Ancient Sculptures and Artifacts

This collection showcases historical sculptures, including Greek deities and architectural fragments, highlighting the exquisite craft of antiquities through a monochromatic lens.

Campania Caserta Caserta Palazzo Reale10. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata Museo66. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris. (Louvre). Victoire de Samothraque , Sculpture, Antiquities, Goddesses, Nike Greek deity. Nicholas Catsimpoolas Collection

Weiblicher Akt. Héroux, Bruno (1868-1944), graphic artist

Lazio Roma Castel Madama Castello2. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Grottaferrata Museo64. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale10. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Orvieto S. Giovenale31. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A pencil sketch by Emerich Alexius Swoboda showing a gable fragment with tendril decoration and a woman balancing a jug on her head, depicting figure and architectural detail.

Study of a standing clergyman with a biretta in his hands; verso: fragment of a sketch of a person from the back. unknown, draughtsman, cartoonist, Abbiati, Filippo (1640-1715), draughtsman, cartoonist

Umbria Terni Acquasparta Palazzo Cesi3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia02. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a Male Nude (verso), c. 1810. Pierre-Paul Prud'hon (French, 1758-1823). Black and white chalk (both stumped); sheet: 61.8 x 43.7 cm (24 5/16 x 17 3/16 in.).

Triumph of Christ. unknown c. 1500 Tapestry Materials/Techniques: wool (warp, 7-8/cm); wool (weft, 20-50/cm); silk (weft, 30-60/cm.); metallic thread (weft) Culture: Southern Netherlands Ownership History: Said to have been in Cardinal Mazarin coll. (c.1661). J. P. Morgan coll. Joseph E. Widener coll. French & Co. United States, District of Columbia, Washington (D.C.), National Gallery of Art, accno. 1942.9.446 (was: C-299, DA). Slender columns divide scenes; top center, Christ enthroned holding Book of Gospels (=Book of 7 Seals) flanked by 4 angels; man digging/laboring (=Salvation), approached by group of figures; bottom left, bearded emperor (=Octavian Augustus) stands before young woman (=Tiburtine Sibyl) being crowned, as group of men look on, as Tiburtine sibyl reveals to emperor vision of Madonna (Virgin Mary & Christ-child); lower right, king (=Ahasuerus or Xerxes/Artaxerxes) holding ring, stands before seated queen (=Esther) feeding squirrel, surrounded by 3 pages & group of f

Knaacks considerations, Wilhelm Knaacks ancestors, monkey and nicolò paganini from cactus , Dombi, caricaturist

Lazio Roma Poli Palazzo dei Conti3. Hutzel, Max 1960-1990 Exterior views of 12th. c. palace, completely redone in 16th. c., including flank, palace chapel and long portal leading to courtyard. Several views of courtyard fountain and loggia, including ceiling frescoes. Many views of the salon and its frescoes. Views of private chapel, with altar painting by Cavaliere d'Arpino and alabaster statues. Many views of entrance hall and its frescoes. Antiquities: Two views of Roman sarcophagus used as water basin. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city,

At the Threshold. Artist: Edith Woodman Burroughs (American, Riverdale, New York 1871-1916 Flushing, New York). Dimensions: 62 1/2 x 14 1/2 x 16 in. (158.8 x 36.8 x 40.6 cm). Date: 1912; carved 1919-20.The smooth, simplified treatment of this lifesize adolescent female on the verge of womanhood was inspired by Burroughs's 1909 trip to Paris, where she admired the sculpture of modernist artist Aristide Maillol. The original tinted plaster version of "At the Threshold" was exhibited widely, including at the Berlin Photographic Company in New York, where Burroughs had her first solo exhibition in 1915, just a year before her death. In 1918 it was included in a long-term exhibition of American sculpture at the Metropolitan Museum. The following year the Metropolitan and the sculptor's widower Bryson Burroughs, then its curator of paintings, arranged to have "At the Threshold" carved in limestone and tinted to resemble the original plaster figure. Museum: Metropolitan Museum of Art, New Yor

Abruzzo L'Aquila Celano Museum10. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Castelsantangelo sul Nera S. Martino1. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century); campanile with bifora windows; architectural sculpture: capitals, etc.; tabernacle carved with lion heads; gothic altar. Post-medieval: Frescos (15th and 16th centuries); sculpture in wood (16th century); terracotta bust of a bishop (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

1912. text. 1911 - 1913. General Research Division. Art , Poland

Lazio Viterbo Viterbo Museo Civico95. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

G 40. Torso of a warrior, (found in Delos). National Muesum Athens.; Greece. The photo is part of the photo series from Greece collected by Richard Polak.

Umbria Terni Terni Palazzo Carrara9. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Veneto Padua Pontecasale Villa Carraretto. Hutzel, Max 1960-1990 Post-medieval: Architecture (mid-16th century); sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Au Coucher, Nudes

Apollon , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Campania Caserta Capua Museo Campano85. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Lazio Rieti Labro S. Maria4. Hutzel, Max 1960-1990 Medieval: Architectural fragments, sculptural fragments. Post-medieval: Architecture, architectural sculpture, fresco painting, painting, sculpture, sculptural fragments Object Notes: In 1508, the church was built over the remains of a castle, preceding that of the Vitelleschi. No information provided by Hutzel. See TCI, Lazio, p.456. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Piazza Navona6. Hutzel, Max 1960-1990 General views of the piazza (ancient circus of Dominiziano), with details of Fontana del Moro, Fontana dei Fiumi, and Fontana del Nettuno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale Museo Civico Archeologico22. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo31. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Tamara Grigorieva. December 10, 1940.

Campania Caserta Caserta Palazzo Reale40. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Teano Cathedral75. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Lazio Latina Sezze Antiquarium Comunale62. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ganymede. - Tadolini.. J.A. Warwick (British, active 1850s - 1860s)

Christ au Sépulcre. Collection of Juhl, acquired 1916

Dancer Annette Köbler, De Pas-de-Zephir Executive, Bartholomeus Zitsenis, 1812 drawing paper. watercolor (paint). ink pen / brush woman dancing alone. female dancer. historical persons

Ethiopian Monarch Made 1897 United States. For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website The Alfred Stieglitz Collection.. Platinum print . F. Holland Day

Sardinia Oristano Ghilarza S. Palmerio8. Hutzel, Max 1960-1990 Medieval: Archaic Romanesque architecture and architectural sculpture (begun 12th century) with simple form using alternate light and dark stones. Post-medieval: Sculpture; paintings; crucifix German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

1908: Valentine

Image of a woman in front of a panel. At the time of arrangement in vermeerbouw when the south wing was renovated.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia06. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drapery Study. Artist: George de Forest Brush (American, Shelbyville, Tennessee 1855-1941 Hanover, New Hampshire). Dimensions: 20 1/2 x 14 7/16 in. (52.1 x 36.7 cm). Museum: Metropolitan Museum of Art, New York, USA.

Statue "comfort

F Holland Day, Beauty is Truth Truth Beauty, 1899 Beauty is Truth--Truth Beauty

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa16. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Nude Attributed to Auguste Rodin (French, 1840-1917).. Drawing in pencil and watercolor on wove paper, 13 7/8 x 10 7/8 in. (35.2 x 27.6 cm). European Art

Description: Kamberi africa

Paris (VIIE arr.), France The exhibition of decorative arts, the Rotonde fair of the Ruhlmann Pavilion, decorative panel of Jean Dupas, the parakeets , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIe arr. ) , France L' Exposition des arts décoratifs , le salon rotonde du pavillon Ruhlmann , panneau décoratif de Jean Dupas , Les Perruches). Represented animal , fantastic animal, interior view, exists in high definition, painted decor, painting, decorative arts, nudity, furniture, bench, exhibition, exhibition of decorative arts, fireplace, ephemeral architecture, Animal , Habitat , Architecture , HD , Art, France, Paris, Exhibition of decorative arts, Pavon Ruhlmann, decoration of the fireplace in the Rotonde show

Dorothy True Made 1919 United States. For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website The Alfred Stieglitz Collection.. Gelatin silver print . Alfred Stieglitz

Lazio Roma Albano Laziale Museo Civico Archeologico24. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Priverno S. Benedetto9. Hutzel, Max 1960-1990 Medieval: Architecture (9th century). Post-medieval: Frescoes (11-15th century); sculpture General Notes: Note: Hutzel's incorrect labelling of back of photos as S. Francesco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Castor and Pollux', c1628, (1943). Creator: Nicolas Poussin.

Les battements , Dancers, Dance. The Massachusetts WPA Federal Art Project Photograph Collection

Girlie. Larry Rivers; American, 1923-2002. Date: 1970. Dimensions: 695 x 455 mm. Screenprint and collage on foil faced board. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Sex went "underground," and while prim clergymen studied works of art (above) just to voice their disgust, *****. October 27, 1948.

Trophy of the Hunt, c. 1867. Adolphe Braun (French, 1812-1877). Carbon print; image: 78 x 59.8 cm (30 11/16 x 23 9/16 in.); framed: 99.7 x 79.4 cm (39 1/4 x 31 1/4 in.).

Umbria Perugia Bovara S. Pietro di Bovara2. Hutzel, Max 1960-1990 Medieval: Architecture, Romanesque (12th century). Campanile added on to in 1582. Restored facade with rose and bifora windows, decorative friezes, and inscription. Interior is barrel vaulted with a trifora window; wooden crucifix (12th century); sculpture and carved choir stalls; stoups. Post-medieval: Architecture, Renaissance: cloister with a two-story loggia; modern presbytery; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Meissen Porcelain Manufactory, Statuette: Dancing Female Figure, 19th century, hard-paste porcelain.

Lazio Roma Anzio Villa Albani. Hutzel, Max 1960-1990 Post-medieval: 17th c. architecture and sculpture (c. 1650). Antiquities: arhaeological remains Object Notes: Undocumented Hutzel name. Now owned by the Borghese family, originally by the Costaguti family German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Leonessa S. Francesco-Sacristy Museum0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Szermierz (mjr Szombathely). Goryńska, Wiktoria (1902-1945), graphic artist

Love Disarmed Will Hicock Low (American, 1853-1932). Love Disarmed, 1889. Oil on panel, 36 3/16 x 36 1/8 in. (91.9 x 91.7 cm). Love Disarmed Will Hicock Low (American, 1853-1932). Love Disarmed, 1889. Oil on panel, 36 3/16 x 36 1/8 in. (91.9 x 91.7 cm). Will Hicock Low American Art American Art

Hitskrück of the Sascha Leontiev school, Unknown

Howard Weld, Weather Vane Angel Gabriel, c 1938 Weather Vane - Angel Gabriel

Unattributed Marble Statue of a sweet little boy who wishes to go to sea, sat on the prow of a small boat. Entitled - "Futur Nautique". Date: 1935

Etching and aquatint by Rudolf Jettmar titled 'There Came', showing figures in a scene with expressive gestures, 1899.

World Exhibition , Autumn, sculpture by Giuseppe Dini, Turin No, György Johann Justus Georg Klösz Kloess -, Photographer, Viennese Photographer Association, Publishing House

Cast of a Drapery for a Kneeling Figure, Leonardo da Vinci, 1500.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile9. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Color illustration from 1894 by The Beggarstaff Brothers depicting Cash of Corn Corn Flour advertisement, showing product packaging and branding.

Slumbering by Erhard Amadeus-Dier (1893-1969), published in 'Die Kunst im deutschen Reich' (Art in the German Reich) was first published in January 1937 by Gauleiter Adolf Wagner and later issued under the direction Adolf Hitler himself.

Lazio Viterbo Viterbo Museo Civico24. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Daphne William Jacob Baer (American, 1860-1941). Daphne, 1911. Oil on canvas, 29 15/16 x 11 7/8 in. (76.1 x 30.2 cm). American Art 1911

Campania Napoli Naples S. Lorenzo Maggiore180. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

A monument to the fallen warriors of the Sascha Leontiev school, Unknown

Campania Caserta Caserta Palazzo Reale3. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anefo photo collection. Photos of the prize winners at World Press Phototial exhibition in The Hague. September 29, 1959

Campania Caserta Caserta Palazzo Reale27. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Maurice Denis, She Was More Beautiful than Dreams, 1898, color lithograph on wove paper.

'Pantomime', 1992, Oil and acrylic on canvas, 200 x 143 cm. Author: DAVID SALLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Nadar (Gaspard-Félix Tournachon, dit) (n.1820-04-06-D.1910-03-21), Victor Hugo, February 26, 1802-May 22, 1885. (Title attributed), 1885-05-22. Albumin paper draw. Houses of Victor Hugo Paris - Guernsey.

Chas. D. Coburn

Antoni Piotrowski (1853-1924), from sleep; Wisła (Kraków), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1915 (1910-00-00-1920-00-00);

Ravin' Rita. Mel Ramos (American, born 1935); published by Collectors Press (American, 1967-1972). Date: 1968-1969. Dimensions: 566 x 711 mm. Five color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

PINTURA. Author: LUIS EDUARDO AUTE. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Two Nudes Outreach on Pedestal c.1949

Stone figures, Paris, 1931, Paris, by Eric Lee-Johnson.

Apulian Red-Figure Bell Krater Fragment. Early Workshop of Darius Painter (Greek (South Italian, Apulian), active 350 - 325 B.C.)

Lazio Viterbo Viterbo Museo Civico03. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fire' by Giuseppe Arcimboldi, 1566. One of the four images in the Elements series. From the Gemaldegalerie, Kunsthistorisches Museum, Vienna.

Study for figure of Religion rondel in the rotunda of the state capitol building in Harrisburg, Pennsylvania,1902-1911. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

1930S Nude Woman In Classical Pose Art Deco

Lazio Roma Rome S. Maria in Aquiro61. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

John Mansell. Cut-paper silhouette, 1801.

Woman playing a hurdy-gurdy ca. 1765-70 Höchst Manufactory. Woman playing a hurdy-gurdy. German, Höchst. ca. 1765-70. Hard-paste porcelain. Ceramics-Porcelain

Hermes, Hermes (Greek deity), Sculpture, 1900

Campania Napoli Naples S. Lorenzo Maggiore00. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Franz Barwig, sculptor, Unknown

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