Antique Containers

An array of vintage containers and liturgical cups, showcasing detailed designs in tin and bone, reflecting historical craftsmanship and decorative elements.

Tinsmith: Johannes Daniël Druy, Funnel-shaped sacrament cup, liturgical cup liturgical container holder tin, molded Two identical cups (1-2) with hollow arched foot cup-shaped body with outstanding top edge. Two concentric circles below and above on body mark under foot: angel with palm branch in oval above banderol in which Druy metal castor religion church supper Protestantism drink church eucharist religious ceremony ceremony Hillegersberg Rotterdam

Salt barrel of tin with a pilgrimsgne on the bottom. Tin salt barrel. The cylindrical body is on a stand ring and is decorated with some profiled lines. The top is closed with a flat lid. The thumbs of thumbs is formed by two fucks and goes over in a single-haired hinge. The soil is closed with a pilgrimage personnel, on which a castle is centrally visible and surrounded by the names of the three kings.

Tinsmith: Johannes Daniël Druy, Funnel-shaped sacrament cup, liturgical cup liturgical container holder tin, molded Two identical cups (1-2) with hollow arched foot cup-shaped body with outstanding top edge. Two concentric circles below and above on body mark under foot: angel with palm branch in oval above banderol in which Druy metal castor religion church supper Protestantism drink church eucharist religious ceremony ceremony Hillegersberg Rotterdam

Bone pyxis with lid 1st half of 1st century A.D. Roman This finely carved bone pyxis probably formed part of a lady's cosmetic or trinket set. It may have been found in Rome, together with the rock crystal and silver spoon, 2000.1.. Bone pyxis with lid 257435

Stave Tankard. Germany. Date: 1746. Dimensions: 17.8 x 11.4 x 16.5 cm (7 x 4 1/2 x 6 1/2 in.). Pewter and wood. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

ACETRE EN COBRE Y AZOFAR-ALMORAVIDE S XII. Location: INSTITUTO VALENCIA DE DON JUAN-COLECCION. MADRID. SPAIN.

Lime Container(Tagan)

Closing weight of 50 kg, anonymous, c. 1825 Sealing weight of 50 kg with weights of white iron in cylindrian wooden travel pouch with iron batter. 20 Ned Pond 10 Ned Pound 10 Ned Pound 5 Ned Pound 2 Ned Pound 2 Ned Pound 1 Ned Pound Netherlands Weight: Iron (Metal). Endui: Wood (Plant Material) Netherlands

Vessel in the Form of Two Figures Seated Inside a Structure. Chimú; North coast, Peru. Date: 1200-1450. Dimensions: 23 × 12.1 cm (9 3/16 × 4 3/4 in.). Ceramic. Origin: North Coast. Museum: The Chicago Art Institute, Chicago, USA.

Bucket for Holy Water (Situla). Culture: German. Dimensions: Overall (with handle up): 11 5/16 x 8 7/8 x 6 11/16 in. (28.7 x 22.6 x 17 cm)Overall (with handle down): 7 5/8 x 8 7/8 x 7 3/16 in. (19.3 x 22.6 x 18.3 cm)bucket only: 7 5/8 x 8 7/8 x 6 11/16 in. (19.3 x 22.6 x 17 cm). Date: ca. 1200. Museum: Metropolitan Museum of Art, New York, USA.

Lámpara de bronce romana. Can Serra Museu de Mataró.

. Fabric tea bus or chair of stoneware with two ears on the shoulder and ivory lid, partly covered with a brown glaze with black spots. The lower part of the bus is unglazed. Seto.

Tall Plain Cup 5th-2nd century B.C. Paracas. Tall Plain Cup 308636

Two-piece mold for bottom of pot or jug, cast molding tool tools base metal bronze, poured turned Two-piece bronze mold for bottom of pot top: Rotterdam tin foundry tin stain tin Meeuws Druy craft Forms originate from the 18th century Rotterdam tinnegieter J Druy. The large molds that were not signed or dated were the property of the tinker guild and were rented to the small tin caster.

Attic Red-Figure Lebes Gamikos Lid. Unknown about 400 B.C.

Antigue rusty old oil can view on white background

Milk Pail. Dated: 1938. Dimensions: overall: 35.3 x 28 cm (13 7/8 x 11 in.) Original IAD Object: 18" high; 13 1/2" in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Albert Geuppert.

Pewter measuring jug, measuring jug measuring instrument tin, molded Flat bottom horizontal soldered skirting board with spherical body widening board with pouring spout and two measuring holes in top edge question marked ear with thumb rest Three concentric rings on board mark under bottom, measure Rotterdam's incomplete crowned city coat of arms with RD and K (keurtin) metal foundry

Kerosene lamp covered with cobwebs. Isolated on white background

Cylindrical Vase ca. 1550-1458 B.C. New Kingdom. Cylindrical Vase 550258

PLANCHA DE CARBON ANTIGUA.

Ornament Base () 11th-late 15th century Chimú or Chancay. Ornament Base (). Chimú or Chancay. 11th-late 15th century. Silver, gilt. Peru. Metal-Ornaments

CDK MORIYUKI

Abruzzo L'Aquila Trasacco SS. Rufino e Cesidio88. Hutzel, Max 1960-1990 The original monument was destroyed in 936, rebuilt, modified throughout the 16th century (with an addition to the nave in 1618), and restored in 1969. Exterior views include the bell tower and general building facades. Most views focus on the architectural sculpture of the Portale delle Donne and the Portale degli Uomini. Interior views in the Medieval core collection focus on a statue of St. Catherine in an aedicule (15th century); an ambo lecturn (pluteus) decorated with the four symbols of the Evangelists (c. 1267); a statue of the Virgin and Child under a sculpted baldachin on the entrance wall of the oratory (14th century) and the main altar composed of sarcophagus fragments of lions and peacocks in low-relief (8th-10th centuries). A baptismal font and possibly bas-reliefs (immured spolia) in the Oratory. Interior views in the Hutzel collection include: the altar statue of S. Cesidio, frescoes of the Annuncia

VASIJA PARA AGUA DE ABLUCIONES RITUALES-PLATA S XVIII. Location: EXTERIOR. Nación. India.

Claude Charles Saunier. Guéridon in the shape of an oak athenian, shelf of crotch and triangular base, black lacquer tray with floral decor, golden bronzes (overview on a clear background), around 1775-1780. Paris, Cognacq-Jay museum. Athenienne, bronze dore, oak, floral decor, crotch, flower, shape, gueridon, black lacquer, furniture, tray, triangular base, Louis XVI style, tablet, 18th century, wood, furniture

. Handle of mirror. Flat with openacted elongated ornamental pattern in the longitudinal direction.

Pottery ointment jar, cylindrical with slightly curved edge, ointment jar pot holder soil find ceramic earthenware glaze lead glaze, hand turned glazed baked Pottery ointment jar. Cylindrical in shape with slightly curved upper edge. Stand surface Internal glazed Pot is rather coarse shaped archeology inn The Heart Geervliet Bernisse health care indigenous pottery ointment care medicine drug store package craft pharmacy Soil discovery: Geervliet Dorpsplein 1 demolition Trouw put 5 stadsherberg 't Hart 1985.

Dholaka late 19th century Indian (north) The dholaka (or dholak) is a barrel-shaped drum with two heads. It is played with the hand and a stick. This nineteenth-century example is rope-tensioned with brass rings that allow the player to adjust the tension on the heads.. Dholaka 500711

Censer 16th century South Netherlandish (). Censer. South Netherlandish (). 16th century. Brass. Metalwork-Brass

Antique bronze mortar and pestle isolated on white

New Year's Vessel (Pilgrim Bottle) 664 BCE-525 BCE Egypt. Faience . Ancient Egyptian

Cauldron second half 14th century. Cauldron 452829

Censer ca. 9th century India. Censer 37402

Tin unknown label

Round size from Tiel, Anonymous, 1800 Round chips contents measure with metal tires for dry wares with bridge and style, marked and v.z.v. Labels. Thus Wood (plant material). Tires: Metal Thus

TAZA DE ORO. Location: MUSEO ARQUEOLOGICO-ORFEBRERIA. ATHENS. GREECE.

Liberty Bell, First National Bank' still bank, c. 1919, 3 3/4 x 3 3/4 x 3 3/4 in. (9.53 x 9.53 x 9.53 cm), Zinc alloy, wood, United States, 20th century

A buttermace with a button, anonymous, c. 1800 A butter gate with a button. Described and v.z.v. label. Netherlands wood (plant material) Netherlands

Square bottle, 17th century, Unknown Japanese, 10 3/8 × 7 × 7 in. (26.35 × 17.78 × 17.78 cm), Shōdai ware; stoneware with white glaze, Japan, 17th century, Tradition holds that Shōdai wares were first made under the direction of the warrior Katō Kiyomasa (1562-1611), who is said to have invited Korean potters to his domain in far western Japan and opened a kiln at the base of Mount Shōtai. Although the veracity of this particular story is undetermined, it is a fact that Korean potters were active in Kyūshū by the end of the sixteenth century, and Shōdai works such as this bottle (probably used as a sake container) do suggest the influence of the Korean ceramic tradition.

Slip cup 1827 Judah R. Teaney This highly ornamented cup is a potters decorating tool. It accommodates four quills through which slip, or liquid clay, could flow. With it, the potter could draw four parallel lines at once.. Slip cup 7548

Cup. Maker: Benjamin Hiller, American, 1688-1745

Yolande Delasser, Inhaler, c 1939 Inhaler

Copper candlestick or sconce and loose dover, candlestick candle holder dover ground find copper iron metal, whipped riveted stamped Candlestick has the appearance of saucepan with candle holder in the decorating edges stamped all over the candlestick Loose guy or dover of varnished tin. Small angular ear archeology candle illuminate evening night

Long-handled Censer, 18th-19th century, Unknown Japanese, 5 5/16 x 13 3/16 x 3 11/16 in. (13.49 x 33.5 x 9.37 cm), Silver with traces of gilding, Japan, 18th-19th century, The long-handled censor is an important symbol of authority, held by high-ranking priests as they lead other monks through the temple to the main worship hall. In Buddhist ritual, the burning of incense before a holy image is one of six devotions considered to be effective in accruing religious merit. The diffusion of fragrant smoke symbolizes the permeation of Buddhism throughout the universe.

Censer, Bronze, A panelled octagonal foot resolves into a twisted knop to a round gadrooned bowl, the upper rim of which bears four pierced lugs to receive chains. The lugs are matched on the base of the pierced top which is in the general form of an octagonal tower with voluted beam ends and an imbricated faceted roof., Italy, probably 18th century, metalwork, Decorative Arts, Censer

Hexagonal Jug 6th-mid-7th century Byzantine The stepped cross on these vessels may represent the large cross erected in 420 by the emperor Theodosius II at Golgotha, where Christ was crucified.These vessels were made for Jews and Christians, possibly as tokens for pilgrims visiting the holy sites in Jerusalem or for use in burial rites. They appear to have been mass-produced in a single workshop, since the vessels for the two religions closely resemble each other in shape and style and differ only in the symbols decorating them. The Jewish vessels depict the menorah (candelabrum), shofar (rams horn), incense shovel, and lulav (palm branch). The Christian vessels are decorated with several types of crosses. The relief designs were produced by blowing molten glass into a mold.. Hexagonal Jug 469066

Lidded Square Ritual Wine Bucket (Fangyou) with Horizontal Ribs. China, Early Western Zhou dynasty, about 1050-950 B.C.. Furnishings; Serviceware. Cast bronze

old coffee maker isolated on a white background

Tankard late 17th-early 18th century Probably by Johann II Beckert. Tankard 191878

Bedboard with wooden stalk. The object consists of six parts: the bin, the lid, the hinge, the starter for the stem, the stem and the hanging ring. The stem is made of colored beech wood, the other parts of copper plate. The bin has a round bumped edge without reinforcing iron wire. The attachment has rinded to the bucket. On the attachment, the hinge hold together by a removable pin is riveted. In the convex lid, the center point of which has been visible, and that is turned at the bottom to reduce a redhead reinforcement with vertical edge, a six-lasting star is punched from a stamp shape with a cut-off and granulated decor in the intermediate fields in the form of a Narcissus. The handle is profiled at the top of Ribbed and has a button in the form of a vase at the end.

An old lamp on a wooden table

Vase, Glazed earthenware, Thrown thin-walled body. Flat base, with recessed section above base; lower section conical, with globular middle section and truncated conical neck flaring out. Glazed mottled green upper and lower sections, brown mottled glaze on globular midsection. Interior glazed brown., Biloxi, Mississippi, USA, 1895-1900, ceramics, Decorative Arts, Vase

Camphene Lamp. Dated: c. 1939. Dimensions: overall: 28 x 23.4 cm (11 x 9 3/16 in.) Original IAD Object: 6 1/2" high; 5 1/2" in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: LeRoy Griffith.

Kero 16th-18th century Colonial. Kero 317646

Grain jar, anonymous, c. -206 - c. 220 Pot in the form of a grain shed; Three legs in the form of bears. China terracotta (clay material). lead glaze Pot in the form of a grain shed; Three legs in the form of bears. China terracotta (clay material). lead glaze

Black leather case for keeping camera lens on white background

Box mid-14th century. Box 453676

5-cm Canister Shot. A grenade card sets of 5 cm. The grenade has a simple cylindrical body with a loop from rope at the top.

Gunlock (Percussion) on a Dummy Breech of a 30-Pounder Cannon.Percussion lock on wooden kulas of a canon of 30 pounds. The lock plate is mounted on the right-hand side against the lock hardening with two bolts across, and two screws in the kulas. The hammer is running in a right angle to the loop. The head of the hammer has a slot for the flame from the Zundgat when fired. In the shaft a hole for the retraction rope is applied, in the lock plate a disc through which the rope is led to the rear. The wooden kulas is that of a short iron cannon of 30 pounds, Dutch model.

Box with Equestrian Falconers. Culture: Italian. Dimensions: Overall (with mounts): 5 5/16 x 4 5/8 x 5 1/16 in. (13.5 x 11.7 x 12.9 cm). Date: 13th century.Hunting scenes decorate a number of surviving cylindrical boxes made in Sicily. This box, depicting a falcon hunt, shows richly attired men on horseback. The sport was favored by Holy Roman emperor Frederick II Hohenstaufen (r. 1215-50), who wrote a definitive guide on the care and use of falcons in the hunt. Museum: Metropolitan Museum of Art, New York, USA.

Wooden Sugar Bucket. Dated: c. 1938. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.) Original IAD Object: 9 3/4" high; 9 1/2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Annie B. Johnston.

Case (Inr) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves late 18th-19th century Kajikawa Katsuhira Japanese. Case (Inr) with Design of Seated Courtier Drinking Sake and a Young Woman with Maple Leaves. Kajikawa Katsuhira. Japan. late 18th-19th century. Nashiji (pear-skin) lacquer decorated with togidashi sprinkled and polished lacquer and metal inlay; Ojime: metal drum inlaid with gold; Netsuke: carved wood figure. Edo period (1615-1868). Inr

Registry to the lock; XVII century (1601-00-00-1700-00-00);

old metal old mortar, aged 1914-1917 old metal old mortar on wooden background, aged 1914-1917 Copyright: xZoonar.com/Lakhesisx 1992826

Tea Jar 18th century Japan. Tea Jar. Japan. 18th century. Paste covered with a transparent streaked glaze; right-handed itogiri (Takatori ware). Edo period (1615-1868). Ceramics

Harry Grossen, Bell, c 1937 Bell

Size of 1/16 Boisseeau from Delft.Chases of 1/16 Booteau, With Label and Number.

White-Ground Lekythos (Oil Vessel): Mourners at Tomb, c. 400s BC, with modern painting. Greece, Attic. Ceramic; overall: 39.4 cm (15 1/2 in.).

Taperstick 1798-99 Nathaniel Smith and Company. Taperstick 232285

Hendrik van der Pol, Two-piece bronze mold for dish of sconce, with initials HVDP and 1765, mold casting tool tools equipment base metal bronze wood iron, cast turned Two-piece bronze mold for pouring sconce dish. signed, and 1765 (Hendrik van der Pol) Rotterdam tin foundry tin stainer Meeuws Druy craft Shapes are from the originally 18th century Rotterdam tinnegieter J Druy. The large molds that were not signed or dated were the property of the tinker guild and were rented to the small tin caster.

Vaatje van Vrouw Schoonderwoert, in 1830 market tent star at the South Holland Schutterij, Anonymous, c. 1800 - c. 1830 Wooden keg of brown painted stalls held together by 4 copper tires. The sides are painted red, on the one 'Woman Schoonderwoerd' in white letters (also white border) and also a copper plate and hole in which accompanying copper tap with chain and head belongs. On the other side it is also in white: "South Hollandsche Schutterij 1830." A plate is attached to the belly of the keg with a copper pipe vertically. Marketentstersvat. South-Holland copper (metal). wood (plant material). paint (coating) South-Holland

copper singing bowl and wooden clapper on a white table. Musical instrument for meditation, relaxation, various medical practices related to biorhythms, normalization of mental health

Pair of candlesticks (part of a set) late 17th-early 18th century Nicolas François Foulon French. Pair of candlesticks (part of a set) 202723

A tin container with a civilian anti civilian mask (type C) COWARDLY

Case (Inro) with Design of Cicada on Tree Trunk. Culture: Japan. Dimensions: H. 2 5/8 in. (6.6 cm); W. 2 1/16 in. (5.3 cm); D. 3/4 in. (1.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Pi Yoshiaki (Fl. CA 1800-1860); 19th century (1801-00-00-1868-00-00);

Source bed, with sky and fall of green velvet. Four styles, made from twigs and carton, wound and covered with multicolor printed paper. In the sky there is a glass diamond, around the sky a curtain and a fall of green velvet, coarsely finished.

Capital

Model of a Sounding Lead.Model of a low lead, painted black, incomplete. It consists of a ball attached to a round bar. This rod hangs with two arms on a double line that must be attached to the perpendicular; The poor fall as soon as the weight of the lead is lifted when it touches the ground. The arms have hooks that let go of something as soon as they fall; According to Obreen's description, the ball was divested as soon as the bottom was achieved. At the bottom of the rod is a hole made for taking soil samples. Probably the ball that formed the weight.

Celtic bronze vessel, 6th century BC. Artist: Unknown

Model of A Buoy, Petrus van der Loo, 1842 test model Copper model of an iron buoy or sole, made of tuggled plates. It has a conical body with sharp ends and a spherical top. A vertical keel is applied to one side. The eye on the bottom end has been broken down. Scale 1:10 (archives). model maker: The Hague (possibly)after design by: Netherlands copper (metal)

Ghanta-Glocke Ghanta bell, Tibet, 19th century, bronze, MuEC, Barcelona, Catalonia, Spain LicenseRF Copyright: xZoonar.com/Tolox 23171433

Inkwell ca. 2051-1981 B.C. Middle Kingdom. Inkwell 556693

Old drum and pipes, isolate

Falcon cap. Leather falconry. The different pieces are set to each other with rope. At the front is an opening for the beak; There are two straps at the back for attracting the cap. A feather plume is applied to the top. The base is wounded with copper wire and pieces of bay.

Trom from copper with a driven weapon. De Meuron drum of the Swiss rental regiment.

Tobacco Container(Partimbahoan)

Vase ca. 1898-1918 William J. Walley William J. Walley was one of Gruebys many followers in the Northeast. Working in his small pottery in West Sterling, Massachusetts, and inspired by Gruebys leaf-based designs, Walley turned from historicizing shapes to vessels with richly modeled plant forms that are variations on Gruebys inventions. Whereas the Boston pottery relied on decorators to apply thin ropes of clay to delineate the leaves, in many instances Walley created designs where the leaves are modeled with greater relief.. Vase. American. ca. 1898-1918. Earthenware. Made in West Sterling, Massachusetts, United States

Bracelet: Leopard Heads and Ceremonial Swords 17th-19th century Edo peoples At its origins, the centralized city-state of Benin was founded by Edo-speaking peoples. The accounts by official court historians and descriptions provided by visitors evoke a vibrant cultural center continually redefined by its leadership through shifting internal and external power dynamics. According to oral tradition, circa 1300, Edo chiefs are reputed to have reached out to the leader of neighboring Ife, Oranmiyan, to establish a new divinely sanctioned royal dynasty. Since then, the investiture of Benins rulers to the title of obas has conferred upon them at once a role of chief priest officiating in important religious ceremonies and presiding over an elaborate structure of palace officials. During the fifteenth century reign of Oba Ewuare, Benins armies were formed and the fortification of its capital with a massive wall undertaken. In parallel, delegations of Portuguese traders assiduously sought to

Studio shot of old-fashioned item

Wudhu Machine. This machine releases a fixed amount of water at regular intervals for washing. Water flows from the top tank through the valve into the middle tank. Once the water level in the middle tank rises above the bend in the siphon, the water is siphoned into the lower tank.

Marie Famularo, Canister, 1935 1942 Canister

Reconstruction of a wood and silver cista (casket for holding jewels), from the Tomb Castellani at Palestrina (Latium region, Italy)

ESTUCHE DE MARFIL PARA UN JUEGO BOLAS - SIGLO X - PROCEDENTE DE MEDINA AZAHARA. Author: CULTURA DE HALAF. Location: MUSEO DE BURGOS. BURGOS. SPAIN.

Bronze mirror with ivory handle. Culture: Etruscan. Dimensions: length 11 9/16 in. (29.4 cm); diameter 6 13/16 in. (17.3 cm). Date: late 4th century B.C..Minerva (Etruscan: Menrva) flanked by Thalna (a nymph) and Sime (a satyr). Museum: Metropolitan Museum of Art, New York, USA.

Signalling Lantern.

Sounding Log. An elongated four-plane buoy and an end of the invention of A. Pécoul. This little buoy, furnished as a log, has an eye on the long point, and two eyes on one of the surfaces at the base, to which a loop is attached with a wooden track. A wooden cylinder is tied to the end to the end, in which the wooden pal fits. Associated with other buoy, lead and brochure (MC-1345-A, C and D).

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