Ancient Stone Reliefs

A selection of stone carvings and panels from various ancient cultures, depicting significant historical scenes, ritualistic offerings, and mythological elements.

Close-up of the Stones of the Dancers, in the Plaza of the Dancers (Gallery of los Danzantes), next to Building L at Monte Alban (UNESCO World Heritage Site), which is a large pre-Columbian archaeological site in the Valley of Oaxaca region, Oaxaca, Mexico.

Mastaba of Merib. The Offering Chamber. Old Kingdom. 4th Dynasty. 3639-2504 BC. Giza, Egypt. Neues Museum. Berlin. Germany.

Mayan, calcified stone panel, with bas relief depicting a jaguar eating a heart. From the Great Palace at Chichen Itza, Yucatan, Mexico

Latin Funerary Stele with BanquetScene

Cylinder seal ca. 1820-1730 B.C.. Cylinder seal. ca. 1820-1730 B.C.. Hematite. Old Syrian. Syria

Close-up of the Stones of the Dancers, in the Plaza of the Dancers (Gallery of los Danzantes), next to Building L at Monte Alban (UNESCO World Heritage Site), which is a large pre-Columbian archaeological site in the Valley of Oaxaca region, Oaxaca, Mexico.

Spanish coat of arms with the arms of the Kingdom of Galicia. From gate of Maestranza wall in La Corua, Galicia, Spain, 1607. Archaeological and History Museum (San Anton Castle). A Corua, Galicia, Spain.

Lazio Viterbo Viterbo Museo Civico88. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Egypt. Temple of Edfu. Ancient temple dedicated to Horus. Ptolemaic period. It was built during the reign of Ptolemy III and Ptolemy XII, 237-57 BC. Relief depicting two was-sceptres, symbol of power and dominion. Stylized animal head at the top of a long, straight staff with a forked end.

Detail from wall carving of Eagle-headed protective spirit. Assyrian, (approx. 865-860 BC). From the North-West Palace in Nimrud.

Cylinder seal ca. late 2nd millennium B.C. Cypriot. Cylinder seal. Cypriot. ca. late 2nd millennium B.C.. Hematite. Late Cypriot. Cyprus

inscribed foundation stone describing the rebuilding of the temple of the Goddess Dinitu, by King Tukulti-Ninurta I. Dated 13th Century BC

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Limestone. Old Babylonian. Mesopotamia

TABLILLA DE BARRO VISIGODA- LADRILLO ESTAMPILLADO REPRESENTANDO UN CANTARO ENTRE PAVONES. Location: MUSEO ARQUEOLOGICO-COLECCION. CORDOBA. SPAIN.

Anonymous (France). Sarcophagus head panel, three Latin crosses in flat relief, stone (sandstone). Plaster, Merovingian. Paris, Carnavalet museum. 58445-10 Latin cross, Merovingian, GRES, MEROVINGIEN, Panel, Pierre, Platre, Sarcophagus, Three, Archeological Vestige

Lazio Roma Rome S. Paolo01. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Funerary stele depicting the deceased with lotus flowers, from Saqqara

Egyptian Limestone Relief with scenes of Fields and Storehouses. Artist: Unknown.

Plaque ca. 8th-7th century B.C. Assyrian This ivory panel was found in a storage room in Fort Shalmaneser, a royal building at Nimrud that was used to store booty and tribute collected by the Assyrians while on military campaign. Like many other panels from the same storage room, it was part of a chair or couch back or the headboard of a bed. Twenty pieces of furniture were discovered stacked in orderly rows in this room, where they had been stored before the destruction of the Assyrian palaces in 612 B.C. Shown here is a beardless male figure, probably a youth, wearing an elaborate headdress. His hair resembles Egyptian wigs, and his headdress incorporates Egyptian motifs, including the central element called an atef, worn by the god Osiris, and the two cobra and sun-disk elements, called uraei (singular: uraeus). He wears a robe with fringed hem that is belted at the waist over a short skirt, and strides forward on bare feet. With his left hand, he holds a pitcher from which a plant

The Good Shepherd (Stele) Artist Unknown Istanbul, Turkey

Roman civilization, relief portraying flower and vegetable merchant

Brick stamped with the Names of Amenhotep III ca. 1390-1353 B.C. New Kingdom This brick has been stamped with the two cartouche names of Amenhotep III. Written in the cartouche on the left is his personal name, Amenhotep, followed by the epithet "ruler of Thebes." On the right is his throne name, Neb-Maat-Re. Each cartouche has two ostrich feathers above it and rests on the hieroglyph representing "gold." The brick is from Amenhotep's festival city of Malqata where he celebrated his three rejuvination festivals (heb-seds).. Brick stamped with the Names of Amenhotep III. ca. 1390-1353 B.C.. Mud. New Kingdom. From Egypt, Upper Egypt, Thebes, Malqata, Palace of Amenhotep III, MMA excavations, 1910-11. Dynasty 18

Elephanta

Abruzzo, L'Aquila, Celano, General views, Italy, 20th century, photo, photography, Europe

Campania Napoli Naples S. Lorenzo Maggiore57. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Fitting for the flail of a large statue () 332-30 B.C. Ptolemaic Period. Fitting for the flail of a large statue () 570206

Cylinder seal ca. 15th-14th century B.C. Mitanni. Cylinder seal 324513

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V93. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Cylinder seal with hunting scene late 9th - early 7th century B.C. Assyrian. Cylinder seal with hunting scene 324515

Emilia-Romagna Bologna Bologna Museo Civico Archeologico Sale III, IV, V99. Hutzel, Max 1960-1990 Specific Location: Sale III, IV, V (Egyptian antiquities) Owner: Museo Civico Archeologico Antiquities: III: basalt sculptural fragments; reliefs from the tomb of Horemheb; funerary stele; dynasties XVIII, XIX, XX, Ptolomeic dynasty reliefs, generally in limestone. IV: XVIII, XIX dynasty sculptures in granite, limestone, sarcophagi, statuette in basalt, statuette in wood, statuettes in bronze, statuette faience, mummy mask: V: basalt sculptures of Horus, Sekhmet, limestone stele (Antiq. count: 202); Republican portrait sculpture, Republican cippi with portrait bust, cippus with portraits (single and group), cippi with inscriptions from all periods, architectural fragments, basin with inscription, torso fragment of cuirassed figure of the 1st century AD (Nero) (Antiq. count: 185); disk lamps from the late republic to 6th century, with erotes, animals, erotica, mythological scenes, menorah,

Relief of a male phallus in tufa stone in a small temple in antis. From Pompeii, 1-50 AD. Secret Cabinet. National Archaeological Museum. Naples. Italy.

Copy of an antique bas-relief Charles Girault (1851-1932). Copy of an antique bas-relief. Lead mine on paper. 1881. Museum of Fine Arts in the city of Paris, small palace.

Bell Half zygmunt (Inscription: A D M) Zygmuntów Tower, Wawel Cathedral, Kraków

Greek Grave-Slab of Shipwrecked Sailor, from Rheneia, Mykonos, c5th century BC. Artist: Unknown.

Myanmar (Burma) Pagan Architectural details Unpublished image 1. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of

Lazio Latina Terracina Museo Archeologico3. Hutzel, Max 1960-1990 Antiquities: Stone figures, both full-length and busts; ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove Anxur and from the ancient town. Object Notes: Hutzel campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief fragment with royal titles ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief fragment with royal titles. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably originally from Amarna (Akhetaten); Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu). Dynasty 18

Stone stele - Relief fragment - Hor-nakht. 18th Dynasty (New Kingdom).. Relief design depicts a funeral.

Relief 16th century () Mexican. Relief 307637

Relief from a Pulpit with the Symbol of Saint Luke ca. 1180 Master Christophanus or Stephanus Italian This relief depicts an ox, the symbol of Saint Luke, holding a book with an inscription from the opening of his Gospel. A second inscription refers to the master sculptor Stephanus and his associates. Nothing more is known of the sculptor, but the hallmarks of his style, with its crispness and richness of decorative forms contrasting with plain surfaces, are characteristic of sculpture in Abruzzi during the late twelfth century. Because of changes in the liturgy promulgated at the Council of Trent (1544-68), medieval pulpits were frequently dismantled and their parts scattered.. Relief from a Pulpit with the Symbol of Saint Luke 469882

Fragment of a funeral stele representing a trading scene. Limestone. Gallo-Roman time, high-Empire. Paris, Carnavalet museum. Three characters (one standing, two other seated) chat around a table where objects (bags, besides) are placed. Antiquity, limestone, Gallo-Roman time, fragment, high-Empire, merchant, negoce, negotiation, negotia, stone, stele funerary, ancient, scene

Odin and the wolf Fenrir. 9th cent. relief. Viking artefact.

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre 562128

FRAGMENTO DE SARCOFAGO CON RELIEVE. DEPOSITO: MUSEO DE SANTA CRUZ. TOLEDO, CASTILLA LA MANCHA, ESPAÑA.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo6. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Campania Salerno Salerno-S. Matteo, Cathedral5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lintel No 15, from Yaxchilan, Mayan, AD 770. Noblewoman raising spirit of an ancestor by self-hallucination caused by blood-letting.

Band 18th century Czechoslovakian, Bratislava. Band. Czechoslovakian, Bratislava. 18th century. Linen and cotton. Textiles-Woven

Winged Genius, c. 883-859 BCE, 90 x 41 in. (228.6 x 104.14 cm), Limestone, Iraq, 10th-9th century BCE, This panel was taken from the remains of the Northwest imperial palace at Nimrud, the capital of the Assyrian empire, now located in modern Iraq. The walls of the palace, constructed by Ashurnasirpal II (883-859 BCE), were decorated with stone panels carved in low relief, narrating his hunting and military exploits.

seal of Jerzy August Wandalin Mniszech, Starost of Sanok, Bila Tserkva and Lubaczów. Mniszech, Jerzy August Wandalin (1715-1778), signatory

Stone funerary stele, detail with sailing boat of shipowner Callinicos, from Sinop, Turkey

Relief Panel from the End of a Sarcophagus: A Cross Within an Arch, 700s-800s. Lombardic, Italy, Rome, Migration period, 8th-9th Century. Marble; overall: 51.8 x 57.8 cm (20 3/8 x 22 3/4 in.).

Terracotta Tomb Plaque 400-800 Spanish This plaque is thought to be a cover for a niche in a columbarium, or communal tomb. The Christogram--the monogram for Christ's name formed from the first two letters of his name in Greek (x and p), identifies the deceased as Christian. Scholars debate the meaning of the inscription in Latin, which may be a prayer for the deceased.. Terracotta Tomb Plaque 466122 Spanish, Terracotta Tomb Plaque, 400800, Terracotta, Overall: 13 1/8 x 8 1/2 x 2 3/8 in. (33.3 x 21.6 x 6 cm). The Metropolitan Museum of Art, New York. Gift of John Crosby Brown Moore, 1985 (1985.147)

Bhaja, left end of verandah

Facade stone with three Jerusalem springs, text 1630 in cartouche, facing brick sculpture sculpture building component sandstone stone, sculpted Rectangular frame decorated with curls. In box three Jerusalem springs year and ribbon with text On both sides of the feathers: 1630 Rotterdam Kralingen outside Jerusalem

Cylinder seal ca. 1900-1800 B.C.. Cylinder seal. ca. 1900-1800 B.C.. Hematite. Old Syrian, Syro-Cappadocian. Anatolia ()

ESTELA -LUCIO MURRIO RUFINO. Location: MUSEO DE CACERES / PALACIO DE LAS VELETAS. CACERES. SPAIN.

Cylinder seal ca. early 2nd millennium B.C. Babylonian. Cylinder seal. Babylonian. ca. early 2nd millennium B.C.. Hematite. Old Babylonian. Mesopotamia

Cylinder seal and modern impression: banquet scene with seated figures drinking a liquid through straws ca. 2600-2350 B.C. Sumerian Although engraved stones had been used as early as the seventh millennium B.C. to stamp impressions in clay, the invention in the fourth millennium B.C. of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Ofte

Sumerian sculpture of sacrificial ceremonies, 2500 BC, Ur, Mesopotamia.

relief depicting a king and eunuch attendant, 883859 b.c.; NeoAssyrian period, reign of Ashurnasirpal II. Excavated at Nimrud (ancient Kalhu), northern Mesopotamia

Cylinder seal ca. 1820-1730 BCE

Mold of Figure on Horse with Attendant 10th-11th century() Indonesia. Mold of Figure on Horse with Attendant 39241

Nabatean Stone Relief. Artist: Unknown

Templo de Isis. Egipto.

Sculpture of prostitute, Sun temple, Konark, Orissa, India Copyright: xJagdishxAgarwal/DinodiaxPhotox

Votive plaque with a child Horus; 664-525 BC ; Half period, 26 dynasty (-664-00-00--525-00-00);Deposit of the University of Warsaw from 1937-1939, Harpokrates (mitol.), Scene.gal.eg., French excavations in Edfu (Egypt)

This photo, dating to 1914, shows a petroglyph in Nebraska. The rock here is covered with Native American picture-writing.

Cylinder seal ca. 19th-16th century B.C. Babylonian. Cylinder seal. Babylonian. ca. 19th-16th century B.C.. Hematite. Old Babylonian. Mesopotamia

Relief with a bedroom and storerooms ca. 1353-1336 B.C. New Kingdom, Amarna Period. Relief with a bedroom and storerooms. ca. 1353-1336 B.C.. Limestone, paint (mostly modern). New Kingdom, Amarna Period. From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten). Dynasty 18

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo9. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Relief of the Novgorod driver's stalls, left part, St., Sankt, Saint

Male Offering Bearer, c. 667-647 BC. Egypt, Thebes, Late Period, Dynasty 26. Limestone; overall: 35.3 x 21.1 cm (13 7/8 x 8 5/16 in.).

'The God Oxhintok, Maya late classic'. Museum: MUSEO ARQUEOLOGICO, Mexico D. F., CIUDAD DE MEXICO.

Mold (Pentagon-Shaped with Flower) 10th-11th century() Indonesia. Mold (Pentagon-Shaped with Flower). Indonesia. 10th-11th century(). Bronze. Sculpture

Lazio Roma Velletri Museo Civico di Velletri8. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Fragment of the Aspidia tombstone. It shows a Chrismon and an inscription in capital letters. Marble. 6th century. Provenance unknown. Museum of Visigoth Councils and Culture. Toledo, Castile-La Mancha, Spain.

Gallo-Roman low-relief. Ferrying wine barrels and amphorae. Roman art. Early Empire. Relief on rock. FRANCE. PROVENCE ALPES CïTE D'AZUR. VAUCLUSE. Avignon. MusŽe Calvet (Calvet Museum).

Molise Isernia Isernia S. Maria Assunta0. Hutzel, Max 1960-1990 Medieval: Remains of Romanesque architecture and architectural sculpture incorporated in a modern restoration Antiquities: Fragments of architectural and other sculpture Object Notes: Much of the sculpture illustrated was subsequently transferred to the Museo Comunale. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Historic, Mesopotamia. Mesopotamia. Sumerian. Relief. Liturgical scene with musicians. 2100 BC. Tello.

Tomb of Hesyre. 2649 BC. Panel with the representation of the deceased, chief of the scribes of the Pharaoh Djoser. Egyptian art. Old Kingdom. Relief. EGYPT. CAIRO. Cairo. Egyptian Museum. Proc: EGYPT. CAIRO. Saqqara.

Gravestone of Maria Rodriguez. Inscription in Gothic script. Depiction of a Franciscan cord surrounding the head of a dog, 1417. From the Convent of Saint Francis, La Coruna, Galicia, Spain. Archaeological and History Museum of A Coruna (San Anton Castle). Galicia, Spain.

FRONTAL DEL SARCOFAGO DE ALCAUDETE (JAEN) - HACIA 410 DC - RELIEVE VISIGODO. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN. JESUS. MARY MAGDALENE. LAZARUS OF BETHANY. DAVID REY SIGLO XI AC. Daniel. Goliath.

Sitio Arqueologico de Bonampak Chiapas Bonampak Archaeology Site Chiapas

SARCOFAGO DE DONA GONTRUDA S XII ABADESA. Location: MUSEO ARQUEOLOGICO-COLECCION. Oviedo. ASTURIAS. SPAIN.

Cylinder seal ca. 19th-16th century B.C. Babylonian. Cylinder seal 324952

FRAGMENTO DE SARCOFAGO CON RELIEVE. DEPOSITO: MUSEO DE SANTA CRUZ. TOLEDO, CASTILLA LA MANCHA, ESPAÑA.

estela, Uxama, museo Numantino de Soria, Soria, Comunidad Autónoma de Castilla, Spain, Europe.

MEZQUITA DE CORDOBA. LAPIDA JUAN DE CASTRO. CORDOBA, ESPAÑA.

Trophy frieze, 2nd century, Tergestino Lapidarium, Castle of San Giusto, medieval castle and fortress, 15th-16th century, Colle di San Giusto, Trieste, harbour town on the Adriatic, Friuli, Italy, Trieste, Friuli, Italy, Europe

Stele of a Warrior. Detail. 1000-850 BC. Late Bronze Age. Slate. From Solana (Caban_as del Castillo, province of Caceres, Extremadura). National Archaeological Museum. Madrid. Spain.

Relief fragment, tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment, tomb of Meketre. ca. 1981-1975 B.C.. Limestone, paint. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, MMA 1101), MMA excavations, 1920. Dynasty 12

Cylinder seal ca. 1720-1650 B.C.. Cylinder seal. ca. 1720-1650 B.C.. Hematite. Old Syrian. Syria

South America, Peru, Bas relief design etched into the walls of the Huaca Arco Iris (Rainbow Temple) - a Chimu site near Trujillo, Peru

Stele 31 (dated 445) showing the celebration of the sovereign called Stormy Sky. Artifact originating from Guatemala. Pre-Colombian Civilization.

Detalle de columnas del piso principal de la Casa Milà (La Pedrera) de Barcelona. Author: ANTONI GAUDI.

Massacre Of The Innocents. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Anonymous, Flemish, 18th century (). Dimensions: sheet: 12 5/8 x 9 1/8 in. (32.1 x 23.2 cm). Date: 18th century (). Museum: Metropolitan Museum of Art, New York, USA.

Campania Caserta Capua Museo Campano15. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

ESTELA FUNERARIA DE BERIAIN (NAVARRA) - OBRA POPULAR DE LOS VASCONES. Location: MUSEO DE SAN TELMO. DONOSTI-SAN SEBASTIAN. Guipuzcoa. SPAIN.

Tabloid. Unknown

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