Architectural and Stage Designs

Drawings and engravings of grand architectural interiors and stage designs, featuring elaborate details and classical influences.

Vue interieure du grand escalier de Versailles costé oposé a l'entrée, Grand escalier du Chteau de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, J M Chevotet del.--lower left; Surugue exc-lower right; 6--in brown ink, lower right.

GALLIJ IN ROCALE CARTHER, Emanuel Eyel (POSSIBLY), After Frank Xaver Hervelman, 1750 print Court scene in rocaille frame. Figures with Eastern clothing in a gallery. Publishing number 116. Augsburg paper etching / engraving rocaille ornament. gallery (spacious corridor)

Watykan The Vatican to Rome: III The Loggies with the Rafael's the Gemalden (Watykan loggie Rafaela) Catacacci, hercule (1816 1884), it, that jaw jacques

Lea Castle, Worcestershire, Ante-saloon, Looking North. Artist: John Carter (British, London 1748-1817 London). Dimensions: sheet: 8 3/8 x 7 in. (21.2 x 17.8 cm). Date: ca. 1816. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Stage Design, Palace Interior; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and bistre ink, brush and wash on paper

Trompe-l'oeil decoration for stairwell of Palace Het Loo; L Escallier de la Maison Royalle de Loo; Painted wall decorations for rooms and stairwells. Decoration for the stairwell of the Loo Palace with balustrade, fluted columns and an oculus in the ceiling.

Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence 1619 Jacques Callot French. Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence 397640

Vue interieure du grand escalier de Versailles costé oposé a l'entrée, Grand escalier du Chteau de Versailles dit Escalier des ambassadeurs, Chevotet, Jean-Michel, 1698-1772, Le Brun, Charles, 1619-1690, Surugue, Louis, 1686-1762, Etching, engraving, black-and-white, 1725, J M Chevotet del.--lower left; Surugue exc-lower right; 6--in brown ink, lower right.

Theater in Saint Peter's Basilica for the Canonization of Gaetano Thiene and Francis Borgia on April 12, 1671 1671 Giovanni Battista Falda. Theater in Saint Peter's Basilica for the Canonization of Gaetano Thiene and Francis Borgia on April 12, 1671. Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). 1671. Etching; second state of two. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Title page: Nouveaux Liure de Pintures de Salles et d'Escalliers; Nouveaux Liure de Pintures de Salles et d'Escalliers. A vestibule decorated with double corinthian columns and seeing through to a gallery with images. The ceiling is decorated with sphinxes, women, putti and vases. Sheet from series with painted wall decorations for rooms and stairwells.

A chalk and feather drawing with lavated wash by Gaetano Gandolfi showing the wedding at Cana.

Somerset House, the Strand Vestibule, Jean Louis Desprez, 1743-1804, French, undated, Watercolor, gray wash, pen and black ink, pen and gray ink and graphite on medium, slightly textured, cream wove paper, Sheet: 18 7/8 x 31 inches (47.9 x 78.7 cm), arches, columns, feathers, genre subject, grille, guards, hats, horses (animals), interiors, robes, ruffs, soldiers, stones, vestibule, London

Design for a Stage Set. Artist: Carlo Zucchi the Younger (Italian, Venice 1728-1796 Russia ()). Dimensions: 13-3/8 x 20-1/8 in. (34.0 x 51.1 cm). Date: 1728-1795. Museum: Metropolitan Museum of Art, New York, USA.

Meeting room of the states of Holland and West Friesland, 1741; Image of the meeting place of the Heeren states of Holland and Westfriesland; To see from the west of the stroins of the State Secretaries, Welker pitches by the letters S.S. to be appointed. The meeting room of the states of Holland and West Friesland in the court in The Hague, 1741.

Design for a Stage Set: Double Stairway Pierced by an Arcade (recto); Slight Sketch (verso). Artist: Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 4 x 6 1/4 in. (10.2 x 15.8 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Arnold von Westerhout, Il Greco in Troia Plate 6 Il Greco in Troia: Plate 6

Print, Funffte Ausgab seiner vorhabenden werckes...Unterschiedliche Neu Inventirte Verkleiden Zu Modernen und Astonmischen Perpendicul-Uhren...; Johann Jakob Schübler (German, 1689-1741); Published by Jeremias Wolff (German, 1663-1750); engraving on cream laid paper; 35.8 x 22.0 cm (14 1/8 x 8 11/16 in. )

Alberti Leon Battista (1404-1472), S. Andrea, Mantua. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work, Jg. 49, 1899): Interior view Näben with Capelle della Virgine Concetta. Print colored on paper, 43.1 x 27.5 cm (including scan edges)

Allegory on the glorious history of the Netherlands, 1790 - 1807 print Oval representation of the interior of a temple in which the history of the Netherlands is extensively glorified. Netherlands paper etching symbols of the state (in general)

A Court Scene, Francesco Galli Bibiena, Italian, 1659-1739, Pen and brown ink; brush and gray, blue and pale rose wash on white paper, laid down, Vertical rectangle showing a palace court scene with clouds hang above an elaborate architectural space. Many figures bring tribute to a king standing at left, beneath a lofty baldacchino. Columns with caryatids support arches., Italy, 1700-1739, architecture, Drawing, Drawing

The meeting room of the States of Holland and West Friesland in the court at The Hague, 1741, Meeting room of the States of Holland and West Friesland, 1741 Depiction of the meeting place of the Lords States of Holland and West Friesland, seen from the west between the seats of the state secretaries, whose places of work are indicated by the letters S.S. , print maker: Jan Caspar Philips, (mentioned on object), intermediary draughtsman: Cornelis Pronk, (mentioned on object), publisher: Isaak Tirion, (possibly), Amsterdam, 1741 - 1742, paper, etching, engraving, h 172 mm × w 244 mm

Interior of Fourniturenwinkel in Paris ca. 1678, 1678 - c. 1715 Interior of a shop in haberdashery for women's and men's clothing in Paris, approx. 1678, with fashionably dressed pair. In: album with 136 (ornament) prints, without title published by Jacques Thuret, Paris, ca. 1711. (first edition in Mercure Galant, extraordinaire. Quartier de Janvier 1678, t.o. pp. 522-523) in the description on pp. 524-540 the numbered accessories are named and explained. Paris paper etching Paris Interior of a shop in haberdashery for women's and men's clothing in Paris, approx. 1678, with fashionably dressed pair. In: album with 136 (ornament) prints, without title published by Jacques Thuret, Paris, ca. 1711. (first edition in Mercure Galant, extraordinaire. Quartier de Janvier 1678, t.o. pp. 522-523) in the description on pp. 524-540 the numbered accessories are named and explained. Paris paper etching Paris

De nieuwe tuin. Liender, Paulus van, 1731-1797. Prints. 1772. Jerome Robbins Dance Division

Gazette of the Fine Arts / The Cabinet of the Medals

Plate in Nouveaux livres de peintures de salles et descaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Atrium-like structure with stairs leading below. Large fountain with satyrs and putti in an apsed space. Wall decorated with urns, portrait busts and scenes in relief. Figures on clouds float above., Netherlands, ca. 1700, architecture, Print, Print

Schouwburg with theater decor: the new court portal, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater show in the Amsterdamse Schouwburg on the Keizersgracht with the scenic decor Het Nieuwe Hofportaal with scene off: Karel de Bold, Hartog of Burgundy. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of twelve theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Interior with Buffet, Chimney, and Religious Paintings. Dated: 1560. Dimensions: plate: 21 × 26.1 cm (8 1/4 × 10 1/4 in.) sheet: 25.5 × 36.2 cm (10 1/16 × 14 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lucas van Doetechum and Johannes van Doetechum, the Elder, after Hans Vredeman de Vries.

Interior of Temple, Design for Stage Scene. Artist: Anonymous, Italian, 18th century. Dimensions: 11-1/8 x 8-1/8 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Allegory of the glorious history of the Netherlands, Willem Kok, 1790 - 1807, Large oval design drawing for the print depicting a temple in which the history of the Netherlands is extensively glorified., draughtsman: Willem Kok, (mentioned on object), Netherlands, 1790 - 1807, paper, pen, brush, h 520 mm × w 420 mm

Praag, Balzer, Matthias, Jan, Kleinhard, Johann, Various Coin Works for the Execution of the Rissen and Plans, The Being of the Coin, Coin Strike, verso - stamped, A coin production process in an interior with rocaille frame with horns of plenty. In the foreground a man is working with a coining press. Numbered AA in the bottom margin., print, ornamental print, prints, ornamental prints, height 220 mm, width 202 mm, 1738 - 1799-12-14, print maker, printmaker, 1772 - 1772, paper, papier, etching, etchings, engraving, engraving (printing process), 1747-02-15 - 1791-07-18, Work conception, 1742 - 1794, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Francesco Galli da Bibiena / 'Theatre set'. Early XVIII century. Grey wash, Pencil on dark yellow paper. Museum: Museo del Prado, Madrid, España.

José Gómez de Navia (Drafstman); Cipriano Maré (Letter engraver); Manuel Alegre (Engraver); Calcografía Nacional (The seller) / 'View of the main nave of the temple and of the Corpus Christi procession, Royal Monastery of San Lorenzo de El Escorial'. 1800 - 1809. Taille douce: etching and engraving on wove paper; 1800 - 1809. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

The Staircase of the Giants, Ducal Palace, Venice 1712-93 Francesco Guardi Italian. The Staircase of the Giants, Ducal Palace, Venice. Francesco Guardi (Italian, Venice 1712-1793 Venice). 1712-93. Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines. Drawings

Etching by Jean Le Pautre from 1625-1682 showing a grotto integrated into Italian gardens, emphasizing ornamental architecture and landscape design.

Theater with stage decor: the new garden; The new garden; Theater decors of the Amsterdamse Schouwburg, approx. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decor the new garden with scene from: the feigned utensility through love. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

Poet's Corner, Westminster Abbey , Abbeys, Interiors, Westminster Abbey. Thomas Rowlandson (1756-1827). Prints and Drawings

Photo production of (presumably) a drawing presented bounded believers on the Holy Staircase in the Lateral Palace in Rome. Part of photo album with recordings of sights in Italian cities and works of art.

Square in front of a Renaissance Palace, Daniël De Blieck, 1669 drawing Square in front of a Renaissance Palace with a Neptune fountain on the left. paper. ink. graphite (mineral). chalk pen / brush palace. ideal and visionary architecture

Print (Germany); etching and engraving on off-white laid paper

Scenery to be used in a toy theatre: a large room with decorated columns and statues. Lithograph by JL.

Print, Het Loo Palace, Staircase; Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching on white laid paper; Overall: 34 x 22.8cm (13 3/8 x 9in.) Platemark/Repeat (Platemark/Repeat): 27.7 x 19.5cm (10 7/8 x 7 11/16in.) Mat (Mat): 35.6 x 45.7cm (14 x 18in.)

. Demophontes stage show for the Stadtholder Willem V and Prinses Wilhelmina van Prussen in the new Amsterdam Schouwburg on Keizersgracht, 1 June 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Church of Saint Chaumont, Plate 48 from 'Vues Pittoresques des Princepaux Édifices de Paris', Les Campion Frères, Paris, France, Laurent Guyot, French, 1756 - 1808, Jean Testard, French, b. ca. 1740, Engraving and brush and watercolors on paper, Interior of a small church, with Ionic columns. A few figures in the foreground. Title, artists' and publisher's names below., Europe, Paris, France, 1792, Print, Print

Cochin, Charles Nicolas (II), Saint-Aubin, Augustin de, Interior of the New Church of St. Chaumont 1781, View of the interior of the St. Chaumont, Print on uncut sheet with BI-1958-0262-73-5. The print is part of an album., print, album sheet, prints, height 80 mm, width 170 mm, French, 1736-06-03 - 1807-11-09, print maker, printmaker, 1781 - 1781, paper, papier, engraving, engraving (printing process), etching, 1715 - 1790-04-29, intermediary draughtsman

Rembrandt van Rijn, Medea, or the Marriage of Jason and Creusa, 1648 Medea, or the Marriage of Jason and Creusa

Photo production of a drawing, representing the interior of the Opéra Garnier in Paris, Anonymous, c. 1865 - c. 1875 cabinet photograph Francepublisher: Paris photographic support. cardboard albumen print opera house Palace garnish

Graftombe of Willem I, Prince of Orange, 1623, Anonymous, After Pierre Jacques Goetghebuer, 1800 - 1871 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. Low Countries paper etching grave-building, monumental tomb. interior of church. historical persons New church. Delft

Wnętrze z kolumnadami, projekt dekoracji teatralnej. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

The exclusive right. .

Casa Gralla de Barcelona, siglo XIX. Museu Català de les Arts i Tradicions Populars.

. Demophontes stage show for the Stadtholder Willem V and Prinses Wilhelmina van Prussen in the new Amsterdam Schouwburg on Keizersgracht, 1 June 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Friedensaal in Munster where the peace negotiations are fed, 1643-1649; Münsterischer Conferz-Saal, Wellen Der Weltbekannte Westphälische Friede, in Danen Jahren 1643 Biss 1649 AB handling undesched. Sheet with two faces in the Friedensal, the conference hall in the city hall of Münster where the peace negotiations for the Peace of Munster are conducted, 1643-1649. Framed with 39 weapons.

Vitré, Arnold William Brunner, American, 1857-1925, Graphite, brush and watercolor on paper, Interior of a large kitchen, with a monumental stone fireplace facing the spectator. A woman sits beside a long table, right, and a cat is seated on a low seat, next to table facing the fireplace., USA, 1883, interiors, Drawing, Drawing

Amsterdam, Marot, Daniël (I), Netherlands, Nouveaux Liure de Pintures de Salles et d'Escalliers, Trompe-l'oeil decoration for the staircase of Paleis Het Loo, Sheet from a series of painted wall decorations for rooms and staircases., print, ornamental print, prints, ornamental prints, height 275 mm, width 192 mm, 1663 - 1752-06-04, print maker, printmaker, 1712 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Cabinet of Bernhard Siegfried Albinus, Noah van der Meer (II), 1751 - 1822 print In the Bernhard Siegfried Albinus cabinet in Leiden, two men at a table study the contents of glass jars. Touching cabinets with anatomical preparations are standing against the walls. Leiden paper etching / engraving Cabinet of Curiosities, 'Kunst- und Wunderkammer'. Study; 'Studiolo'; library

Peter Delivered out of Prison by an Angel, Print made by Bernard Lens, 1659-1725, British, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 6 11/16 inches (22.2 × 17 cm), Plate: 7 13/16 × 5 3/4 inches (19.8 × 14.6 cm), and Image: 7 5/16 × 5 3/4 inches (18.6 × 14.6 cm), angel, apostles, archways, candle, Christianity, escape, guards, New Testament, prison, religious and mythological subject, saint, sleeping, spears, vault bays

West side of the civilian hall in the town hall on the Dam; Face of the large room, in the Stadhuys of Amsterdam / Vue de la Grande Sale, Dans La Maison de Ville d'Amsterdam. The west side of the civilian hall in the town hall on Dam Square in Amsterdam. In the middle the door to the ships hall. In the middle of the middle Justitia (justice), under her feet king Midas as a personification of greed and medusa as a personification of envy. To the left of Justitia death, on the right the personification of punishment. Above the image of Atlas. Different figures walk in the hall. Under the show the title in Dutch and French. At the top right numbered: 4.

Interior of Saint Peter's. Artist: Hubert Robert (French, Paris 1733-1808 Paris). Dimensions: 16 3/16 x 12 5/8 in. (41.1 x 32.1 cm). Date: ca. 1758.In this ink and watercolor drawing, Hubert Robert delineates the architecture of Saint Peter's where the Scala Regia connects the Vatican apartments with the Basilica. At the intersection is a niche containing Bernini's statue of Constantine the Great. Robert seems equivocal as to whether to approach the view in the spirit of fantasy or fidelity. He is at once faithful to his subject yet obviously deviant, adding his own invention to the architectural program. Museum: Metropolitan Museum of Art, New York, USA.

Feder drawing by Hubert Robert depicting a horse drinking, executed in black and reddish tones around 1760.

Theater decorors of the new Amsterdam Schouwburg, 1775-1777; Scenic decor: shabby living. The coulisecor's shabby living, with a scene from: the virtuous poverty. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Chartres , Cathedrals, Sculpture, Cathédrale de Chartres. Sir David Young Cameron (1865-1945). Prints

A copper engraving from 1577 by Cherubino Alberti depicting the Lybian Sibyl and the Prophet Daniel, highlighting biblical figures and composition.

. Theater performance in the new Amsterdam Schouwburg with the Coulis Decoration the contemporary bugerkamer, with scene from the crushed silly juffer, or the attorney poetry. The decor printed from a separate plate within a renovated passe-partout with the room, side logs, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Interior of a Temple, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)

Dickens tomb is in the south transept of the Poets' Corner at Westminster Abbey in London, England, and is marked by a small stone inscription (area pictured here).This was per Dickens' wish and he wrote in his will: that my name be inscribed in plain English letters on my tomb... I rest my claims to the remembrance of my country upon my published works. Charles Dickens died June 9, 1870, and was buried at the Abbey on June 14. Charles Dickens (1812-1870) was an English writer and social critic, and considered by some the best novelist of the Victorian era. Some of his best-known works are David Copperfield, A Christmas Carol, A Tale of Two Cities. This illustration by John Saddler is from the 1874 edition of The Life of Charles Dickens Vol III 1852-1870 by John Forster. Saddler, an English line engraver (died 1892), based it on a watercolor by English Victorian painter Luke Fields (died 1927).

Print made by Henry Martens, 1828-1854, Theatre Royal Italian, Salon, dans l'Opera "Othello" par Mr. Ferri. Aquatint and etching.

A dormitory where figures in sleeping clothes lie in beds arranged along the wall. In the foreground are two dogs. Print marked upper right: Tom. ii. pg. 257., Dormitory, print maker: Jacob Folkema, (mentioned on object), 1702 - 1767, paper, etching, h 166 mm × w 108 mm

Design of trompe l'oeil - wainscot in gallery from the side of the garden, above the door, a medallion featuring the Three Graces.. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Holland, 18th century. Theatre performance at Amsterdam in 1786: the stage. Engraving.

SOIREE OF THE SUBURBAN ARTISAN SCHOOLS, IN THE FLAXMAN HALL, UNIVERSITY COLLEGE, 1852

Jean Lepautre, Fireplaces and Other Interior Decorations Fireplaces and Other Interior Decorations

The masked ball - parties given to the king ..., 1782 Jean-Michel Moreau (1741-1814) after P.L Moreau. "The masked ball - parties given to the king ..., 1782". Etching.

Figures in an Imaginary Architectural Interior. Artist: Pierre Moreau (French, 1722-1798 Paris). Dimensions: sheet: 2 5/8 x 3 7/8 in. (6.6 x 9.8 cm). Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Interior of a sepulchral pyramid, depicting a scene from the tragic ballet 'Psammi,' designed for the I. R. Teatro alla Scala by Salvatore Viganò in the autumn of 1822. Created by A. Sanquirico and engraved by G. Alluisetti. Additional titles include 'Psammi, re d'Egitto' and 'Raccolta di varie decorazioni sceniche inventate ed eseguite per il I. R. Teatro alla Scala di Milano da Alessandro Sanquirico.' Published in 1822 by Antonio Bossi Editore in Milan

Verkiai. Dining Room. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Benoist, Philippe (1813-ca 1905), graphic artist, Sadovnikov, Vasilij Semënovič (1800-1879), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Built -in right -old well, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 Rectangular well, built into the partition wall between a courtyard and a garden. The Aker hangs on a lifting device with two chain wheels. The print is part of an album. Antwerp paper etching Rectangular well, built into the partition wall between a courtyard and a garden. The Aker hangs on a lifting device with two chain wheels. The print is part of an album. Antwerp paper etching

Study for Court of King's Bench, Westminster Hall, from Microcosm of London 1807-1808 England. Pen and brown ink over graphite, on tan wove paper . Augustus Charles Pugin

Trêveszaal with meeting of the States General, ca. 1730, 1730 - 1736 print Face in the Trêveszaal where a meeting of the States General takes place, ca. 1730. On the walls paintings with portraits of the princes of Orange from Willem I to Willem III and various allegorical representations. In the caption De Legenda A-L. paper etching / engraving Lower House, Parliament, Chamber Trêveszaal. The Hague

A reconstruction at the Victoria and Albert Museum of Marie Antoinette's Boudoir. Date: 18th century

George Cuitt the Younger, Riveaux, 1825 Riveaux

Plate XII: Caesares, from 'Descriptio Publicae Gratulationis Spectaculorum et Ludorum, in Advent Sereniss'. Artist: Peeter van der Borcht (Netherlandish, Mechelen ca. 1545-1608 Antwerp). Author: Johannes Bochius. Dimensions: Sheet: 9 5/8 × 14 3/4 in. (24.4 × 37.4 cm)Plate: 7 7/8 × 12 13/16 in. (20 × 32.6 cm). Published in: Antwerp: Officina Plantaniana. Publisher: Johannes Moretus. Date: 1595.Entry of Ernest, Archduke of Austria, into Antwerp, July 18, 1594. Museum: Metropolitan Museum of Art, New York, USA.

Sepulchral Monument of the Last Three Stuarts, Pencil, pen, wash, Chinese ink, A sarcophagus stands on top of a sepulchral chamber. James sites on a chair upon the sarcophagus, Henry is seated in front of its left hand corner. Two mourning genii hold the coat-of-arms in a crowned wreath, at the front of the sarcophagus. The setting is similar to 1901-39-2509 with framing lines., Italy and France, 1788-1793, Drawing, Drawing

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae Architecturae formae, Oval architectural perspective views for intarsia, Open hall with tunnel vault and fountain in the foreground, Open hall with a tunnel vault. A fountain in the foreground. This print is part of an album., print, prent, albumblad, prints, prenten, height 161 mm, width 217 mm, print maker, prentmaker, 1560 - 1562, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1527 - 1607, after a design by, Publication (Event), Publicatie, 1571 - 1633, publisher

After returning from several years spent in Italy, the French printmaker George-Francois Blondel settled in London in order to take advantage of the English taste for images of Italian sites. This is one of a series of eight prints he published in 1766 depicting imagined and real Italian interiors. Using the relatively new technique of mezzotint, which creates velvety, dark tonal areas, as well as low vantage points, Blondel created towering, awe-inspiring spaces. For special patrons, he printed the plates in sepia ink, rather than in black; the CMAs set includes two of these unusual sepia impressions. A View of the Vestibule of St. Mary at Rome, 1766. Georges Francois Blondel (French, 1730-1800). Mezzotint printed in sepia; platemark: 56.5 x 40.5 cm (22 1/4 x 15 15/16 in.); sheet: 64.9 x 53.2 cm (25 9/16 x 20 15/16 in.).

Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults. Artist: Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: 6 3/16 x 4 5/16in. (15.7 x 11cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

William Cavell, Design for the 1639 Altarpiece in Exeter Cathedral, undated. Pen and black ink, gray wash, watercolor on moderately textured, medium, white laid paper.

Decoration ordered by Cardinal de Retz in the Church of San Luigi, Rome, for the Saint's Feast Day. Artist: Dominique Barrière (French, Marseille 1610-1678). Dimensions: Sheet: 25 13/16 x 17 5/16 in. (65.5 x 44 cm). Date: 1665. Museum: Metropolitan Museum of Art, New York, USA.

Face in the hall of the city hall in Nijmegen. Draughtsman: Johannes Franciscus Christ. Dating: 1834. Measurements: h 330 mm × w 226 mm. Museum: Rijksmuseum, Amsterdam.

Krüger Lothar (1846-1917), fountain wall. Monthly competition May 1874 (05.1874): floor plan, ancestry front view; Scale bar. Tusche watercolor on the box, 58.6 x 47 cm (including scan edges) Krüger Lothar (1845-1917): Brunnenwand. Monatskonkurrenz Mai 1874

Square well with batter, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 A square at the end of a canal with a square well. The well and the left -handed basin are decorated with batter. The print is part of an album. Antwerp paper etching A square at the end of a canal with a square well. The well and the left -handed basin are decorated with batter. The print is part of an album. Antwerp paper etching

Georges Reverdy (aka Giorgio Reverdino) (French, active ca. 1529 - ca. 1557). Adoration of the Shepherds, 16th century. Engraving.

Ink and feather drawing by Carl Schütz, one of twelve pieces representing architectural elements for theatrical decorations, 1780-1800.

Drawing, Large Salon with Organ; Unknown (English); watercolor and gouache over graphite on white wove paper; Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 x 23 3/4 x 1 in.) Sheet: 29.1 x 43.1 cm (11 7/16 x 16 15/16 in.); Thaw Collection; 2007-27-12

Victor Jean Nicolle drawing of a ruined structure, executed with pen in brown and watercolor.

Louis XV (King of France), France, Paris, Daumont, Jean-François, La gallerie du Cardinal Colone a Rome, View of the gallery of the Palazzo Colonna in Rome, print, optic print, prints, optic prints, height 276 mm, width 395 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, watercolor (paint), watercolour, etching, etchings, brush, print maker, printmaker, 1710-02-15 - 1774-05-10, granter of privilege

Decor project for homeland, Opera from �mile Paladilhe, created December 20, 1886 at Garnier Palace (ACT III) Philippe Chaperon (1823-1907). Decor project for homeland, Emile Opera Paladilhe, created on December 20, 1886 at Garnier Palace (Act III). Gouache.

Ceiling project for historical theater, created in 1847 Boulevard du Temple. (Dummy title)

Feather and watercolor drawing by Francesco Pannini depicting the right side aisle of St. Peter's Basilica in Rome.

PISA. Galleria est (camposanto) Piza. Camposanto - view of the gallery Up; around 1870-around 1895 (1870-00-00-1900-00-00);

Board Room of the Admiralty (Microcosm of London, plate 3). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Hill (American (born England), London 1770-1850 Clarksville, New York). Dimensions: Sheet: 9 3/4 × 11 1/2 in. (24.8 × 29.2 cm)Plate: 9 1/2 × 11 1/4 in. (24.2 × 28.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: January 1, 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint by John Hill.

France, Paris, Daumont, Jean-François, View of the interior of St. Martin de Londres, View of the interior of the church of Saint Martin-in-the-Fields in London, print, optic print, prints, optic prints, height 299 mm, width 439 mm, Publication (Event), Publication, French - 1775, publisher, 1745 - 1775, paper, papier, cardboard, prepared paper, watercolor (paint), watercolour, deck paint, etching, brush, schilder, cutting, haken, perforating, perforateren, print maker, prentmaker

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