Architectural and Landscape Views

Engravings depicting grand gardens, villa landscapes, and architectural marvels, capturing the elegance and beauty of historical estates and urban settings.

Florence, Callot, Jacques, Illustration for the first act of the tragedy 'Il Solimano', verso lower left - stamped, On a square or wide street with large buildings stand three orientally dressed figures with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, arranged in four blocks and two rows., print, prints, height 195 mm, width 274 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1620, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process)

View of the Villa La Petraia, in Vedute delle ville, e d'altri luoghi della Toscana (page 33) 1744 After a drawing by Giuseppe Zocchi At the center of Tuscan villa culture were the acclaimed, originally sixteenth-century villas of the Medici family in and around Florence. In addition to the Villa La Petraia (1575-90) and neighboring Villa Castello, the best-known surviving villas of the family are the magnificently situated Villa Medici at Fiesole (1460s), the stately villa at Poggio a Caiano (ca. 1479), and the unusual villa-park at Pratolino (1569-86). The Villa La Petraia, with its central belvedere overlooking the Arno valley, was built on the spot of an old manor by Bernardo Buontalenti (ca. 1570), architect of the Tuscan Grand Ducal Court. Zocchi's refined drawing, after which the prints were made, shows the hazy atmosphere of villa and garden in the warm light of a Tuscan afternoon. A popular collector's item throughout the eighteenth century, Zocchi's beautiful book encouraged

View of the pond with obelisk in the garden of the country estate Driemond, Daniël Stendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 96. print is part of an album. paper engraving / etching garden pond. country-house. obelisk, needle Muids. Dogs

Forum and the column of Trajanus in Rome, Giacomo Lauro, 1612 - 1628 print Text in Latin in STUDMARGE. The print is part of an album. Rome paper etching triumphal column with helical friezes. square, place, circus, etc. Colon of Trajanus. Forum of Trajanus

View of the gardens of Vaux-le-Vicomte, Israel Silvestre, 1631-1691 print paper etching French or architectonic garden; formal garden. garden fountain Château de Vaux-le-Vicomte

Florence, Callot, Jacques, Illustration for the first act of the tragedy 'Il Solimano', verso lower left - stamped, On a square or wide street with large buildings stand three orientally dressed figures with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, arranged in four blocks and two rows., print, prints, height 195 mm, width 274 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1620, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process)

Piazza del Campo (Square of the field) in Siena for the celebration of the Grand Dukes of Tuscany, 1650, Italy 17th Century.

Artist: Stefano Della Bella, Italian, 1610-1664, Le Pont Neuf,Paris, Etching, image: 32.7 × 68 cm (12 7/8 × 26 3/4 in.), Made in Italy, Depicted Paris, France, Italian, 17thcentury, Works on Paper -Prints

. From second edition.

Jacques Callot, French (1592-1635), Solimano, Act IV, 1620, etching and engraving

Three ponds in the gardens of Villa d'Este, Pieter Schenk (I), 1675 - 1711 print View of three ponds with fountains in the gardens of Villa d'Este, in Tivoli. In the foreground, ladies and gentlemen have fun with conversations and strolling. Amsterdam paper etching / engraving French or architectonic garden; formal garden. garden fountain. conversation, dialogue; conversation piece

Face locked Mariedal, Willem Swidde, 1694 The print is part of an album. Stockholm paper etching Slot Maridal The print is part of an album. Stockholm paper etching Slot Maridal

Hofentuin with a boat trip, Pieter van der Borcht (I), c. 1600 - c. 1601 A court garden with a lake in the foreground. Three boats sail into the water in the foreground. The couples play music in the boat and sail to the other side. The print is part of an album. Antwerp paper etching A court garden with a lake in the foreground. Three boats sail into the water in the foreground. The couples play music in the boat and sail to the other side. The print is part of an album. Antwerp paper etching

Reconstruction of the Circus Maximus (above) and a View of the Site (below). Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 13 1/16 x 8 1/16 in. (33.2 x 20.5 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Secondary and demise of the promotionists, 1720; On and down of the promotionists; The great scene of foolishness. Current and fall of the promoters. Leaf with different representations about the unrest due to the 1820 wind trade. Central at the bottom of Quinquempoix: a crowd of victims of the wind trade collected on the dam at Kalverstraat, above the Thuilleriece Court: panic in the Parisian Tuileries. At the top of a portrait of John Law a note with Mississippi in hand, with a monkey and a wolf that bites a sheep. Topping ahead of a barrier, at the top right Excavation work for the Utrecht channel. In the caption a verse in seven columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Jacques Callot (1592-1635). "Soliman, 4th act. Fifth number of a series of 6 pieces" (Lieure 367, Meaume 438). Etching. 1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-8 Etching, engraving

The Garden of Versailles 1660-95 Adam Perelle. The Garden of Versailles. Adam Perelle (French, Paris 1640-1695 Paris). 1660-95. Etching. Nicolas Langlois (French, Paris 1640-1703). Prints

Jacques Callot (1592-1635). Soliman, 2nd act. Third issue of a series of 6 pieces "(Lieure 365, Meaume 436). Eau-tie. 1619. Museum of Fine Arts of the city of Paris, Petit Palais. 99596-6 Etching, engraving

Trevifontein Te Rome, Giuseppe Vasi, 1747 - 1761 print View of the Trevifontein with different spectators. Nummered bottom right: 104. Title and explanatory list of numbers in STUDMARGE. Italy paper etching ornamental fountain Trevifontein. Rome

Wilton Garden, plate 1 Designer Isaac de Caus British Etcher Peter Stent British Publisher Thomas Rowlett British ca. 1640 The garden of Wilton House (Wiltshire), famous today for its eighteenth-century landscape design containing England's first Palladian bridge, was originally laid out in the mid-1630s by the French-born Isaac de Caus (active 1623-55). It was commissioned by Philip Herbert, fourth earl of Pembroke, pivotal figure of the intellectual circles at court, to which the architect Inigo Jones (1573-1652) belonged. Recognized for having brought the classical style to England, Jones may well have been involved in Wilton's building campaign, given its Italianate components. In this plate, De Caus's garden view, framed by onlookers in the foreground, provides an elevated prospect of the entire geometric layout, stretching from the north, across the full length of the building facade, toward a balustraded grotto at the southern end. The strictly enclosed, rectangular layout consi

Waterfalls in the garden in Versailles, Marguerin Daigremont, After Girard, After Ferdinand Delamonce, c. 1715 print Waterfalls in the garden in Versailles. Numbered in the bottom right: 23. Paris paper etching French or architectonic garden; formal garden. garden fountain Garden of Versailles

Garden of Honselaarsdijk Palace with fountain; The fountain and the golden images, in the large garden; Hollands Lustpark concluded his Britain Majesteits Hof-Building to Honlaardyk. Baroque garden with images. There is a fountain in the middle of the show. Groups strollen walkers on the avenues. A stone gate in the background. Print from a series of seventeen prints of Paleis Honselaarsdijk.

View of the garden of the Middelhoek country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 55. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house. French or architectonic garden; formal garden Vecht. New -louse

Magnificentiores Selectioresque Urbis VenetiarumProspectus. Artist: Michele Marieschi, Italian, 1710-1743

View of the garden from Gaillon Castle, Israel Silvestre, 1631 - 1691 print France paper etching French or architectonic garden; formal garden Castle of Gaillon

Print (France)

An 1839 aquatint by Johann Jakob Falkeisen depicting a pavilion for receiving the Austrian imperial couple in Milan on September 1, 1838, showing architecture and attendants.

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1764 A Magnificent Gallery Illuminated at Night, 1764 The Seconda Macchina for the Chinea of 1764: A Magnificent Gallery Illuminated at Night

Print, DECORATION DU THRONE ELEVÉ AU BALCON DE LAPARTEMENT DE LINFANTE. Pour leurs Majesté et la famille Royalle, à loccasion de la feste que la Ville a donnée sur le bassin de la Rivierre de Seine, en Rejouissance du Mariage de Madame premiere de France, avec Dom Philippes II. Infante dEspagne, le 29 Aoust 1739; Executée par les Btiments du Roy. Sur les Dessins de Mr. Gabriel, premier Architecte du Roy.; Published by François Baillieul (French, 1697? - 1754), Jacques-Philippe Le Bas (French, 1707-83); France; etching and engraving on laid paper

Etching after 1688 depicting a historical football match on the Piazza Santa Croce in Florence, illustrating early forms of the sport and public gathering.

The Palace Gardens at Nancy, 1625. Jacques Callot (French, 1592-1635). Etching;

Gezigt van de Vyver on the / left zyde.

Music and dance; Gardens of Minne; Hortorum viridariorumque (...). Hoft garden with couples walking together and making fun. In the foreground a man dances for a woman, while another lady plays the lute. A dog (symbol for love) looks. Also view other couples and point to the spectacle.

Harbour view with men on a platform in the foreground Harbour views , print maker: Johann Wilhelm Baur, Johann Wilhelm Baur, (mentioned on object), publisher: Jeremias Wolf, (mentioned on object), print maker: Vienna, Vienna, publisher: Augsburg, 1640 and/or 1686 - 1724, paper, etching, h 107 mm × w 147 mm

Views of Venice: The Piazzetta and Ducal Palace, 1741. Michele Marieschi (Italian, 1710-1743). Etching;

The huys van Vooren.

Noordelijke Nederlanden, Verovering van de Kattenburgerbrug, 1787, Northern Netherlands, verso - stamped, The conquest of the Kattenburgerbrug to the island of Kattenburg from the rebellious Orange supporters by the armed citizens of Amsterdam, 30 May 1787., print, prent, prints, prenten, Frederik Muller Historieplaten, height 177 mm, width 136 mm, print maker, prentmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process)

. The court of Jan Westerhof, nicknamed Blauwjan, at the Kloveniersburgwal in Amsterdam. In the middle of the court there is a bird cage, around them on top of that. Visitors view the exotic animals. At the bottom of the margin four three trembling verses in Dutch about the menagerie.

Antonio Lafreri, 1512-1577, French, Circi Maximi Accuratissima Descriptio, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Antwerp, Galle, Philips, Borcht, Pieter van der (I), Tuinen der Minne, Susanna in bad, verso middle bottom - stamped, Een Hoftuin. In the foreground Susanna can be identified, who wants to take a bath in a closed off part of the garden. Her maids have just closed the gate of the garden and are on their way to fetch balm and oils. (Daniel 13: 17-18). Two judges, who were spying on the naked Susanna, come out and try to grab her (Daniel 13:20-24). From the house in the background the residents stream outside to see what is going on (Daniel 13:26). Two peacocks (symbolizing pride) and two rabbits (symbolizing lust) are also depicted. The series shows various aspects of courtship and some examples from the Old Testament., print, prints, verso bottom center - stamped, height 192 mm, width 248 mm, Southern Netherlands, 1545 - 1608, print maker, printmaker, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etching

Speculum Romanae Magnificentiae: Roman Naval Battle late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clien

Jacques Callot (1592-1635). "The whims, the horse race on Pitti square in Florence. Forty-n-nineteenth number of the suite of 50 pieces engraved in Nancy" (Lieure 476, Meaume 865). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-10 Etching, engraving

Jérôme Charles Bellicard, after Michelangelo Specchi (architect), The Prima Macchina for the Chinea of 1750 The New Pier of Naples, 1750 The Prima Macchina for the Chinea of 1750: The New Pier of Naples

Circi Maximi Accuratissima Descriptio, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Koninklijk Paleis Te Madrid in Portret van Koning Filips V, ca. 1702; The forces of Europe, Asia, Africa and America, or description of the main cities with their fortifications. Designed by the best ingesters, particularly those who are under the domination of France (...) and adorned with several superb buildings.View of the Royal Palace and Some Other Sights in Madrid and A Portrait of King Philip V. Flat No. 259 in the picture in the context of a total of 276 Numbered Plates of Renowned Strong Cities and Fortresses in The Context of the Spanish Succession War. For Most Part, These Plates Have Been Cophed to the Anonymous French Flat: In The Forces of Europe and In: The Theater of War, The Netherlands, Both Originally Published by Nicolas de Iron in Paris (1693-1697 In the Framework of the Nine-Year War. Title and registrations in the flat in French.

Amsterdam, Persoy, Pieter, Hooghe, Romeyn de, Views of Paleis Het Loo, the associated buildings and the associated park, 'T Konings Loo, View of Paleis Het Loo and surroundings from a bird's-eye perspective, on 4 mounted sheets. Above the image the coat of arms of William III with bandarolles and carried by putti., print, prent, prints, prenten, height 765 mm, width 770 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1690 - 1694, paper, papier, etching, etsen, Work conception, after a design by, Publication (Event), Publicatie, 1668 - 1714, publisher

Stefano Della Bella (Italian, 1610 - 1664), Aerial View of Theatre, 1652, etching and engraving on laid paper

Seeing, the huys over the Kaskade / and opening to the Vecht.

Erpoort at the grave of the Actionists, 1720, 1720 Stadsplein with a large honorary gate founded at the death and the funeral of the acted actionists. In the middle a grave is filled with the worthless shares, a funeral procession comes from the left. In the courses on the honorary arches are performances of the Actionist's sickbed, John Law, the Utrecht Channel etc. Left front a man with a viewing box with the Mississippi and the South. With caption in 8 columns in Dutch and French ending with the burial of: Menheer de Bubbelaar. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Stadsplein with a large honorary gate founded at the death and the funeral of the acted actionists. In the middle a grave is filled with the worthless shares, a funeral procession comes from the left. In the courses on the honorary arches are performances of the Actionist's sickbed, John Law,

Cartoon on the old and young pretendent, 1745, 1745 - 1746 print Cartoon on the old and the young pretendent and the second Jacobitic uprising of 1745-1746. On a city square in front of Whitehall's palace, the old pretendent Jacobus Frans Eduard scratches his head and, to his son, points the young improvent Karel Eduard Stuart who is attacked by English dogs, a reference to his failed attempts around Stuart's house again on the throne to recover. On the left, faith rejects the rapprochement of a priest with goat legs, on the right the Netherlands Lion. In the background the Pope with a Frenchman and a Spaniard at a windmill and scenes of heretical persecutions by the Roman church. At the top left, the Phaëthon solar car falls from the sky. In the caption the explanation of the figures 1-7 in Dutch. Northern Netherlands paper etching / engraving political caricatures and satires. fall of Phaethon; he is struck by a thunderbolt of Jupiter. execution of heretic, e.g. by burning at the sta

Theatre of Diana, Villa Arconati, Castellazzo di Bollate, 1743, engraving by Marc'Antonio Dal Re (1697-1766) from Ville di delizia o siano palaggi camparecci nello Stato di Milano (Delightful villas in the State of Milan), Italy, 18th century.

Colonnade with statues of saints on it, anonymous, 1600 - 1699 print The print is part of an album. paper etching colonnade. piece of sculpture, reproduction of a piece of sculpture. saints

Pyreneus and De Muzen, Jean Lepautre, 1670 - 1682 print Paris paper etching the Muses flee from Pyreneus and transform themselves into birds (Pyreneus, trying to catch them, falls down to death from the top of a tower)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), GARA DELLE Stagioni, Carrousel represented in Modena. First issue of a suite of 14 rooms. (A. de Vesme 51; Dutuit 185) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

' 'De Koninginne Tuin met 't Groene Kabinet , en de Oranjerie, van Achteren gezien", in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 3/4 × 8 1/16 in. (17.2 × 20.5 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the Queen's Garden at the Loo Palace with overgrown walkways and the Orangery seen from the back of the garden. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

The household of Jan Smidt in Dordrecht exempted, 1538. The household of Jan Smidt, all robbers and murderers on a square in Dordrecht exempted, October 26, 1538. From the house with the weapon of Dordrecht read the judgment. In favor of the collected folk crowd, the three members of the family are sentenced, then driven on a cart and tortured and finally burned. The coffins are dragged away with a horse.

ALTAR TEATRO CON MOTIVO CANONIZACION DE SANTO TOMAS DE VILLANUEVA EN 1658 - GRABADO SIGLO XVII. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Print, Black ink on rolled paper, Horizontal rectangle: In the foreground, a frieze of the back of an audience. At the right and left numerous riders in the open area. Towards the background a man tending a pole from which a ring is suspended. A rider charges it from the left. Beyond, a stage formed by trees and clipped hedges., France, 1664, Print

Face to viem a driving school in a suburb; Vüe d'Un Coté du Manége Que S. Exell. Mgr. Joseph Compte de Par, Grand Maitre de S.M. L'Imperatrice Douariere Amalie a Fait Btir A Vienne Au Fauxbourg St. Joseph.Links and on the right sits a few women on chairs looking at a dozen men on horseback.

Fountain and fish pond in the gardens of the Villa Montalto in Rome; Fontana e Pischiera Nel Giardino Montalto All Terme Diocletiane (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 17. The print is part of an album.

Galerie des Glaces at Versailles Sébastien Leclerc I French 1684 This work shows the interior of the Hall of Mirrors shortly after its painted ceiling celebrating Louis XIV's triumphs was completed by Charles Le Brun. The chandeliers, the tables placed between the arched-topped mirrors, and the flanking tubs for the orange trees were made of solid silver. All the silver furnishings at Versailles were melted down in 1789 in order to finance the king's military campaigns against the League of Augsburg.

Tainzijde for Villa to Villa Di Este Youi, Giovanni Venturini, 1653 - 1691 Numbered below: 5. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 5. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

Views of Venice: The Piazzetta, 1741. Michele Marieschi (Italian, 1710-1743). Etching;

Louis XIV (king of France), Paris, Démortain, Gilles de, Delamonce, Ferdinand, Scotin, Jean Baptiste (I), La colonnade, dans un des bosuets des jardins de Versailles, The colonnade in the garden of Versailles, verso - stamped, The colonnade at Versailles. Numbered lower right: 18., print, prints, topography, height 454 mm, width 573 mm, 1678-07-09, print maker, printmaker, 1715 - 1715, paper, papier, engraving, engraving (printing process), etching, 1678 - 1753-09-30, intermediary draughtsman, after a drawing by, Publication (Event), Publication, French - 1723, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Paris, Petit, Pierre, Photographic reproduction of a design for a round pond for a slope in the garden of the Château de Meudon, recto - handwritten, This photograph is part of a cover with 38 photographs and 17 text pages., photograph, photo, reproduction, photographs, photographically illustrated books, PHOTOGRAPHIE des DEUX MONDES, PIERRE PETIT, 31, Rue Cadet, 31, PARIS, recto - embossed, 16, height 122 mm, width 191 mm, French, 1832-08-15 - 1909-02-16, photographer, 1860 - 1865, photographic paper, photo paper, albumen print, albumine print, Work conception

View of the stock exchange in Amsterdam, 1726, 1726 print View of the fair of Hendrik de Keyser in Amsterdam. Plate no. 296 in part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in Dutch and Latin. print maker: Northern Netherlandspublisher: Leidenpublisher: Amsterdam paper etching / engraving Fair of Hendrik de Keyser

A Perspective View of the Royal Gardens of Somerset next to the River, John Maurer, active 1713-1761, after John Maurer, active 1713-1761, 1753

Hoftuin with a company at a table; Hortorum viridariorumque elegantes et multiplicis formae; Gardens of Minne. A garden with an arbor in which a meal is consumed. A statue of Fortuna is placed on top of the arbor. Assembled with dishes. A dog (symbol for love) plays with a free couple to the left of the arbor. A round maze in the background. The print is part of an album.

Paris, Perelle, Adam, Amsterdam, Scherm, Laurens, l'Arc de Triomph, Triumphal arch at Fauxbourg Saint-Antoine, verso - stamped, View of the triumphal arch and some trees at Fauxbourg Saint-Antoine, a former suburb of Paris. Around the triumphal arch carriages and walkers. In the distance there are some more buildings., print, prints, height 200 mm, width 282 mm, Noord-Nederlands, 1671 - 1702-11-13, print maker, printmaker, 1689 - 1701, paper, papier, etching, French, 1640-10-08 - 1695-03-22, intermediary draftsman

A 'Forum', Johann Andréas Pfeffel, German, 1674-1748, Giuseppe Galli Bibiena, Italian, 1696-1756, Engraving on paper, Plate 10 of the first part of the 'Architetture e Prospettive,' published by Joh. Andreas Pfeffel (1674-1748)., Italy, 1740, architecture, Print, Print

Face from the terrace on the large basin in the garden of House to MORNS; Looks up from the terrace over the large bowl to the cabinet / vue de la Tera fresh Le Cabinet Par Dessus Le Grand Bassin; The old Adelyk Huys and Ridderhofstad ter Meer. View from the terrace on the large basin in the French garden of House Ter Meer. Figures walking in the foreground. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Antwerp, Galle, Philips, Borcht, Pieter van der (I), Gardens of Love, Boat trip, verso bottom center - stamped, Court garden with a small lake in the foreground. Couples walking together can be seen scattered across the print. In the foreground, three boats are sailing in the water. The couples play music in the boat and sail to the other side. The series shows various aspects of courtship and some examples from the Old Testament., print, prints, width 248 mm, height, 192 mm, South Netherlands, 1545 - 1608, print maker, printmaker, first quarter 17th century, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Publication (Event), Publication, 1537 - 1612-03-29, publisher

View of Amsterdam, 1726, 1726 print View of Amsterdam. Plate no. 291 in part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Amsterdam

Luyken, Jan, Amsterdam, De Jarelykse Triumphante Omgang tot Antwerpen, Jaare ommegang te Antwerpen, ca. 1680-1681, ca. 1680-1681. Procession of floats with allegorical representations moves through the streets of Antwerp past a church between kneeling spectators. The procession includes floats with representations of: the Whale, the giant Antigoon, Parnassus, Bethlehem, the Three Kings, the Last Judgement and Hell. In the caption the legend 1-18. Marked top right: Fol: 42., print, prints, Frederik Muller Historieplaten, height 168 mm, width 320 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1680 - 1682, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, Northern Netherlands, after own design by, 1696 - 1696

Print, Gezicht Over Den Vijver; Vüe du Vivier; Netherlands; engraving on paper; 1919-10-69

Pekin. Prints. 1725. General Research Division. Beijing (China)

The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof. Bernardo Bellotto; Italian, 1721-1780. Date: 1766. Dimensions: 468 x 630 mm (image); 527 x 637 mm (image plate mark); 542 x 647 mm (text plate mark); 640 x 772 mm (sheet). Etching with engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Schouwburg with theater decor: De Tuin, Cornelis Brouwer, after Jan Bulthuis, after Christian Henning, 1789 print Theater performance in the new Amsterdam Schouwburg with the CoulissenDecor de Tuin, with scene from Blaise and Babet. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

The Ceres Fountain in the Gardens of Versailles, Maurice Baquoy, after Girard, c. 1715 print Numbered at the bottom right 29. print maker: Francepublisher: Paris paper etching French or architectonic garden; formal garden. garden fountain. (story of) Ceres (Demeter) Versailles

Dahlberg, Erik Jönssen, Stockholm, Padtbrugge, Herman, Suecia Antiqua et Hodierna, Steenhammar, Tullgarn, View of Stenhammar Castle and Tullgarn Castle, The print is part of an album., print, album sheet, prints, height 225 mm, width 352 mm, Northern Netherlands, 1656 - 1687-06-07, print maker, printmaker, 1686 - 1686, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Dahlberg, Erik Jönssen, France, Marot, Jean (I), Suecia Antiqua et Hodierna, Arx Regia Holmensis qua Urbem spectat, Das Konigl Schloss zu Stockholm kegen der Stadt anzusehen, View of Tre Kronor Castle in Stockholm, on the city side, The print is part of an album., print, album sheet, prints, height 243 mm, width 381 mm, French, 1619 - 1679-12-15, print maker, printmaker, 1667 - 1667, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

View of a garden from a porch; Faces on gardens with figures. In the middle, water flows through a channel, people bathing in the foreground. From series of 6 sheets.

Einzug von Papst Pius VI, in Augsburg am , Mai , Freling, copper engraver

Print, Veduta del Tempio di Antonio e Faustina in Campo Vaccino; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching; 40.4 x 54.5 cm (Plate line) 43.0 x 56.5 cm (paper); Bequest of Erskine Hewitt; 1938-57-144

Capitoline, Rome, 1681, Underschildliche Prospecten, etching, Hollstein, Vol. II, no. 4, State p.162, Melchior Küsel (artist) German, 1626 - 1683, Johann Wilhelm Baur (artist after) German, 1607 - 1641

Print (France)

Place and Statue de Pasquin, Rome moderne: première ville de l'Europe: avec toutes ses magnificences et ses delices: nouvellement and très-exactement décrite: ce qui est suivi d'une description très-exacte du gouvernement and de l'Etat de Rome, aussi bien que des fonctions publiques du Pape and de tous ceux qui ont des emplois auprès de lui ...: le tout divisé en six tomes, Aa, Pieter van der, 1655-1733, Deseine, François-Jacques, d. 1715, Engraving, 1713, page 358, volume 2. The second volume begins on page 299, bound together with the first volume.

View of the surroundings of Florence, Rose Félicité Taunay, After Widenhauer, 1765 - 1775 print Paris paper etching landscapes Florence

Jacques Callot (1592-1635). "The career of Nancy or rue Neuve de Nancy" (Lieure 589, Meaume 621). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-4 Etching, engraving

I. SILVESTRE - The pleasures of the island enchanted or the holidays and entertainment of the king A Versailles The pleasures of the Enchanted Island or the festivals and entertainment of the king in Versailles, divided into three days and started on May 7 of the year 1664 ". Engraving of Israel Silvestre (1621-1691).

Capitol in Rome; Capitoliino vi descriptio; Antique monuments; Antiquae Urbis Splendor; MAGESYN DER ITALIAN BUILDINGS. View of the Capitol hill with the Piazza del Campidoglio and the palaces with the Capitoline museums. Central the equestrian statue of Marcus Aurelius. Text in Latin in undermarge and in frames left and top right. The print is part of an album.

States of Holland and West Friesland, The Hague, Vennekool, Steven Jacobsz., Northern Netherlands, Stopendael, Bastiaen, Arcus Triumphalis, in Honorem Maiestatis Britanicae, erecta in aula Hagae Comiti, The Sea Arch in Honor of His Majesty of Great Britain, on the court for the Court of Holland in The Hague, Entry of King William III into The Hague, 1691, Triumphal Arch erected at the Prison Gate for the Court of Holland through which the procession of King William III passes in the direction of the Stadhouderlijk Kwartier in The Hague, 5 February 1691., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 369 mm, width 475 mm, 1636 - 1693-09-07, print maker, prentmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, dutch, 1660 - 1719, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

View of St. Peter's Square, with the Vatican Obelisk and St. Peter's Basilica. A religious ceremony is taking place in the square: the consecration of the cross placed at the top of the Vatican Obelisk during the pontificate of Pope Sixtus V. Above six cartouches with text in Italian. The representation is framed in an ornamental frame. Consecration of the Cross on the Vatican Obelisk, print maker: Natale Bonifazio da Sebenico, (mentioned on object), printer: Giovanni Guerra, (mentioned on object), publisher: Giovanni Guerra, (mentioned on object), Rome, 1587, paper, etching, h 505 mm × w 370 mm

Book IV, plate 7: the fountain of the Tiburtine sibyl in the garden at Villa d'Este, Tivoli, from the series 'The fountains of the Este garden in Tivoli' (Le fontane del Giardino Estense in Tivoli) ca. 1676-1700 Giovanni Francesco Venturini Italian. Book IV, plate 7: the fountain of the Tiburtine sibyl in the garden at Villa d'Este, Tivoli, from the series 'The fountains of the Este garden in Tivoli' (Le fontane del Giardino Estense in Tivoli) 397622

Place des Vosges in Paris, Stefano della Bella, 1642 print print maker: Francepublisher: ParisFranceFrance paper etching square, place, circus, etc. Place des Vosges

Israël Silvestre (French, 1621-1691). Plate from Troisieme Journee”, 17th century. From Les Plaisirs de l'Isle Enchantée, ou les Festes, et Divertissements du Roy, à Ve. Engraving. Plate: 279 mm x 425 mm (10.98 in. x 16.73 in.).

Das Hippodrom des Aurelius, es könnte sich heute um das Amphitheater Castrense handeln, das in die Aurelianische Mauer eingebaut wurde, historisches R...

'Parterre at Nancy'. France, 1625. Dimensions: 26x39 cm. Museum: State Hermitage, St. Petersburg. Author: Jaques Callot.

Casini del N. H. Riva Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the Casini del N. H. Riva on the River Brenta. On the water a gondola on the waterfront. On the right two men on horseback. Numbered in the middle: XXII and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city. gondola Brenta

Counting on Het lock pillnitz; In view of the Opporter's Opphern You Jardins you roy the poggne a sex. .

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