Anatomical Studies and Skeletons

Anatomical sketches and studies focusing on human figures and skeletons, highlighting the intricacies of anatomy and the concept of mortality.

Reclining skeleton with crown and sceptre, draughtsman: Richard Nicolaüs Roland Holst, 1878 - 1938, cardboard, pen, h 101 mm × w 235 mm

Anatomical study of head and shoulders of a man, dissected ..

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock, William Hogarth, 1697-1764, British, ca. 1750, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm), boots, breeches (trousers), deaths, epitaphs, religious and mythological subject, skeleton, stockings

Reclining skeleton with crown and sceptre, draughtsman: Richard Nicolaüs Roland Holst, 1878 - 1938, cardboard, pen, h 101 mm × w 235 mm

Two heads of lions. Draughtsman: Jan van Essen. Dating: 1864 - 1936. Measurements: h 173 mm × w 95 mm. Museum: Rijksmuseum, Amsterdam.

George Stubbs, 1724-1806, British, Human Figure, Anterior View (Outline figure), 1795 to 1806. Graphite on moderately thick, slightly textured, cream wove paper.

17th Century tarot cards by Giuseppe Maria Mitelli (1632-1718). Originating from Bologna.

Victory on Death, Anonymous, After Hendrick Goltzius, 1601 - 1667 print Victory of faith, in the form of an angel with a Bible in hand, is with her foot on the skeleton of death. She leans on a cross on which a horse toom hangs. paper engraving Victoria as Roman personification. Death as skeleton

Pelvis: two figures. Lithograph by Martelli after C. Squanquerillo, 1838.

Study of a skeleton. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Personification of Death, Anonymous, After Marcantonio Raimondi, 1500 - 1549 print Death as a winged skeleton with a scythe in hand. Italy paper engraving Death as skeleton

'Crouched Burial in Round Tumulus on Dunstable Downs', 1887, (1946). Artist: Worthington G Smith.

Anatomical figures on a cliff by the sea, their heads illuminated by light. Line engraving and etching by B. Probst, 1735.

Human skulls: four figures. Line engraving, 1780/1800

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Study of Skeletons Daniel Huntington (American, 1816-1906). Study of Skeletons, July 1848. Black and white chalk and black crayon on tan paper mounted to paperboard, Sheet (irregular): 21 9/16 x 16 7/16 in. (54.8 x 41.8 cm). American Art July 1848

Mask with Long Eyebrows and Mustache and a Headdress with Dangling Cloth, from Divers Masques ca. 1635-45 François Chauveau French From a series of nineteen plates with grotesque masks dedicated to Jean de Leins, goldsmith to the Queen of England and published by Jacques van Merlen in Paris. The plates are not numbered and appear in various orders.. Mask with Long Eyebrows and Mustache and a Headdress with Dangling Cloth, from Divers Masques 425523

Du Jardin, Karel, Vuorenhuiput, 1659, line etching, graphics, image width 17.6 cm, image height 13.8 cm

Parijs, Franse kroon, Huquier, Gabriel, Frankrijk, Bouchardon, Edme, Aubert, Jean, Still life with vanitas symbols, Paris, France, verso - stamped, print, prints, height 266 mm, width 335 mm, - 1741-10-13, print maker, printmaker, 1708 - 1741, paper, papier, etching, etchings, engraving, engraving (printing process), Frans, 1698-05-29 - 1762-07-27, intermediary draughtsman, after drawing by, Publication (Event), Publication, 1695 - 1772-06-11, publisher, uitgever van privilege

Timepiece in the Musée des Arts-Decoratifs, Wilhelm Cornelis Bauer, 1887 drawing paper. ink. watercolor (paint). pencil brush / pen piece of sculpture, reproduction of a piece of sculpture

Human Figure, Lateral View, George Stubbs, 1724-1806, British, 1795 to 1806, Graphite on cream, thin, smooth, wove paper, Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm), anatomical study, anatomy, man, nude, running, side, skeleton, study (visual work)

Sleeping Child with Four Skulls, Barthel Beham, 1502 - 1540, Engraving on laid paper, Germany, 1529, Print, Print

Skeleton dancing next to an open grave, on the right you can see very lightly the figure of a girl, under the skeleton variants in position of the figure, Skeleton dancing next to an open grave., draughtsman: Gesina ter Borch, Zwolle, c. 1656, paper, h 155 mm × w 202 mm

A seated écorché figure, clasping its right shoulder with its left hand, as if in thought. Crayon manner print by Lavalée, after J. Gamelin, 1778/1779.

Woman with basket and chicken, from behind. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 8-Oct-1651. Place: Zwolle. Measurements: h 212 mm × w 122 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of a man on his deathbed, Jacques de Gheyn (II), 1575 - 1625 drawing paper. ink pen historical persons not known by name. deathbed

Caricatures and deformities after Leonardo. Two distorted heads. prints, etchings, works on paper

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

A skeleton in the pose of the Farnese Hercules. Pen and ink drawing.

Human skulls, seen from different corners and as Frisian, Battista Franco (attributed to), after Battista Franco, 1563 print paper etching / engraving (human) skull. still life of related objects

The Two Girls and the Skeleton (Life and Death); Die Beiden Madchen und das Gerippe (Leben und Tod). Edvard Munch (1863-1944). Drypoint. Executed 1896. 31.6 x 42.3cm.

Discontent (Pink and Grey Blue Figure with Waist); Le Mecontent (Figure Rose et Gris-Bleu a mi Corps). Jean Dubuffet (1901-1985). Oil on masonite. Painted in New York January 1952. 81 x 66cm

Study sheet with seven heads in two rows, D. van den Bosch, 1817 print Netherlands paper etching

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

BALZAC, Honor_ de (1799-1850). Les contes drolatiques. 1855. Illustration of a dead knight. Engraving. FRANCE. LE-DE-FRANCE. Paris. National Library.

Soldier on Horseback in Catoptric Anamorphosis (after Hendrick Goltzius) ca. 1620-40 Jean François Niceron French At plain sight, this large, complex design of fan-shaped form, with a semicircular edge at center, is teasingly indecipherable. Recently discovered, it is in fact a fascinating and extremely rare representation of a virtuosic exercise in catoptric anamorphosis. The undistorted visual source for the image is Titus Manlius, an engraving from the series The Roman Heroes by Hendrick Goltzius (see the two impressions in the Metropolitan Museum of Art nos. 49.97.694 and 51.501.39).The present drawing is modeled in a luminous pictorial technique with brush and washes on a single, very large sheet of thick laid paper. The pen-and-ink outlines are, in some passages, jittery, indicating that the artist was rethinking the original and working carefully as he drew the distorted design. He almost certainly relied on a reflection in a mirror as a shortcut to create the optical illusion,

An Egyptian Mirror. David Young Cameron; Scottish, 1865-1945. Date: 1909. Dimensions: 303 x 175 mm (image/plate); 340 x 205 mm (sheet). Etching on cream Japanese paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Hand study; Czachórski, Władysław (1850-1911); Before 1911 (1869-00-00-1911-00-00);fingers (anat.), Hands, studies (sketches), academic studies, anatomical studies, a study of hand, purchase (provenance)

Child with three skulls, Barthel Beham, 1529 print Sleeping child with the head resting on three skulls, an hourglass completes it Vanitas. München paper engraving skull as symbol of 'Vanitas'. symbols of human life

Seven Adult Male Sandwich Islanders front view. 1885 - 1887. Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Anatomical fugitive sheets

Musculorum Tabula VIII. Dated: 1742. Dimensions: plate: 56.2 x 40.2 cm (22 1/8 x 15 13/16 in.) sheet: 65.1 x 46.7 cm (25 5/8 x 18 3/8 in.). Medium: engraving on laid paper with accompanying leaf of descriptive text from the later English edition. Museum: National Gallery of Art, Washington DC. Author: Jan Wandelaar.

Brussels Sprouts-Historic Persons In Brabant Le Choux De Bruxelles-Personage Historique En... 1861 Varin, Amedee(1818-1883 French) Newberry Library, Chicago, Illinois, USA

Figurehead: Hercules. Dated: c. 1940. Dimensions: overall: 28.9 x 22.4 cm (11 3/8 x 8 13/16 in.) Original IAD Object: 74" high. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Skeleton study for the picture "Tanic skeletons"; Horseshoe, w Adys Aw (1866-1895); 1892 (1892-00-00-1892-00-00);Bondy-Glassowa, Alina (1865-1935), Bondy-Glassowa, Alina (1865-1935)-collection, gift (provenance), skeleton, Poland (culture), Polish drawings, studies to paintings, symbolism (style), skeletons, skeletons, skeletons dance, dancing of death (iconogr.), Death

Page 19: a criminal calavera terrifying people, from '36 Grabados' (Mexico, 1943). Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: 13 3/4 × 9 7/16 in. (35 × 24 cm). Publisher: Arsacio Vanegas Arroyo (Mexican, 1922-2001). Date: 1943.See comment for 46.46.102. Museum: Metropolitan Museum of Art, New York, USA.

The Artist and Death II (Der Künstler und der Tod II) Lovis Corinth (German, 1858-1925). , 1916. Drypoint on wove van Gelder paper, Image (Plate): 7 1/16 x 4 15/16 in. (17.9 x 12.5 cm). European Art 1916

Standing boy with a cloak, seen from behind. Artist: Gerard ter Borch (II). Draughtsman: Harmen ter Borch. Draughtsman: Gerard ter Borch (II). Draughtsman: Moses ter Borch. Dating: 1627 - c. 1655. Place: Zwolle. Measurements: h 213 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

Grotesque profiles of a man and woman facing each other, Wenceslaus Hollar, 1607-1677, Bohemian, after Leonardo da Vinci, 1452-1519, Italian, 1645, Etching, Sheet: 2 15/16 x 4 5/8in. (7.5 x 11.7cm)

Still life with skull. Łopieński, Ignacy (1865-1941), graphic artist

The Mummy of Ramses II (c. 1303 BC 27 June 1213 BC) was the third ancient Egyptian king, digital enhanced file original print the century, pharaoh, from the 19th dynasty of the New Kingdom. He reigned for some 66 years, making him one of the longest-serving heads of state in the world. He is considered one of the most important rulers of Ancient Egypt

Masked Man with Twisted Feet. Dated: c. 1622. Medium: etching and engraving//one of four prints on uncut sheet of Lorrainese paper (1949.5.260.a-d). Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

The Coat of Arms with the Skull. Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, 1503. Prints; engravings. Engraving

James Toller, a giant. Stipple engraving.

Without title man, woman and skeleton, Karl Wiener -, artist

France, French Crown, Paris, Mariette, Pierre (II), Bella, Stefano della, I principii del disegno, The principles of drawing, Five feet, verso - stamped, print, prints, height 124 mm, width 152 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever van privilege

Mans head. Draughtsman: anonymous. Draughtsman: Jacob de Wit (rejected attribution). Dating: 1700 - 1800. Measurements: h 269 cm × w 179 cm. Museum: Rijksmuseum, Amsterdam.

JOSE GUTIERREZ SOLANA. PINTOR ESPAÑOL . MADRID 1886 - 1945. " EL ESPEJO DE LA MUERTE " , OLEO 1929. COLECCION PARTICULAR . CADIZ. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

William Fergusson, Wood Carving Hexafoos, c 1941 Wood Carving - Hexafoos

Early bronze age bog burial from Denmark, 16th century. Artist: Unknown

Female skeleton playing the guitar (vignette for the feast of the dead) ca. 1890-1910 José Guadalupe Posada. Female skeleton playing the guitar (vignette for the feast of the dead). José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Reproduction of metal-plate engraving. Prints

Masks of 1831, published in La Caricature. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: sheet: 9 15/16 x 13 3/8 in. (25.3 x 34 cm). Date: March 8, 1832. Museum: Metropolitan Museum of Art, New York, USA.

Calavera of the Female Dandy, Mexico. Date: circa 1910s

Catafalque, dance of death, 16th century, Museo de la Caballada, Church of the Holy Trinity, Atienza, Guadalajara, Spain, Europe

Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49. Antoine Maxime Monsaldy (French, 1768-1816), after André Dutertre (French, 1753-1842), after Henry Joseph Redouté (French, 1766-1853). Etching, hand-colored; sheet: 54.3 x 71.6 cm (21 3/8 x 28 3/16 in.); platemark: 37.8 x 50.8 cm (14 7/8 x 20 in.).

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