Angelic and Mythical Representations

Artwork depicting angelic figures and mythological themes, including engravings and drawings, emphasizing ethereal qualities and dynamic poses in various artistic styles.

Sadeler, Johann (I), Winghe, Joos van, unknown, Allegory of Fame, verso lower left - stamped, The winged personification of Fame (Fama) flies above the globe. She blows one of her two trumpets., print, prints, height 154 mm, width 118 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, engraving, engraving (printing process), Northern Netherlands, 1544 - 1603-12-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Thomas Butts, Jr after William Blake, Christ Trampling Satan Christ Trampling Satan

Infortunium (Misfortune), Hans Sebald Beham, German, 1500-1550, Engraving on laid paper, 1541, Print, Print

Drawing, Winged figure between window and column; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

Flying warrior protects drawn people from an eagle, Charles Ricketts, c. 1917 paper paper

Copper engraving by Martin Schongauer from the late 15th century depicting the Archangel Gabriel.

Saint Michaël and De Dragon, Martin Schongauer, c. 1470 - 1491 print Saint Michaël beats a diabolical dragon with a spear. Germany paper engraving the Archangel Michael fighting the dragon (devil, Satan)

Copper engraving by Sebald Beham titled 'The Misfortune', showing a figure in an allegorical scene representing human adversity.

Nemesis (The Great Fortune). Albrecht Dürer (Germany, Nuremberg, 1471-1528). Germany, circa 1501-1502. Prints; engravings. Engraving

Allegory of the honor Premium vertutisque honoris (title on object), Allegory of honor with a putto with a laurel wreath, a palm branch and an olive branch in hand. On a table are a crown, coins, a pearl necklace and a necklace, Pride, 'Superbia' (Ripa), personification of one of the Seven Deadly Sins, crown (symbol of sovereignty), insignia and symbols of sovereignty (crown, diadem, scepter, orb, seal, standard, cloak, pectoral), pearl, pearl necklace (women's clothes), Pieter van den Berge (mentioned on object), Amsterdam, 1686 - 1737, paper, engraving, h 276 mm × w 170 mm

Sadeler, Johann (I), Winghe, Joos van, unknown, Allegory of Fame, verso lower left - stamped, The winged personification of Fame (Fama) flies above the globe. She blows one of her two trumpets., print, prints, height 154 mm, width 118 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1560 - 1600, paper, engraving, engraving (printing process), Northern Netherlands, 1544 - 1603-12-18, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Nemesis (The Great Fortune), c. 1501/1502, engraving on laid paper, plate: 33.5 x 23.3 cm (13 3/16 x 9 3/16 in.), sheet: 36 x 25.9 cm (14 3/16 x 10 3/16 in.), Meder, no. 72, state II/II, Albrecht Dürer (artist) German, 1471 - 1528

Cartoon tribute to Louis Blériot's first cross-channel flight. Louis Blériot (1872-1936) a French aviator, inventor, and engineer. Dated 20th Century

St Michael Made 1477-1478 Germany. Engraving on paper . Martin Schongauer

Water, Willem Schaak, 1680 - 1726 print The Element Water. The Zeenmf Galatea, pearls around the neck, sits on a triumphal wagon that is pulled through the water by swans. Amsterdam paper engraving water (one of the four elements). water-birds: swan. pearl; pearl necklace (+ women's clothes). (story of) Galatea; 'Galatea' (Ripa)

Engel standing on a cloud with Banderol, Claude Mellan, 1608 - 1688 print paper engraving angels

Engel lifts a female holy and beats a demon, Heinrich Vianden, 1836 print Germany (possibly) paper etching angels fighting against other evil powers. devil(s) and demons. gripping someone by other parts of the body

Woman with one -hand (art); Skoczylas, W Adys Aw (1883-1934); 1919 (1919-00-00-1919-00-00);Witke-Jeżewski, Dominik (1862-1944)-collection, female acts, gift (provenance), unicorn

Tusch feather drawing with white heightening on blue-black primed paper by Hans Leu the Younger depicting Death and a girl, 1525.

William Blake, The Vision of Eliphaz, 1825 The Vision of Eliphaz

Night according to the sculpture of prof. Johannes Schilling was drawn by Jan Strzałecki. Shame from the Wieniec 1872 (1) 438 magazine Unknown, Schilling, Johannes (1828 1910), Strza Ecki, Jan (1837 1919)

Affliction. Beham, Sebald (1500-1550), graphic artist

Dalziels' Bible Gallery - The Days of Creation - The Second Day,1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company. Large orb with water in it, representing separation of waters.

Print made by Luigi Schiavonetti, 1765-1810, Italian, The Reunion of the Soul & the Body, 1808, published 1813. Etching on moderately thick, slightly textured, cream wove paper.

Engel lifts a female holy and beats a demon, Heinrich Vianden, 1836 print Germany (possibly) paper etching angels fighting against other evil powers. devil(s) and demons. gripping someone by other parts of the body

Allegory of Christianity. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Sebald Beham (German, 1500-1550), Cognitio, engraving

Print, Angel and Child; After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 25.1 × 16.9 cm (9 7/8 × 6 5/8 in.); Bequest of George Campbell Cooper; 1896-3-350

Titelpagina voor Aurora, Den Haag 1840-1878; Aurora.Aurora with a star above the head, accompanied by four putti as personnifications of the arts, above a landscape with trees and water. The title page is made for the Dutch-speaking literary Almanak Aurora, which appeared between 1840 and 1878.

Lazio Viterbo Bolsena Palazzo del Drago53. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Vignette with angel, A vignette between columns in the shape of the letter M., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 77 mm, width 64 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Archangel Michael fighting against dragon (Satan). unknown dated 1789 Tapestry Dimensions: H 9'6" x W 6'6" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Art Salon Universal ("with Frank D. Veiller"), received 4/1/1922; sold to Mr. Louis Roons Jr. 12/18/1922. Inscriptions: Inscription on scroll on upper field: Mr. LOUVRIER.Nt.GRAND.OUVRIER DE.S.M 1789 Satan prostrate under feet of Archangel Michael, who is about to slay him, while holding a balance with a human soul in each pan (BRD) bead-&-reel on inner border & lozenge-shaped pattern enclosing rosette motifs; each border centered with medallion featuring (UPR BRD) scale, (LWR BRD) jug, (L BRD) military trophy & (R BRD) broken arrow (); male face in corners The inscription may refer to a specific craftsman working for the King "Ouvrier De Sa Majesté" (Cavallo/Soustelle). French & Co. stock sheet in archive, 7120 also lists: 24465

William Blake, 1757-1827, British, Illustrations of the Book of Job in twenty-one plates. Folio of engravings with covers.

Study into a statue of Cupido that brings his bow, Jean Grandjean, After Anonymous, 1765 - 1781 drawing prepared paper. chalk piece of sculpture, reproduction of a piece of sculpture. Cupid making his bow

Drawing (Italy)

Poëzie, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print Paris paper etching / engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)

Lazio Roma Rome S. Maria degli Angeli3. Hutzel, Max 1960-1990 Several exterior views of church facade, formed from exedra of calidarium of Roman baths (Terme di Diocleziano). Interior, designed by Michelangelo from fromer tepidarium and renovated by Vanvitelli (1749), is extensively documented. Views of vestibule, nave, altars, sacristy, chapels, frescoed ceilings, paintings, sculpture, courtyard. Antiquities: Sarcophagus; fragments of antiquities on exterior wall. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fresco depicting winged Genius carrying woman on his shoulders, from House of Naviglio, Pompei, Italy

Sebald Beham (German, 1500 - 1550), Matthew, 1541, engraving

Engraving by Antonio Ricciani of wall painting from Herculaneum depitcing a bacchante , Engravings, Priests, Bacchantes. Nicholas Catsimpoolas Collection

Angel of the Revelation (Book of Revelation, chapter 10) ca. 1803-5 William Blake British This work comes from a series of eighty biblical watercolors that Blake made for Thomas Butts, an important patron. He found the subject in chapter 10 of the book of Revelation and describes both the author and his vision. A diminutive Saint John, pen in hand, on the island of Patmos, gazes at a "mighty angel.. clothed with a cloud.. a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire." The artist based the angel's water-spanning stance on prints of the ancient Colossus of Rhodes and envisioned the seven thunders described in the text as horsemen riding through clouds.. Angel of the Revelation (Book of Revelation, chapter 10). William Blake (British, London 1757-1827 London). ca. 1803-5. Watercolor, pen and black ink, brush and wash, over traces of graphite. Drawings

Design for Mosaic or Stained Glass Window in Honor of a Painter (Palmam Qui Meruit Ferat”), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache on board, A panel with a flying female genius raising a laurel wreath with her right hand, holding a palette and brushes in the lower left one. An acanthus palmette is at the bottom. Inscription at top' 'PALMAM / QVI MERVIT / FERT', USA, ca. 1890, architecture, interiors, Drawing, Drawing

The triumph of republican virtue (IT)

GROUP OF SCULPTURE, BY LOUGH, AT THE CITY BALL.

Archangel Drawing a Sword. Artist: Eduard Jakob von Steinle (Austrian, Vienna 1810-1886 Frankfurt am Main). Dimensions: 17 15/16 x 14 5/8 in. (45.5 x 37.2 cm). Date: 1825-86. Museum: Metropolitan Museum of Art, New York, USA.

The Lady. Playing card from a card game. Engraving by Master E.S. (ca. 1420-h. 1468). "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

Hebe, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1791, Engraving

Ornament with cherub ..

Glad Day or The Dance of Albion - ca. 1794 - etching with watercolour. Author: WILLIAM BLAKE (1757-1838). Location: BRITISH MUSEUM. LONDON. ENGLAND. ALBION-DIOSA DE LA ALEGRIA.

Queen of the Night; Moritz von Schwind, Austrian, 1804 - 1871; Austria, Europe; about 1864 - 1867; Watercolor over graphite; 41 x 31.1 cm (16 1/8 x 12 1/4 in.)

Planter apartment, vintage engraving. Planter apartment, vintage engraved illustration. Copyright: xZoonar.com/PatrickxGuenettex 10648665

S. Veronica. I.M., graphic artist

'Study of an Angel', c1611-1666. Artist: Guercino

Emile Bernard (1868-1941). "The end of Satan. LAngel Liberté". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101108-10 Allegorie, Angel, Annies thirty 1930 30, aquatinte, chiaroscuro, drawing, etching, allegorical figure, illustration, freedom, lugubrious, morbid, death, littararaic work, skeleton

Campania Napoli Naples S. Lorenzo Maggiore88. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Velde, Adriaen van de, Schenk, Pieter (I), Penitent Mary Magdalene, verso - stamped, The penitent Mary Magdalene looks up, in front of her a crucifix and an open book on a skull., print, engraving, prints, engravings, height 175 mm, width 139 mm, Noord-Nederlands, 1660-12-26 - 1711, print maker, printmaker, 1670 - 1713, paper, papier, mezzotint, Work conception, 1636-11-30 - 1672-01-21

Jerusalem, Plate 99, 'All Human Forms identified....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 1/8 inches (22.6 x 15.5 cm), beard, fire, flames, literary theme, men, nudes, religious and mythological subject, text, women

Allegorical Self-Portrait, 1873, Simeon Solomon, British, 1840 - 1905, 14 x 8 15/16 in. (35.56 x 22.7 cm) (sheet), Watercolor, gouache and gum arabic over red chalk, England, 19th century, Solomon studied with the Pre-Raphaelite painters Rossetti and Burne-Jones, who were influenced by Italian art of the 15th century. Solomon's friendship with the poet Algernon Charles Swinburne diverted his interests from Old Testament subject matter to quasi-erotic, ancient Greek themes. In 1873, the date of this work, Solomon was arrested for a homosexual solicitation, and became a social outcast. He was completely abandoned by Swinburne and his friends in the Pre-Raphaelite Brotherhood. In this poignant self-portrait, Solomon recognizable by his mass of wavy hair, lowered eyelids, aquiline nose and sharp chin, represents himself as an androgynous, winged, figure clad only in a Greek chlamys, contemplating his tenuous future in a crystal ball beneath a starry sky. Appropriately, he clutches a branch

Amor, Jean Prud'hon, After Pierre Prud'hon, 1788 - 1888 print Paris paper etching / engraving (story of) Cupid, Amor (Eros)

Joanna d'Arc; Gory, Wiktoria (1902-1945); 1929 (1929-00-00-1929-00-00);

USA, Florida, St. Augustine, Flagler College, Hotel Ponce de Leon, dining room mural detail.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Love and Fortune. Line engraving.

The Damsel from a deck of cards engraved by Lemaitre in 1466 . The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Pierre Philippe Choffard, Fleuron for the Title Pages, 1795 Fleuron for the Title Pages

Drawing (Italy)

Hashish; Zimmermann, Alfred (1854-1910); 1900-1901 (1900-00-00-1901-00-00);

USA, Florida, St. Augustine, Flagler College, Hotel Ponce de Leon, dining room mural detail.

Victor Orsel (1795-1850). Virtuates ". Preparatory card for the decor of Notre-Dame-de-Lorette church in Paris. Black stone and ink on paper with strips of paper brought back along the edges. 1834-1850. Museum of Fine Arts of the city of Paris, Petit Palais. Female allegory, hate, catholicism, drawing, star, woman, wing figure, religious iconography, preparatory work, wing character, allegorical character, female character, holy character, Catholic religion, virtue

Engraving by Gustave DorA© (1832-1883)

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song VII) by Franz von Bayros

The Flower Book_Golden Gate. From The Flower Book, 1905. Sir Edward Burne-Jones .

Tribute to Minerva Jacques Charlier. "Tribute to Minerva". Gouache on Velin, 1782. Paris, Museum Cognacq-Jay.

Illustration depicting the Zodiacal sign of Gemini. Dated 15th Century

fine arts, Art Nouveau, graphic, ""To the memory of the Paris Commune 1871"", woodcut, by Walter Crane (1845 - 1915), circa 1876,

A poster for the international guest exhibition in Amsterdam, Jac Jongert, 1912 print. poster With a man with a globe in his hand and on his arm a young Hermes. The exhibition took place from September 14 to October 6, 1912 in the Palace for Volksvlijt. paper (story of) Mercury (Hermes). globe Amsterdam

De Music, Samuel Jessurun de Mesquita, 1878 - 1931 print paper 'Music' (~ quadrivium); 'Music' (Ripa)

Man who wears an anchor on his shoulders, Richard Nicolaüs Roland Holst, 1909 print The man is naked and is in wavy water. At the top of the monogram of the General Dutch Diamond Workers 'Association, at the bottom of the text' For the members who served the union in the battle 'and the dates '17 February - 17 June 1904'. paper man (showing himself) undressed, quasi-nude. parts of ship's exterior: anchor. carrying something on the head or on the shoulders. wave

Titian, Cupid with the Wheel of Time, c 1515 1520 Cupid with the Wheel of Time

As Pandora Raised the Lid the Cottage Grew Very Dark Illustration by Walter Crane Frontispiece from the book Myths From Many Lands published 1912

Arachne. Artist: Otto Henry Bacher (American, Cleveland, Ohio 1856-1909 Lawrence Park, New York). Dimensions: sheet: 12 1/16 x 8 3/4 in. (30.6 x 22.3 cm)image: 11 7/16 x 8 5/16 in. (29 x 21.1 cm). Date: 1884.Born in Cleveland, Ohio, Bacher spent much of his career in Europe, especially Venice, where he encountered the American artist James McNeill Whistler, whose style and technique would greatly influence him. Although Bacher also worked in paint, his primary pursuit was etching. Here, he depicts the mythological figure of Arachne, a mortal woman who challenged the goddess Athena to a weaving contest and, as a result, was transformed into a spider. Arachne's hair merges with the strands of the web, while a spider drops down along the left margin. Museum: Metropolitan Museum of Art, New York, USA.

Fragility, girl sitting on a branch, painting by Bartolomeo Giuliano, from L'Illustrazione Italiana, Year XXV, No 23, June 5, 1898.

Maria Denman after John Flaxman, British (active 1812), Virgin and Angels, a Key Stone in York, published 1829, lithograph proof before letters

Day and the Dawnstar Herbert James Draper (1864-1920 British) Oil on canvas

Francisco Bayeu / 'Allegory of Victory'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Illustration by William Blake from his book America, A Prophecy, published in 1793. Thus wept the Angel voice.....

Downpour 1906 Leon Bakst (1866-1924 Russian) Painting State Russian Museum, St. Petersburg, Russia

The Hooge Land. Beekbergen.

Morning, or rosy-fingered dawn as Homer (fl. c. 700 B.C.) called that time period, rises with her companions in the sky.

Sjöstrand, Carl Eneas, work, Sketch for Cinderella illustration, 1867, drawing, 33 cm x 21 cm

The Days of Creation: The First Day. From the portfolio: The Work of E. Burne-Jones., 1876, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Roundel with Saint Agnes. Culture: German. Dimensions: Overall: 6 13/16 in. (17.3 cm). Date: ca. 1490. Museum: Metropolitan Museum of Art, New York, USA.

Parzival, print maker: Rogelio de Egusquiza, (mentioned on object), Spain, 1895, paper, etching, h 509 mm × w 360 mm

Juan Antonio Ribera y Fernández / 'Allegory of Night'. Ca. 1819. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Painted Wall Hanging with Peace. Dating: 1786. Place: Amsterdam. Measurements: h 277 cm × w 102 cm; h 235.6 cm × w 111.6 cm × d 9 cm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen (signed by artist).

Archangel Gabriël with Lelie, Marcantonio Raimondi, 1500 - 1527 print paper engraving the Archangel Gabriel

Allegory of June. Thoma, Hans (1839-1924), draughtsman, cartoonist

AnnunciatoryAngel. Artist: Bernardino Fungai, Italian, Siena, 1460-1516

According to Greek and Roman mythology, Cupid (Eros to the Greeks) was the god of love. His mother, Venus (Aphrodite), was jealous of Psyche, a mortal princess, and sent Cupid to shoot her with a love arrow that would make her fall in love with a horrible creature. By accident, Cupid pricked himself as he did so and reversed the effect on Psyche. Venus tried unsuccessfully to keep the two apart. Finally, Cupid and Pysche (seen here together) were allowed to marry, and Psyche was granted immortality.

Amor and Psyche; Amore e psiche. Sculpture by Amor and Psyche by the Italian sculptor Antonio Canova.

Jonah and the Whale Giotto di Bondone (c. 1266-1337/ Florentine) Fresco Arena Chapel, Cappella degli Scrovegni, Padua

The Flémalle Panels. Date/Period: 1428/1430. Width: 61 cm. Height: 148.7 cm (Complete). Author: Master of Flémalle (Workshop of Robert Campin).

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