Ancient Babylonian Artifacts

Historical tablets and seals from ancient Mesopotamia, depicting mythological scenes and inscriptions, showcasing early civilization artistry.

Tablet of Shamash. beg. 9th c. BC. The sun-god Shamash (right) receiving the Babylonian king Nabu-apla-iddina (left), between two interceding deities. The lower cuneiform text describes the fallen into decay and restoration of the temple of Samash. Babylonian art. Relief on rock. UNITED KINGDOM. ENGLAND. London. The British Museum. Proc: IRAQ. Tell Abu Habbah. Sippar.

Tablet of Shamash. beg. 9th c. BC. The sun-god Shamash (right) receiving the Babylonian king Nabu-apla-iddina (left), between two interceding deities. The lower cuneiform text describes the fallen into decay and restoration of the temple of Samash. Babylonian art. Relief on rock. UNITED KINGDOM. ENGLAND. London. The British Museum. Proc: IRAQ. Tell Abu Habbah. Sippar.

Cylinder seal ca. 15th-13th century B.C. Cypriot. Cylinder seal 321433

Hearing stone with image, anonymous, c. 1400 - c. 1950 Hardstones. "St. Hubert a Het Hert". Southern Netherlands earthenware Hardstones. "St. Hubert a Het Hert". Southern Netherlands earthenware

Hearthstone, from Antwerp Belgium, without frame, with crowned male and female head, hearth fireplace part of the foundations of the earthenware brick, baked Hearth stone of the Antwerp type without display of crowned men's and women's head from the side in two laurel wreath medallions placed in two panes and accompanied by the year 1562 half and quarter panes at the top and bottom are filled with parts of medallions with star motif. 1562 archeology Rotterdam Delfshaven New West Blommersdijkscheweg building history heating Soil discovery in the Blommerdijkschen road about 1.50 M. under the ground floor November 1894.

Block ca. 1130-40 Catalan. Block. Catalan. ca. 1130-40. Marble. Sculpture-Architectural

Stove Plate. Dated: 1935/1942. Dimensions: Overall: 27.3 x 28.1 cm (10 3/4 x 11 1/16 in.) overall: 36.1 x 37.6 cm (14 3/16 x 14 13/16 in.) Original IAD Object: 22 1/2" high; 23 1/2" wide. Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: Charles Von Urban.

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Italy, Tuscany, Murlo, Fictile slab (architectural ornament) representing dignitaries

Funerary stela of Ankh-Hapy Funerary stela of Ankh-Hapy, aramaic inscription, Limestone, Memphis, 27 Dynasty, Gregorian Egyptian Museumn Musei Vaticani, State of the Vatican City, Roma, Lazio, Italia Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21377756

Commemorative Gravestone of the Temple of Tenochtitlan. 1487. Aztec art. Relief on rock. MEXICO. FEDERAL DISTRICT. Mexico City. National Museum of Anthropology. Proc: MEXICO. FEDERAL DISTRICT. Mexico City. Tenochtitln.

Stove plate 16th century German. Stove plate 191335

Brick Stamped with the Name and Titles of Min ca. 1550-1295 B.C. New Kingdom See 15.10.39. Brick Stamped with the Name and Titles of Min. ca. 1550-1295 B.C.. Pottery. New Kingdom. From Egypt, Upper Egypt, Thebes, Sheikh Abd el Qurna, Tombs TT 65 and TT 66, forecourt, MMA excavations, 1914. Dynasty 18

Stamped Tile with Crouching Ascetics 301 CE-600 CE Kashmir. Terracotta .

Cylinder seal ca. 14th-12th century BCE

Hearing stone with two coats of arms, between which the Liège Perroen, Anonymous, c. 1400 - c. 1950 Hearing stone with two coats of arms, between which the Liège Perroen (a crowned column occurs). On the left a double eagle on a shield. On the right an animal on a salamander. Inscription Conversely: Max.imp. Dici Lc. From fine baked earth. Southern Netherlands earthenware Hearing stone with two coats of arms, between which the Liège Perroen (a crowned column occurs). On the left a double eagle on a shield. On the right an animal on a salamander. Inscription Conversely: Max.imp. Dici Lc. From fine baked earth. Southern Netherlands earthenware

Seal of Ishma-Ilum, Prince of Kisik. Gilgamesh and Lions. Ur. 2500 BC. Sumerian. MESOPOTAMIA.

Pa. German Stove Plate. Dated: c. 1937. Dimensions: overall: 19.2 x 20.3 cm (7 9/16 x 8 in.) Original IAD Object: 22 1/2" high; 23 1/2" wide. Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: Charles Von Urban.

Cylinder seal and modern impression: nude goddess faces a male figure; worshiper ca. 1820-1730 B.C.. Cylinder seal and modern impression: nude goddess faces a male figure; worshiper. ca. 1820-1730 B.C.. Hematite. Old Syrian. Syria

Cylinder seal and modern impression: female figure, ibex, lion ca. 14th-13th century B.C. Cypriot Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer ext

Telloh, the Sumerian ruler of Lagash, Urnanshe, with his son; third millennium B.C.

Etruscan relief of dancers and a musician, 6th century BC. Artist: Unknown

Estampaż. unknown, author

Ancient Egyptian limestone false door stele of Iry and Inet, Old Kingdom, IV Dynasty

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V89. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Stove plate with representation of Bathseba and the inscription Bersabe Sitz im Bade Allin, Anonymous, c. 1575 - c. 1600 Stove plate made of cast iron. The show is divided into two zones. The upper one shows a fountain on the right in a garden with Bathseba next to Bathseba and further to the left two female servants. In the background a palace, where King David plays on his balcony Harp and watches the ladies under him. The lower zone shows a banderole with inscription. Germany iron (metal) casting Stove plate made of cast iron. The show is divided into two zones. The upper one shows a fountain on the right in a garden with Bathseba next to Bathseba and further to the left two female servants. In the background a palace, where King David plays on his balcony Harp and watches the ladies under him. The lower zone shows a banderole with inscription. Germany iron (metal) casting

Hearthstone, from Antwerp Belgium, without frame, with two lions in the window, fireplace stone part ceramic brick, baked Hearth stone of the Antwerp type without frame showing two climbing lions placed in two panes with laurel leaf motif and accompanied by the year 1597 half and quarter panes at the top and bottom are filled with star motif. year 1597 heat building history

Cylinder seal ca. 1900-1800 B.C.. Cylinder seal 326977

Cylinder seal ca. 15th-13th century B.C. Mitanni. Cylinder seal. Mitanni. ca. 15th-13th century B.C.. Glass paste. Mitanni. Mesopotamia

Lintel 725 A.D. Mayan. Yaxehilan, the sacrificial offering of blood conjures up a visionary manifestation of Yat-Balam.

Egypt, Luxor, East Bank, Karnak Temple. Hieroglyphics detail.

Relief with a royal figure ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with a royal figure. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably originally from Amarna (Akhetaten); Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu). Dynasty 18

Guatemala, Quirigua. Mayan stele at Quirigua Archaeological Park (UNESCO World Heritage Site), Guatemala.

Cylinder seal with monsters 8th - 7th century B.C. Assyrian. Cylinder seal with monsters 324530

Gate relief in the Trohn Hall, Darius the I with audience scene, Persepolis, Persepolis, Iran, Asia

Cylinder seal ca. 15th-13th century B.C. Mitanni. Cylinder seal. Mitanni. ca. 15th-13th century B.C.. Hematite. Mitanni. Mesopotamia or Syria

Relief Fragment. Egypt, Late Period() 724-333 BCE. Sculpture. Limestone

Molded Faience Funerary Plaque with Double-sided Inscription. Egypt, New Kingdom - Late Period (1569 - 333 BCE), probably 26th Dynasty (664 - 525 BCE). Sculpture; plaques. Faience

Olympia - plaque, lower band showing Artemis , Antiquities, Bas-reliefs, Goddesses, Artemis Greek deity. Nicholas Catsimpoolas Collection

Relief on the pedestal of a pendopo on the east side of Candi Panataran, 1867 photograph Java (possibly) paper. photographic support. cardboard albumen print

'A ballgames player', 27.6 x 18.1 cm. Museum: MUSEO DE AMERICA, MADRID, SPAIN.

Human swastika motif from a Pictish grave-slab, 7th century Artist: Unknown

Pa. German Stove Plate. Dated: c. 1942. Dimensions: overall: 26.7 x 28.8 cm (10 1/2 x 11 5/16 in.) Original IAD Object: 20 1/2" wide; 22 1/2" high. Medium: black and white photograph. Museum: National Gallery of Art, Washington DC. Author: Charles Von Urban.

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre 562097

Fragment of a doorpost, anonymous, c. 200 - c. 300 Episode from the life of Buddha; belongs to AK-MAK-1186. Made from sandstone (red with yellow spots). Mathura sandstone Episode from the life of Buddha; belongs to AK-MAK-1186. Made from sandstone (red with yellow spots). Mathura sandstone

RELIEVE CON LA REPRESENTACION DE UN GUERRERO TOCANDO EL CORNY O TROMPETA GUERRERA-ESCULTURA IBERICA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Circular pottery tile end of an eves tile decorated with animals. Qin dynasty (221-206 BC)

Ulocrino, Apollo and Marsyas, early 16th century Apollo and Marsyas

Templo de Isis. Egipto.

Sumerian stone plaque showing ritual offerings to a King. Artist: Unknown

Salt paper photograph by Pompeo Pozzi from 1854-1858 showing a low relief in the vestibule of Certosa di Pavia, capturing detailed sculptural decoration and architectural features.

Roman smith at work, 2nd century. Artist: Unknown

Lazio Viterbo Viterbo Museo Civico07. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Lazio Roma Rome S. Paolo85. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hearthstone, from Antwerp Belgium, with narrow frame, with naval battle, hearth fireplace part ceramics brick, fired Hearth of the Antwerp type with narrow list depicting naval battle in which armed and hardened men fight each other building history heat war

Console with image of the fall: Adam, Eve, tree and snake, ornament pilaster building component sandstone stone h 45.0, maybe an E) bible religion Old Testament Fall Adam eve

Gable seal ca. 4000-3500 BCE

Estela I of Izapa.God of the storms. Maya Culture.Original of Izapa. National Museum of Anthropology. State of Mexico D.F. Mexico.

Perforated relief of King Ur-Nanshe, king of Lagash. Early Dynastic period III, c. 2550-2500 BC. Reliefs commemorating religious actions of the king Ur-Nanshe. He is depicted presiding over the ceremonies of the foundation and inauguration of a shrine. From Tello (ancient Girsu), Iraq. Limestone. Louvre Museum. Paris, France.

Relief with the Aten disk ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with the Aten disk 544934

Funerary Stele made from porous stone with a chariot scene in relief. Mycenae Grave Stele from Grave circle A Grave V, 16th century BC, Greece. Pyxis or jar with lid. Greek burial jar circa 8th Century BC Athens, Greece.

Virgil Suspended in a Basket. Dated: c. 1510. Dimensions: overall (diameter): 5.4 cm (2 1/8 in.). Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: French 16th Century.

Lampka z przedstawieniem Ateny-Neith (). unknown, author

Relief Showing the Head of a Winged Genius 883 BCE-859 BCE Nimrud. Gypsum relief with traces of pigment . Neo-Assyrian

Tuscany Siena Montalcino (environs) Abbey of S. Antimo Abbey church76. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (9th century, 1118, c. 1250), wooden crucifix, painting, frescoes. Post-medieval: Fresco depicting the Resurrection Object Notes: Two photocampaigns were made of this site, one of which occurred in 1983. Hutzel's notes document only the 1983 campaign; these prints are all found in the Medieval core collection. General Notes: When these photos were sent, mislabelling of prints and negatives had occurred. Intermingling with prints and negatives of S. Agostino may have occurred. Please note that negative sleeves have been labeled Abbazia di S. Antimo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Auspicious Emblem with Four Dancing Figures 1st century B.C. India (Uttar Pradesh, Kaushambi). Auspicious Emblem with Four Dancing Figures. India (Uttar Pradesh, Kaushambi). 1st century B.C.. Terracotta. Shunga period. Sculpture

Assyrian relief- Shalmaneser III obelisk with Israelite prisoners, 8th cent. BC. IRAQ.

Fireplace with a presentation of a mascaron between two fruit festivoes. Fireplace with a mascaron between two fruit festons, the whole surrounded by a fruitfeston.

CAPITEL DEL TIEMPO DE ABDERRAMAN II. Location: MUSEO ARQUEOLOGICO-ARTE HISPANOMUSULMAN. GRANADA. SPANIEN.

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V7. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah, p

Wall decoration with vegetal design ca. 6th century A.D. Sasanian Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this relief from Maaridh IV consisting of two stylized plants above a beaded border. The use of molds to make stuccos allowed for the creation of large scale repetitive patterns such as floral and vegetal motifs. This pattern was also found in the nearby house of Maaridh VI, indicating the reuse of the molds to create stuccos for different buildings. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 192

Facade stone with helmet sign and coats of arms, facing stone sculpture sculpture building component sandstone stone, sculpted Alliance weapon Top of the plumed helmet with horn underneath two coats of arms The left has in the middle cloverleaf above it two post horns and below it post horn The right shield is oval in the middle jumping dog or hare Schrijnwerkerssteeg Zijlsteeg Hang City Triangle City Center Rotterdam heraldry war World War II bombing Bombardment May 1940 Originating from building Hang Zuidzijde between Zijlsteeg and Schrijnwerkerssteeg Rotterdam.

Fragment of a Sarcophagus Lid with Iphigenia in Tauris. Unknown

Cippus (magical stela) 300 B.C. approximately Ptolemaic Period This small stela is representative of the genre of Egyptian art known as the cippus (plural, cippi) or magical stela. An image of the infant Horus on the front beneath a Bes-image is shown subduing dangerous animals. The Metternich Stela (acc. 50.85) is the largest and most elaborate example of the genre. Texts on such stelae often include a reference to transforming water poured over the stela into a curative libation.. Cippus (magical stela). 300 B.C. approximately. Steatite. Ptolemaic Period. From Egypt

Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC. Artist: Unknown.

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V86. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Base of the south cross at Castle Dermot. Artist: Unknown

Double -sided gingerbread form

Fireplace with presentation of Sint Joris on horseback. Fireplace with presentation of Sint Joris on horseback, moving to the left.

Croatia, Salona, Solin, Bas-relief portyaing Emperor Constantine I (Flavius Valerius Constantinus, 274 - 337) sitting on throne, holding Christian symbols, constantinian dynasty, imperial age

Woman with a Headdress 100 BCE-1 BCE Uttar Pradesh. Molded red micaceous clay .

Warrior on the Franks Casket, 8th cent. AD, England.

Part of an Aztec 150-650 AD ornamental façade symbolising the Rain God, Tlaloc. From Teotihuacan; Mexico

Cylinder seal and modern impression: two bullmen flanking sun-disc; horse, griffin ca. 15th-13th century B.C. Mitanni. Cylinder seal and modern impression: two bullmen flanking sun-disc; horse, griffin. Mitanni. ca. 15th-13th century B.C.. Hematite. Mitanni. Mesopotamia or Syria

Cylinder seal ca. 2600-2350 B.C. Sumerian. Cylinder seal. Sumerian. ca. 2600-2350 B.C.. Limestone. Early Dynastic III. Mesopotamia

Panel dated A.H. 1061/ A.D. 1612. Panel. dated A.H. 1061/ A.D. 1612. Wool; embroidered with gold thread. Attributed to Armenia. Textiles-Embroidered

Mesopotamian. Assyrian Empire, Iraq. Two copper alloy swords. From Ur. 1500 BC. British Museum. London. GBR.

Magical Figure ca. 1802-1550 B.C. Late Middle Kingdom-Second Intermediate Period These tablets of unfired clay with attached crude faces were found as a group by the Museum's excavators at Lisht South in loose surface sand west of the mastaba of Senwosretankh, a high official and possibly the architect of the pyramid complex of Senwosret I (ca. 1961-1917 B. C.), east of which he erected his own very elaborate mastaba tomb (see acc. nos. 33.1.2 and other pieces). The mud figures and little coffin (acc. no. 33.1.66) that had contained some of them must have been buried, however, considerably later than the early twelfth dynasty tomb close to which they were found. In fact, during the thirteenth and following dynasties people deposited a number of objects in the by then sacred area around a legendary ruler's pyramid and its dependant monuments, believing conceivably that potent magical powers could thus be released. These flat mud figures, for instance, are inscribed in now much-faded red

Cylinder seal ca. early 2nd millennium B.C. Isin-Larsa-Old Babylonian. Cylinder seal 327608

Hearing stone with representation of two climbing lions, placed in two niches, c. 1500 - c. 1600 Hearing stone with representation of two climbing lions, placed in two niches. Southern Netherlands earthenware Hearing stone with representation of two climbing lions, placed in two niches. Southern Netherlands earthenware

FRONTON THE TACBE ". Cut moving. Parigi, Ceriddi, sole sole deck. Animal Head, Buddha Room, Decor Estampe, Enggraving Decoration, Fronton, Pediment, Buddha Salle, Terracotta, Terracotta, Animal Tete, Tomm, Tomb, Tour, Tower

Stela wotywna kapłana Peraa(er)neheh. unknown, author

Tile China. Tile 51981

Plaque with the image of two bulls; III/II century BC -1st century (-225-00-00-100-00-00);

Funerary stele made of porous stone, with relief chariot scene. The spirals in the upper panel may represent waves, thus indicating the coastal location of the scene in the lower panel. The standing charioteer pulls at the reins, while a second figure, who holds a weapon (possibly a sword) in his left hand, is depicted in front of the chariot. Mycenae, Grave Circle A, Grave V, 16th cent. BC.

AMULETO EGIPCIO CON VACA HATHOR Y EL OJO UDYAT-PUIG MOLINS. Location: MUSEO ARQUEOLOGICO / MUSEO DE PUIG DES MOLINS. IBIZA. SPANIEN.

Uszebti - fragment. unknown, author

Idol of lord Buddha, Shanti stupa, Dauli hill, Bhubaneswar, Orissa, India Copyright: xRxModi/DinodiaxPhotox

Spain, Osuna (Urso), Bas-relief depicting an aulos player

Double -sided gingerbread form with an image eaten on both sides; 1797 (1797-00-00-1797-00-00);

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