Ancient Decorative Reliefs

Stone and ceramic artifacts adorned with intricate patterns and motifs, often depicting flora and fauna, embodying ancient craftsmanship and historical significance.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in the window, fireplace stone part ceramic brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 half the windows on the top and bottom are filled with lily pattern. date 1605 From bakery in Hekendorp.

Marble pilaster with acanthus scrolls 1st half of 1st century A.D. Roman The acanthus scroll that decorates the pilaster, presumably from a public building, is populated with a variety of birds. Such imagery is found on major imperial monuments at Rome, notably the Ara Pacis Augustae, as well on funerary altars and minor works of art such as silver drinking bowls and Arretine pottery.. Marble pilaster with acanthus scrolls. Roman. 1st half of 1st century A.D.. Marble. Early Imperial, Julio-Claudian. Stone Sculpture

Hearthstone, from Antwerp Belgium, without frame, with winged deer in glass, hearth fireplace component ceramics brick, fired Hearth of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 160 the half-panes at the top and bottom are filled with lily pattern. year 160 heat building history

Ornamental ceiling painting with putti representations in the corners. Dating: 1695 - 1755. Measurements: h 485 cm × w 265 cm; h 449.5 cm × w 236.5 cm × d 8.6 cm. Museum: Rijksmuseum, Amsterdam. Author: Elias van Nijmegen (attributed to).

Ornamental ceiling painting with Putti performances in the corners. Ornamental ceiling painting with in the corners of Putti playing with flowers and hunting with dogs. See for the other half SK-A-4656. Probably from the Palace of the Frisian Stadhouders in Leeuwarden.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in the window, fireplace stone part ceramic brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 half the windows on the top and bottom are filled with lily pattern. date 1605 From bakery in Hekendorp.

Hearthstone, from Antwerp Belgium, without frame, with male head, hearth fireplace part ceramic brick, baked Hearth stone of the Antwerp type without frame showing man's head in laurel wreath with date (15) 93 placed in window with laurel leaf motif. Year 93 heating history

Italy. Rome. Ara Pacis Augustae. Altar dedicated to Pax. 13-9 BC. Scrolling acanthus relief.

Border (possibly France); block-printed on handmade paper; 39 x 52 cm (15 3/8 x 20 1/2 in.)

Dado Panel 10th century In 1935, a team of archaeologists from the Metropolitan Museum began excavating a mound known as Sabz Pushan (the Green-Covered), located near the city of Nishapur. The excavation uncovered part of a tenth-century residential neighborhood with several units richly decorated in carved and painted stucco. This panel was assembled from fragments of carved stucco found on the floor of one of these units, having crumbled off a nearby wall where they originally formed a long dado. The panels main decoration consists of a band of eight-point stars, each filled with a slightly different cluster of vegetal motifs. In the very center is a peculiar ornament consisting of a half-palmette leaf from which a motif emerges that could be interpreted as a birds head. Such playfulness is common in the architectural ornament of Nishapur, where vines are animated with eyes and hands (40.170.176), and letters on inscription bands sprout leaves (40.170.442).. Dado Panel 450116

Wall paper made from stucco : interiors from houses and palaces. Particularly famous for Samarra is its carved stucco, with once decorated the dadoes of houses and palaces. There are three different styles. Two styles show vine leaves, grapes and leaf tendrils closely follow the tradition of Late Antiquity. There is then the flat cut 'bevelled' or 'slant' style of carving with stylised ornaments repeated in endless series. This was a ground-breaking invention and widely used in the Abbasid Empire in the 9th and 10th century.

Wooden stick panel by Hans Springinklee showing a detailed portion of the Habsburg family tree, circa 1520, with carved lines and heraldic symbols.

Hearthstone, from Antwerp Belgium, without frame, with mascaron, fire stone fireplace component ceramics brick, baked Hearth stone of the Antwerp type without frame showing mascaron with fruitflakes all contained in cross shaped profiled frame on the corners quarter medallions with star motif and fertilize fruitfarms building history

Architectural features from the 'Treasury of Atreus' (circa 1350-1259 BC). Taken from the Tomb of Agamemnon in Mycenae, Greece. Green Limestone and Red Marble.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in glass, hearth fireplace component ceramics brick glaze, baked Hearth of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 or 1606 half-panes at the top and bottom are filled with lily pattern. year 160 heat building history

Panel 14th-15th century. Panel 445063

Cassone Front. Culture: Italian. Dimensions: Overall: 19 x 61 3/4 in. (48.3 x 156.8 cm). Date: late 14th centuy. Museum: Metropolitan Museum of Art, New York, USA.

Florence, Basilica di Santa Maria Novella, facade, detail

Bavarian National Museum, detail of a door with a door knocker, Prinzregentenstrasse 3, Munich, Bavaria, Germany, Europe

Panel with Joachim and Anna at the Golden Gate early 16th century French Until 1950 this panel lined the Great Hall of Highcliffe Castle in southern England. Constructed in the 1830s for Lord Stuart de Rothesay, the castle was furnished in part with stonework acquired form the ruined royal abbey at Jumièges in Normandy, where the panels might also have originated. In all likelihood they once decorated the backs of choir stalls ordered in 1501 by the abbot of Jumièges. Carved on The Cloisters' thirty-five oak panels (50.147.1-38) are scenes from the lives of the Virgin and Christ, each set under an elaborate canopy of single or double arches. The exuberant latticework surrounding the arches provides an almost encyclopedic display of pinnacles, crockets, spirals and other fanciful decorations. As in many late medieval works, the figures are foreshortened within their inhabited surroundings, adding depth and drama to the composition.. Panel with Joachim and Anna at the Golden Gate 471360

Fragmento de una jamba con decoración floral clásica.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in glass, hearth fireplace part ceramic brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1605 half the windows on the top and bottom are filled with lily pattern. date 1605 heating history

Architectural fragment (doorways window frame). unknown, author

Lazio Roma Albano Laziale Santa Maria della Rotonda8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

YESERIA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPANIEN.

Hearthstone, from Antwerp Belgium, without frame, with winged deer in glass, fireplace hearth part ceramic brick, baked Hearth stone of the Antwerp type without frame showing two winged deer placed in two panes with laurel leaf motif and accompanied by the year 1606 half the windows on the top and bottom are filled with lily pattern. date 1606 heating history

SILLA DE CARLOMAGNO S XI - DETALLE. Location: CATEDRAL-INTERIOR, GERONA, SPAIN.

Hout panel with a cartouche with coat of arms, anonymous, 1600 - 1650 Elongated stabbed panel made of oak that shows a cartouche with coats of arms in the middle, crowned by a helmet sign with sitting bird and acanthus vranks. Acanthus vranks spring from a pearl edge on either side. Northern Netherlands wood (plant material). oak (wood) Elongated stabbed panel made of oak that shows a cartouche with coats of arms in the middle, crowned by a helmet sign with sitting bird and acanthus vranks. Acanthus vranks spring from a pearl edge on either side. Northern Netherlands wood (plant material). oak (wood)

Mesa de vidriero, siglo XIV. Museum: Museu d'Art de Girona.

Ceiling panel with a knight of the House of Anjou struck down by a knight with the coat of arms of Catalonia-Aragon and those of Swabia of Frederic of Sicily. Date/Period: Last quarter of 13th century. Painting. Tempera on wood. Height: 242 mm (9.52 in); Width: 657 mm (25.86 in). Author: UNKNOWN.

Door frame with human figures and decorative elements depicted 11th century AD, Kalchurian period, found at Katni, Madhya Pradesh, India Copyright: xHarixMahidhar/DinodiaxPhotox

Canterano Luis XVI, detalle. Siglo XVIII. Museo Maricel de Mar, Sitges. Barcelona.

Delicate marble carving in lord Venkateswara temple, Hyderabad, Andhra Pradesh, India Copyright: xNitinxKelvalkar/DinodiaxPhotox

Roman pillar of rectangular base with capital with leaves of acanthus and flowers. Side A, buds with flowers and berries. Side B, overlapping flowers. 1st century AD. From the Vesubian area. National Archaeological Museum. Naples. Italy.

Anonymous. Sarcophagus head panel, rosette in eye -shaped interlacing. Molded plaster. VIIIth century. Paris, Carnavalet museum. Decor made up of a large central roller and four small peripheral rolles at the corners, linked by interlacing. Entrelacs, eye, panel, rosette, sarcophagus, archeological vestige

Pilaster, anonymous, c. 1500 - c. 1550 Pilaster of polychromed pine. The pilaster has a profiled base and a composite capital; Within the profiling in relief, the shaft is decorated with trophes of musical instruments, masks, shields, flowers and fruits on ribbons, crowned by winged angel heads. The sculpture is painted on golden soil in red, blue, gray, green, black and white and locally heyed with gold. Spain wood (plant material). pine (wood). gilding (material) gilding Pilaster of polychromed pine. The pilaster has a profiled base and a composite capital; Within the profiling in relief, the shaft is decorated with trophes of musical instruments, masks, shields, flowers and fruits on ribbons, crowned by winged angel heads. The sculpture is painted on golden soil in red, blue, gray, green, black and white and locally heyed with gold. Spain wood (plant material). pine (wood). gilding (material) gilding

Sections of a Coffin Platform, 550-577. China, Northern Qi dynasty (550-577). Limestone; overall: 45.7 x 211.4 x 10.8 cm (18 x 83 1/4 x 4 1/4 in.); panel: 45.7 x 27.3 x 10.8 cm (18 x 10 3/4 x 4 1/4 in.).

Peru, Huacas de Moche, Trujillo, Moche decapitador murals at Huaca de la Luna, from the Moche civilization in northern Peru, carved and painted on the inner brick walls of the Temple of the Moon

Upper outer proper right valence; about 1690 - 1715; Silk satin; cording; velour; silk embroidery; damask panels with linen linings; 54.3 x 204.5 cm (21 3,8 x 80 1,2 in.)

Anonymous, beating of the door (usual name), 25. CERUNUSCHI museum, Museum of Asia Arts in the city of Paris.

Stove plate with from Christ and the Samaritan woman, Unknown, c. 1661 Stove plate made of cast iron, divided into two areas. A well in the upper area. To the right of Christ is seated with three standing figures behind him. To the left of the well is the Samaritan woman with a jug next to her on the floor. In the background a few more figures and the gate of a city. In the lower area the year 1661. A border with inscription between the two areas. Marked with the letters wb. Germany iron (metal) casting Stove plate made of cast iron, divided into two areas. A well in the upper area. To the right of Christ is seated with three standing figures behind him. To the left of the well is the Samaritan woman with a jug next to her on the floor. In the background a few more figures and the gate of a city. In the lower area the year 1661. A border with inscription between the two areas. Marked with the letters wb. Germany iron (metal) casting

Border 16th century Italian. Border 213463

Shepherds, Angels and Birth of Jesus Christ, Detail Porta di San Ranieri, Sculptor Bonanus of Pisa, Bonanno Pisano, 1180, Romanesque, Cathedral, Cattedrale Metropolitana Primaziale di Santa Maria Assunta, Miracles Square, Piazza dei Miracoli also Campo dei Miracoli, Piazza del Duomo, Pisa, Tuscany, Italy, UNESCO World Heritage Site, Europe

Carved Tile. The potter made the pattern by carving into the earthenware tile. The tile was then coated with glaze and fired.

Glasbecher; Glasschale.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Campania Salerno Salerno-S. Matteo, Cathedral9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Window 18th century A window such as this with colored panes in blue, orange, yellow, and red might have been found in a room of a late Ottoman aristocratic home, like the Damascus reception room also in the Museum's collection (1970.70) Tinted glass was favored because it filtered the light, but it also complemented the multihued furnishings of these rooms.. Window 444823

Fragment of an architectural molding 1301-1400 Morocco. Wood with relief carving and traces of polychrome decoration . Islamic

Mycenaen Art. Late Helladic I period. Greece. Funerary stele decorated in geometric style on the top and fight scene with animals on the bottom. Dated between 1600-1500 b.C. Archaeological Museum of the Acropolis. Mycenae.

Spain, Andalucia, Seville, The Royal Alcazar Decorative Tile Detail

Maestro de Cabestany (o taller) / Fuste de columna, segundo tercio del siglo XII, mármol, procedente del portal mayor de la iglesia del monasterio de Sant Pere de Rodes. Museum: Museu del Empordà.

Safavid, Persian table cloth with traditional Islamic patterns, 17th Century, Iran

Prehistory, Malta, Neolithic. Detail of a large stone slab decorated with spiral reliefs. From Tarxien megalithic temple.

Cordoba, Spain - 31 January, 2021: detail view of Arabic calligraphy artwork in a wall in the ruins of Medina Zahara in Cordoba

SALON REAL-PANEL DE PIEDRA. Location: MEDINA AZAHARA / MADINAT AL-ZAHRA. PROVINCIA. CORDOBA. SPAIN.

Hearthstone, from Antwerp Belgium, without frame, with crowned men and woman's head, hearth fireplace component ceramics brick, baked Hearth stone of the Antwerp type without frame showing crowned men's and women's head from the side in two medallions placed in two profiled panes and accompanied by year 1581 half and quarter diamonds on top and bottom are filled with parts of medallions with star motif. date 1581 heating history

Wall decoration with vegetal design ca. 6th century A.D. Sasanian Stucco reliefs were commonly used to decorate the iwans and reception halls of elite Sasanian houses. Many examples were found in excavated houses in the Ctesiphon area including this fragment from Umm ez-Zatir consisting of a band of alternating palmettes and flowers above a twisted rope design. The use of molds to make stuccos allowed for the creation of large scale repetitive patterns such as geometric and vegetal motifs. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928-29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of

PILASTRA - DETALLE. Location: MEDINA AZAHARA / MADINAT AL-ZAHRA. PROVINCIA. CORDOBA. SPAIN.

BAJORELIEVE DEL PALACIO DE SAMARRA - SIGLO IX - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Panel from a Minbar 13th-14th century Although the pattern of this group of panels appeared as early as the late twelfth century in Azerbaijan and is recorded as late as 1480-81, it enjoyed a particular vogue in Cairo between 1330 and 1350. A number of minbars in Cairo with this pattern and from this period bear very close resemblance to these pieces.. Panel from a Minbar. 13th-14th century. Wood; carved, inlaid with ivory, traces of paint. Made in Egypt, Cairo. Wood

khachkar (Armenian cross-stone). Basalt, carving. The village Djrvej (near Yerevan), 1599. Armenia. The State Hermitage Museum. Saint Petersburg. Russia.

MOSAICO DE LA VILLA DEL PRADO. Location: ARCHAEOLOGICAL MUSEUM. Valladolid. SPAIN.

Fireplace with image. Fireplace with an image of two royal busts; A man and a woman and the year 1571.

Panel 13th-14th century. Panel 453418

Panel second half 16th century Spanish. Panel. Spanish. second half 16th century. Carved walnut. Woodwork

Deraisme, Pierre-Georges (n.1859-D.1932), Manche (main title), 1890. Petit Palais, Museum of Fine Arts of the City of Paris.

SALON DE COMARES - PINTURAS. Location: ALHAMBRA-PALACIO DE COMARES. GRANADA. SPAIN.

Roman Sculptor / 'Tabletop'. Late XVI century. Alabaster, Paragone, Hardstone, precious. Museum: Museo del Prado, Madrid, España. Author: TALLER ROMANO.

Roman mosaic from Pompeii. Octopus and fish, eel and squid. 1st cent. AD.

MOSAICO TRICLINIUN-PECES- ARTE ROMANO. Location: MUSEO HOSPITAL DE SANTA CRUZ. Toledo. SPAIN.

Panel (France); carved oak

Plaque. Southern Siberia and western Inner Mongolia, 5th-3rd century B.C.. Sculpture; plaques. Bronze, cast

Panel 6th-7th century. Panel. 6th-7th century. Wood; carved. Attributed to Egypt. Wood

Panel 10th-12th century This carved panel, is ornamented with a bird and an ibex, surrounded by arabesques. While earlier forms of Egyptian wood-work emphasized abstract vegetal designs as a primary motif, in this piece naturalistic animal forms dominate the carving. At top a bird puffs its chest and spreads its wings, while at bottom an ibex leans his head back in mid-stride. Their bodies are further ornamented with carvings to indicating feather and fur patterns. Similar animal forms depicted within cartouches can be found ornamenting many objects produced in the Mediterranean area during the medieval period, including ivories, textiles, and metalwork. Panel 448964

The Sacrament of Baptism, by Maso di Banco, Arnoldi Alberto, 1337 - 1341, 14th Century, marble and majolica. Italy: Tuscany: Florence: Opera di Santa Maria del Fiore Museum. Whole artwork. Friar baptism child baptismal font water lozenge marble majolica background light blue/azure diamond

Fireback two horsemen point to burning city, text: Non Auro Sed Armis, hob plate cast iron, cast Rectangular bow at the top. At the top two putti carrying crown. The left putto holds leaf branch; the judge scepter. Fruit walkers on the sides. In the middle picture of two horsemen at the head of number of infantrymen One rider points to burning city in the distance referring to the fall of Namur in 1695 Above the picture: Non Auro Sed Armis (Not with gold but by weapons) living environment interior heating war militaria Namur Namur Grand Alliance 9 year war King William III emperor Leopold I

Cylinder seal and modern impression: man grasping an antelope, bull's head over ingot ca. 16th-12th century B.C. Cypriot Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preservin

Mummy Mask Made 100 BCE-1 BCE Peru. Cotton, plain weave with bundles of extended warps; painted . Paracas

Reliefs on stone blocks, Capernaum excavations, biblical village, Sea of Galilee, Israel, Asia

TORRE COMARES-SUELO-AZULEJO DE LA EPOCA DE BOABDIL. Location: ALHAMBRA-PALACIO DE COMARES. GRANADA. SPAIN.

Glass Fragment 16th century European. Glass Fragment. European. 16th century. Colorless glass. Glass-Stained

Panel 14th-15th century. Panel 445077

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops. Left: Formed foliated design., USA, ca. 1895, architecture, interiors, Drawing, Drawing

Architectural panels from the Western Methodist Book Concern Building, Chicago, Illinois (Harry B. Wheelock, architect) Architectural Panel; Manufactured by Northwestern Terra Cotta (United States); Modeled by Kristian Schneider (American, 1865 - 1935); USA; molded terracotta

Hearthstone, Luiks, from Luik, Liege Belgium, with wide frame, with acanthus leaves, hearth fireplace component ceramics brick, fired fireplace of the Liege type with wide frame with the representation of crossed acanthus leaves heating square building history

Aimé-Jules Dalou (1838-1902). Vase "the golden age". Ceramics, Pérame sandstone, 1888. Museum of Fine Arts in the city of Paris, Petit Palais. Ceramic, gres cerame, base, vase

Wooden stick after 1538 depicting the network of a rhombicuboctahedron for geometric construction.

Panel with a Griffin. Culture: Byzantine. Dimensions: Overall: 23 1/2 x 20 1/2 x 2 9/16 in. (59.7 x 52.1 x 6.5 cm)weight: 91lb. (41.3kg). Date: 1250-1300.This commanding image of a griffin with its head turned and its wing flexed is an exceptionally fine example of monumental stone carving of the Late Byzantine, or Palaiologan, era. The panel, worked in low relief, resembles an elaborate Byzantine silk in its arrangement of the creature within a roundel. Small Greek crosses at the midpoint of the border on all four sides identify it as having been made for Christian use. Christians of this era still considered the mythical griffins to be guardian figures, often of the dead, and symbols of power and authority, thanks in part to their legendary role in the life of Alexander the Great.Possibly, the panel was once part of a tomb similar to those known from northern Greece that were carved in a style influential in Serbia and the Balkans. On tombs griffins may have meant both to protect

Syria - Damascus - Old City (UNESCO World Heritage List, 1979). Mausoleum of the Mamluk Sultan Baibars (13th century). Lunette mosaic

Relief carved in concrete, trenches on Monte San Michele, military post from World War I, Isonzo battles, Province of Gorizia, Friuli-Venezia Giulia, Italy, Europe

Temple Fragments, Museo Archeologico Regionale Antonino Salinas, Collection of Etruscan, Roman, Egyptian and Greek Works, Palermo, Palermo, Sicily, Italy, Europe

Ceiling. Culture: Austrian. Dimensions: Overall: 177 x 155 1/2 in. (449.6 x 395 cm). Date: late 15th or early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

British, 'Carlo Maratta' - NeoClassical variant frame, Unknown framemaker, 3rd quarter of 18th century, Carved wood, later oil gilding and over original oil and water gilding

SAN LUCAS - PIEZA DEL FRONTAL O RETABLO DE LA CATEDRAL DE ORENSE - SIGLO XIII - FRONTAL DE LIMOGES. Location: CATEDRAL MUSEO DIOCESANO. Orense. SPAIN. SAN LUCAS EVANGELISTA.

Ornament, Medium: Technique: punto in aria needle lace, Corner ornament with floral forms with the figure of a siren in the center. Modes: cordonnet, brides., Italy, late 16th century, lace, Ornament

Renaissance ornament

Jacob Martenz, Ornament tile, corner pattern palmet, with reverse tile markers, dated and signed, wall tile tile sculpture soil find ceramic pottery glaze, baked 2x glazed painted Yellow shard with red strings square two nail holes. Multi-colored: brown blue (clear) green yellow on white background, mark of tile painter: i with m With three letters above each other connected by longitudinal line above each other from top to bottom an an M and below below almost three cm high letters IACB with below MARTE and below ANO 1611 N and behind this part of the letter Z archeology Rotterdam tayllioschilder taijllioschilder taillioer teljooren De Witte Lelie

Swedish Iron Age stela. Artist: Unknown

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

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