Antique Sculptural Prints

A collection of classic prints depicting ancient sculptures of muses and deities, showcasing intricate engravings and historical themes from Roman and French art.

Industrie, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print Paris paper etching / engraving industries

Sculptuur van Urania, muze van de sterrenkunde; Urania, the muse Capitol; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Statue of Ceres, François Perrier, 1638 print paper etching piece of sculpture, reproduction of a piece of sculpture. (story of) Ceres (Demeter)

France thanks heaven for the healing of the King, Pierre Louis Surugue, after Charles -Antoine Coypel, 1726 - 1772 print print maker: Parispublisher: ParisFranceParisFrance paper etching / engraving personifications of countries, nations, states, districts, etc.

Statue of a Bacchante, follower of the Roman god of wine Bacchus, with a tiger. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Jupiter sculpture, Anonymous, 1584 Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving Caption in Latin. Print is part of an album. print maker: Italypublisher: Rome paper engraving

Standing woman in classic robe with vase. .

Statue of a figure without head ..

Statue of a woman combing her hair; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman combing her hair. Her left chest is bare. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Industrie, Jean Prud'hon, After Pierre Prud'hon, 1810 - 1823 print Paris paper etching / engraving industries

Woman of the Maluku Islands, 16th century. She wears a brocade hat, necklace and bracelets, velvet-like dress that reveals the breasts and arms, a long silk skirt. Femme des iles Moluques. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Image of Vigilantia (Vigilance) on the rear of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1663 print Image of Vigilantia, the personification of vigilance, on the right on the tympanum on the rear facade (west side) of the Town Hall on Dam Square in Amsterdam. On her head a helmet, a rooster on her feet. In one hand a book, in her other hand a burning torch. At the bottom right marked: X. paper etching / engraving Alertness, vigilance; 'Guard', 'Supervision', 'Supervision to defend yourself & oppose others' (Ripa) (+ Personification). Attributes of Aesculapius: cock City Hall of Amsterdam (1655-1808)

Sculpture of Securitas, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. Securitas as Roman personification

Statue of an abundantia with a cornucopia. Statue of an abundantia with a cornucopia, the left arm raised to include a (missing) lance.

Woman with mirror, Adamo Scultori, After Michelangelo, c. 1585 print Standing woman with a mirror in hand. Figure from Michelangelo's ceiling painting. Numbered below: 34. Print Maker: ItalyaFter Painting by: Vatican City paper engraving mirror

Statue of Flora seen from the Front, in the Palazzo Giustiniani,Rome. Artist: Jacques-Louis David, French, 1748-1825

Polyhymnia, the Muse of Mime, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by Paderni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 7, 1757-1787, Naples.

Statue of Tuccia, the ancient Roman Vestal Virgin (Tucia Vestale) ca. 1748 Francesco Monaco. Statue of Tuccia, the ancient Roman Vestal Virgin (Tucia Vestale). Francesco Monaco (Italian, active ca. 1748). ca. 1748. Etching. Prints

Ceres. Etching by F. Perrier.

Antique statue of a woman, Etienne Baudet, 1678 print France paper engraving monument, statue. standing figure - AA - female human figure. piece of sculpture, reproduction of a piece of sculpture Tuileriep-palpal

Melpomene, Muse of Tragedy, plate 8 from Parnassus Biceps. Johann Theodor de Bry (German, 1561-1623); after Jean-Jacques Boissard (French, 1533-1598). Date: 1601. Dimensions: 235 × 140 mm (image); 257 × 140 mm (plate); 278 × 164 mm (sheet). Engraving in black on ivory laid paper. Origin: Frankfurt an der Oder. Museum: The Chicago Art Institute, FLORENCIA, USA.

Statue of the Roman goddess Juno, queen of the gods. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Statue of Flora, 1636 - 1647 print Statue of Flora, dressed in classic robe, a diadem in the hair. In her left hand she wears leaves, with her right hand she holds her rug. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Flora. piece of sculpture, reproduction of a piece of sculpture

Artist: Joachim von Sandrart, German, 1606-1688, Sabina, from Sculpturae VeterisAdmirata, Etching and engraving, image: 31.6 × 20.5 cm (12 7/16 × 8 1/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

A woman's figure as a personification of fire with a candle holder with a flame in her left hand and a rolled sheet of paper in her right hand. To her feet a medallion with a column with fire on it. Print from a series of 41 symbols.

A woman with a clutch; Thoma, Hans (1839-1924); around 1890 (1885-00-00-1895-00-00);

Urania, Johann Theodor de Bry, after anonymous, 1601 print The muse of the astronomy Urania with a sphere in her arm and a paper roll in her hand. Next to her is a pillar with an astrolab and other measuring instruments. From: Parnassus Cum Imaginibus Musarum Deorumq UE Praesidum Hippocrenes. Germany (possibly) paper engraving Urania (one of the Muses); 'Urania' (Ripa)

Allegorical Figure (recto and verso) , 1800s. Anonymous. Black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalk; sheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.).

A pencil drawing attributed to Antoine Carrée from 1780-1790 depicting a standing senator, emphasizing posture and drapery.

Wine, woman and singing painted L.A. Schneider Paar, Herman (1838 1899)

Statue of Mercury with caduceus and bag of money; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Mercury with petasus on the head. In the left hand the caduceus, a bag of money in the right hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Artist, circle of: Lambert Lombard, Flemish, 1506-1566, Study for a Draped Figure ofChrist, 16th-17thcentury, Pen and light and dark brown ink over graphite, sheet: 19.5 × 9.8 cm (7 11/16 × 3 7/8in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper - Drawings andWatercolors

Female Caryatid. After Pietro Buonaccorsi, called Perino del Vaga; Italian, 1501-1547. Date: 1700-1720. Dimensions: 295 x 125 mm. Red chalk on ivory laid paper, laid down on card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Niobide. Vatican. James Anderson (British, 1813 - 1877)

Sculpture of a Faun. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Statue of a standing woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a standing woman dressed in classic robe. She seems to make a talk with her right hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of the poet and playwright Joost van den Vondel. He stands with head turned to the right, right hand extended. In the left arm a lyre. Vondel is crowned with a laurel wreath. On the ground beside him a stage mask, two books and a scroll., Statue of Joost van den Vondel, print maker: Reinier Craeyvanger, Louis Royer, Amsterdam, 1822 - 1880, paper, etching, w 121 mm - h 162 mm

This image is of a statue of Penelope by R J Wyatt that was in the possession of Queen Victoria. According to Greek tradition, Penelope was the wife of Odysseus, king of Ithaca. Oysseus spent 10 years fighting against the Trojans (trojan War said to have been around 1184 B.C.) and then another 10 years trying to get back home. Meanwhile, with many believing Odysseus dead, Penelope had many suitors and she said she would choose whom she would wed as soon as she finished weaving the piece on her loom (pictured here). But, at night, she would unravel the yarns to delay the decision. Richard James

Pape, Josse de, Rome, Persijn, Reinier van, Galleria Giustiniana del Marchese Vincenzo Giustiniani I, Statue of a seated man, verso - stamped, in classical robes, holding a roll of paper. Possibly a philosopher. In the middle at the bottom of the base the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints after the sculptures in the collection in the Galleria Giustiniani in Rome., print, prent, prints, prenten, height 368 mm, width 232 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, prentmaker, 1640 - 1640, paper, papier, engraving, engraving (printing process), Zuid-Nederlands - 1646, intermediary draughtsman

Artemisia .

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Design for a statue of Lazarus, Louis Royer, 1803 - 1868 drawing Design for a statue of Lazarus, for the entrance of a cemetery. paper. pencil piece of sculpture, reproduction of a piece of sculpture. the raising of Lazarus ('Lazarus, come out')

Standing female figure. Draughtsman: Thomas Stothard (mentioned on object). Dating: 1765 - 1834. Measurements: h 247 mm × w 102 mm. Museum: Rijksmuseum, Amsterdam.

Statue of Marcus Tullius Cicero, 3 January 106 BC - 7 December 43 BC was a Roman politician, lawyer, writer and philosopher, Rome's most famous orator and consul in 63 BC, Historical, digitally restored reproduction of a 19th century original

Player of sambuca, stringed instrument similar to a small harp, Herculaneum, Campania, Italy, engraving from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 38, 1757-1787, Naples.

Clair-obscur woodcut of three plates from the 16th century depicting a philosopher, showing figure, robes, gestures, writing instruments, and seated posture.

Statue of Venus with Amor sitting on a dolphin, 1636 - 1647 print Image of the goddess Venus with a chalice in her right hand. She is accompanied by Amor who is sitting on a dolphin. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Venus (Aphrodite). Venus and Cupid (Cupid not being mere attribute). piece of sculpture, reproduction of a piece of sculpture

Fragment of statue of the portal of Notre-Dame.

Minerva, Richard Collin, after Joachim von Sandrart (I), 1675 - 1680 print Image of an image of the goddess Minerva, also known as the Giustiniani Minerva. Minerva holds her spear in her left arm. Title page for Teutsche Academie der Edlen Bau, Bild-und Mahlerey-Künste 2nd part, the 3rd book about painting. paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. (story of) Minerva (Pallas, Athena)

Apollo, Anonymous, After Gerard de Lairese, 1670 - 1720 print Apollo as God of the sun. His head is surrounded by a wreath of radiant light, his left fist has raised Apollo in the air. paper etching / engraving specific aspects, allegorical aspects of Apollo; Apollo as patron

Vatican City, Alexander VII, Italy, Carracci, Annibale, Rome, Cesio, Carlo, Galeria nel Palazzo Farnese in Roma, Paintings in Palazzo Farnese in Rome, Justice (Justitia), verso - stamped, The personification of Justice (Justitia), a seated woman with an axe and scales. Numbered bottom center: 27., print, prent, prints, prenten, height 138 mm, width 100 mm, Italian, 1622 - 1682, print maker, printmaker, 1656 - 1656, paper, papier, etching, etchings, Work conception, 1560-11-03 - 1609-07-15, after a design by, 1599-02-13 - 1667-05-22, granter of privilege

Bas-relief of Cybele, Reinier van Persijn, After Nicolò Lorenese, 1640 print Roman bass relief of Cybele, the Asian mother goddess, with a crown in the shape of a wall, and accompanied by two lions. In the middle of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. Rome paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia)

This copper engraving by Marcantonio Raimondi, created around 1516-1518, depicts Prudence as an allegorical figure, emphasizing posture, gesture, and early 16th-century Italian printmaking.

called the Kind (19, 1793 in Vienna, died June 29, 1875 in Prague) was Emperor of Austria and King of Bohemia from 1835 to 1848 and as Ferdinand V from 1830 also King of Hungary and Croatia. Historical, digitally restored reproduction from an original from the 19th century.

Statues for the Egyptian Hall in the Mansion House: "Griselda" - by W. C. Marshall, R.A. , 1856. Sculpture as part of a commission for '...poetic statues in marble to decorate the Mansion House of the Lord Mayor of London...They will add materially to the architectural beauty of George Dance's building. The architectural requirements of the Hall rendered it necessary that the statues should be standing statues....the Egyptian Hall...will, in point of sculptural decoration, surpass the most beautiful of public or private buildings existing in London'..."Griselda," a statue

The main group Moise saves water, vintage engraving. The main group Moise saves water, vintage engraved illustration. Magasin Pittoresque 1846. Copyright: xZoonar.com/PatrickxGuenettex 10673199

Excluded Roman in a thin unknown

Saint John, from Henry the Seventh's Chapel Westminster Abbey. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Maria Denman after John Flaxman.

Marble statue of a woman in a highly closed dress with a mirror in her right hand, a snake in the left hand., C. 1878 - 1881 photograph Paris photographic support albumen print

Aelia Galla Placidia war eine Tochter des römischen Kaisers Theodosius I. Enkelin von Valentinian I. Mutter des späteren Kaisers Valentinian III. und ...

Erwin von Steinbach, 1244, 17 January 1318, was a stonemason and German builder, Sculpture on Erwinshoehe near Steinbach, Baden-Wuerttemberg, Germany, in 1898, Historic, digital reproduction of an original 19th-century model, Europe

A copper engraving and etching by Henri Guillaume Chatillon around 1818 depicting Melpomene, the muse of tragedy, highlighting her classical posture, drapery, and attributes.

Apollo Belvedere; Apollo di Belvedere. An image of Apollo supported by a tree stump to which a snake crawls up. This image is known under the name Apollo Belvedere because it stood from the beginning of the 16th century in the Belvedere sculpture garden, the summer residence of the popes in Rome.

Roman Statue of a Standing Woman. Dimensions: Overall (approximate): 21.3 x 14.3 cm (8 3/8 x 5 5/8 in.) support: 22.9 x 16.6 cm (9 x 6 9/16 in.). Medium: red chalk with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: JACQUES LOUIS DAVID.

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Eternity, verso - stamped, A console with the female personification of Eternity. She has a veil on her head that also covers both shoulders. In her hands an ouroboros, a snake or dragon biting its own tail. The print is part of an album., print, prent, albumblad, prints, prenten, height 175 mm, width 176 mm, 1663 - 1743, print maker, prentmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Sculpture of Asklepios; Aesculapius. Classic sculpture of a bearded man. The right arm of the sculpture is missing. His left hand in his. At the bottom right: C. The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst.

Statue of an Amazon female warrior by Phidias, wearing a peplos, holding a bow, with quiver under her arm. Found near the Villa d'Este in Tivoli. Copperplate engraving by Giacomo Bossi after an illustration by A. Tofanelli from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Statue of a woman; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a woman dressed in a long classic robe. She keeps her left arm for her body, with her right hand she holds her dress on her chest. She is wearing her hair in a braid. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Cairo lady, Egypt, Africa. Old 19th century engraved illustration, Le Tour du Monde 1863

Drawing (Italy)

Fire 1735 Johann Justin Preissler. Fire. The Elements(Les Eléments). Johann Justin Preissler (German, 1698-1771). 1735. Engraving. Georg Martin Preissler (German, Nuremberg 1700-1754 Nuremberg). Prints

This illustration dates to 1898 and shows the statue of Melpomene in Vatican Museum. Melpomene was honored as the Muse of tragedy. In Greek and Roman mythology, the Muses were nine daughters of Zeus and Mnemosyne (goddess of memory). There were honored as the patrons of arts and sciences. Calliope was the head muse, and Apollo, the god of prophecy and song, was their leader.

. Roman bas-relief of Cybele, the Asian mother goddess, with a crown in the shape of a wall, and accompanied by two lions. In the middle of Vincenzo Giustiniani coat of arms. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Angel of the Martyrs (with Violin),1900. After: Sir Edward Burne-Jones (d.1898). Publisher: Berlin Photographic Company

Copper engraving by Gilles Rousselet circa 1647 depicting Monime, illustrating figure, posture, and classical attire in a detailed composition.

Sculpture of a standing Greek or Roman woman, Anonymous, 1851 - 1900 photograph paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture

Anonymous drawing of a prophet figure, executed in black chalk and gray brush with white chalk heightening on light brown Chinese paper, showing traces of folding.

Three women; The sign book of Abraham Bloemaert. Three dressed women: seen on the back, sideways and front view.

Amazone. Capitole. James Anderson (British, 1813 - 1877)

Image of the, ca. 1510 manufactured, oak statue Maria Magdalena, from the collection of the Archbishop's museum, in the Centraal Museum (Agnietenstraat 1) in Utrecht.n.b. The collection of the Archbishop's museum was housed in 1979 in the new Rijksmuseum Het Catharijneconvent (Nieuwegracht 63). In 1995 the museum became an independent foundation and changed the name to Museum Catharijneconvent.

Ticky example of three standing figures, Pieter de Jode (I), 1629 print SAVE SAVEMENT OF THREE FIGURES, Possible apostles, in different postures. This print is part of an album. paper engraving standing figure. (single) apostle, unspecified

Mourning Woman, Dirk Jurriaan Sluyter, 1826 - 1886 print A grieving woman with veil wriggers her hands. In the background view of a hilly landscape with Eastern buildings. Amsterdam paper etching mourning customs

George Siegmund Facius, 1750-1804, West Window of the Chapel, New College Oxford: The Virtues - Fortitude, 1782. Stipple engraving on thick, rough, beige, laid paper.

Statue of a consul in gown with schromprol; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a consul in gown with Schromprol. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Kazinczy, Ferencz.

Evening according to the sculpture of prof. Johannes Schilling was drawn by Jan Strzałecki. Wreath 1872 (1) 340 fragment Unknown, Schilling, Johannes (1828 1910), Strza Ecki, Jan (1837 1919)

A 1793 pencil study by Marie Adélaïde Louise Duclos depicting a kneeling apostle, focusing on gesture and posture.

Two Dancing Figures, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Two dancing female figures for a balustrade and three pilasters. Print is part of an album. paper etching / engraving dancing. adult woman

Frei costume design; Thoma, Hans (1839-1924); around 1895 (1890-00-00-1900-00-00);Bayreuth (Germany), Freia (Mitol.), Nibelung's Ring (stage drama - Wagner, Ryszard), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wagner, Richard (1813-1883), goddesses, costumes, costumes lithography, operas, projects, costume designs

Iris. Capitole. James Anderson (British, 1813 - 1877)

Woman in an altar, Jan de Bisschop, After Anonymous, 1648 - 1671 drawing An offering woman. Design for a print. paper. chalk brush piece of sculpture, reproduction of a piece of sculpture. altar ~ Roman religion

Copper engraving and etching by Jacques Louis Perée around 1818 depicting the Roman Emperor Nero, showing facial features, robes, and imperial posture in classical representation.

st, Dr, -Karl -Renner -Ring - Parliament - Interior view - Plastic - Statue Hera before the installation in the staircase of the Vestibül, Michael Frankenstein , Comp, Photo Studio

STATUE OF ANDREW MARVELL, IN THE NEW TOWNHALL, KINGSTON-ON-HULL, UK, 1867

Girl standing by a fallen milk jug, Pieter Christoffel Wonder, 1790 - 1852 drawing paper. chalk girl (child between toddler and youth). jar, jug (used as drinking-vessel)

Study for the decor of the City Hall Square: Left Group (first sketch)

Delmaet & Durandelle, photograph of an allegorical sculpture by Victor Vilain (Faithful title), 1880. Draw on albumin paper. Houses of Victor Hugo Paris - Guernsey.

Pallas Athena, a goddess of Greek mythology. She is the goddess of wisdom, strategy and battle, arts, crafts and manual labor, as well as the patron goddess and namesake of the Greek city of Athens / Pallas Athene, eine Göttin der griechischen Mythologie. Sie ist die Göttin der Weisheit, der Strategie und des Kampfes, der Kunst, des Handwerks und der Handarbeit sowie Schutzgöttin und Namensgeberin der griechischen Stadt Athen, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,.

Jules-Clément Chaplain, A Muse, 1874, pencil on wove paper.

Statue of a sitting consul or philosopher; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a seated man, in classic robe, with a roll of paper in hand. Possibly a consul or a philosopher. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Woman with Amfoor, Anonymous, After Agostino Veneziano, After Rafaël, 1500 - c. 1536 print A half -naked woman leaning with her left arm on a square column. On the ground next to her a large amphora. paper engraving container of stone: stone vase. the (nude) human figure; 'Corpo humano' (Ripa)

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