Animal and Human Studies

Sketches involving figures alongside animals, focusing on anatomy and natural poses, with varying techniques on different paper types.

Hunters in Arabesques. India, Rajasthan, Kota Uniara (), circa 1850. Drawings. Ink on paper

Studies of a child and an arm.page 1, Front Sheath, from a sketchbook with 37 sheets.

Sitting figure with two monkeys. The figure has one monkey on a line. Rear bract from a sketchbook with 36 sheets.

Study, possibly a figure study ..

Studies. Leaf 15 Verso from a sketchbook with 15 sheets.

Hunters in Arabesques. India, Rajasthan, Kota Uniara (), circa 1850. Drawings. Ink on paper

Buddhist luohans crossing the sea to the palace of the dragon king late 16th-early 17th century Unidentified artist The Northern Song painter Li Gonglin reinvented figure painting in the eleventh century, infusing old themes with a new scholarly appeal and creating compositions that were copied for centuries to come. This painting, made in the late Ming dynasty, bears a fake signature of Li; it may be a distant reflection of something he painted, but it may also be a pure fabrication. It depicts a group of Daoist immortals crossing the sea on various magical vehiclesa dragon, a begging bowl, a lotus leafto the dragon king, who awaits on the far shore.. Buddhist luohans crossing the sea to the palace of the dragon king 51524

Folio from 1512 by Albrecht Dürer depicting the leaders side in The Ring and Fencing Book, including fencing stances, figure movements, and composition on paper.

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermaster the text Genesis 3. Reconstructed from two fragments.

Dr. Syntax Loses His Wig. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 4 1/2 × 7 5/8 in. (11.5 × 19.3 cm). Date: 1820. Museum: Metropolitan Museum of Art, New York, USA.

Study sheet with a man's portrait and figures. Leaf 41 Verso from a sketchbook with 52 sheets.

Study of a Female Nude (possibly for an unrealized allegorical painting) (recto); Studies of Drapery and Study of a Landscape (verso), 1800s. Pierre Puvis de Chavannes (French, 1824-1898). Black chalk stumped with heightening of white chalk on brown paper; overall: 23.5 x 30.8 cm (9 1/4 x 12 1/8 in.).

Jean-Baptiste Carpeaux (1827-1875). 136 -page green album (68 sheets) of blue paper, 19th century. Museum of Fine Arts of the City of Paris, Petit Palais. 37553-4 136 pages, 68 sheets, green album, drawing, character group, blue paper, 19th XIX 19th 19th 19th 19th century

Wrijfprent ,, c. 1900 Rubbing. China paper. ink Rubbing. China paper. ink

Henri Patrice Dillon, Femme et home en buste au-dessus d'une volée d'oiseaux, lithograph on paper.

Composition studies with groups of figures, 1819 - 1849 One drawing in a frame. Leaf 42 Recto from a sketchbook with 52 sheets. paper. chalk anatomy (non-medical)

Two Busts of a Child Wearing a Head Protector, c. 1630 - c. 1645 drawing Amsterdam paper. ink pen

Vrouw in een landschap.On her arm possible a child. Page 43 From a sketchbook with 42 sheets.

Deraisme, Pierre -Georges (n.1859 - D.1932), floral decor for perfumer box (main title), 1913, rhodoïd. Petit Palais, Museum of Fine Arts of the City of Paris.

Jug. Dated: c. 1937. Dimensions: overall: 28.7 x 23 cm (11 5/16 x 9 1/16 in.) Original IAD Object: 12" High 7 3/4" Dia(base). Medium: watercolor, graphite, and heightening on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Decoration designs for the Burgtheater in Vienna by Carl von Hasenauer, drawn in pencil on transparent paper, illustrating ornamental and architectural details from the second half of the 19th century.

Two Studies in Woodcut for Sagesse (Deux essais de bois gravé pour Sagesse) from the album L'Epreuve (Album VIII). Dimensions: 32.6 cm x 23.3 cm, 21.9 cm x 10.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAURICE DENIS.

Cooking in the Open, 16th century, Ink on paper, Iran, 16th century

Candlestick. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study. Possibly a study of the skin of rhino Clara. Page 31 from a sketchbook with 158 pages.

Drawing, Column and Entablature Fragments, Athens; Frederic Edwin Church (American, 1826-1900); USA; graphite on gray wove paper; Image: 10.3 × 21 cm (4 1/16 × 8 1/4 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)

Fishing for Shells 1853-56 John Dillwyn Llewelyn British, Welsh. Fishing for Shells 283076

Calculating man and woman sitting at a table, Calculating man and woman, draughtsman: anonymous, draughtsman: Pieter de Jode (I), (rejected attribution), 1608, paper, h 272 mm × w 175 mm

Monkeys on Rocks and Trees. Artist: Attributed to Sesson Shukei (ca. 1504-ca. 1589). Culture: Japan. Dimensions: 59 1/4 x 66 7/16 in. (150.5 x 168.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Salvator Rosa's drawing depicts two seated men and one standing figure, executed in brown pen on brownish paper, emphasizing posture and interaction.

John Robert Cozens, 1752-1797, British, Passage to the Grand Chartreuse, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Drawing (Italy)

George Stubbs, 1724-1806, British, Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X), 1795 to 1806. Graphite and red chalk; verso: graphite and red chalk on thin, slightly textured, cream wove paper.

Et test, Jean Zacherie MAZEL, 1802 - 1882 print Eint test consisting of arcing, letters, numbers and a cross on the right. Netherlands paper etching specific forms of the cross

John Robert Cozens, 1752-1797, British, Entrance into the Tirol, June 4, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Between Bolzano and Trent, John Robert Cozens, 1752-1797, British, undated, Graphite and varnish on thin, slightly textured, beige laid paper, Sheet: 9 5/8 x 7 1/2 inches (24.4 x 19.1 cm), buildings, hills, landscape, rocks (landforms), trees, Bolzano, Europe, Italy, Trent

Landscape with figures and horses. Draughtsman: George Hendrik Breitner. Dating: 1895. Place: The Hague. Measurements: h 118 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with horse-and-car, George Hendrik Breitner, 1881-1883 Landscape, possibly the beach, with horse and car. On the right two figures. Page 45 from a sketchbook with 70 magazines. South-Holland paper. chalk beach. horse. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Abklatsch of the chalk drawing on page 66, c. 1884 - 1891 Page 67 from a sketchbook with 49 sheets. paper

Sketchbook, Preziosi, Amadeo, 1816-1882, pencil, gray wash, white heightening, 1875, The sketchbook by Maltese artist Preziosi comprises drawings of sites and cultural monuments in Paris, Versailles, Saint-Cloud, Fontainebleau, Marseilles, Messina, and London, with views of Trafalgar Square, St. Paul's Cathedral, Hampton Court, Westminster Abbey, and the British Museum.

A black chalk working drawing by Gustav Klimt on wrapping paper from 1886-1887 showing the lying Mänade detail for 'Altar des Dionysus' in the Burgtheater box design.

Study magazine, including with a plowing horse, deer and a men's head, 1840 - 1868 Also studies of a lock in the mountains and a woman who carries the harvest in a basket on her back. Leaf 37 Verso from a sketchbook with 63 sheets. paper. ink. pencil pen hoofed animals: deer. ploughing. horse. adult man. castle

Dragon and Landscape 14th century; plus later addition Unidentified artist This scroll presents a view of undulating billows and a rocky shoreline where several gnarled trees cling to a bare cliff. To the left of the trees two dragons appear amid the clouds and inky darkness. The dragons' writhing bodies and hooked claws contrast with the angular planes of the rock faces and echo the twisted trunks and clinging roots of the trees. One dragon seems to emerge from the rock itself, while the other is depicted playfully, stretched belly up across a rocky incline.This short, abruptly cropped composition was originally part of a much longer handscroll, other fragments of which are now in Japan and in the Museum of Fine Arts, Boston. Compared with Chen Rong's Nine Dragons handscroll of 1244, also in Boston, the brushwork of this scroll is much coarser, suggesting that it was painted by a later follower.. Dragon and Landscape. Unidentified artist , 14th-15th century. China. 14th century; plus

Abklatsch of the chalk drawing on page 24. Page 25 from a sketchbook with 16 sheets.

Chiang Tzu-ya fishing. ink on paper. Date: early 17th century. Origin: Japan. Period: Edo period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Drawing (Germany)

Portrait of an unknown young man, Giuseppe Passeri, 1703 - 1713, draughtsman: Giuseppe Passeri, 1703 - 1713, paper, h 205 mm × w 279 mm

Deraisme, Pierre -Georges (n.1859 - D.1932), bracelet (main title), 1900. Graphite. Ink on gray paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Fotoreproductie Horace.

Antoine-Louis Bare (1796-1875). Tirk breastfeeding her fawn. Graphite pencil and feather on layer paper. Museum of Fine Arts of the City of Paris, Petit Palais.

Border, folio 32 (recto), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).

Designs for the Decoration of Firearms. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 6 1/8 x 8 5/8 in. (15.6 x 21.9 cm). Date: ca. 1797-1805. Museum: Metropolitan Museum of Art, New York, USA.

Four strips of German side from around 1770, from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype lace Artificial museum

Le Train des maris. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Rectangular purple border tile, surrounded decor, surrounded column, with dark purple parallel lines as edge decoration, brown pottery, edge tile wall tile tile sculpture soil find ceramic earthenware glaze, baked 2x glazed painted archeology

Yolande Delasser, Jug, c 1937 Jug

Nuremberg, Weigel, widow Johann Christoph, Eisler, Johann Leonhard, Gründliche Description of Historical Art Laub Werck, Examples of leaf types, Stylized acanthus leaf, verso - stamped, print, ornamental print, prints, ornamental prints, height 147 mm, width 233 mm, print maker, printmaker, 1726 - 1734, paper, papier, etching, etchings, Work conception, - 1733, after a design by, Publication (Event), Publication, publisher

Putti, 1710 - 1772 Leaf 12 Verso and 13 recto from a sketchbook with 105 sheets. paper. chalk Cupids: 'Amores', 'Amoretti', 'Putti'

Amsterdam, Vislaake, FW, New Year's greeting dedicated to my Esteemed Patrons, by the Street Cleaner, New Year's greeting from the Amsterdam street sweepers, ca. 1860-1880, verso - stamped, ca. 1860-1880. At the top an illustration taken from a book: temple between mountains. With a verse in two columns. On behalf of the street sweeper: Willem Elderenbosch., print, image, New Year's greeting, prints, images, Frederik Muller Historieplaten, height 311 mm, width 214 mm, print maker, printmaker, 1860 - 1880, paper, papier, letterpress printing, wood engraving, Dutch, printer, drukker

Vietri and Raito, John Robert Cozens, 1752-1797, British, ca. 1783, Graphite and varnish on thin, slightly textured, cream laid paper, Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm), buildings, clouds, landscape, mountains, trees, walls, Europe, Italy, Vietri sul Mare

Face on the Vale of Clwyd Vanuit Denbigh Castle; View in the Vale of Clwyd, from Denbigh Castle, N. Wales ..

John Robert Cozens, 1752-1797, British, A Convent at La Cava near Vietri, 22 September, undated. Graphite and varnish on thin, slightly textured, cream laid paper.

Michel Paul sen. (1877-1938), sketchbook. 1895-1896. Drawings of the high school student from Halle/Saale (1895-1895): Trothaer rocks, view. Pencil on paper, 13 x 39.8 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1895-1896. Zeichnungen des Oberschülers aus Halle/Saale

Herd Boy with Ox late 15th century Attributed to Kano Masanobu 野正信 The bucolic scene of a herd-boy mounted on a water buffalo together making their way past rice paddies across a shallow river evokes a universally understood sense of harmony with nature while simultaneously sparking multiple associations in the context of early Japanese ink painting. While an affinity to didactic Zen Buddhist parables such as the Ten Ox‑Herding Songs is obvious, the image of an ox and ox‑herd was also emblematic of spring and agriculture, and enjoyed a long history in secular landscape painting in both China and Japan. This painting, in ink on a gilded fan, was probably based on a similar composition in a round fan-shaped painting by the thirteenth-century Chinese court painter Xia Gui, whose works were treasured in prominent Japanese collections of the fifteenth century.. Herd Boy with Ox 53213

John Robert Cozens, 1752-1797, British, Vietri and Raito, ca. 1783. Graphite and varnish on thin, slightly textured, cream laid paper.

Chalk study by Cecil van Haanen depicting a kneeling figure on construction paper, showing posture and proportions.

Jar. Dated: c. 1937. Dimensions: overall: 22.5 x 28.9 cm (8 7/8 x 11 3/8 in.) Original IAD Object: 111/4" High 6 1/4" Dia(top) 7 1/8" Dia(base). Medium: watercolor, graphite, and colored pencil on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Sashiko Motifs, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu),, Sashiko is a form of traditional folk embroidery using the running stitch to create patterns with symbolic meaning. Shown here are various traditional patterns such as wisteria wreaths and floral blossoms are also evenly distributed throughout the design., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami

Gropius Martin (1824-1880), ornamental studies (without date): Details. Pencil, ink on transparent on paper, 14.5 x 23 cm (including scan edges) Gropius Martin (1824-1880): Ornamentstudien

Ships on the inside and the Oude Waal in Amsterdam, George Hendrik Breitner, c. 1894 Page 19 and Page 20 from a sketchbook with 31 sheets. Amsterdam chalk canals, waters (in city). ships (in general) Inside. Old Waal

Design for the foot of a candlestick or candlodelab. .

Bustes of two men with feathered hats on horseback; Collection of different scribbles and etchings; Recueil De Divers Griffonements & Preuves d'eau forte ..

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. The garment of St Savinus (on left side of the throne) light blue: azure grey brown hues: shades.

Dance of Death. Artist: Hans Holbein (II). Draughtsman: Gesina ter Borch. Dating: 1643 - c. 1687. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Man and woman, Pleasure Island Camp, Cupsuptic Lake, Maine, United States ..

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Banquet Scene China. Banquet Scene 49959

Löwendenkmal Te Lucerne, Florentin Charnaux, in Or after 1873 - c. 1880 stereograph Lucerne cardboard. photographic support albumen print monument, statue. beasts of prey, predatory animals: lion Lion monument

House with Storerooms, Tomb of Ineni ca. 1550-1458 B.C. New Kingdom Nina de Garis Davies. House with Storerooms, Tomb of Ineni 544558

Boating , late 19th century. Ink and light color on paper, 6 7/8 x 11 in. (17.5 x 27.9 cm). Asian Art late 19th century

Drawing of an ancient capital - sketch plan for the ambulatory of the St Peter's Basilica, by Cordini Antonio known as Antonio da Sangallo the Younger, 1518 - 1519, 16th Century, pen and ink. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Whole artwork. Sheet verso drawing study capital sketch ambulatory St Peter's Basilica.

A woman holds fruit to be placed in a man's basket. A man offers a duck to a family cooking around an open fire. Morland, George, 1763-1804. Pyne, W. H. (William Henry), 1769-1843. Prints, Drawings. 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , British, Figure drawing , Technique, Landscape painting , Technique, Country life in art, Rural population , Great Britain , Clothing

Half Figure of a Youth with Outstretched Left Arm and Bowed Head (recto); Two Women, One Holding a Vase, the Other a Book, and a Seated Man (verso) 1554-61 Battista Franco Italian. Half Figure of a Youth with Outstretched Left Arm and Bowed Head (recto); Two Women, One Holding a Vase, the Other a Book, and a Seated Man (verso) 338805

Sketch of a Couple Seated with Cloud Studies verso. Dated: 1863. Medium: graphite and pen and brown ink on illustration board. Museum: National Gallery of Art, Washington DC. Author: WALTER CRANE.

Roman Funerary Inscription; Roman Empire; 1st century B.C; Marble; 68.8 × 85.9 × 5.1 cm (27 1,16 × 33 13,16 × 2 in.)

Ink drawing by Rudolf Weyr showing a frieze with various mythological figures and scenes.

Plate; Designed by J. Arlent Edwards; metal

Decorated stucco, 1st century BC, in the Roman Villa of Torre Llauder or Can Llauder, Mataró, Barcelona, Catalonia, Spain. Museum: Museo de Mataró, Mataró, Barcelona, Cataluña, España.

Throne in Cathedral, Caverns of Luray. still image. Stereographs, Photographs. 1882. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Virginia, Luray (Va.), Caves , Virginia

Vegetable pattern Guillaume Boichot (1735-1814). Vegetable pattern. Feather, ink on layer, 1735-1814.

Photography of the ascore: Janina Broniewska (1886-1947), dance, 1914, gypsum; Chiemoff, Pierre (1872-1936); around 1914 (1914-00-00-1914-00-00);Broniewska Jadwiga, Broniewska, Janina (1886-1947), Polish sculpture

Southern Palestine. Mosaic of a villa at Beit Jibrin 1900, Israel, Bet Guvrin

Deraisme, Pierre -Georges (n.1859 - D.1932), fines (main title), 1895. Ink on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Francisco Bayeu / 'Head for a Female Figure and Two Lion Heads'. 1781. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Paarden.Leaf 36 Verso from a sketchbook with 37 sheets.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Benjamin West, 1738-1820, American, active in Britain (from 1763), Artist's Wife and Child, undated. Graphite on medium, moderately textured, white laid paper.

Shamisen player by Iranian master, Watercolor, ink, gold color on paper, 15th century, USA, Washington, D.C., Freer Gallery of Art, 14,6x22,1

Deraisme, Pierre -Georges (n.1859 - D.1932), leaf brooch (main title), 1909. Graphite on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Photo production of a design of three putti that holds up a title page by J. Carpey, Anonymous, After J. Carpey, c. 1853 - in or before c. 1858 photograph Liège photographic support albumen print cupids: 'amores', 'amoretti', 'putti'. title-page. casting weapons: spear

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