Ancient Artifacts and Reliefs

Fragments of ancient panels and stone carvings depicting various historical scenes, animals, and figures, showcasing artistic relief techniques from different eras.

Fragment of a comb. Ivory, probably Malwa, Madhya. Pradesh circa 2nd century AD. The 'ivory carvers' guild of the ancient city of Vidisa (Bilsa) in Malwa was famous for such luxury commodities as ivory combs and furniture. The products of these workshops were traded as far as the Mediterranean world.

Panel fragment ca. 8th-7th century B.C. Iran. Panel fragment 323804

Fragment of a comb. Ivory, probably Malwa, Madhya. Pradesh circa 2nd century AD. The 'ivory carvers' guild of the ancient city of Vidisa (Bilsa) in Malwa was famous for such luxury commodities as ivory combs and furniture. The products of these workshops were traded as far as the Mediterranean world.

unknown, Frisian with warriors on horses, in a museum in Crete, verso top left - handwritten on cardboard with pen in black ink, Bottom right in mirror image the number: 143., photograph, foto, foto's, 62. Muzeum te Candia, height 167 mm, width 233 mm, height 239 mm, width 328 mm, photographer, 1895 - 1915, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, papier, cardboard, kaart, daylight gelatin silver print

Hearthstone, from Antwerp Belgium, with narrow frame, the history of Susanna, fireplace stone part ceramics brick, fired Hearth of the Antwerp type with narrow list depicting both elders from the history of Susanna who are stoned by two soldiers (Daniel 13: 61v) in the background basket with stones and tree building history heat old testament bible religion Susanna elder

SARCOFAGO POLICROMADO DE LA TORRE S SEVERO -ULISES-. Location: MUSEO CIVICO. Orvieto. ITALIA.

Fireplace with suzanna representation, which is led by the two elders before the judge. Fireplace with suzanna representation, which is led by the two elders before the judge.

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)51. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Highstone with Suzanna's representation in front of the right, anonymous, c. 1525 - c. 1575 Highstone with representation of Suzanna, who is taken to court by the two elders. Southern Netherlands (possibly) earthenware Highstone with representation of Suzanna, who is taken to court by the two elders. Southern Netherlands (possibly) earthenware

Panel fragment ca. 8th-7th century B.C. Iran. Panel fragment 324185

On the front of Samson in the Schoot van Delila. On the front of Samson in the Schoot van Delila. Of fine baked earth.

Museo Archeologico Regionale Antonino Salinas, Collection of Etruscan, Roman, Egyptian and Greek Works, Palermo, Palermo, Sicily, Italy, Europe

Cylinder seal ca. 1820-1730 B.C.. Cylinder seal. ca. 1820-1730 B.C.. Hematite. Old Syrian. Syria

The tribute of the ships of Tyre and Sidon, and the capture of Khazazu., 1880 - 1902., London. Publisher, Society of Biblical Archaeology. Themes include Gates, Assyria, Bas-reliefs, and Shalmaneser III, King of Assyria, active 9th century B.C. Palaces

Fireplace with a show from Suzanna. Fireplace with a show from Suzanna.

The florist or seller of crowns, detail from late-Roman sarcophagus, known as the florist's sarcophagus, Giovanni da Velletri's tomb, bishop of Florence from ca 1205 to 1230. Baptistery of San Giovanni Battista, Florence, Italy.

Europe and the Bull, Metope from Selinunte, 8459 cm, early 6th century BC, Museo Archeologico Regionale Antonino Salinas, Collection of Etruscan, Roman, Egyptian and Greek Works, Palermo, Palermo, Sicily, Italy, Europe

Archaic bas relief from the wall of Themistocles N M Athens , Antiquities, Bas-reliefs. Nicholas Catsimpoolas Collection

North Italian 15th or 16th Century, The Three Sons with their Father's Corpse, late 15th early 16th century The Three Sons with their Father's Corpse

Fragment of a relief: Man holding coveredcup

Asia, Cambodia, Angkor Wat. Bas-relief

BYZANTINE ART. GREECE. Marble relief with mythological representation. Dated from the latest XI century and early XII century. It comes from Athens. Byzantine Museum. Athens.

Lazio Roma Rome S. Paolo92. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cylinder seal ca. early 2nd millennium B.C.. Cylinder seal. ca. early 2nd millennium B.C.. Hematite. Old Anatolian (). Anatolia

Etruscan civilization. Relief from a funerray Cippus. Early 5th century BC. Limestone. Chiuse. Barraco Museum. Rome.

Cast of frieze from Rani Gumpha, Udayagiri Caves, Bhubaneswar, India

Abruzzo L'Aquila Castelvecchio Calvisio S. Cipriano2. Hutzel, Max 1960-1990 Post-medieval: Architecture, largely in ruins; frescos; inscription. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Camel train and men fighting animals, relief from Mausoleum at Ghirza, 3rd cent. AD.Roman period. LIBYA.

Relief depicting the campaigns of Tiglath-Pileser III in southern Iraq. On the left, the besieged city with the siege machine. In the center, assyrian with slat writing the campaigns. The civilian prisoners and their belongings are led to the Assyrian king. 728 BC. From Nimrud. Central Palace. British Museum. London. United Kingdom.

Wat Phra Chetuphon monastery King Rama one Chakri dynasty 16th century biggest temple in Thailand ; stone bas relief's depicting Ramayana scenes on outer walls of main chapel ; Thailand ; South East Asia

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V78. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Attack on a city, 8th cent. BC. Nimrud, Assyria.

Lazio Roma Velletri Museo Civico di Velletri97. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Facing lion in Dutch Garden, facing stone sculpture sculpture building component sandstone stone, sculpted Rectangular in high-relief lion with bundle arrows in the left - sword in the right paw. The lion is located within round braided enclosure with fence navy shipping sea war store supplies Admiralty States General gun house Rotterdam City triangle Hoogstraat Originating from the front facade of the ammunition house of the Admiralty on the Maze on the Hoogstraat Noordzijde Rotterdam.

Anatolian-Persian funerary stele, 5th century BC. Marble. From Daskylaion (Ergili, Lake Manyas). Detail of the upper part of the stele depicting a funerary cortege in two scenes: two mourning women walk behind a funeral cart (upper scene). A woman and a bearded man sit on a couch (lower scene). The woman's left hand holds an object, while her right hand receives an egg from the man. The couch is flanked by servants or slaves. On the right, the slave stands in front of a vessel placed on a tripod. On the left, the other slave carries a fruit bowl. Archaeological Museum. Istanbul, Turkey.

Marble votive relief dedicated to the goddess Totoes in the form of a sphinx. It comes from Amphipolis (Macedonia). II century a.C. Museum of Fine Arts. Budapest. Hungary.

The tribute of the ships of Tyre and Sidon, and the capture of Khazazu., 1880 - 1902., London. Publisher, Society of Biblical Archaeology. Gates, Assyria, Bas-reliefs, Assyria, Shalmaneser III, King of Assyria, active 9th century B.C., Palaces

Cast of Three reliefs depicting the Carchemish royal family Neo-Hittite, about 800 BC Yariri, the regent, is shown holding the young King Kamani by the arm. Young princes play with knuckle-bones and tops, and one is learning to walk. The queen or nurse-maid carries a baby. The inscription describes Yariri's

Two men and an ox, side relief on the sarcophagus of the Spounsals, 280-300 AD, Monumental Cemetery of Pisa (UNESCO World Heritage Site, 1987), Tuscany, Italy, Roman civilization, 3rd century.

Relief portraying patrons of inn or 'tavern', from Isola Sacra (Sacred Island), Ostia

The Flagellation of Christ late 19th-early 20th century Influenced by Donatello Italian This bronze is a particularly vigorously chased example of a composition that shows the influence of Donatello (ca. 1386-1466).. The Flagellation of Christ. Italian, Tuscany. late 19th-early 20th century. Bronze. Sculpture-Bronze

Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning, c. 1875 - c. 1900 Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning. On the left a boy is wearing a basket with stones. Netherlands earthenware Hearing stone with the representation of the two elders from the history of Suzanna, who are led away for stoning. On the left a boy is wearing a basket with stones. Netherlands earthenware

The Three Graces. Greek relief from the Passage of the Theores. 470 BC. Thassos. Louvre Museum. Paris. France.

a wounded lion vomiting blood from its mouth, part of the sculptural ensemble of the Ashurbanipal Palace in Nineveh, British museum, London, England, Great Britain.

Hearthstone, from Antwerp Belgium, with narrow frame, with the history of David, hearth fireplace part ceramic brick, baked Hearth of the Antwerp type with narrow frame depicting David who just beheaded Goliath with his own sword (Samuel 17: 48v) on the right two women who welcome David with violin and flute play some trees and shrubs in hilly landscape building history heat old testament bible religion David Goliath music

Allegory of Fate. Dated: c. 1530. Dimensions: overall: 4.7 x 10.5 cm (1 7/8 x 4 1/8 in.) gross weight: 111 gr. Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: called Riccio Andrea Briosco.

Abruzzo Chieti Chieti Museo Nazionale di Antichita53. Hutzel, Max 1960-1990 Exterior views of part of the former Villa Frigeri, which along with a neighboring palazzo, houses the Museo Nazionale di Antichita. Views also of the gardens, fountain (17th century) and the restored interior. The so-called "Capestrano Warrior" (5th century B.C.) is found in the Antiquities core collection under Men, Youths, Warriors--Stone--Etruscan, Italic. Hutzel views include statues, funerary monuments, portrait busts and mosaics, many of which were excavated from Alba Fucens. Hutzel paid particular attention to the colossal statue of Hercules (late Hellenistic); the funerary temple reliefs of Lucius Storax; various nudes, torsos and heads, including the portrait bust of Agrippina Minore and the sepulchral portrait relief of Lucius Poditius (1st century A.D.); gravestones with inscriptions and bas-reliefs; Roman coins; bronze figurines (mainly warriors); and bronze vessels, utensils, helmets and ornaments

Marble relief fragment with gladiators 1st-3rd century A.D. Roman Gladiatorial shows were essentially a Roman phenomenon, but their popularity quickly spread to the Greek cities of the eastern part of the Empire. This fragmentary relief with its Greek inscription is evidence for the existence of gladiators in the Greek-speaking world. The scene shows two types of gladiators pitted against each other in the arena. In the Imperial period, there were seven main types of fighter; each was known by a different name, wore distinctive armor, and carried specific weapons. Most were heavily armed and wore helmets; these were the murmillo, thrax, hoplomachus, provocator, and secutor. In addition, there were the eques, who only fought against another eques since the contest started on horseback, and the retiarius, who was lightly armed with a trident, wore no helmet, and carried a net. Here a retiarius is being pursued by a secutor, and behind them to the left is part of the stage scenery or prop

Furniture plaque carved in relief with lion-headed figure. Culture: Assyrian. Dimensions: 4.13 x 2.2 in. (10.49 x 5.59 cm). Date: ca. 8th-7th century B.C..This ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It depicts a lion-headed figure who resembles the Egyptian goddess Sekhmet, though this figure is shown as male. Before him is a monkey seated on a lotus flower eating or holding food, another motif adapted from Egyptian art. Together, the two seem to refer to the Egyptian story of the Eye of Re, in which the fierce lion goddess is pacified and peace and prosperity return to the land. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C. They were often inlaid into a wooden frame using joinery techniques and glue, and could be overlaid with gold foil or inlaid to create a daz

Eatchi and Amir-Hasaan II princes (14th century). Low relief. Light-brown tuff, carving. Astuadsadsin Spitakavor (White Virgin) Monastery Vayots Dzor, 1321. Armenia. The State Hermitage Museum. Saint Petersburg. Russia.

Furniture plaque carved in relief with two falcon-headed sphinxes trampling captives. Culture: Assyrian. Dimensions: 3 1/4 x 7 3/4 in. (8.4 x 19.7 cm). Date: ca. 9th-7th century B.C..This fragmentary, rectangular plaque is carved in low relief with two falcon-headed sphinxes, hybrid creatures that combine the body of lion with the head and wings of a falcon, trampling two fallen, bearded male figures. While the head of the sphinx on the right is not preserved, it was probably a falcon head crowned by a sun disc like the sphinx on the left. Found in a large storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign, the preserved tenon projecting from the left edge of this piece suggests that it may have originally been fitted into a frame, likely as part of a piece of furniture. Several elements, including the falcon head, nemes cloth (a royal, pleated headdress), solar disc crown, an

Cylinder seal ca. 2350-2250 B.C. Akkadian. Cylinder seal 322562

Relief with scene from the Eighty Years' War.

The Triumph of Titus late 15th century Italian, Padua. The Triumph of Titus 198317

Allegory of Virtues and Vices at the Court of Charles V. Artist: Hans Daucher (German, Ulm ca. 1485-1538 Stuttgart). Culture: German, probably Augsburg. Dimensions: Overall (confirmed): 11 1/8 × 18 7/16 × 1 3/4 in. (28.3 × 46.8 × 4.4 cm). Date: ca. 1522.Uniqueness, fine execution, and symbolism specific to its owner's family elevated this relatively humble material. Holy Roman Emperor Charles V sits on horseback leading a procession (including his deceased grandfather Maximilian and distant blood relative Frederick II) across a bridge, resolute and undeterred by threatening enemy Ottoman soldiers above and despairing sinners in the river below. Despite this panel's small size and imperial subject, Daucher included a characteristically conspicuous monogram at its center. The piece was later displayed in the much-admired collection of Charles's great-nephew, Holy Roman Emperor Rudolf II.Elizabeth Cleland, 2017. Museum: Metropolitan Museum of Art, New York, USA.

Cylinder seal ca. 1720-1650 B.C.. Cylinder seal 327740

Early Classical. Late Archaic. Lion killing dder form the Satyr hunting wils animals. From the animal frieze that used to run around the top of the podium suporting Building G. Acropolis Xanthos. Lycia. Turkey. Made during the reigh of King Kuprlli (480-440BC). British Museum. London. England. United Kingdom.

Roman British tombstone of Longinus- Officer in the Thracian Cavalry.

Campania Napoli Naples S. Lorenzo Maggiore9. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Stele of Gaio Romano Capitone, horseman of the Noricans' Wing from Mainz, Germany, Roman civilization

Cylinder seal with cultic scene late 9th-7th century B.C. Assyro-Babylonian. Cylinder seal with cultic scene. Assyro-Babylonian. late 9th-7th century B.C.. Flawed neutral Chalcedony (Quartz). Neo-Assyrian / Neo-Babylonian. Northern Mesopotamia

Funerary Relief of Meniskos and Hymnis. Unknown

Fireplace, time Louis XIV, Hotel owned by Mr Adolphe Jullien (1890), 10 rue Aubriot, 4th arrondissement, Paris. Marsh. Hotel owned by Mr Adolphe Jullien, chimney plate, Louis XIV period, 10 rue Aubriot, Paris (IVEM ARR.). Anonymous photography. Draw on albuminum, 1890.

Victory between Fame and Peace. Dated: third quarter 16th century. Dimensions: overall: 6.3 x 7.8 cm (2 1/2 x 3 1/16 in.) gross weight: 98 gr. Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Italian 16th Century.

The Baptism in the river Jordan (mould with original impression). In the Middle Ages many cheap, simple religious items were produced, such as this terracotta pax. The mould was created directly from the costly ivory pax adjacent. While the scene of the baptism of Christ is an exact copy, the heraldic shield is omitted. This group of three objects shows how luxury works of art inspired cheap serial products.

Lazio Viterbo Tuscania Museo Comunale7. Hutzel, Max 1960-1990 Antiquities: Etruscan sarcofagi German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Terracotta plaque 27 B.C.-A.D. 68 Roman Relief with a griffin and an Arimasp or a HyperboreanIn Greek mythology, griffins were fearsome creatures who guarded rich deposits of gold on the peaks of the Rhipaion mountains of Scythia in northeastern Europe. They fought constantly with the Arimasps, a tribe of mythical one-eyed men who dwelt at the foot of the mountains. Hyperborea was a land of eternal spring to the north that was ruled by priests of Apollo. The deity spent the winter months there, by some accounts traveling to the mythical realm on a griffin.. Terracotta plaque. Roman. 27 B.C.-A.D. 68. Terracotta. Augustan or Julio-Claudian. Terracottas

Furniture plaque carved in relief with winged figures, locust, and monkey ca. 9th-8th century B.C. Assyrian This carved ivory plaque was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. It is one of a group of plaques depicting unusual imagery. Here, two winged figures stand with arms raised to their sides, facing each other. The plaque was damaged in antiquity so the figure at left is difficult to identify, but appears to be human in form. At right, a figure with a human body and rams head wears a headdress, the ends of which lie on the shoulders, and an elaborately patterned skirt belted at the waist and drawn back to expose one leg. The two figures hold snakes in their upraised hands. Between them, a huge locust and a monkey stand on their hind legs, facing the winged figures. Carved ivory pieces such as this were widely used in the production of elite furniture du

Right Member of a Pair of Architectural Reliefs with Elephants. Unknown

Facing brick with two monks half bodies and year 16. () 0. ,, c. 1600 - c. 1699 Square with a niche on the left in a brick wall and on the right two monks in half. The right monk has a hood on his head. Along the bottom edge a cartouche with rolling work within which a year 16ZO (). Netherlands (possibly) .

Warriors on the Franks Casket, 8th cent. AD, England.

Early Classical. Late Archaic. Satyr hunting wils animals. Panther. From the animal frieze that used to run around the top of the podium suporting Building G. Acropolis Xanthos. Lycia. Turkey. Made during the reigh of King Kuprlli (480-440BC). British Museum. London. England. United Kingdom.

cavalry, depicted in the Parthenon frieze, a high-relief pentelic marble sculpture created to adorn the upper part of the Parthenons naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Phidias

Cinerary Urn and Lid. Unknown

Cylinder seal ca. late 2nd millennium B.C. Cypriot. Cylinder seal. Cypriot. ca. late 2nd millennium B.C.. Serpentine. Late Cypriot. Cyprus

Hunting scene, Hittite relief from Karkemish XIth century b.C.

Cylinder seal ca. 1820-1730 B.C.. Cylinder seal. ca. 1820-1730 B.C.. Stone. Old Syrian. Syria

The Triumph of Poverty (one of a series) last quarter 16th century Netherlandish. The Triumph of Poverty (one of a series) 195382

Campania Napoli Sorrento Museo Correale di Terranova4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hearing stone with representation of Suzanna, who is taken to court by the two elders, c. 1875 - c. 1900 Highstone with representation of Suzanna, who is taken to court by the two elders. Netherlands earthenware Highstone with representation of Suzanna, who is taken to court by the two elders. Netherlands earthenware

Fragment of relief depicting a hunting scene with ostrichs and ibexes. Limestone. Middle Kingdom. 12th Dynasty. 1940-1760 BC. Neues Museum. Berlin. Germany.

Pylon, Egypt. Francis Frith (English, 1822 - 1898)

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Relief with sphinx, from Nineveh

Lazio Roma Velletri Museo Civico di Velletri7. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara ca. 1349-1327 BC New Kingdom, Amarna Period - post-Amarna Period This block depicts a view over a stable yard and a harbor. In the upper right corner a figure who is certainly the tomb owner reviews the scene, followed by three men who are probably account-scribes, and a man with a stick. The stableyard includes a stable at the far left where a man hand feeds three very fat oxen who are tethered to a stone, and a yard where other tethered oxen are fed. In the harbor cargo boats still under sail or docked bring a delivery of what appears to be sheaves of grain and grain.Work by the Leiden Museum / Leiden University joint expedition to the Memphite necropolis Saqqara in 2001 revealed the lost tomb of Meryneith, or Meryre as he is also known, and showed that this block joins another in Berlin and both appear to belong to the upper part of a wall in that tomb whose lower part depicts

Print (Italy)

FRISO DEL PARTENON - CABALLOS - SIGLO V AC. Author: PHIDIAS. Location: BRITISH MUSEUM. LONDON. ENGLAND.

Thompson, Stephen, Two Sides of an Etruscan Terracotta Sarcophagus, photograph, photo, page, photos, photographically illustrated books, height 449 mm, width 328 mm, English, 1831 - 1893, photographer, 1869 - 1874, photographic paper, photo paper, albumen print, albumine print

Terracotta tablet called Pinakes depicting the trousseau preparation

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia8. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Andrea Briosco, called Riccio, The Triumph of Silenus, c 1530 The Triumph of Silenus

Relief showing Ashurbanipal rescues foreign princes from a 1ion. Assyrian, about 645-635 BC From Nineveh, North Palace, Iraq. The figures on the right, kneeling and throwing their bows before the king, are foreign princes who have come to Assyria as political refugees

GRANYER I GIRALT, Josep (1899-1983). The Group of the Lyon de Oro. The Evolucionists. 1926. The Evolutionists were one of the groups of artists that in 1917 joined together on the rejection of Mediterraneist Noucentisme. Realism. Relief. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Punic civilization - Tunisia - Tophet of Carthage - 2nd century b.C. - Votive stele with a relief representing a sacrifice to Goddess Tanit. At the top, two sphinxes

Stove plate with King David, Anonymous, c. 1673 Stove plate made of cast iron, divided into two zones. The upper zone has a performance of King David, playing on his harp. The top is closed with leaf vines. The lower zone has a cartouche with curls and the inscription AO1673. Germany iron (metal) casting Stove plate made of cast iron, divided into two zones. The upper zone has a performance of King David, playing on his harp. The top is closed with leaf vines. The lower zone has a cartouche with curls and the inscription AO1673. Germany iron (metal) casting

Byzantine warriors on horseback. Byzantine ivory. 11th cent. TURKEY.

Funerary stele of Longinus Biarta, soldier of the cavalry regiment of the Ala Sulpicia. Died at 46 years old, he was originally from Thrace (now Bulgaria). Relief depicting the deceased and, in the lower part, a servant carrying the horse of the deceased. 80-90 AD. Found in Gereon Street, Cologne, Germany. Roman-Germanic Museum. Cologne. Germany.

RELIEVE DE LANCERO PROCEDE DE SAN MIGUEL DE LILLO - SIGLO IX. Location: MUSEO ARQUEOLOGICO-COLECCION. Oviedo. ASTURIAS. SPAIN.

The Death of Absalom. Dated: 15th century. Dimensions: overall: 4.2 x 6.4 cm (1 5/8 x 2 1/2 in.) gross weight: 44 gr. Medium: bronze//Light brown patina. Museum: National Gallery of Art, Washington DC. Author: Pseudo Melioli.

Cylinder seal ca. 2700-2600 B.C.. Cylinder seal 328756

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