapen van France with a inscription in French on either side. print maker: Parisafter painting by: ParisFranceFrance paper engraving

Allegorical title page with the portrait of writer Edward Simson; Title page for: E. Simson, Chronicon Historiam Catholicam Complectens, 1752. Minerva is next to history and looks over her shoulder to the book in which she writes. History looks at three allegorical women's figures (truth, poetry and a third figure). Behind them Father time, fame and a two-man figure that beats an inscription with a chisel in a pyramid. Four putti flies in the air, with eternity symbols in the hands, carrying the portrait of writer Edward Simson.

The Seated Nymph (Une fontaine avec une naïade assise sur une conque) ca. 1740 Jean-Baptiste Marie Pierre French. The Seated Nymph (Une fontaine avec une naïade assise sur une conque) 343510

The Martyrdom of Saint Christina, whose hair is pulled by a bearded torturer Domenico Maria Bonavera Italian After Domenico Maria Canuti Italian 1673-1731 View more. The Martyrdom of Saint Christina, whose hair is pulled by a bearded torturer. Domenico Maria Bonavera (Italian, 1653-1731). 1673-1731. Etching. Prints

Apollo and the mucks on the parnassus, Bernard Picart, After Johann de Angelis, 1730 print Apollo with his winch in the midst of the muses on the Parnassus. One of the muses is on the beach and receives a book from the mouth of a dolphin. In the background the winged horse Pegasus. Faam flies in the air. Title page for the book Parnaso (Parnassus) by the writer and Cardinal Giovanni Delfino, whose surname Dolphin means. Amsterdam paper etching / engraving ame; 'Truss', 'Buona', 'Chiara' (RIPA). Apollo and the muses, apollo musages. Pegasus, the winged horse. Swiming Mammals: Dolphin

Saint Benedict curing a man possessed by a devil. Etching after L. Carracci.

Allegorical figures around a sphinx. Crowd Allegorical figures around a sphinx on a base. Left history and a writing female personification crowned with a tower. Father time unrotles a paper, in the air the fame. On the right the truth: a naked woman with a book and the sun on her head. Behind her Minerva, who with her lance a diabolical figure pushes into the earth.

Sanherib, King of Assyria.

Artist: Giovanni Mauro della Rovere, il Fiammenghino, Italian, 1575-1640, Gideon Choosing hisArmy, Pen and black ink and grey wash, heightened with white, on blue-green paper, 26.2 × 10.7 cm (10 5/16 × 4 3/16in.), Made in Italy, Italian, 17thcentury, Works on Paper - Drawings andWatercolors

Allegorische titelpagina met het portret van schrijver Edward Simson; Titelpagina voor: E. Simson, Chronicon historiam catholicam complectens, 1752.Minerva is next to history and looks over her shoulder to the book in which she writes. History looks at three allegorical women's figures (truth, poetry and a third figure). Behind them Father time, fame and a two-man figure that beats an inscription with a chisel in a pyramid. Four putti flies in the air, with eternity symbols in the hands, carrying the portrait of writer Edward Simson.

The nose foot / dedicated to the aristocrats. (IT)

A warrior consults a witch, a devil grabs him by the neck from behind. On the right is a half-naked female figure. The witch is kneeling in a circle containing a dead mouse, a skull and books. In her hands she holds a staff and a book of signs. Perhaps Saul is depicted here with the witch of Endor. Top right: fol 76 I 2. Print used in the book: Toneel der ongevallen van Lambert van den Bos with a total of twenty prints by Arnold Houbraken, Krijsman bij een heks (Warrior with a witch)., print maker: Arnold Houbraken, (mentioned on object), Arnold Houbraken, publisher: Simon onder de Linde, publisher: Dordrecht, publisher: Rotterdam, 1681 - 1683 and/or 1699, paper, etching, h 194 mm × w 143 mm

Allegory on the victories of Prince Eugenius from Savoy, 1719. Triumph by Prince Eugenius from Savoy, 1719. Allegory on the many military victories of the prince. Centrally the prince standing with raised sword and the foot on a conquered enemy. Links Hercules and Minerva, in the air the fame and the German eagle, right caught Turks chained at a triomph room. Design for a print.

Antonio Balestra, Venus as a Huntress Appearing to Aeneas and Achates, 1713 Venus as a Huntress Appearing to Aeneas and Achates

Fragment with the encounter of Jacob and Esau (). Fragment of a drawing with the encounter of Jacob and Esau ().

Lucas Emil Vorsterman after Sir Peter Paul Rubens, Job Tormented by Demons and Abused by His Wife Job Tormented by Demons and Abused by His Wife

Magdalen. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Italian 17th Century.

A black chalk drawing by Louis de Boullogne the Younger depicting the three Maries at the grave, with gray wash and white highlights.

Virgin and Child with Martyrs. Dated: c. 1660. Dimensions: sheet (trimmed within plate mark): 27.1 x 20.2 cm (10 11/16 x 7 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Pietro da Cortona.

Amsterdam, Vinkeles, Reinier (I), who was stormed and set on fire, Followers of Damasus storm a church, verso - stamped, The followers of Damasus storm a church in Rome and set it on fire. The clergy, followers of Ursicinus, who have barricaded themselves in the church are attacked with sticks, swords and arrows., print, book illustration, prints, height 237 mm, width 158 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1802 - 1802, paper, etching, engraving, engraving (printing process)

Le SoldatFrancais. Artist: Nicolas Toussaint Charlet, French, 1792-1845

Lot and his daughters. .

Saint Margaret 1639 Michel Dorigny. Saint Margaret. Michel Dorigny (French, Saint-Quentin 1616/17-1665 Paris). 1639. Etching. Prints

Agony in the Garden 1515 Albrecht Dürer German. Agony in the Garden 391237

Putti Versieren Stele Met Guirlands, Etienne Fessard, After Charles Nicolas Cochin (II), 1745 print print maker: Francepublisher: Paris paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Upright Gravestone

Title page for: Jean Baptiste Racine, 'Fedra', 1770, Reinier Vinkeles (I), 1770 print Theseus and two women mourn the dead body of Hippolytos. In the foreground a part of the fallen car with which Hippolytos crashed, and in the background the bull and the restless horses. Amsterdam paper etching / engraving (story of) Hippolytus. accident with animal-drawn vehicle. horse. ox

Copper engraving by Lucas Vorsterman from 1621 depicting 'The Angesturz', showing a historical or biblical scene with detailed figures, gestures, and composition.

At the top of the stairs of a palace under construction, Idomeneus stands with open arms. He is receiving Telemachus who is walking towards him on the left. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered top right: No. II. Telemachus and Mentor received by Idomeneus at Salento, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 314 mm × w 244 mm

A red chalk drawing by Carlo Maratta showing the Virgin Mary standing on a globe, surrounded by putti, with the Christ child striking a snake using a cross rod, flanked by saints and three figures on clouds.

Erichthonius found by the three daughters of Cecrops, Erichthonius, born from the wasted seed of Vulcan on Mother Earth and trapped in a basket by Minerva, is found by the three daughters of Cecrops, the king of Attica. The child has a snake tail instead of legs, which frightens the three daughters., Early life, prime youth or Erichthonius, Arnold Houbraken (mentioned on object), Amsterdam, 1670 - 1719, paper, etching, h 366 mm × w 275 mm

Marcello, Lorenzo.

Element air; Aer; The four elements. The air element. Naked male personification, sitting in the clouds surrounded by birds and four wind caps. In a frame with birds and insects. In the caption a verse of 4 lines in Latin.

Hercules Vecht Met Cacus, Giovanni Jacopo Caraglio, Florentine Red After, 1515 - 1565 print Hercules is about to attack Cacus with raised club because he tries to steal the cattle of Geryon. Cacus pulls the tail of one of the cattle. Italy paper engraving Cacus steals some of the cattle of Geryon which Hercules was driving home. Cacus, the fire-breathing monster is killed in his cave by Hercules

Saint Florian as a warrior with sayingalm.

Allegory of Fine Art. Stölzel, Christian Ernst (1792-1837), graphic artist, Schenau, Johann Eleazar (1737-1806), painter

France, Eisen, Charles Joseph Dominique, Aliamet, Jacques, La Henriade, chant VII, France looking down on the sleeping Henry IV, verso - stamped, book illustration, print, prints, height 110 mm, width 62 mm, French, 1726 - 1788, print maker, printmaker, 1751 - 1751, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1720-08-17 - 1778-01-04

Slag aan de Granicus (Rechtermiddenblad), Gérard Audran, After Charles Le Brun, 1672 print Paris paper etching / engraving battles of Alexander

Allegory On the arrival of the Prince of Orange to England, 1688, Romeyn de Hooghe, 1688 - 1689 print A portrait of the prince, with (English) Crown, is held up by zeal, bravery and discipline, permanent faith at the back. The receiver is another woman (England) with a crown and the bundle of arrows, she offers a treaty in exchange. Left also present: caution or religion and strength, portraits of predecessors from the Oranje-Nassau house in the air. Right parliament with the helm of state, pallas, mercury and putti. In the middle, a blindfolded old man with crowns (Dolle Drift) is traced to the ground. In the distance a battle with the French. On the right for a tablet with an allegorical representation of the beneficiary Eendracht (Concordia) between the Netherlands and England. Before the verse in 6 verses of 6 lines under the performance. Northern Netherlands paper etching personifications of countries, nations, states, districts, etc. England. Scotland. Ireland

The invention of drawing. Gyges of Lydia tracing his own shadow on the ground in sunlight (above) and Kora of Sicyon, daughter of potter Butades, drawing the outline of her lover on a wall by candlelight (below). Copperplate engraving by Johann Jacob von Sandrart after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.

Buys, Jacobus, Amsterdam, Vinkeles, Reinier (I), Zondvloed, verso - stamped, print, prints, height 187 mm, width 126 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

Jason carrying off the golden fleece 1690-1725 Jean-Baptiste Nolin. Jason carrying off the golden fleece. Jean-Baptiste Nolin (French, Paris 1657-1725 Paris). 1690-1725. Etching and engraving; first state. Prints

The Story ofJonah. Artist: Jan van de Velde II, Dutch, 1593-1641 After: Willem Pietersz. Buytewech, Dutch, 1590/91-1624

Diana with arrow and arch on a cloud, Johannes Glaber, after Gerard de Lairesse, 1656 - 1726 print Diana is sitting on a cloud, arrow and arch in the hand. She is surrounded by two putti and a man with an ax and a spear. The print is part of a series with biblical, mythological and allegorical representations. print maker: unknownpublisher: Amsterdam paper etching (story of) Diana (Artemis). cupids: 'amores', 'amoretti', 'putti'

Design for a Frontispiece of a Title Page n.d. Attributed to Gerard de Lairesse Dutch. Design for a Frontispiece of a Title Page 336035

Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Artist: Jacob Neeffs (Flemish, Antwerp 1610-after 1660 Antwerp). Dimensions: Sheet (Trimmed): 14 5/8 × 10 1/2 in. (37.2 × 26.6 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plat

Rome - Vatican, Raffaello rooms. Detail of the Eliodoro fresco detached from the temple, Raphael. .

The flight into Egypt, the Virgin and Child on a donkey, Joseph to the left, after Luca Giordano ca. 1765-93 José del Castillo. The flight into Egypt, the Virgin and Child on a donkey, Joseph to the left, after Luca Giordano. José del Castillo (Spanish, Madrid 1737-1793 Madrid). ca. 1765-93. Etching. Prints

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. On this seventh state of the engraving, the face of the sitting man has been replaced. paper engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

. Diana is sitting on a cloud, arrow and bow in hand. She is surrounded by two putti and a man with an ax and a spear. The print is part of a series with biblical, mythological and allegorical representations.

Lot and His Daughters, 1631, Jan Georg van Vliet; Artist: after Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 10 7/8 x 8 3/4 in. (27.62 x 22.23 cm) (plate), Etching, The Netherlands, 17th century

Rome, Rossi, Giovanni Giacomo de', Italy, Carracci, Ludovico, Annibale, Agostino, Mitelli, Giuseppe Maria, L'Enea Vagante pitture dei Caracci, Omzrouwen van Aeneas, Aeneam alloquitur simulacrum et umbra creusae, verso - stamped, During the flight from Troy, Creusa, the wife of Aeneas, disappears and dies. When Aeneas goes looking for her, her ghost appears to him. Numbered: VII., print, prints, Ghost of Creusa appears to Aeneas, height 250 mm, width 426 mm, Italian, 1634 - 1718-02-08, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, 1557 - 1602-03-22, after a painting by, 1560-11-03 - 1609-07-15, 1555 - 1619-11-13, 1627 - 1691, printer, drukker

Schelte Adams Bolswert after Sir Peter Paul Rubens, Lion Hunt Lion Hunt

After Albrecht Dürer, The Harrowing of Hell, After 1512, engraving on paper.

Moses on Sinai (Le tables de Loi judaique) 1773 Simon Julien French. Moses on Sinai (Le tables de Loi judaique) 386171

Lamech and Cain 1524 Lucas van Leyden Netherlandish. Lamech and Cain 364766

Artist: Willem Swanenburg, Dutch, 1581-1612, After: Abraham Bloemaert, Dutch, 1566-1651, SaulusRex, Etching, image: 26.8 × 17 cm (10 9/16 × 6 11/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Faust sees an apparition of Gretel on the Blocksberg Meph: Laisse cet objet, on ne se trouve jamais bien de le regarder (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, printer: Goyer & Hermet, (mentioned on object), Paris, 1828, paper, h 320 mm × w 485 mm

Lazio Viterbo Tuscania S. Maria del Riposo8. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile22. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Crucifixion of Petrus, Jean Théodore Joseph Linnig, after Peter Paul Rubens, 1884 print paper etching Peter crucified upside down

No se convienen (They Do Not Agree), published 1863, Los Desastres de la Guerra (The Disasters of War) plate 17, etching, drypoint, burin, and burnisher, Harris 1964, no. 137, State III (1st ed., b), Francisco Goya (artist) Spanish, 1746 - 1828

Drawing by Bartolomeo Altomonte depicting Saint Sebastian as a patron saint, using lead-handled pen, showing figure and posture.

A drawing by an anonymous artist after Michel Dorigny (1639) based on Simon Vouet's altarpiece of Saint Margarete, executed with black and white brush on blue paper, from the Couvent of the Minimes de la Place Royale, destroyed 1798.

Publius Horatius. The Roman Held Publius Horatius looks at his drawn sword. On his head he wears a feathers and a Sphinx decorated helmet. In the background the battle between Publius Horatius and his brothers against the curiati can be seen. His brothers lying down on the floor, while Publius Horatius records it against the triplet. They are watched by soldiers and Lansdragers. At the top left numbered 2.

Frontispiece voor 'All the Talents' van 'Polypus' (E. S. Barrett), 1807, Thomas Rowlandson, 1807 print Frontispiece for 'All the Talents', 18th edition, satirical Verses by 'Polypus' (= E. S. Barrett). Cartoon in which a monkey writes with one hand in a Oek about finances while with a bischop staff pulls books off a shelf in the other hand. The monkey symbolizes the blind and reckless politician. paper etching monkeys, apes. politician, e.g. party leader. political caricatures and satires

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Augsburg, Hertel, Johann Georg (I), Nilson, Johann Esaias, Thelott, Jakob Gottlieb, Apelles and Bagaris, Der Künstliche Mahler Apelles, Apelles the artist, verso - stamped, A shoemaker's boy criticizes the painting made by Apelles. The artist stands to the right of the painting. In the foreground on the left lies an old man with a beard. Around the image is a rocaille frame with a vase and a garland. In the bottom margin are two four-line German and Latin texts. Publisher's number 15., print, ornamental print, prints, ornamental prints, height 332 mm, width 210 mm, German, 1708-05-29 - 1760-01-06, print maker, printmaker, 1731 - 1760, paper, papier, etching, engraving, engraving (printing process), Work conception, 1721-11-02 - 1788, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Allegorical picture of Britannia with torch holding back Father Time with scythe, while Plouton with cornucopia rests on a lion. Copperplate engraving by Francesco Bartolozzi after a design by Giovanni Battista Cipriani from 108 Plates of Antique Gems, 1860.

Linda and Sophronia Freed by Clorinda 1658-1665 Italy. Brush and brown wash, heightened with lead white (partially oxidized) and pink gouache, over black chalk, on blue laid paper, laid down on ivory laid paper . Elisabetta Sirani

Chalk drawing depicting the key handover to Peter, with white highlights and assembled from two parts, including supplemented lower corners, by Anton Kern.

Antwerpen, Meurs, Johannes van, Rubens, Peter Paul, Liemaker, Nicolas de, Zuid-Nederland, Does, Antony van der, Et tanta gessit bella dvm bellvm parat, Achilles defeats the Trojans; entry of Ferdinand into Ghent in 1635, Antwerp, verso - stamped, Achilles defeats Telephos, parallel for the battle of Ferdinand. Representation lower left on the back of the triumphal arch Arcus Fernandi on the Vrijdagmarkt. Sheet no. 16 in a set of 42 plates illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, height 370 mm, width 276 mm, 1609 - 1680, print maker, prentmaker, 1635 - 1636, paper, papier, engraving, engraving (printing process), 1601 - 1644, after, after painting by, Work conception, South Netherlandish, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher

Hamlet and Horatio before the Gravediggers 1843 Eugène Delacroix French After completing at least six of his lithographic illustrations for "Hamlet," Delacroix put the project on hold in 1836, likely due to the pressures of state commissions for large-scale public decorations. He returned to it only in 1842; nevertheless, he remained preoccupied with certain scenes in the interim, especially act 5, scene 1, in which gravediggers preparing a burial site unearth the skull of Yorick, a jester Hamlet had known as a child. Delacroix based the composition on a painting of the same subject he had exhibited at the Salon of 1839. He made minor adjustments, notably giving Hamlet a more active stance and greater prominence in the scene.. Hamlet and Horatio before the Gravediggers 337347

Study of a Saint During a Plague, Mariano Rossi, Italian, 1731-1807, Brush and black wash, pen and black ink, black chalk on paper, A saint is shown praying in the moat of a town in the right foreground. Dead and dying persons lie in the moat and are thrown into it. Framing stripe and line., Italy, ca. 1790, figures, Drawing, Drawing

The arrest of Paulus Buis, pensioner of Utrecht, July 19, 1586, Jacobus Buys, 1785 - 1787 drawing Paulus Buis, pensioner of Utrecht, at night by order of the count of Leicester in his bedroom, imprisoned, July 19, 1586. Design for a print. Netherlands paper. ink pen / brush historical persons. historical events and situations. arrest (of criminal). bed Utrecht

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Dream of Jacob, verso - stamped, Jacob lies asleep, his head on a stone. He dreams of a ladder reaching to heaven, with angels descending. God the Father hovers at the top of the ladder., print, prints, height 161 mm, width 196 mm, 1578 - 1616-01-11, print maker, printmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Rijn, Rembrandt van, The ship of Fortuna: the closing of the Janus temple after the defeat of Marcus Antonius at Actium, verso lower left - stamped, print, prints, Rembrandt f. 1633, lower right, height 111 mm, width 165 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, Oriental paper, etching, etchings, Work conception, after own design by

Stamvader Issachhar, 1587 - 1591 print Family father Issachar, in half, a yoke in the right hand, on his left the head of a donkey (references to Issachar as a 'strong donkey' that 'bore his burden'). In the background a house or stable, a tree and a man by a horse. Under the performance two lines of text in Latin. This print is part of a series of twelve Family Fathers van, Sraël; Each print in this series consists of an image of an ancestor, halfway, and a two -way caption in Latin. print maker: Netherlandspublisher: Amsterdam paper engraving the twelve patriarchs together, i.e. the twelve (grand)sons of Jacob, eponymous ancestors of the twelve tribes of Israel. the twelve tribes of Israel (with NAME) (not in biblical context). male persons from the Old Testament (with NAME) (not in biblical context)

Copper engraving by Benedetto da Montagna depicting Abraham's victim, produced in the first half of the 16th century, showing figures, gestures, and symbolic elements.

Allegory at birth of Willem III, Prince of Orange-Nassau in 1650. Allegory at birth of Prince Willem III, Prince of Oranje-Nassau in 1650. In a crib, the prince is surrounded by, among others, Minerva and Venus and Amor. In the air, fame blows on a praise stuff and wear small angels symbols of the future power of the newborn. In the landscape in the background a face on the Vijverberg with the Binnenhof in The Hague. Verse in four lines in cover.

December, Cornelis Dusart, 1679 - 1704 print Ice fun. A man and a woman skate on a long stick over the ice around a wak. Other skaters can be seen in the background, one of which has fallen. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving skates (winter sports). December and its 'labours'

Giovanni Francesco Penni depicts Giovanni de' Medici entering Florence as a papal legate, showing figures, ceremonial procession, architectural elements, and city streets using brown brush, lead handle, and white highlights on blue ground.

Allegory with the Prince of Orange () protecting Liberty and Faith from Rage, Jacobus Buys, 1779 - 1784, draughtsman: Jacobus Buys, 1779 - 1784, paper, pen, brush, h 150 mm × w 90 mm

Minerva en Mercurius, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print Minerva with helmet, sword and banner in conversation with Mercury, with Caduceus and winged hat (petasus). paper engraving (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena)

Threats for the Netherlands, Anonymous, After Joachim Wtewael, 1613 drawing Allegorical representation of the Netherlands threatened by the Roman Catholic Church and by the Geuzen or the Spanish army. prepared paper. paint (coating). ink pen / brush personifications of countries, nations, states, districts, etc.. archbishop, bishop, etc. (Roman Catholic). robbery. theft. violent death by burning at the stake; pyre. execution of heretic, e.g. by burning at the stake, 'auto-da-fé' Low Countries

Oriental Rider in the Mountains. Rodolphe Bresdin; French, 1825-1885. Date: 1866. Dimensions: 200 × mm (plate, cut off); 315 × 222 mm (sheet). Etching and roulette on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The martyrdom of Saint Laurentius. Artist: Lucas Vorsterman. Artist: Peter Paul Rubens. Draughtsman: Moses ter Borch. Dating: 1660. Place: Zwolle. Measurements: h 400 mm × w 284 mm. Museum: Rijksmuseum, Amsterdam.

The Resurrection, 1561. Giulio Bonasone (Italian, c. 1510-aft 1576). Etching and engraving; sheet: 28.6 x 18.2 cm (11 1/4 x 7 3/16 in.).

The smell The Reuck (title on object) The five senses (series title), A man with half-sunken pants vomit into a kitchen. A boy and a woman grab at their nose to ward off the smell. The print is part of a series of five prints with the five senses, smell, smelling (one of the five senses), vomiting, pig, Cornelis Dusart (mentioned on object), Haarlem, 1670 - 1704, paper, engraving, h 250 mm × w 179 mm

Franz Edmund Weirotter after Étienne de Lavallée Poussin, Nella Venuta in Roma pl 7, 1764 Nella Venuta in Roma: pl. 7

Le voleur de poires (2nd plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Martyrdom of a saint 1693 Sir Nicolas Dorigny. Martyrdom of a saint. Sir Nicolas Dorigny (French, baptized Paris, 1658-1746 Paris). 1693. Etching. Domenico De Rossi (Italian, 1647-1729). Prints

Pieter Holsteyn the Younger depicts an angel departing from Tobias family, drawn in black and gray ink over graphite pencil on paper.

Title page of Mercury or orator. Title page of 'Mercury of orator', with a floating Mercury, which exchanges a torn money bundle over the battlefield under him. A fortress town and the sea in the background.

Saint John the Baptist in the wilderness, next to a spring of water. Mezzotint, 17--.

Christ and Mary Magdalen in the Garden. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 8-1/4 x 10-1/8 in. (21 x 25.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Wszyscy Święci w MNK John, Friedrich (1769 1843), signed by Fugger and engraved by John, Füger, Heinrich (1751 1818)

A drawing by Joseph Celony the Younger depicting the departure of the young Tobias, executed in pen, bister wash, and white heightening.

Time reveals the Truth. Draughtsman: anonymous. Draughtsman: Nicolas Joseph Delin (possibly). Dating: 1751 - 1803. Measurements: h 533 mm × w 370 mm. Museum: Rijksmuseum, Amsterdam.

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