Architectural and Landscape Studies

Drawings and prints depicting landscapes, gardens, and architectural designs, highlighting elements of nature and historical structures in various artistic styles.

Landscape with palace, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, brush, h 89 mm × w 195 mm

'Landscape with a Bird Trap'. The Netherlands. The Netherlands, 1550s. Dimensions: 13,5x19,8 cm. Museum: State Hermitage, St. Petersburg. Author: JACOB GRIMMER.

View of a Garden of De Graaf van Althann, Jacques Gabriel Huquier, 1735 - 1805 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden buildings. garden ornaments. ornamental plants

Outside View of Indus Sabha, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Pen and black ink, gray wash and watercolor on medium, moderately textured, cream laid paper, Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm), architectural subject

Design for a wall painting for Gerrit Duijm. Wall with two wallpaper boxes of a chimney.

Leiden, Aa, Pieter van der (I), Landscapes in Italy, La Ville de Cuma, Cumae, verso - stamped, View of the ruins of the city of Cumae, on a hill on the Italian west coast. In the background sailing ships sail on the sea., print, prints, height, 71 mm, width mm, Dutch, 1659-08-03 - 1733, print maker, printmaker, 1682 - 1730, 17th century, 17e eeuw, paper, etching, etchings

Landscape with palace, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, brush, h 89 mm × w 195 mm

In a trot, a theater decoration project; G Owacki, Józef Hilary (1789-1858); after 1827 (1830-00-00-1858-00-00);Bersohn, Mathias (1823-1908), Bersohn, Mathias (1823-1908) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society of Zachęta Fine Arts (Warsaw - 1860-1940) - collection, theater decorations, inn , Poland (culture), Polish drawings, set design, interiors of theaters

FUENTE DE LA CIBELES Y PASEO DEL PRADO-GRABADO S XIX-ROMANTICISMO. Location: MUSEO DE HISTORIA DE MADRID-GRABADOS COLOREADOS. MADRID. SPAIN.

Wallow compartment with frame and paneling, from a design for a side wall, c. 1791 drawing Design for a wall painting in a long narrow departure, probably the side room of Brouwersgracht 41 in Amsterdam. The suspected client is Allard Hulshoff. paper. pencil. ink pen / brush

Design for room wall with chimney piece from the chamber dip. .

'Part of the Ceiling'. Italy, 18th century. Dimensions: 22,1x32,5 cm. Museum: State Hermitage, St. Petersburg. Author: CARLO GALLI BIBIENA.

Design for a wall painting for Gerrit Duijm. Draughtsman: Jurriaan Andriessen. Dating: c. 1783. Measurements: h 117 mm × w 144 mm; h 79 mm × w 28 mm × w 49 mm. Museum: Rijksmuseum, Amsterdam.

James Moore, 1762-1799, British, Castle Stuart, Scotland, 1792. Graphite on medium, slightly textured, beige, wove paper.

Design for a Fountain used by Paolo Emilio Barberi (1777-) as Competition Entry in the 1795 Concorso Clementino, Rome (Accademia di San Luca), Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Below are two high pedestals, the water pouring from the centers of the sides of the upper into basins in front of those of the under; upon the upper rises a column with a sphere on top; beside it sit obliquely two women, the left one with a circle, the right one with a hammer (); they are connected by a festoon; the circular basin seems to be surrounded by a bar supported by voluminous posts; in front is a road with two groups, one consisting of a rider and a man, the other of two men with a dog; in the lower left corner are ruined parts of a classical building., Rome, Italy, 1795, architecture, Drawing, Drawing

Pencil sketch sheet by Rudolf Weyr showing compositional and figure studies

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Stage Set Design of Circular Ballroom with Chandelier. Verso: Rough Sketch of Stage Design. Artist: Salvador Alarma Tastás (Spanish, Barcelona, 1870-1941). Dimensions: sheet: 9 1/2 x 15 in. (24.1 x 38.1 cm). Date: 1870-1941. Museum: Metropolitan Museum of Art, New York, USA.

Schlüter Andreas (1660-1714), Berlin city palace. Ceiling of the velvet room in the Elisabeth Chamber (1890): Vedute Dom and Lustgarten (design J. H. Strack), Condition at the time of Wilhelm II .. Photo on cardboard, 28.6 x 35.4 cm (including scan edges)

Pietro Gonzaga, Egyptian Stage Design, 1800 1810 Egyptian Stage Design

Arts and Sciences, allegorical decoration erected on the Noordermarkt in Amsterdam at the Alliance Feast on June 19, 1795. Minerva sitting in the clouds with plumb (Equality) above a wreath and fire. Above Apollo playing the lyre., Arts and Sciences, decoration at the Noordermarkt, 1795 Ten plates of the decorations at the Alliance party in Amsterdam in 1795 (series title), print maker: A. Verkerk, publisher: Johannes Roelof Poster, print maker: Netherlands, publisher: Amsterdam, 1795, paper, etching, h 217 mm × w 270 mm

The album of views from Italy Veduta del Palazzo Reale A (hereinafter illegible). unknown

Railroad Platter. Dated: 1939. Medium: watercolor, graphite, pen and ink, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ralph Atkinson.

Sketch of al Monument, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 3 5/16 × 3 11/16 inches (8.4 × 9.4 cm)

Second project of Louis XV Square Louis-Adam Loriot. Second project of Louis XV Square.

The Rotonde of Parc Monceau, 1787 Marshal, Jean Baptiste. The rotunda of the Monceau Park, 1787. Feather, pencil, lavis bistur.

Cover fragments of Dutch dressing behavior, Christiaan Andriessen, 1833 print For a banner there are masks on a shelf, in addition there are a dress and a suit. There are utensils around the banner. At the top of the banner the Wapen van Amsterdam. Part of a series of six magazines with figure studies of Dutch traditional costumes, street figures and tuiks, 1833. print maker: Netherlandspublisher: Amsterdam paper curtain ~ stage. folk costume, regional costume. head-gear: cap Amsterdam

View of the Place Royal in Paris, 1685 - 1695 print View of the Place Royal in Paris. On the square a equestrian statue of Louis XIII, king of France. Print is part of an album. print maker: Northern Netherlandsafter design by: Parispublisher: AmsterdamThe Hague paper etching / engraving village square, place Place Royale

Design for a fan sheet with a woman and flowers picking putti, c. 1760 Design for a fan sheet with a sitting woman in a vase on a pedestal and floral picking putti, left and right chinoiseries. Italy parchment (animal material). deck paint brush / brush

Saxon Remains in a Garden in Canterbury, Capt. Thomas Hastings, 1778-1854, British, 1811, Graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm), architectural subject

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: Circular Boudoir in Casino Pecori 10th Oct.er 1841. Pen, brush and black ink over graphite.

Speculum Romanae Magnificentiae: Farnese Palace 16th century Francesco Villamena Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Herrmann R. Martin (1871-1926), pension by the sea. Monthly competition February 1906 (02.1906): Perspective view. Pencil on cardboard, 45.6 x 60 cm (including scan edges) Herrmann Martin Richard (1871-1926): Pension am Meer. Monatskonkurrenz Februar 1906

Edward Millington Synge, 1860-1913, British, Cortes Pasqualigo. Etching on parchment.

Design for a ceiling painting with allegory on truth, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 380 mm × w 495 mm

Interior of the Louvre, Paris, France. Attributed to Henry Pollock (British, 1826 - 1889)

Fridell, Axel, work, Zandstraat in Rotterdam, drypoint, graphics, 32 cm x 50 cm

James Malton, 1761-1803, British, Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats, 1802. Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper.

View of the so -called cave at the castle of Meudon, 1675 - 1717 print View of the so -called cave, a richly decorated garden pavilion at the castle of Meudon. In the foreground the gardens with a fountain. Print is part of an album. print maker: Parisafter design by: ParisThe Hague paper etching castle. French or architectonic garden; formal garden. artificial grotto in garden Meudon Castle

Decor for the "deserter", the interior of the prison Jean-Jacques (Father) Huve (1742-1808). Decor for the deserter, the interior of the prison. 1805. Feather, black and blue watercolor.

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

MARAT monument in front of the Tuileries

Three photo productions of drawings of fountains, c. 1875 - c. 1900 photograph Left (369) a fountain with female figures and horses, center (368) a fountain with putti, right (370) a fountain with peeing putti. Europe cardboard. photographic support albumen print drawing, sketch. ornamental fountain. cupids: 'amores', 'amoretti', 'putti' Europe

Drawing of a Catafalque for Philip II of Spain, 1598 1598 Alessandro Casolani della Torre Italian. Drawing of a Catafalque for Philip II of Spain, 1598 344692

Solitude at Strawberry Hill. Thomas Rowlandson; English, 1756-1827. Date: 1817-1827. Dimensions: 123 × 199 mm. Pen and brown ink, with brush and watercolor, on cream wove paper, laid down on board. Origin: England. Museum: The Chicago Art Institute, USA.

Constantine column in St Peter's, 1500 - 1600, paper, ink, pen, h 264 mm × w 427 mm

Watercolor self-portrait of Edward Ellerker Williams, 1820

Jacob receives the blessing of Isaac; Jacob's ladder, Cornelis Floris (II), 1524 - 1575, On the left, Isaac receives the blessing of the bedridden Jacob who is being accosted by Rebecca. In the center, Esau holds an animal he killed and is followed by two dogs descending the steps of the house. At right Jacob's dream of the ladder with descending angels; God the Father is seen among the clouds., draughtsman: Cornelis Floris (II), draughtsman: Maarten van Heemskerck, (rejected attribution), draughtsman: Hans Vredeman de Vries, (rejected attribution), 1524 - 1575, paper, pen, brush, h 275 mm × w 425 mm

Legeay, Jean Laurent, Architectuurfantasie, page 5, print, prints, height 195 mm, width 170 mm, print maker, 1767 - 1768, paper, etching

Reliefs on the bow of Titus in Rome.

Palace garden with a round fountain; Artis Perspectivae (...). Palace garden with a fountain with a round basin that is worn by vases and a standing naked man. At the bottom of four water-breathing frogs. Around the garden corridors of railing. This print is part of an album.

Figures in a tower lit by moonlight, 1834 - 1906 Page 12 recto from a sketchbook with 21 sheets. paper. watercolor (paint). pencil brush landscape with tower or castle (+ city(-scape) with figures, staffage). moon as celestial body

The Madame B Album Made 1870-1879 France. Albumen print with watercolor (in album) . Marie-Blanche Hennelle Fournier

Fragment of a wall with a crumb; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, architecture, gift (provenance), courtyards, cloisters

(The casting wheel), Figure 33

Illinois statehouse, Springfield, Ill, with details showing draped bunting on dome, 1865 May, drawing on yellow paper pencil, 21.5 x 13.7 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

unknown, Veuë du marché Romain appellé Campo Vacino, d'ou l'on the ruins du Palais Majeur des Empereurs, et la vigne farnese, View of the Roman Forum in Rome, print, opticaprent, prints, opticaprenten, height 288 mm, width 457 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, cardboard, prepared paper, watercolor (paint), watercolor, deck paint, opaque paint, etching, brush, cutting, perforating, print maker, Work conception

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, A Mongul Garden in Aurungabad, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Ray Holden, Stencilled Ballroom, c 1936 Stencilled Ballroom

Krzewin. Pokój ze schodami spiralnymi. unknown, draughtsman, cartoonist

Sketches of Castles (verso), 1600s. Netherlands, 17th century. Pen and brown ink, with framing lines in brown ink (iron gall); sheet: 6.9 x 14.8 cm (2 11/16 x 5 13/16 in.).

Rome, Rossi, Giovanni Giacomo de', Italy, Bartolomeo, Maggi, Giovanni, Magesyn der Italiaense bouwen, Nova racolta degl'obelischi et colonne antiche, dellalma Citta di Roma con le sve dichiaratione, Roman monuments, mainly obelisks, Obelisco a S. Maria del Popolo, The Egyptian obelisk of Ramses II on Piazza del Popolo in Rome, Text in Italian in the lower margin. The print is part of an album., print, picture, album sheet, prints, pictures, height 212 mm, width 155 mm, Italian, 1566 - 1618, print maker, printmaker, 1651 - 1651, paper, etching, Work conception, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Replated vestants of the former Domaine de Reuilly Alfred Bonnardot (1808-1884). Replated vestants of the former Domaine de Reuilly. Pencil on fine paper, 1801-1900.

A zoological garden with animal enclosures and people as paper cutouts. Coloured lithograph.

The multiple layers of theTutankhamen sarcophagus Date: 1926

View of the Bassin d'Apollon in the garden of Versailles; Le Bassin d'apollon.in the bottom margin two French text rules.

The Campo S. Basso: The North Side with the Church (recto), A Market Scene (verso); Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; 1740s; Pen and brown ink, over black chalk; 43.2 x 29.2 cm (17 x 11 1/2 in.)

Hart, Abraham van der, Bulthuis, Jan, Netherlands, Fifteen decorations at the Alliance Festival in Amsterdam in 1795, General Armoury, on the Kadyks Plein, General Armour, decoration on the Kadijksplein, 1795, verso - stamped, The General Armour, allegorical decoration erected on the Kadijksplein in Amsterdam at the Alliance Festival on 19 June 1795. Medieval castle standing on rocks, on the towers symbols of astronomy, hydrography and geometry, On the chassis in the underpass, Freedom is hoisted on a shield by Batavian and French sailors., print, prints, Frederik Muller Historieplaten, height 540 mm, width 390 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring, 1750 - 1801-05-29, after, after painting by, Work conception, 1747-05-27 - 1820-02-01

Rohscan

Parisian Scene Eugene Charvot (1847-1924 French) Cummer Museum of Art & Gardens, Jacksonville, Fl

The Effects of Good Government in the Country, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace, eastern wall. Detail. Farm house fields plants.

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense buildings, Antiquae Urbis Splendor, Antique monuments, Amphitheatrum Vespasiani vulgo Colliseum, Colosseum in Rome, Text in Latin in bottom margin. The print is part of an album., print, album page, prints, height 176 mm, width 231 mm, Italian, print maker, engraver, 1612 - 1628, paper, papier, etching, 1567 - 1634, printer

Ruined Church near Blois, Henry Swinburne, 1743-1803, British, undated, Gray wash, graphite, pen and brown ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)

attributed to David Cox, 1783-1859, British, Long Library at Blenheim Palace, mid-19th century. Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper.

Valentine Feast, Cut paper on wood frame, Magic lantern slide, optical toy. On black field, lake with architectural island; masonry platform with fountains, crowned with pair of lions. At top, three sprays of fireworks. On lake, two boats with fireworks. Across bottom, crowd of human figures shown in silhouette., Savoy, France, ca. 1780, toys & games, Lantern slide, Lantern slide

Gilbert Sackerman and Virginia Richards and William Merklin, Thomas Ingham Estate, c 1936 Thomas Ingham Estate

Bliej Kultury Stanis Awski, Jan (1860 1907)

Fantasy of an Ancient Capitol with Trophies and Grand Staircases. Dated: c. 1800. Dimensions: overall: 44.9 x 54.2 cm (17 11/16 x 21 5/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pietro Gonzaga.

Thomas Ingham Estate. Dated: c. 1936. Dimensions: overall: 50.5 x 38.4 cm (19 7/8 x 15 1/8 in.). Medium: watercolor, gouache, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman and Virginia Richards and William Merklin.

Limestone sizes under Sint-Pietersberg, Jan Luyken, 1682 print Amsterdam paper etching cave, grotto. kinds of non-precious stone: chalk Sint-Pietersberg

Fontein, Simon Moulijn, 1913 print There are two trees behind the fountain. paper ornamental fountain

Map of La Garnoche, Anonymous, After Matthäus Merian (II), 1657 print This print is part of an album. publisher: Frankfurt am MainThe Hague paper engraving / etching maps of cities Sold

Tugboat (Tug-Boat) alongside the Artist's Country Estate 'Hay Fight', Abraham Rutgers, c. 1682 - c. 1699, draughtsman: Abraham Rutgers, draughtsman: Johannes Leupenius, (rejected attribution), Maarssen, c. 1682 - c. 1699, paper, pen, brush, h 132 mm × w 237 mm

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Second Temple of Hera, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 7/8 × 16 5/8 inches (27.6 × 42.2 cm)

Paris, Villain, Jean-François, Sèvres, Bacler d'Albe, Louis Albert, Promenades pittoresques et lithographiques dans Paris et ses environs, Picturesque views of Paris and its surroundings, La Marchande de Coco du Pont de l'École Militaire, Saleswomen at the Pont de l'École Militaire, Two street vendors, including a coconut vendor, offer their goods to their customers, including a soldier., print, engraving, prints, height 426 mm, width 272 mm, 1761 - 1848, print maker, printmaker, 1822 - 1824, paper, papier, lithografie (techniek), Frans, 1790, printer, drukker

Study for Chelsea Hospital, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1810. Dimensions: 198 × 261 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Autumn at Wells prints, etchings, works on paper

Urbania (Marche - PU), Palazzo Ducale, Room of drawings of the Ubaldini Collection. Callot Jacques, Fiera dell'Impruneta, print etching (etching, burin), 17th century

Stage design by unknown painter, watercolour, gouache on paper, 1800s, Russia, Moscow, Museum Palace Theatre Ostankino

James Miller, active 1773-1814, Near Putney. Watercolor and gray wash over graphite. verso: graphite.

Rues de Téhérân.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

John Sell Cotman, 1782-1842, British, Castle at Alencon, ca. 1820. Graphite and brown wash on medium slightly textured cream wove paper.

Assembly of the beautiful world the coffee houses in the big Prater = Allée, LAsemble aux caffées dans la Grande Allée du Prater, nd budget, Artaria , Co, Verlag, Publishing House, Johann Andreas Ziegler -, Copper Engraver, After, Laurenz Janscha -, drawer

View of the Bassin de Neptune in the garden of Versailles, Jacques Rigaud (Possible), c. 1691 - After 1753 print Five lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden fountain. garden ornaments. ornamental plants Neptune basin

Kulm and the Iron Cross, Leitmeritz. Circle, subsequent from Joann Venuto 1821.

Klasztor Świętokrzyski. Pietras, Kazimierz (1869 aut 1870-1909), draughtsman, cartoonist

SECCION LONGITUDIAL DEL NUEVO SALON DE CORTES - DIBUJO SIGLO XIX. Author: ISIDRO GONZALEZ VELAZQUEZ. Location: MUSEO DE HISTORIA-GRABADOS COLOREADOS. MADRID. SPAIN.

Samuel Ireland, active 1760-died 1800, British, Sergeant's Inn, 1800. Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Fantasy on an Ancient Campidoglio. Dimensions: overall: 11.8 x 16.7 cm (4 5/8 x 6 9/16 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Louis XV (king of France), Paris, Rigaud, Jacques, Le Bassin d'Apollon, View of the Bassin d'Apollon in the Garden of Versailles, In the lower margin two lines of French text., print, optic print, prints, optic prints, height 242 mm, width 479 mm, Publication (Event), Publication, publisher, uitgever, 1700 - 1799, paper, papier, cardboard, kaart, aquarelle, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker, 1710-02-15 - 1774-05-10, granter of privilege

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