Architectural and Processional Scenes

Includes etchings depicting grand architectural structures and processions, highlighting cultural and historical events from the 17th century.

Henri Mauperche, French (c. 1602-1686), Meeting of Mary and Elizabeth, etching

The Procession of the Holy Sacrament. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Dedicatee: Dedicated to Tubeuf Baron de Vert. Dimensions: sheet: 13 1/8 x 18 11/16 in. (33.4 x 47.5 cm). Date: ca. 1648. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot, Solimano, Act I, 1620 Solimano, Act I

Landscape with classic statues and buildings, Isaac de Moucheron, 1677 - 1744 print Landscape with the remnant of a round classic temple on the left and right a sculpture. In the foreground a figure wads through the water, on the side three figures are gathered. In the background a triumphal arch and a ship on the quay. To the painted wall panel in the room of the house of merchant David Bueno de Mesquita. Amsterdam paper etching / engraving triumphal arch. landscape with ruins. piece of sculpture, reproduction of a piece of sculpture

Festa della Sensa (fifth part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. gondola. city-view in general; 'veduta' Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

Fireworks at the celebration of the peace of Rijswijk, 1697; Fireworks. Fireworks to drop out at the celebration of the Peace of Rijswijk, 1697.

Henri Mauperche, French (c. 1602-1686), Meeting of Mary and Elizabeth, etching

The Courtyard of the Doges' Palace ca. 1784-1835 Giacomo Guardi Italian. The Courtyard of the Doges' Palace. Giacomo Guardi (Italian, Venice () 1764-1835 Venice ()). ca. 1784-1835. Pen and brown ink, brown wash. Drawings

Le Bassin d'Apollon The Fountain of Apollo, Versailles 1680s Adam Perelle French The impressive scale and complex layout of the palace and gardens of Versailles formed an ideal topic for artists and engravers such as Adam Perelle (1640-1695), whose view of the Grand Canal is illustrated here. Created over a period of forty years (1660-1700), Versailles is considered an icon of French seventeenth-century art, culture, and politics; it was here that the art of the Baroque garden found its ultimate expression and was disseminated across Europe by means of such print works as those of Perelle. The undisputed master of the French garden was André Le Nôtre (1613-1700), whose successful creation of a princely garden in a former swamp involved knowledge of geometry and mechanical engineering as well as expertise in soil chemistry and horticulture. His use of iron pipes—instead of wooden or terracotta ones—made the incredible feat of supplying water to no less than 1,400 fountains and a two-k

Leaf 4 from series of 6, second edition, second print.

Arnold von Westerhout, Il Greco in Troia Plate 9 Il Greco in Troia: Plate 9

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and scenes of Mirame tragicomedia, a scene from the 1st act: 16 characters. Second number of a series of 6 pieces (A. de Vesme 937. Dutuit 74) (main title), 1641. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Schouw in front room, Jean Lepautre, After 1665 - 1716 print A fireplace with around medallion against the wall of a front room with a balustrade above it. At the front right is a group of people at two columns. Paris paper etching open hearth, fire-place

Isis changes iphis in a man; Scenarum Theatralium. IPhis prays to the Goddess Isis. She kneels the image of the goddess and is changed by Isis in a man. Under the show a four-line verse in Dutch and a reference to the text in Ovid metamorphoses.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Rotterdam, Hendriksen, Jan, Malleyn, Gerrit, Northern Netherlands, Sallieth, Mathias de, Allegory of the founding of the Genuine Fatherland Society in Rotterdam, 1787, verso - stamped, Allegory of the founding of the Orangist society the Genuine Fatherland Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls representations of the Union of Utrecht (1579) and the Synod of Dordrecht (1618-1619). In the foreground, Father Time lifts the curtain and reveals images of Religion, Freedom, and Hercules defeating the Hydra. In the background, the portrait of Prince William V on the wall of the next room. The print comes with a text sheet with an explanation., print, prints, Frederik Muller Historieplaten, height 245 mm, width 314 mm, Czech, 1749 - 1791-11-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, graveren (drukprocedé), 1753-07-01 - 1816-02-06, intermediary draughtsman, after a drawing by, Publication (Event), Publ

Arbor in the garden of Gunterstein Castle, Breukelen, Joseph Mulder, 1680 - 1696 print In an arbor on the estate of Gunterstein castle in Breukelen, a boy plays on the flute. There are men and women inside and outside. On the left, a man brings two glasses on a tray. Amsterdam paper etching / engraving garden buildings. transverse flute Gunterstein Castle

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), three dancers and three dancers in a fan (A. de Vesme 210. Dutuit 46) (main title ). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Scaffolding for the fireworks set off in the elevation of Willem V to Knight of St. Joris, monogram miss MS (Northern Netherlands), after monogram JFM, 1754 print The Hague paper etching / engraving / letterpress printing bonfire, fire-works. knighthood order The Hague

Magesyn der Italiaense Gebouwen, Colonnade with statues of saints on it, The print is part of an album., print, picture, album sheet, prints, height 81 mm, width 141 mm, print maker, 1600 - 1699, paper, papier, etching

Print, Fountain of Trevi; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; engraving

View of the large garden of Paleis Het Loo, Anonymous, c. 1725 - c. 1750 print Amsterdam paper etching palace. French or architectonic garden; formal garden. walking, hiking (recreation) Palace Het Loo

Destruction of aristocracy, Decoration on the Westermarkt, 1795, A. Verkerk, 1795 print The destruction of aristocracy, allegorical decoration founded on the Westermarkt in Amsterdam at the Alliantie festival on June 19, 1795. Hercules (the Dutch people) beats the seven -member Hydra (aristocracy and family government). Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). (2) the Hydra of Lerna is killed by Hercules Amsterdam. Westermarkt

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Palaces with Palaces and Stairs in Rahmen, Palaces on the Water in Frames, Palace and Stairs on the Water, In a rocaille frame a palace with stairs on the water. A sailing ship and a boat lie in the water, figures stand on the quay. Publisher number 170., print, ornamental print, prints, ornamental prints, height 190 mm, width 283 mm, print maker, printmaker, 1731 - 1775, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, England's theatre depicting the main events in Yrland from the year 1690 to the campaign of King James II of Great Britain in 1691, Gate of Honour erected on the Plaats in The Hague, 1691, Gate of Honour erected on the Plaats for the entry of King William III into The Hague, 5 February 1691. Cut out and pasted on with handwritten caption. Plate no. 15 in the series 'Engelands schouwtoneel' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French., print, prints, Frederik Muller Historical plates, height 155 mm, width 193 mm, Northern Netherlands, 1671 - 1702-11-13, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, etching, etchings, writing (processes), writing, Publication (Event), Publication, 1661 - 1705, publisher

Print made by unknown artist, (Dubois), A View of the Sea from the Palace of the Vice Roy at Naples, undated. Etching and line engraving on medium, slightly textured, cream laid paper, laid on contemporary mount made of moderately thick, moderately textured, blued white laid paper.

Music and Dance, Pieter van der Borcht (I), c. 1635 - c. 1640 print Hoftuin with couples who walk together and have fun. In the foreground, a man dances for a woman, while another lady plays the lute. A dog (symbol for love) watches. Also view other couples and point to the spectacle. Antwerp paper etching garden. garden of Love, court of Love, 'fíªte galante'. one person playing string instrument (plucked). one person dancing alone. French or architectonic garden; formal garden

Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 8 9/16 × 5 11/16 in. (21.8 × 14.4 cm). Series/Portfolio: Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII. Date: 1598.Plate from 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the temporary decorations made for the event, published by Vittorio Benacci in Bologna in 1598. A second edition containing an additional plate was published by Benacci in 1599 and a later edition (undated) was published by Gioseffo Longhi. Museum: Metropolitan Museum of Art, New York, USA.

Arrival of Maria de 'Medici at the floating theater on the Rokin, 1638, 1638 print Arrival of Maria de 'Medici at the floating theater on the Rokin (left), seen from the north. On the left the floating theater. The visit and many others in boats on the water. Many spectators on the quays. Numbered at the bottom right: 6. Plate 6 of the illustrations in the description of the festivities around the visit of Maria de Medici to Amsterdam from 31 August to 5 September 1638. Amsterdam paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Coat of arms (as symbol of the state, etc.) (+ city; municipal) Rock

Nocturnal scene on a Venetian canal by Jan van Ossenbeeck, drawn in brown and gray with graphite pencil, showing water reflections, buildings, and boats.

Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, The Market at Dolo, from the series Vedute(Views), Etching, platemark: 14.5 × 21.2 cm (5 11/16 × 8 3/8in.), Italian, 18thcentury, Works on Paper -Prints

Print, Berceau de lhotel de Condé; Print Maker: Adam Perelle (French, 1638 - 1695), Nicolas Perelle (French, 1631 - ca.1695); Published by Nicolas Langlois; France; etching on laid paper

Design for a Triumphal Bridge. Artist: Joseph Lemercier (French, 1803-1887). Dimensions: 4 9/16 x 5 11/16 in. (11.6 x 14.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

unknown, Amsterdam, Douci Pietersz, Adrianus, Delft, Boitet, Reinier, The Hague, Giessen, Gerrit van, Northern Netherlands, Tomb of the High Noble born Lord Jacob Baron van Wassenaer, Lord of Obdam, &c. 's Lands Admiral, Tomb for Admiral Jacob Baron van Wassenaer van Obdam, 1665, Tomb for Admiral Jacob Baron van Wassenaer van Obdam in the Grote or Sint-Jacobskerk in The Hague. The admiral was killed in the explosion of his flagship the Eendracht during the Battle of Lowestoft on 13 June 1665., print, picture, historical object representation, book illustration, prints, pictures, Frederik Muller Historieplaten, height 285 mm, width 351 mm, print maker, printmaker, 1730 - 1736, paper, papier, etching, etchings, 1693 - 1750, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, verlener, verlener van privilege

High fireworks in the middle of the new bridge about Lalise Elisabeth (IT)

Confection at the Fontein in the Cour de Marbre in Versailles, Jean Lepautre, 1676 print Paris paper etching / engraving palace. garden fountain. celebration meal, feast, banquet Versailles

Funeral of Francesco II the 'Medici. The funeral of Francesco II the 'Medici in the San Lorenzo in Florence. On the ceiling a large coat of arms the family the 'Medici. Differently decorated skeletons against pillars have been placed along the ship. Drawing of two figures on Verso.

Rome, Piranesi, Giovanni Battista, Di due spelonche ornate dagli antichi alla Riva del Lago Albano, Two decorated caves near Lake Albano, Veduta della Spelonca, detta il Bergantino, presso l'imbocco dell' Emissario del Lago Albano, ornata dagli Antichi, Cave called 'Il Bergantino' at Lake Albano, verso - stamped, View in a cave called 'Il Bergantino' near Lake Albano. Title in bottom margin. Numbered top left: Tav. II., print, prent, prints, prenten, height 430 mm, width 630 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1762 - 1762, paper, papier, etching, etchings, Work conception, after own design by

Dido en Aeneas, anonymous, after Jean Lepautre, 1675 - 1711 print Aeneas arrives in Carthage with his men and ships. He greets and is welcomed by the founder of this city of Dido, followed by her servants. Under the show a four -line verse in Dutch and a reference to the text in the metamorphoses of Ovidius. Amsterdam paper etching / engraving the meeting of Aeneas and Dido; when he approaches her throne, the cloud enveloping him and Achates vanishes (+ variant)

Veue of the grand staircase of the sfinges and the court of the fountains unknown

Amsterdam, Visscher, Claes Jansz. (II), Cornely Joannis, Byrsa Amsterodamensis, Beurs van Hendrik de Keyser, verso - stamped, View of the courtyard of the Beurs van Hendrik de Keyser in Amsterdam., print, prent, prints, height 240 mm, width 326 mm, unknown, 1612 - 1652, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Print (France)

Entered over the big bowl to the / large water cave.

View of a Garden with a Water Basin and Large Fountain, Title Page from: Grottes et fontaines de jardins à l'italienne 17th century Jean Le Pautre French. View of a Garden with a Water Basin and Large Fountain, Title Page from: Grottes et fontaines de jardins à l'italienne 399409

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Herds of cows and sheep before the Colosseum, verso - stamped, A landscape with shepherds with herds of cows and sheep before the Colosseum in Rome. In the background on the right ruins., print, prints, height 126 mm, width 135 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Landscape with the Merciful Samaritan at the inn, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In front of an inn is the merciful Samaritan, who pays the innkeeper for the care of the wounded man. The wounded traveler is carried in the inn. On the right in the landscape a ruin and a landscape with the angel castle in the background. To the Bible story in Luc. 10: 25-37. Print from a series of Italian landscapes. Antwerp paper etching the Samaritan pays the innkeeper. landscape with ruins

The inauguration in the St. Bavokerk in Ghent, Van Karel VI, German Keizer, in 1717, Jacob Colin, 1717 drawing Design for a print. paper. pencil. ink pen / brush installation of a ruler. historical persons. historical events and situations. interior of church Sint-Baafskathedral. Ghent

View of the gardens of the Villa Medici in Rome, 1758 - 1803 print View from a gallery on the gardens of the Villa Medici in Rome. An obelisk in the background. paper etching villa. garden. obelisk, needle Villa Medici

Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' (Mausoleo antico eretto per le ceneri d'un imperadore romano), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 15 5/16 x 10 1/8 in. (38.9 x 25.7 cm). Date: 1743. Museum: Metropolitan Museum of Art, New York, USA.

LITOGRAFIA-MADRID ANTIGUO-LA CASA DE CAMPO. Author: GODEFROY ENGELMANN (1788-1839). Location: MUSEO DE HISTORIA DE MADRID-GRABADOS ByN. MADRID. SPAIN. PHILIPP III. VON SPANIEN.

View of the Hortus Botanicus of Leiden University, with several walking figures in the garden, 1610. Below the scene a crocodile, turtle, fish, bat and other animals. In the center a plant in a pot. Part of a group of four views of Leiden University, later used as an illustration in the supplement to Meursius' book on Leiden University, Horti Botanicus of Leiden University Horti publici academiae Lugduno-Batavae cum areolis et pulvillis vera delineatio Four views of Leiden University (series title), print maker: Willem Isaacsz. van Swanenburg, intermediary draughtsman: Jan Cornelisz. van 't Woudt, (mentioned on object), publisher: Andries Clouck, (mentioned on object), Netherlands, 1610, paper, etching, engraving, h 328 mm × w 404 mm

. Presentation of the ruins in the Bergstraat in Brussels after the bombing by the French, 13-15 August 1695. Second print in the series of twelve.

Restoration of the inscription for the Venetians in the Vatican Palace in Rome, 1644, Caspar Luyken, 1701 print By order of Pope Innocent X, a painter restores an inscription in the Vatican palace in honor of the Venetian people. The inscription was previously removed by Pope Urban VIII because of his poor political relationship with the rulers of Venice. Frankfurt am Main paper etching / letterpress printing restoration of a work of art. artist at work, in his workshop Venice. Apostolic palace

Entry through the Imperial Gate, 1594; Schedule Portae Caesareae. Entry through the Imperial Gate. On the gate images of Brabo, virtue and honor. Part of the description of the arrival of Aartshertog Ernst in Antwerp, July 18, 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex officina Plantiniana, Antwerp 1595.

Dianafontein of the Quattro Fontane in Rome; Fontana del Sig. Principe di Pallestrina; Fontane di Roma; Fountains of Rome. Numbered at the bottom right: 7. The print is part of an album.

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi). Artist: Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague); After Etienne DuPérac (French, ca. 1535-1604). Dimensions: Sheet: 6 3/4 x 10 7/16 in. (17.1 x 26.5 cm). Series/Portfolio: Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi). Date: 1606. Museum: Metropolitan Museum of Art, New York, USA.

Anaxarete in Iphis, Jean Lepautre, 1670 - 1682 print Paris paper etching death of Iphis, a youth of Salamis: desperate for the love of Anaxarete he hangs himself at her door. Anaxarete changed into a stone: while looking from her window at Iphis' funeral, Anaxarete is changed into a stone (Ovid, Metamorphoses XIV 753)

Amsterdam, Houttuyn, Frans, Tongerlo, Kornelis van, Bosch, Jan de, Fokke, Simon, Title page for: J. Hervey, Godvruchtige overdenkingen, onder het bekeken der grafsteden, 1754., Allegorical representation with Piety or Piety, verso - stamped, A woman with a compass on her head takes a figure by the hand and shows her an allegorical figure with a flame on her head (possibly Piety or Piety). In the background an interior with a balcony and a view of a garden., print, title page, prints, height 139 mm, width 97 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1754 - 1754, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, Publicatie, Nederlands

Giuseppe Vasi, after Paolo Posi, The Seconda Macchina for the Chinea of 1755 A Royal Hunting Lodge, 1755 The Seconda Macchina for the Chinea of 1755: A Royal Hunting Lodge

Pond with fountain in the park of Enghien; Enghien Park (Edingen). Hikers and a picnicend company at a pond with a large fountain, surrounded by arcaden. Under the show a Dutch-speaking and a French-speaking legend. This print is part of a series of 16 prints (17 incl. Title Print) of the park of Enghien (Enghien), where a leaflet belongs.

Two vases for the Orangerie van Zorgvliet, Johannes Jacobsz van den Aveele, 1665 - 1727 print The vases are decorated with oval medallions. From series of 7 sheets with two vases on each leaf on a balustrade with a view of the gardens of Zorgvliet in the background. Amsterdam paper etching

View of Arcades of Trees around a fountain, Israel Silvestre, 1655 print paper etching / engraving landscape with tower or castle. French or architectonic garden; formal garden. garden fountain Paris

Design for a wallpaper painting, Isaac de Moucheron (Possible), After Isaac de Moucheron, 1677 - 1744 drawing paper. ink pen / brush

Marble court, Palace of Versailles, 1676, by Israel Silvestre (1621-1691) engraving, France 17th century.

View of the Gardens of a Palace. Artist: Lodewijk Toeput (called Pozzoserrato) (Netherlandish, Malines ca. 1550-1603 Treviso). Dimensions: 7 5/16 x 10 1/4 in. (18.6 x 26.0 cm). Date: mid-16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

An architectural drawing by Carl Schütz, one of twelve pieces created for theatrical decorations, executed in ink with feathered strokes and wash between 1780 and 1800.

Stage Design, Apollo with Famous Men and Muses, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Apollo in front of temple portico surrounded by Muses and famous men, identified by inscriptions on the stairs below which they are standing. Men include Homer, Dante, Alfieri, Virgilio, and others., Italy, early 19th century, theater, Drawing, Drawing

Men fencing. Engraving by J. Gelle.

Monumental Fontein puts Neptunus, Anonymous, After Jean Lepautre, c. 1650 print At the bottom of the fountain, three seahouses water. From series of 12 magazines. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Luyken, Jan, Bouw van de tabernacle, verso - gestempeld, print, prent, prints, prenten, height 83 mm, width 134 mm, print maker, printmaker, 1683 - 1762, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1649-04-16 - 1712-04-05

Temple of Diana in Ephesus, Philips Galle, After Maarten van Heemskerck, 1572 print The Temple of Diana in Ephesus, depicted as an Italian basilica of three floors. In the foreground, architects and stonemasons work on the addition of a column to the structure. King Croesus of Lydië is the client. He looks at how three men discuss the placement of the column. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving temple of Artemis at Ephesus (Wonder of the World). architect supervising building activities. (story of) Croesus king of Lydia

Title Page, Nouveaux Livre de Paysages (New Book of Landscapes), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, On the right, stairs, with checkered floor and sphinxes, lead to building. On the left, view of the sea, a ship and port, a pier. People visible throughout., Netherlands, ca. 1700, architecture, Print, Print

Looting of the house of A.M. Van Arsssen in Amsterdam, 1748; Plundering the house from A.M. Van Arssen, on the Cingel at the Huiszittensteeg in Amsterdam, on Dingsdag den 24s. Junij Ao. 1748. Looting of the house of the taxpachter A.M. From Arssen on the Singel in Amsterdam, on 24 or 25 June 1748 during the tenant rudder. Household goods are thrown on the street and in the canal. The looters are doing well to the wine that is stored in the cellars, the wine is also glared in the canal.

Park landscape with two dogs, Isaac de Moucheron, 1677 - 1744 print View in a garden flanked through columns. In the foreground two dogs. Figures sitting in the background and a figure on the back seen by a water basin. Amsterdam paper etching / engraving column, pillar ~ architecture. dog. French or architectonic garden; formal garden. gondola

Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 1598 Guido Reni Italian From 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the temporary decorations made for the event, published by Vittorio Benacci in Bologna in 1598. A second edition containing an additional plate was published by Benacci in 1599 and a later edition (undated) was published by Gioseffo Longhi.. Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 396964

Application of the new fire spray snakes, 1677, 1675 - 1677 print Leaf with a large representation of the application of the new hose fire sprayers invented by Jan and Nicolaes van der Heyden when extinguishing a fire in a building in an imaginary city. The lower part of the performance with the four small performances has been cut off. Belongs to the incentives at the fire spray book by Jan van der Heyden. Northern Netherlands parchment (animal material) etching fire-extinguishing equipment

Image of the Faun in the maze of the Gardens of Palace Het Loo; DELECTENE SIGNED OF THE MISTRY MANAGEMENT LOO LOW AND OTHER PRISPLE HOUSE; Admirandorum Quadruplex Spectaculum. Elegantly dressed ladies and men walk around a pond with a picture of a Faun in the Gardens of the Loo. The pond is located on the so-called 'Zesweg' in the middle of the DOOFHOF. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Veduta di altra parte della Camera Sepolcrale di L. Arrunzio, Interior tomb of Arruntius family, verso - stamped, View in the tomb of the Arruntius family. Title and text in bottom margin. Numbered above: X, Tom. II., print, prints, height 399 mm, width 599 mm, height 36 mm, width 600 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1756 - 1757, paper, etching, Work conception, after own design of

Look through the Berceau in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View through the Berceau in the French garden of Huis ter Meer with various walking and conversing figures. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden House Ter Meer

Jacques Callot, French (1592-1635), Ecce Homo, c. 1624-1625, etching

Amsterdam, Scherm, Laurens, Demonstration of the fire hoses on the inner courtyard of the Beurs in Amsterdam, ca. 1670-1680, Demonstration of the use of the fire hoses by pumping up water and spraying it over the tower of the Beurs (ca. 1670-1680). The caption explains the letters AD in Dutch. Plate 23 in the reprint of the Brandspuitenboek by Jan van der Heyden from 1735., print, book illustration, prints, Frederik Muller Historieplaten, height 245 mm, width 123 mm, Northern Netherlands, 1671 - 1702-11-13, print maker, printmaker, 1690 - 1702, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, engraving, engraving (printing process)

Procession attracts through the triumph ports on the Friday market; entry from Ferdinand in Ghent in 1635 (no. 18); Laudum Monumenta Tuarum Ferdinande Vides; Scenographia Fori Carolini. The procession with Ferdinand van Austria attracts through the triumph ports on the Friday market. Leaf no. 18 In a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

The pleasures of the Ile Enchantee, first day - Ring of ring disputes by the king and his knights, representing Roger and the other Knights enchant of the Alcine Island Israel Silvestre (1621-1691). "The pleasures of the enchanted island, first day - Running race played by the king and his knights, Representative Roger and the other enchanted knights of the Alcine Island". Engraving.

Arrival of procession with Maria de 'Medici at the Triomfpoort on the pig slit, 1638; Festivities in the visit by Maria de 'Medici to Amsterdam in 1638. Design for a print. Arrival of the procession at the triumph port on the pig slit at the Oudezijds Voorburgwal. Above the gate a painting by Maria de Medicis as Cybele in her chariot. Design drawing for plate 4 of the illustrations in the description of the festivities around Maria de 'Medici to Amsterdam's visit from 31 August to 5 September 1638.

Steps to the Four Landmarks. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Saint Saturninus. Engraving.

Decoration on the house of Henricus van der Souw in Naarden, 1766, Noah van der Meer (II), 1776 print Decoration applied to the house of the pastor Henricus van der Souw in Naarden. Prince Willem V standing with the Dutch Virgin in the Dutch garden. Apollo and the muses are on the clouds. Mercury flies with the petasus in his hand. At the bottom of a four -line verse on Willem V. on the occasion of the majority of Prince Willem V on March 8, 1766. Numbered at the top: XVIII. print maker: Amsterdampublisher: Leiden paper etching French or architectonic garden; formal garden. (story of) Mercury (Hermes). Apollo and the Muses, Apollo Musagetes. Pegasus, the winged horse. prince. personifications of countries, nations, states, districts, etc. Netherlands

Veduta dell'Arco di Gallieno. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;

View of the garden of Buitenplaats Hoogevecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 20. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). French or architectonic garden; formal garden Maarssen

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Tomb at the Torre de' Schiavi, verso - stamped, Plan and view of a tomb outside the Roman city gate Porta Maggiore near the Torre de' Schiavi. Numbered top left: Tom. II. Numbered top right: LIX. Explanatory list with letters in bottom margin., print, prent, prints, prenten, height 347 mm, width 234 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Arrival of the delegation of the states at Willem V, 1788. Arrival of the delegation of the States General at Palace Huis ten Bosch for the presentation of the act of guarantee to Stadholder Willem V, July 10, 1788.

Feather and brush drawing with deck white and lavated gray, brown, and blue on light brown tinted paper depicting the wedding of Cana, showing figures, banquet table, and architectural elements; traces of vertical fold and minor edge abrasion.

Theater of Modena with carroussel; Carroussel in Modena; La Gara delle Stagioni. View in Modena theater. The front has been omitted, only the floor plan is indicated here. A large gate in the back with a crowned two-headed eagle. Left and right sitting spectators on the stands. On the floor actors and riders on horseback.

Festa della Sensa (third part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. gondola. city-view in general; 'veduta' Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

A Place of Delight with an Aerial Balloon, for the "Chinea" Festival. Dated: 1785. Dimensions: plate: 51.6 x 37.3 cm (20 5/16 x 14 11/16 in.) sheet: 67.4 x 46 cm (26 9/16 x 18 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Barbazza after Giuseppe Palazzi (architect).

Fireworks at the celebration of the Peace of Utrecht, 1713; Image of the fire threcking, in Den Hage, by her high-morning Heeren Staan General of the United Netherlands, to Aucceed Vreden of Vrankryk, the April 11, 1713. Up to Utrecht / Representation du Feu d'Artifice Fait a la Haye (...). Stellage with fireworks set up commissioned by the States General at the Hofvijver in 's-Gravenhage at the celebration of the peace of Utrecht, 14 June 1713. In the caption the titles and legendas at the fireworks in Dutch and French.

Depiction by Jean Lemaire of Theseus discovering his fathers weapons under the guidance of his mother Aithra, executed with pen, ink, brush, and washes.

March, Jan Collaert (II), After Joos de Momper (II), 1586 - 1618 print In the foreground on the right is a middle -aged man with pruninges in one hand and a branch forest in the other. In the background, farmers plant a vineyard and a garden is being laid. In the middle of the clouds the astrological sign of the Ram. The print has a Latin caption and is part of a twelve -part series for the months of the year. paper engraving March and its 'labours' (+ with zodiacal signs). transplanting, setting out plants. agricultural implements: pruning-knife. pruning

Jean Le Pautre (French, 1618-1682). Quatrieme Journee from Divertissements donnes par le Roi”, 1676. From Entertainments Given by The King (Divertissements donnes par le Roi). Engraving.

Fountain in the gardens of the Villa Aldubrandini in Frascati; Fontana di Belvedere a Frascati, Fabricata Sopra Il Piano Dell'Aantecedente di Qua (...); Fontane delle ville di Frascati; Fountains of Frascati. Fountain in the shape of a boat with putti in the middle. The print is part of an album.

Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra, Johann Melchior Füssli, Swiss, 1677-1736, Christian Ulrich Wagner, German, 1686-1763, Brush and grey, black wash, pen and brown ink on cream laid paper, A group of robed men, pointing and conversing with each other, appear in the left foreground. They are standing on a flat surface in an open space, with a brick wall on the left and behind them. A few other robed male figures are dispersed throughout the picture. Mountains appear in the background. A large sheet of paper with an architectural plan is positioned in the upper center of the composition, hanging from the elaborately ornamented frame bordering the picture., Zürich, Switzerland, before 1731, figures, Drawing, Drawing

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