Ancient Marble Sculptures

Collection of ancient marble statues depicting figures from mythology and art, showcasing Hellenistic styles, drapery, and serene expressions.

Marble Isis Marble Isis Copyright: xZoonar.com/Tolox 22568892

Statue from the Nereid Monument. Lykian tomb, found in Xanthus, Turkey. Built around 390-380 BC

Marble Isis Marble Isis Copyright: xZoonar.com/Tolox 22568892

Demeter. ca. 350 BC. Figure from the Sanctuary of Demeter. Hellenistic art. Sculpture on marble. UNITED KINGDOM. ENGLAND. London. The British Museum. Proc: TURKEY. MARMARA. Knidos or Cnidus.

Marble statue representing personification of comedy, from Dionysion, Thasos, Greece

ESTATUA DE LLIVIA LLAMADA 'EL PUDOR'. Author: RODI FILISCO DE. Location: MUSEOS VATICANOS-MUSEO PIO CLEMENTINO. VATICANO.

Togate. Statue. Marble. 1t century. From the Roman Theatre. Tarragona. National Archaeological Museum, Tarragona. Spain.

Greek Art. Greece. Funerary statue of a woman carved in marble. Found in Delos. Copy of 2nd century BCE from an original dated in 300 BCE. National Archaeological Museum. Athens.

Marble statue of a seated muse. This is Clio, the muse of history who holds a scroll in her left hand. Roman, AD 1-200.

Euripedes (c480-406 BC) Ancient Greek tragedian holding mask of tragedy. Full length statue.

Statue of Aphrodite with Eros. Hellenistic period. Museum of the Ancient Agora. Athens, Greece.

Campania Caserta Capua Museo Campano, Italy, 20th century, photo, photography, Europe

Sculpture of the goddess Aphrodite. Marble. From Rome, Italy. 2nd century AD. National Archaeological Museum. Madrid. Spain.

Standing Virgin and Child ca. 1270-80 North French Wearing a crown, Mary originally held the infant Jesus, now missing. The worn surface suggests that this private devotional image was caressed and kissed. The graceful sway, tall proportions, and elegant folds relate the figure to monumental sculpture produced in northern France.. Standing Virgin and Child 464054 North French, Standing Virgin and Child, ca. 127080, Ivory, Overall: 10 1/2 x 3 1/16 x 1 13/16 in. (26.7 x 7.8 x 4.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.165)

Caryatid by Eugène Louis Lequesne, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Attica, Rhamnous, Temple of Nemesis, Hellenistic marble statue of Themis portrayed as goddess of Justice, signed by Chairestratos

J.A. Jerichau (1816-1883), Gravmaele over Alma Goethe, 1846

Via Labicana Augustus. Sculpture of the Roman Emperor Augustus (63BC-14AD) as Pontifex Maximus. 12BC. National Museum of Rome. Massimo Palace. Rome. Italy.

Roman Sculpture of Hygieia, Els Munts. Museum: Museu Nacional Arqueològic, Tarragona.

Lazio Frosinone Casamari Museo Archeologico6. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A Warrior. Italy, Florence, circa 1700-1750. Sculpture. Earthenware

Hygieia statue, goddess of health and patroness of pharmacy, White Columns, Karlovy Vary, Karlovy Vary, Western Bohemia, Czech Republic, Europe

Posążek Eskulapa trzymającego laskę z owiniętym wokół niej wężem. warsztat rzymski, workshop

Bronze statue of M. Calatorius Quartio in toga. Bronze. Age of Claudius CE. National Archaeological Museum. Naples. Italy.

Italy, Emilia-Romagna, Velleia, Statuette representing Hercules (Heracles) with veiled head, bronze

Marble sculpture of a woman in repose, known as the 'Prosper d'Espinay'. Made by a French Sculptor between 1836-1914.

Agrippina. Neornian-Falvian (Second half of the 1st century AD). A sitting woman with a portrait head (so-called Agrippina Minor). National Archaeological Museum. Naples. Italy.

Fragment of a Portrait Statue of a Man, Perhaps a Roman Emperor 50 CE-150 CE . The unidentified man in this over-life-size headless portrait statue is dressed in full military regalia. His torso is covered with a body armor called a cuirass, the front side of which is adorned with figural motifs intended to ward off evil. His armor is worn over a long tunic that ends above his knees and a leather, vest-like garment with tasseled straps to protect his groin and shoulders. He wears a type of heavy cloak, typically worn by Roman military commanders, draped over his left shoulder. Without the carved head, which would have been made separately and attached, it is impossible to identify the individual represented in this portrait. The elaborate ceremonial armor suggests that he was a general or perhaps even the emperor, as the latter held the role of commander of the Roman army.. Marble . Ancient Roman

Athens, Greece

Aesculapius. Marble sculpture. Third century BC. Archaeological Museum of Barcelona. Catalonia.

Saint John ca. 1700 Flemish. Saint John. Flemish. ca. 1700. Terracotta. Sculpture

Cleopatra VII Philopator (69-30BC). Queen of Ptolemaic Kingdom of Egypt. Statue from Prusias ad Hypium city, Turkey. 2nd century AD. Istanbul Archaeological Museums. Turkey.

The Orator, Etruscan Bronze, detail, 1st century BC. Artist: Unknown.

Latins civilization, female statue, from Lavinio, Lazio Region, Italy

Italy, Umbria Region, Near Perugia, Hypogeum of Volumni, Etruscan tomb of Arunte Volumnio's family with urn depicting seated woman

'The Flora Farnese'. Italy. Rome, Middle of the 18th century. Dimensions: height: 38,0 cm. Museum: State Hermitage, St. Petersburg.

An image, the fortune imaginative with accompanying Sokkel.The image is on the top or BK-18042-B-2.

Statuette of a Young Woman. Unknown

Statue of Titus, Olympia Museum, Olympia, Greece

Greek Art. Figured vessel depicting Dionysus. Clay. 4th century B.C. From necropolis of Phanagoria. The State Hermitage Museum. Saint Petersburg. Russia.

Roma - Minerva - Museo Nazionale , Antiquities, Sculpture, Goddesses, Minerva Roman deity. Nicholas Catsimpoolas Collection

CERES. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPAIN. CERES DIOSA.

Statue at the Camera di Commercio, Chamber of Commerce, Trieste, Friuli Venezia Giulia Region, Italy, Europe

Terracotta statuette of a woman early 3rd century B.C. Greek, probably Attic Weight on left leg, left foot drawn to side. A variant of the drapery arrangement of 06.1138, with the right arm down, and diagonal stretched folds from one hand to the other. Hair waves back from central part, with loose cluster of curls at nape. Plaque base.. Terracotta statuette of a woman 247557

Female figure, with a mirror in hand. Coming from the facade of the Villa of the Rijksmuseum, 1900 - 1925 sculpture Woman standing out with a mirror in her left hand. She is wearing a long robe. The image includes an image with invnr. BK-TN-3041. Both images belong on a pedestal with invnr. BK-TN-3047 and BK-TN-3048. .

Statue of Hermes made from Pentelic marble; 27 BC. Found in Greece

Charity, from the Facade of the Penninckshuis in Deventer, anonymous, c. 1588 Woman (Charitas) standing out of standing, with her left leg bent. Left of her is a naked child. The woman wears a robe that exposes the right chest and left leg. She wears a belt around her waist, with a scaly decoration. A few parts are missing from the image. The statue is part of six images (BK-18757-A to BK-18757-F). Westphalia (possibly) sandstone Penninckhuis Woman (Charitas) standing out of standing, with her left leg bent. Left of her is a naked child. The woman wears a robe that exposes the right chest and left leg. She wears a belt around her waist, with a scaly decoration. A few parts are missing from the image. The statue is part of six images (BK-18757-A to BK-18757-F). Westphalia (possibly) sandstone Penninckhuis

Adoring Angel from the Former Tabernacle of the Wawel Cathedral Moscow, Giovanni Maria, Vel Padovano (Ca 1493 1574)

Roma - Minerva - Museo Nazionale , Antiquities, Sculpture, Goddesses, Minerva Roman deity. Nicholas Catsimpoolas Collection

S JUAN EVANGELISTA - /101. Author: Juan Martínez Montañés. Location: MONASTERIO DE SAN ISIDORO DEL CAMPO. SANTIPONCE. Seville. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

'Diana', (detail), goddess of hunting, Vatican Museum. Artist: Unknown

Madrid, M.A.N. Arte romano. Livia como Almudena o Livia de Paestum. Estatua sedente encontrada por el Marqués de Salamanca en la Villa de Paestum, Italia, 1860. Museum: MUSEO ARQUEOLOGICO, MADRID, SPAIN.

EL AURIGA DE DELFOS - DETALLE DE LA ESCULTURA REALIZADA EN BRONCE HACIA EL AÑO 478 AC. Location: MUSEO. DELPHI. GREECE.

τὸν δ᾽ αὖτε προσέειπε θεὰ, γλαυκῶπις Ἀθήνη , Sculpture, Antiquities, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Marble relief with a Dancing Maenad 27 B.C. Maenads were mythical women inspired by Dionysus, the God of Wine, to abandon their previous lives to roam free; to dance and sing into a state of ecstasy.

Leonardo Bistolfi 1859-1933 The desire for the distant shore" 1909, plaster sculpture.

ESCULTURA DE OCTAVIO AUGUSTO PRIMA PORTA- EMPERADOR ROMANO-AÑO 19 DC-ARTE ROMANO-ESTILO HELENICO. Location: MUSEOS VATICANOS-MUSEO CHIARAMONTI. VATICANO. EMPERADOR AUGUSTO. CESAR AUGUSTO OCTAVIO. JULIO CESAR EMPERADOR.

Roma - Museo Vaticano - Sala a croce Greca - Venere detta di Gnidia , Antiquities, Sculpture, Goddesses, Venus Roman deity. Nicholas Catsimpoolas Collection

NINFA ARCAIZANTE - PROCEDENTE DE HUETOR GRANADA - ESPAÑA ROMANA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Leda and the Swan 1654 Michel Anguier This statue was probably made for Nicolas Fouquet, the finance minister of Louis XIV. It is believed to have belonged to a series of fourteen ancient gods and goddesses originally displayed in the gallery of Fouquet's Chteau de Saint-Mandé. 1970.140 combines a composition based upon a classical Leda, contemporary Parisian features, and reflections of Leonardo's Leda and the Swan and Rosso Fiorentino's Loss of Youth in the Gallery of François I at Fontainebleu.. Leda and the Swan 205225

Pomona. Goddess of fruitful abundance. Mid-second 1st century AD. Spain. National Archaeological Museum. Tarragona. Catalonia, Spain.

Tuscany Grosseto Massa Marittima Museo Civico8. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Togatus with bulla aurea (amulet). Sculpture from the Roman theater of Tarragona, 1st century AD. Marble of Luni-Carrara. National Archaeological Museum. Tarragona. Spain.

GREEK ART. VI B.C. GREECE. KORE in pentelic marble. Dated in 520 b.C. Acropolis Museum. Athens. Greece.

Statuette of Athena, Pentelic marble, found in Athens, near the Varvakeion school. Known as the 'Varvakeion Athena' this statuette is the truest and best preserved copy of the cult statue of the Athena Parthenos by Phidias, which was erected in 438 BC

Roman Sculptor / 'Dionysus with a Panther'. Ca. 135. White marble. Museum: Museo del Prado, Madrid, España. Author: TALLER ROMANO.

Greek Art. Greece. Statue of a satyr in a movement position. Pentelic marble. In his left arms hangs a panther skin. Possibily was an acroterion at temple of Dionysus. Found in Lamia and dated in the 3rd century BC. National Archaeological Museum. Athens. Greece.

Reliefs from Hadrianeum in Rome, from Farnese Excavations, Italy, Naples, National Archeological Museum

ESCULTURA DE EMPERADOR VISTIENDO CORAZA MILITAR - SIGLO II - MARMOL. Location: MUSEO NACIONAL DE ARTE ROMANO. MERIDA. Badajoz. SPAIN. TRAJANO.

Portrait of a man with gown (1st-2nd century AD). Roman culture, white marble sculpture. South of the Iberian peninsula.

Lazio Latina Terracina Museo Archeologico20. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy: Statue of a Roman (Sabine) woman. Loggia dei Lanzi, Piazza della Signoria, Florence. Roman Art, 1st or 2nd century CE. The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors.

Roman lamp in shape of bearded satyr with giant phallus. From Pompeii. National Archaeological Museum, Naples, Italy.

detail from the statue of Augustus Prima Porta from the Villa Livia; near Rome 20 B.C.

Uranie. Vatican. James Anderson (British, 1813 - 1877)

Turkey, Mediterranean Region, Turquoise Coast, Pamphylia, Antalya, Archeological Museum, statue of Zeus

Elizabeth Moutal, Wooden Garden Figure, c 1937 Wooden Garden Figure

DEMETER ESTATUA DE CNIDO - SIGLO IV AC - MARMOL. Author: LEOCHARES O LEOCARES (S IV AC). Location: BRITISH MUSEUM. LONDON. ENGLAND.

Diana, the Roman goddess of hunting, by Benzoni, 1859, Neoclassical statue.

ESCULTURA-BACANTE (BAJORELIEVE NEO-ATICO). Location: MUSEO DEL PRADO-ESCULTURA. MADRID. SPAIN.

Bronze statuette of a Gaulish prisoner from Umbria. Dated 1st Century BC

The Arringatore' (orator), bronze statue, 80 b.c., from Pila (Perugia)

Minerva; Joseph Nollekens (English, 1737 - 1823); England; 1775; Marble; 144 cm (56 11,16 in.)

Marble statue depicting a young boy wearing a toga

Marble relief of woman performing finger gestures, Archaeological Museum, Piraeus, Greece.

Relief of the 'Mourning Athena'. 460 BC. Classical Greek art. Relief on marble. GREECE. ATTICA. Athens. Acropolis. Acropolis Museum. Proc: GREECE. ATTICA.

KORE in pentelic marble. Dated in 520 b.C. Acropolis Museum. Athens. Greece.

Statue in the courtyard, House of Pilatos, Seville, Spain

Napoli - Museo Nazionale. Pallade. (Scultura Greca) , Antiquities, Bas-reliefs, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Life-size statue of sea-nymphs from the Nereid Monument, part of the tomb from Xanthos

Bronze statue of a camillus (acolyte) ca. A.D. 14-54 Roman As soon as he took power, the emperor Augustus set in motion a program aimed at restoring the time-honored values of virtue, honor, and piety. Religious cults wererevived, temples were built, public ceremonies and sacrifices filled the calendar. Men of every rank chose to be portrayed in the act of pious sacrifice. The popular type of sculpture seen here showed young boys who served as acolytes at religious ceremonies.The identification of this figure as a camillus, an attendant at sacrifices who was chosen from the noblest families, is based on comparisons with other stages and reliefs, most notably those of the famous monument, the Ara Pacis of Augustus. According to Roman tradition, a camillus had to be below the age of puberty, and both parents must be alive. This statue may have been dedicated at a sanctuary by the boys parents, in recognition of his service to the gods. Alternatively, its refined decorative qualities may

Figurehead: "Hercules". Dated: 1935/1942. Dimensions: overall: 51 x 34 cm (20 1/16 x 13 3/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: John W. Kelleher.

Emperor Marcus Aurelius, 161-180 AD ITALY.

Statue of Agrippinus, Butrint National Park, Sarande, Albania

Salvador Gurri / La Industria, 1802, Llotja de Mar de Barcelona.

Body of Statuette of Mars-Cobannus. Unknown

Enthroned Virgin and Child. Culture: French. Dimensions: Overall: 16 x 5 1/8 x 4 3/8 in. (40.6 x 13 x 11.1 cm)10.5lb. (4762.8g). Date: ca. 1275-1300.This monumental ivory carving is one of the largest to survive from the later Middle Ages. Weighing nearly eleven pounds, the sculpture retains much of its original paint. The tender depiction of the infant Jesus touching the chin of the Virgin as she plays with his foot is of Byzantine origin. Museum: Metropolitan Museum of Art, New York, USA.

"Fénelon", Statue by Jean Bonnassieux, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Marble statue of the Virgin and Child by Domenico Del Barbiere (c1506-c1570) was a Florentine artist of the Rennaisance period. Dated 17th century.

Caryatid. 1st-2nd centuries AD. From Sao Miguel da Mota. Terena. Alandroal, Evora, Portugal. National Archaeology Museum. Lisbon, Portugal.

Statue of a Seated Woman 101 CE-200 CE Roman Empire. Roman sculptors often adapted the forms of earlier Greek artworks for use in entirely new contexts. This statue evokes the figures of seated, draped goddesses displayed in the pediments of the Parthenon, the renowned temple on the Acropolis in Athens. Among the Romans, this statue type was widely used for sculptures of female deities such as Juno (the Greek Hera), the consort of Jupiter (the Greek Zeus), as well as for portraits of empresses and other prominent women. Here the figureís head and arms, now missing, were made separately and attached by means of dowels, the holes for which are visible.. Marble . Ancient Roman

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