Angelic Revelations

Depictions of angels from biblical texts, including scenes of divine judgment and interactions between celestial beings and humanity, illustrated in detailed engravings.

Emblema XLIII: Audiloquacem vulturem, qui neutiquam te decipit. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 43, located on page 127.

Sixth Engel blows on Bazuin, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1585 print The sixth angel blows on the Bazuin. Next to the angel, God the Father sits on His throne and is the golden altar with the four horns where a voice comes out that the four angels who are trapped must be liberated. The angels and the riders on horses with lion heads row out a third of humanity. In the margin a four -line caption in Latin. Eleventh print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving the sixth of the seven angels sounds the trumpet: the four angels of destruction are released

Bliżej Kultury Unknown, Cezary, Franciszek (1583 1651)

Bending woman and seven-member dragon; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. In the sky the sign of the great woman appears, crowned and with wings, in a light wreath. She is threatened by a seven-member dragon. The child of the woman is taken to God the Father. The Archangel Michaël binds the dragon. A four-line caption in Latin in the margin. Fourteenth print from a series of twenty-four with the Revelation of John on Patmos.

In the center a vellum with the title of the book, above the cloth sits a goddess with a horn of plenty and a lobster in her hands. Next to her is a vase with ears of corn. Below the vellum is a river god with horn of plenty and palm branch. Next to him a dog and a lizard. To the right of the vellum a pillar with an owl, to the left a woman with twins on her arms and a crown floating between the twins., Title page of a collection of classical authors edited by M. Zuerius van Boxhorn Aelius Spartianus, Julius Capitolinus, Aelius Lampridius (...) (title on object), print maker: Willem Outgertsz. Akersloot, (mentioned on object), publisher: Joannes Maire, (mentioned on object), Leiden, 1632, paper, engraving, h 110 mm × w 58 mm

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

Seven angels get a trumpet, 1585 print Opening the seventh seal: in the clouds God the Father and seven angels with a trumpet. Among them the earth on which lightning bolts come. In the margin a four -line caption in Latin. Eighth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving the seven angels with trumpets ~ Revelation of John

The presentation of the Corenbloem: Joseph conquers discord, 1577, 1577 - 1578 The presentation of the Corenbloem, a rederijkerskamer in Brussels: Jozef overcomes the Divine (Discordia). Floating theater on a barge in the water. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels The presentation of the Corenbloem, a rederijkerskamer in Brussels: Jozef overcomes the Divine (Discordia). Floating theater on a barge in the water. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

Blazoen van der Vreuchden Bloeme (Bergen op Zoom), 1561; De Vreuchden Bloeme Van Berghen Opten Zoom. Blazoen van der Vreuchden Bloeme (Bergen op Zoom). For the land jewel of Antwerp in 1561.

Giving birth wife and seven -headed dragon, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1585 print In the sky the sign of the baring woman, crowned and with wings, appears in a light wreath. She is threatened by a seven -member dragon. The child of the woman is taken to God the Father. The Archangel Michaël binds with the dragon. In the margin a four -line caption in Latin. Fourteenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving the dragon persecutes the pregnant woman ~ Revelation of John

Emblema XLIII: Audiloquacem vulturem, qui neutiquam te decipit. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 43, located on page 127.

Title page: Livre Nouveau de Toutes Sortes d'Ouurages d'Orpheuries Receuillies des Maylleurs Ouuriers de ce temps; Livre Nouveau de Toutes Sortes d'Ouurages d'Orpheuries Receuillies des Maylleurs Ouuriers de ce temps. Cartouche with title in French and German, hanging on a mask and consisting of flowers, jewelry, trophies of musical instruments and tools of goldsmiths. From series of 12 magazines with designs of jewelry for goldsmiths and emailing. Third edition.

Baccio Baldini (1436-1487). "The prophets, Moses". Third issue of a suite of 24 rooms (Bartsch 3). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-27 XVEME XV XV 15th 15th 15 CENTURY, engraving

Rhodope and Cnemon, Crispijn van den Queborn, After Adriaen Pietersz van de Venne, 1637 print In a king's room, Rhodope gives the poet CNEMON a rosary as a thank you for his beautiful poems. Page from a book with text on recto and verso. The Hague paper engraving / letterpress printing flowers: rose

Orpheus en Eurydice, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Eurydice that is back in the underworld. Orpheus is already outside. Text and kicking in the lower margin. print maker: Francepublisher: ParisFrance paper etching Orpheus and Eurydice

Title page for Jacob de Gheyns Wapenhandhe van Roers Musquetten and the Spiessen, 1608, 1608 Title page of Jacob de Gheyns Wapenhandhe of Roers Musquetten and the Spiessen. Architectural accompaniment with on top of the Dutch Virgin with two prisoners, the weapon of the States General and Maurits. Two Hermen with weapons and armor on both sides. In the middle the Dutch title, at the bottom of the assignment in Latin and the date 1608. The magazine cut out and stuck. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, Amsterdam, 1608, title page. War ait of war around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving / letterpress printing Title page of Jacob de Gheyns Wapenhandhe of Roers Musquetten and the Spiessen. Architectural accompaniment with on top of the Dutch Virgin with two prisoners, the weapon of the States General and Maurits. Two Hermen with weapons and

Decapitation of Johannnes de Boper, 1600 - 1699 print The executioner has just cut the head of John the Baptist and puts it on the scale that is held by Salome. Netherlands paper letterpress printing the beheading of John the Baptist. Salome is given the head of John the Baptist by the executioner

Allegories of the seven works of mercy frame the last judgment, The last judgment Icones operum misericordiae quae ad corpus pertinent Seven works of mercy , print maker: David Custos, (mentioned on object), publisher: Marcus Sadeler, (mentioned on object), print maker: Venice, publisher: Italy, 1624 - 1629, paper, engraving, h 269 mm × w 201 mm

Allegory of the New Testament with glorification of the lamb and the book of seven seals on a medallion held by two small angels. Christ and John the Baptist stand on either side of the pedestal with the title. Two small scenes show episodes from the New Testament: the last supper and the baptism of Christ in the Jordan by John the Baptist. Allegory of the New Testament with Christ and John the Baptist Title page for: De Heylige historien van het Nieuwe Testament, Amsterdam De Heylige historien van het Nieuwe Testament , print maker: Abraham de Blois, (mentioned on object), Gerard de Lairesse, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), Amsterdam, 1651 - 1679, paper, engraving, h 157 mm × w 106 mm

German 15th Century, Bookplate of Wilhelm von Zell, in or after 1500 Bookplate of Wilhelm von Zell

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Proserpine. Twenty-sixth issue of a sequence of 52 pieces. (A. de Vesme 512; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Count Dirk IV van Holland, 1586 - 1587 Count Dirk IV, turned back and left, with an arrow and a coat of arms with a climbing lion. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Count Dirk IV, turned back and left, with an arrow and a coat of arms with a climbing lion. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

Emblema XXXVIII: Rebis, ut Hermaphroditus, nascitur ex duobus montibus, Mercurii and Veneris. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 38, located on page 112.

It comes after a thousand years / change our gross laws (IT)

Portrait of Theuderik III, King of Neustria and Austrasia, Virgilius Solis, 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Alkestis, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Alkestis, the wife of Admetos, with a dagger on her own chest. Text in STUDMARGE. Paris paper etching ruler, sovereign - BB - female ruler. (story of) Alcestis

Symbolic engraving from The use of passions.

Allegorical title page with throne Astraea, 1626 print Throne Astraea with caduceus and bowl in her hands. On either side of her the constellations lion and scales. On the left the personification of good governance, with city crown and snake. On the right a woman with five breasts and a horn of abundance. A man and a devil are chained to and a base. print maker: Southern Netherlandspublisher: Antwerppublisher: Antwerp paper engraving (story of) Dike (Astraea), goddess of Righteousness and Justice. allegory, personification of good government

During a sacrifice, Numa is rewarded by Ceres, Henri-Joseph Godin, 1790 print After the battle, Numa sacrifices a bull from the goddess Ceres. He is rewarded with a heavenly shield that descends from heaven. In the foreground the prisoners made to slave who frees Numa. With a French caption. print maker: Luikpublisher: Brussels paper engraving / letterpress printing male literary characters (with NAME). (story of) Ceres (Demeter). animal sacrifice ~ Roman religion. protective weapons: shield. slavery; serfs and the enslaved. liberating prisoners of war

Architectural accompaniment with allegorical scenes, anonymous, monogrammist HF (engraver), after Hans Baldung Grien, 1548 paper title-page. Abstract Ideas and Concepts (+ allegorical scene, i.e. two or more personifications involved in an action)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece of the book Festa Fatta in Roma (A. de Vesme Clxiii (third section, Doubties and pieces whose engraving or drawing is tackly attributed to Della Bella), Dutuit 33) (main title), 1634. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Tekst: Create in God (...), Virgil, 1524 - 1562 print paper engraving

Poliphilus Meeting the Venerable Matron (recto) and Poliphilus in a Rocky Place (verso) from Hypnerotomachia Poliphili (The Strife of Love in a Dream) Plate 54 from Woodcuts from Books of the 15th Century Original 1499 Italy. Woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat . Unknown Italian (Illustrator)

Battle between heavenly and earthly army Revelation of John on Patmos (series title) Icones Revelationum S Johs Evangelist in Pathmo (series title), An angel stands in the middle of the sun and calls to the birds. The heavenly army, led by a horseman with a papal miter and a sword in his mouth, fights against the earthly army. The beast goes down in a lake of fire. In the margin a four-line caption in Latin. Twenty-first print from a series of twenty-four with the revelation of John on Patmos., The beast and the false prophet conquered, Adriaen Collaert (attributed to), Antwerp, 1585, paper, engraving, h 86 mm × w 79 mm × h 156 mm × w 99 mm

Title print for the description of the arrival of Albrecht and Isabella in Ghent, 1599; Descriptio Pompae et Gratulationis Publicae, Serenissimis Potentissimisq. Principibus Alberto Maxaemyliani II. Imp. Philio, Et Isabellae Clarae Eugeniae (...) A Senatu Populoq. Gandengensi ad Inaugurationem Flandriae Comitatus Decretae. Title Print for Descriptio Pompae and Gratulationis Publicae from M.A. Vrient, in which the description of the arrival of Albrecht and Isabella in Ghent, December 1599. Title Print with the Latin title in a frame with standing on either side on pedestals Minerva and a female personification. At the top three weapons, down a landscape with two river gods. Part of: Historica Narratio Profectionis et Inaugurationis Serenissimorum Belgii Principum Alberti et Isabellae Austriae Archiducum, the description of the entry of the couple in Brussels, Antwerp, Ghent and Valenciennes, 1599.

Man at the age of thirty, c. 1725 - c. 1730 print In a room there is a fashionably dressed gentleman at a writing table. He hands over his servant a letter. Two conversing women in a column. With poems in Latin and German. This print is part of an album. paper engraving / etching 20-30 years. letter, envelope

Cain kills Abel, 1740 print Under a tree, Cain kills his brother Abel with a jaw bone. In the background on the right the sacrifices of Cain and Abel. A title above the show. Below six verses and a reference to Genesis 4: 3-8. The print is part of an album. paper letterpress printing the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon. the sacrifice of Cain and Abel: Abel offers a lamb, Cain usually a sheaf of corn

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, John on Patmos, recto - handwritten in brown ink, Landscape with the apostle and evangelist John, with the eagle, his symbol. John writes in a book and looks at an apparition in the sky. In the margin a four-line caption in Latin. First print from a series of twenty-four depicting the revelation of John on Patmos., print, prints, verso - stamped, Tandisque Jean dans l'isle de pathmos oubli jamais!, height 83 mm, width 75 mm, height 139 mm, width 109 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Folio 171. Medieval mining techniques. Woodcut, 1556.

Illustration from Das Buch der Evangelien, plate eighteen from Woodcuts from Books of the XVI Century 1515 Germany. Woodcut on paper . Unknown artist

Father Time with Zeis stands by fragments of Roman statues, Cornelis van Dalen (II), After François Perrier, 1648 - 1679 print Amsterdam paper etching / engraving Father Time, man with wings and scythe. monument, statue

Bound Print, Cartouche with Plumed Helmet; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Balthazar Sigismond Setlezky (German, 1695 - 1774); Germany; etching and engraving on paper; 27.7 × 18.5 cm (10 7/8 × 7 5/16 in.)

Artist: Albrecht Dürer, German, 1471-1528, A Fool Before andAfterwards, Woodcut, sheet: 11.8 × 8.5 cm (4 5/8 × 3 3/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Title print with allegorical figures and putti; Modern and antique monuments and buildings in Rome; Ornamenti di Fabriche Antichi and Moderni Dell 'Alma Citta di Roma. Print is part of an album.

Dante Alighieri .

Blades, Simon van de pass, 1627 print Landscape with the goddess Pales (Roman goddess of shepherds, agriculture and animal husbandry), surrounded by various animals. With an empty margin under the performance. Under the print and on the Versozijde book pressure in Dutch. unknown paper engraving / letterpress printing other female Roman deities: Pales. groups of animals

The dying TATIUS is against a tree. Numa kneels next to him. In the background the dead rental killers. With a French caption.

Amsterdam, Groot Keur, Gijsbert de, An old man in his room sitting, speaking, verso - stamped, Sheet with a large representation of an old man in a fur-lined cloak, sitting at a table in a room. He takes precious objects, including rings, from a pouch. Through a window in the background, a view of a landscape with a setting sun. Below the image 24 lines of verse., print, popular print, popular prints, prints, height 417 mm, width 304 mm, Publication (Event), Publication, publisher, 1738 - 1767, paper, woodcut, colors, letterpress printing, print maker, printmaker

Striensitz, Georg.

Vault

Cleopatra, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of Cleopatra, falling against a burial monument. Text in STUDMARGE. Numbered in the top left: 5. Paris paper etching ruler, sovereign - BB - female ruler. grave-building, monumental tomb

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, Last Judgement and the devil thrown into the lake of fire, recto - handwritten in brown ink, Heaven with God the Father, sitting on a throne, surrounded by the dead. Opposite him stands an angel with an open book. In the background, everyone who is not found in the book of life is thrown into the lake of fire (the second death). The devil, freed after a thousand years, is thrown into the lake of fire and brimstone. In the margin a four-line caption in Latin. Twenty-third print from a series of twenty-four depicting the revelation of John on Patmos., print, prints, verso - stamped, Desque satan arrivera lit, height 84 mm, width 77 mm, height 140 mm, width 95 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1544 - 1638

Illustration from "Kosmographie" by Sebastian Munster, plate 46 from Woodcuts from Books of the XVI Century. Unknown Artist (Swiss, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1564-1565. Dimensions: 82 x 106 mm (image, top); 67 x 81 mm (image, bottom); 178 x 281 mm (images/text); 230 x 344 mm (sheet). Woodcut on paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, Harvesting with sickle and winepress, recto - handwritten in brown ink, Four angels harvest grapes and grain with a sickle and throw grapes into a winepress. In the clouds a crowned figure with a sickle in his hand, sitting on a throne, flanked by two angels. In the margin a four-line caption in Latin. Seventeenth print from a series of twenty-four with the revelation of John on Patmos., print, prints, verso - stamped, La moisson viendra des justes., height 85 mm, width 79 mm, height 154 mm, width 90 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Florence, Giunti, family, Italy, Fame revives dead artists, Winged Fame revives dead artists. On the right are the female personifications of architecture, sculpture and painting. At the bottom, Latin text in a cartouche., print, book illustration, prints, height 198 mm, width 131 mm, print maker, printmaker, 1568 - 1568, third quarter 16th century, paper, woodcut, Publication (Event), Publication, Italian, publisher

Willem VI, Jacoba van Bavaria, Philip the Good and Charles de Namen; The graves and gravingen of Holland. Sheet from series of nine blades, printed from two blocks. Willem de VI, Philips the good, Charles the naughty, graves of Holland and Zeeland and Jacoba van Beyeren, Countess of Holland and Zeeland, seated. Above the images of the people with coats of arms with crowns. Under the print in book pressure in four columns a short life message in Latin of the above princes and Vorstin

A woman with a candle in her hand opens a door to a dark departure. Print from a book in which 36 prints with sentence images. Print used in: F. van Hoogstraten, the schooly of the world, 1682.

Titelblad: Natural History of the birds book 6, Matthew Merian (2), 1657 print The title is in a cartouche with an angel whose lower body runs into leaf vines on either side. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Amsterdam paper engraving

Behaim, Lucas Friedrich 1641 / 1680

St Peter from De Biblie vth der vthlegginge Doctoris Martini Luthers, plate 27 from Woodcuts from Books of the XVI Century 1534 Germany. Woodcut and letterpress in black on cream laid paper . Erhard Altdorfer

France, Delaune, Etienne, The Sciences, represented by women, IVRISPRVDENCE, Jurisprudence, verso lower left - stamped, The Jurisprudence with a sword and a scale under an arch of leaves, formed by two branches. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 81 mm, width 64 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Vertumnus en pompona, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Pomona and Vertumnus in the form of an old woman in a garden. Text and heart in the lower margin. print maker: Francepublisher: ParisFrance paper etching Vertumnus and Pomona

Naked Fortuna on globe revolves the wheel of fortune, Henry VII puts a stick in the wheel, Anonymous, after Cornelis van Dalen (I), 1662 print Naked Fortuna stands on a globe, in her lifted right hand she holds a vase and a bit, with the left hand she revolves around the wheel of fortune. Various headwear and attributes are attached to the wheel which can be associated with different positions such as a Keizerskroon, Koningskroon, Broom and Kick. On the left are Henry VII and a soldier who touching Fortuna and on the right Henry VII who sticks a stick in the wheel and a soldier gesturing to the Globe. The title is stated on a cloth above the show. Amsterdam paper engraving Turn of Fate, Wheel of Fortune

Austerity; Sobrietas; Virtues; Septem Virutes Vitiis Suis Oppositae. The personification of austerity is in a landscape with an open book in hand. In addition to her a jug and two loaves. A lizard to her feet. In the background a tent camp with a tent where people are on the meal. Above the camp a kneeled figure prays on the mountain. Under the show a four-line verse in Latin. This print is part of an album.

János Hunyadi. Thuróczy, János, approximately 1435-. text. Prints, Illustrations. 1488-03-20. Spencer Collection. Hungary , History , To 1500, Governors, Hunyadi, János, -1456

Title page for the book 'Coudumes Generales du Duche de Lorraine'; Couseumes Generales du Duche de Lorraine. French text and coat of arms in a cartouche in the shape of a cross, placed on a base. On either side of their persons: on the left the justice, on the right the peace.

Lodewijk VI, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by the French king Louis VI. Text under the show. Paris paper etching Ruler, Sovereign

THEATRO Y DESCRIPCION DEL MUNDO Y DEL TIEMPO - GRANADA 1614 - CONSTELACION DE ORION. Author: GALLUCCI GIOVANNI PAOLO. Location: CONGRESO DE LOS DIPUTADOS-BIBLIOTECA. MADRID. SPAIN.

Apollo, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Apollo with a winch. Text and window in the lower margin. print maker: Francepublisher: ParisFrance paper etching (story of) Apollo (Phoebus)

Count Willem IV van Holland; Comfort and short history of the graves of Hollandt Zeelandt Ende Vrieslandt; Graves and gravingen from Holland. Count Willem IV from Holland, turned to the right and for feet, with raised sword and coat of arms with four climbing lions. The print is part of a book with descriptions and shows of the graves of Holland, Zeeland and Friesland.

Misandere visits Euglottus in the night, Daniël van den Bremden, after Adriaen Pietersz van de Venne, 1537 - c. 1635 print Misandere looks for her husband Euglottus at night to address him in his adultery. Euglottus is in bed in a poor departure. Misandere holds a candle in her hand. Page from a book with text on recto and verso. Amsterdam paper engraving / letterpress printing

Standing man at a excavated grave, Arnold Houbraken, 1682 print A standing man at a excavated grave on which a classicist vase and two skulls. Print from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing gravestone, tombstone

Abraham Bosse, Frontispiece for Callot's The New Testament, 1635 Frontispiece for Callot's The New Testament

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Hercules and Dra. Thirty-sixth issue of a sequence of 52 pieces. (A. de Vesme 511; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Allegorical title page with stone arch with a medallion portrait by Justus Lipsius, 1637 print A medallion portrait by the writer Justus Lipsius has been placed on a stone bow. On both sides, the personifications of philosophy and politics depict the main subjects within his oeuvre. In addition to the bow, two portrait busts of antique authors that Lipsius has detected: Seneca and Tacitus. Next to Minerva and Mercury and the current personifications of Virtue (left) and caution (right). Proef pressure of a title page for Lipsius' collected works. print maker: Southern Netherlandspublisher: Antwerppublisher: Antwerp paper engraving 'Philosopia'; 'Philosophy' (RIPA). 'Politica' (RIPA). Roomulus and Remus are Washington and Suckled by a she-wolf; 'Lupa romana'

Zwartornament in de vorm van een schild; Zwartornamenten.Black ornament in the shape of a shield, held by a hearted king with sword. On the right a castle, located by the sea. Left under numbered 2. The print is part of an album.

Jan Boeckhorst, In Assumptione B. Mariae Virginis, c. 1650s, engraving.

unknown, Paris, Gras, Henry le, Bella, Stefano della, Jeu de la géographie, Card game geography, Pegu, Woman from Pegu, Playing card with a representation of a standing woman in traditional dress from Pegu (Myanmar). Text in bottom margin. Numbered top left: 8., print, playing card, prints, height 89 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Construction of the tower of Babel, 1740 print The tower of Babel under construction. On the right a man with a basket on his shoulder. A title above the show. Below six verses and a reference to Genesis 11: 4-6. The print is part of an album. paper letterpress printing the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction

Blazon of the gold flower (Vilvoorde), 1561; The Goubleme van Vilvoorden. Blazoen van de Goudbloem, Rederijkerskamer in Vilvoorde. For the land jewel of Antwerp in 1561.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards from the Kings of France, Charles VIII. Thirty-first number of a suite of 40 pieces. (A. de Vesme 684; Dutuit 119) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

John I (1358 Ð 1390) king of the Crown of Castile. Cover of Chronicle of the reign of John I, by Pedro Lopez de Ayala (1332-1407).

The happy. / 3. (Registered title) | Almanach useful and pleasant from the lottery of the Royal Military School. (title of all)

Sculpture of a son of Niobe; Filius niobes in Palatio Magni Ducis Etruriae; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Emblema XXX: Sol indiget Luna, ut gallus gallina. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 30, located on page 88.

Emblema VI: Seminate aurum vestrum in terram albam foliatam. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 6, located on page 16.

Two standing men with turbans, Adam Elsheimer (possibly), 1588 - 1610, draughtsman: Adam Elsheimer, (possibly), 1588 - 1610, paper, brush, counterproof, h 74 mm × w 58 mm

Woman from Dalmatia; Dalmatia; Card game Geography; Jeu de la Géographie.playing Card With a Representation of a Standing Woman with Coat of Arms from Dalmatia. Text in undermarge. Numbered Top Left: 2.

Theater with Sater who is wearing world globe on shoulders and soldier who threatens with raised sword, Cornelis van Dalen (I), 1645 print Theater with Sater who wears world globe on shoulders and soldier who threatens with raised sword. Title is on canvas that depends on the stage. Leiden paper engraving satyr(s) (in general). sphere, globe ~ stereometry

Hofmann, Melchior.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. The nine muses. Fifty-second number of a suite of 52 pieces. (A. de Vesme 533; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Virtue and Pomone. Seventeenth issue of a sequence of 52 pieces. (A. de Vesme 498; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Tartaria. Thirty-eighth number of a series of 52 pieces. (A. de Vesme 580; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Stella, Jacques (1596 1657), Blanchon, Jean Andre

Mercurius, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of Mercury in a landscape. Text and clover in the lower margin. print maker: Francepublisher: ParisFrance paper etching (story of) Mercury (Hermes)

Woman from the Maghreb, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a standing woman in fantasized gestation from the Maghreb. Text in STUDMARGE. Numbered in the top left: 1. Paris paper etching Africans (+ costume) Maghreb

Apollo en Daphne, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Apollo pursuing the nymph Daphne (as yet not metamorphosed)

A woodcut by Lucas Cranach the Younger from 1563 showing text accompanying the portrait of Frederick II, The Meek, Elector of Saxony, illustrating figure, composition, and German Renaissance printmaking techniques.

The sheet pressureer; The human being worryf. Interior of a printing company with a printer that brings a copper plate through a printing press. Prints hang on the ceiling.

Titus BOJOJOCALIS, THERDE HERTOG of FRIENNEN, Pieter Feddes van Harlingen, 1618 - 1620 print Titus Bojocalis, Third Duke of the Frisians. Standing back, piercing with a lance an opponent lying on the floor. In an ornamental frame. Illustration, with text on the back, from the book: Frisia Seu de Viris Rebusque Frisiae Illustribus Libri Duo. Friesland paper etching / letterpress printing Ruler, Sovereign Friesland

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