Architectural Decoration Studies

Drawings showcasing decorative architectural elements, featuring intricate floral designs and structural details.

Design for an interior, Design for wall with double doors of a mailboat, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, pen, brush, h 282 mm × w 458 mm

Drawing, Decoration of a Dado; France & Italy; black chalk, pen and ink, brush and watercolor on paper

Titian grave monument in the Basilica di Santa Maria Gloriosa dei Frari in Venice ..

Chalk drawing by Baron Jean Nicolas Jadot showing a longitudinal section against the west of the large and small Redout rooms with Salettl in the Hofburg Redoutensa altract, pink-laved, 1744.

Design for a Ceiling Decoration 1709-20 Donato Giuseppe Frisoni Italian. Design for a Ceiling Decoration 365386

Design for an interior, Design for wall with double doors of a mailboat, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, pen, brush, h 282 mm × w 458 mm

Design drawing for a room wall with fireplace, 1760 - 1819 drawing A strip of paper is stuck above the fireplace with an alternative design that can be folded up. Drawing is part of an album. paper. pencil. paint (coating) pen / brush wall-covering. (decorated) ceiling. chimney-piece, mantelpiece

Design for a Façade, Benedykt Renard, Polish, 1680 - 1726, Graphite, brush and bistre on paper, The upper part of three windows, three bull eyes and a triangular pediment are shown. Two winged genii support a coat-of-arms. Verso: parts of architectural plans., Italy, ca. 1710, architecture, Drawing, Drawing

Design for a Piano with an Owl 19th century Anonymous, French, 19th century French. Design for a Piano with an Owl 392326

Print, Designs for Iron Balconies; Designed by Moreau; Print Maker: Jean Pelletier (French, born ca. 1736); Published by Louis-Joseph Mondhare (French, 1734-1799); France; engraving on paper; Sheet: 24.8 x 40 cm (9 3/4 x 15 3/4 in.)

Designs for Furniture 1800-1900 Anonymous, Italian, 19th century Italian. Designs for Furniture 390419

Two Designs for the Decoration of Barrel Tang Surrounds of a Firearm ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Two Designs for the Decoration of Barrel Tang Surrounds of a Firearm. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Stage Set Design: Left Half of Elaborate Baroque-Rococo Style Proscenium Opening. Verso: Several Sketches of Name Plaques and Wreaths, framed by Swags, with names "Verdi" and "Aida.". Artist: Salvador Alarma Tastás (Spanish, Barcelona, 1870-1941). Dimensions: sheet: 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm). Date: 1870-1941. Museum: Metropolitan Museum of Art, New York, USA.

A pencil sketch sheet by Rudolf Weyr with multiple figure and object studies, highlighting proportion, posture, and compositional layout.

Designs for Fireplace Iron, Mantle Candlesticks and a Clock. Artist: Anonymous, French, 19th century. Dimensions: sheet: 10 11/16 x 9 in. (27.1 x 22.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Wall Design including an Equestrienne Portrait 19th century Anonymous, British, 19th century British. Wall Design including an Equestrienne Portrait 386501

Drawing, Design for a Fountain; France & Italy; graphite, pen and ink, brush and bistre on paper

Four decorative motifs. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 11 3/8 x 7 3/16 in. (28.9 x 18.3 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

Design of a Sepulchral Monument for a Cloister, Carlo Marchionni, Italian, 1702-1786, Graphite on laid paper, A frame in architectural forms, with alternative suggestions. Three embedded columns upon high pedestals are supporting a pediment, in whose center a circle or an oval with a crown on top is intended as place for the coat of arms. Above a base, joining the pedestals is a sarcophagus, upon which two putti are supporting a medallion with a portrait., Italy, ca. 1745, ornament, Drawing, Drawing

Landscape View seen through Arcade - One of 91 Sketches of France, Italy & Greece James Giles (Aberdeen, Scotland, 1801 - 1870) 1825 Sketchbook

This pencil draft by Emerich Alexius Swoboda shows a preliminary monument design emphasizing form, perspective, and the integration of sculptural details.

Print, Fan leaves, Eighth and ninth plates of the set, "Divers Desseins de grands Eventails, Encrans, et autres Ornamens, inventés et gravés par Nicolas Loire"; Engraved by Alexis Loir; After Nicolas Loir (French, 1624 - 1679); France; etching, engraving on laid paper; 35.1 x 43.2 cm (13 13/16 in. x 17 in.); 1944-16-11-2

Print (France); Designed by Nicolas Pineau (French, 1684-1754)

Wall Paper. Dated: 1937. Dimensions: overall: 40.8 x 30.6 cm (16 1/16 x 12 1/16 in.) Original IAD Object: 20" repeat. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Acampora.

Photo production of the Fresco The return of S. Ranieri in Pisa to Antonio Veneziano in the Camposanto in Pisa, Italy, Fratelli Alinari, after Antonio Veneziano, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Campaign

Cabinet Design with Central Shelves. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 13/16 x 5 1/8 in. (12.2 x 13 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Jewish Ossuary James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink on paper mounted on board, Sheet: 5 1/8 x 7 9/16 in. (13 x 19.2 cm). European Art 1886-1887 or 1889

Design for the Prow of the Gallery of Pope Urban VIII with the Barberini Arms of Bees and Sun, Ignudi, Tritons, Hippocamps, Putti and an Allegory of Victory as the Figurehead Below the Letters VRBA Intertwined with Putti. Alessandro Algardi (1598-1654). Black lead, pen and brown ink. 21.6 x 41cm.

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Design for a room decoration: a panel with attributes by Jupiter, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. ink. pencil pen / brush (other) ornaments derived from objects. attributes of Jupiter

Italian Sketchbook: Architectural Details and Figures (page 199), 1898-1899. Maurice Prendergast (American, 1858-1924). Pencil; sheet: 16.7 x 10.8 cm (6 9/16 x 4 1/4 in.).

Paul Ward, Detail of Sofa, c 1936 Detail of Sofa

Alinari, Fratelli, 277, illegible ROMA, Antique sarcophagus depicting lovers of Diana, Museo Capitolino in Rome, back top right, ROMA - Museo Capitolino. Sarcofago rappresentante gli Amori di Diana con Endimidne . (Scultura Antica)., photograph, foto, foto's, VOSMAER, height 194 mm, width 249 mm, Italian, photographer, 1850 - 1890, third quarter 19th century, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, albumen print, Publication (Event), Publication, publisher

Cologne (Germany). Gothic building with alcoves - fragment. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Sculpture gallery in the Salle des Antiques, seen to the Venus van Milo, Musée du Louvre, Paris, 1853 - 1863 stereograph Paris paper. cardboard albumen print gallery of sculptures Louvre Museum

Designs for an overdoor with a papal escutcheon, Pen and brown ink, brush and brown wash, Horizontal rectangle. Left row: Above: below is the upper part of the doorframe, in rustic. It is bordered above by moldings, upon which stands an oblong panel for an inscription. Above it stands a base with a couch, in which the escutcheon is supprted by two angels. Below: a slightly obliquely shown attic, pediment with the escutcheon below the half circular part of the rim. Right row: like the upper design at left, without the tablet and the doorframe. Below: like the design at left the pediment standing upon a pedestal. Colored background., Italy, ca. 1790, architecture, Drawing, Drawing

Ceiling with sunken rectangle and bustes, Anonymous, After Daniël Marot (I), After 1703 - Before 1800 print The rectangle has bent corners. Passionate copy to sheet from the Nouveau Liure De Placfond series published by Daniel Marot. Netherlands (possibly) paper etching

Figure of saint under a edict Guillaume Boichot (1735-1814). Figure of saint under a edicule. Feather and ink of China, lead mine on broken white paper, 1735-1814.

Project for a Painted Ceiling, Black chalk, pen and ink, brush and watercolor, bistre on paper, A coffered arch rises obliquely from a parapet. A kneeling merman supports a bracket under a pediment in the corner. Clouded sky at right., Italy, 1750-1800, interiors, Drawing, Drawing

Woman with a Water, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink on paper, At left, a woman holding a water jug on her right shoulder, holding a child with her left hand. At right, a building., Italy, 1635-1650, figures, Drawing, Drawing

Facade and entrance to a building, c. 1783 - c. 1797 Pages 135 and 136 from a sketchbook with 175 pages. paper. pencil. watercolor (paint) brush Pages 135 and 136 from a sketchbook with 175 pages. paper. pencil. watercolor (paint) brush

Print, Decoration d'une Porte double à placards.; Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Print, Design for a Table; Designed by Thomas Laine; Print Maker: J.J. Balechor (1716 - 1764); Published by Claude Niquet (French, active ca. 1769 - after 1831), Dubois (French, active ca. 1769); France; etching on laid paper

Diptych of Ivory with performances from the New Testament, from the Sint-Martinskerk in Genoelijderderen, drawn up at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, Joseph Maes, 1864 photograph Mechelen photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ bone, ivory ~ arts). Christ. the Annunciation: Mary sitting Mechelen

Print (France)

Fragment of an interior with a Baroque altar and arcade - from the Pomeranian cycle. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Chair of chairlbar, Carl von Hasenauer -, draft

Ceiling Design. Artist: Anonymous, British, 19th century. Date: late 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Marble Tomb of King Don Juan II in the Chartreuse of Miraflores near Burgos. Nicolaas Henneman (British, 1813 - 1893)

GSELL-Laurent workshop. Album n ° 3; stained glass project; 3 spans window: Christ and the apostles, pontifical weapons. Pencil. Paris, Carnavalet museum. Album n ° 3, apotre, pontifical weapon, Catholic, Christian, pencil, Christ, son God, Fenetre, project, travee, three, stained glass

Sketch studies of the Hofarkaden at San Carlo all Quattro Fontane, Rome, by Francesco Borromini, drawn on fine paper with pen, graphite labeling and brown spring sketches, 1636-1670.

Cast Iron Gate. Dated: c. 1936. Dimensions: overall: 30.5 x 22.9 cm (12 x 9 in.). Medium: pen and ink and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Ray Price.

Print (France)

Woodcut from Dürers workshop showing the C1 right base side portal of the honorary gate for Emperor Maximilian I, created on pear wood in 1515.

Designs for Stage Set: Three Pavillions in Background with "Oriental" (Ogival) Cupolas with Two Small Fountains between Them. in Foreground, a large Fountain with Dolphins Surmounted by Neptune. 1696-1756 Workshop of Giuseppe Galli Bibiena Italian. Designs for Stage Set: Three Pavillions in Background with "Oriental" (Ogival) Cupolas with Two Small Fountains between Them. in Foreground, a large Fountain with Dolphins Surmounted by Neptune. 344501

Sculpture gallery in the Salle du Gladiator, Musée du Louvre, Paris, 1853 - 1863 stereograph Paris paper. cardboard albumen print gallery of sculptures Louvre Museum

Print, Designs for Two Frames; France; etching on laid paper

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Photo production of a design of the fountain of the Pythia, under the stairs of the Opéra Garnier, Paris, Anonymous, 1875 tissue stereograph Paris cardboard. paper albumen print / perforating foyer ~ theatre, etc.. opera house Paris Opera

Carnavalet museum, history of Paris.

'Drawing of the Cup that was Presented to the Crew of the 'In Commemoration of Azov' Ship'. Album "The Gold Book of Lorraine". France, 1893 (). Dimensions: 29,5x44 cm. Museum: State Hermitage, St. Petersburg. Author: J. Elardin.

Coat of arms of Pope Pius VI, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, Upon a broad base rises a pedestal in the center, with the coat of arms of the pope in a wreath at the front. On top the keys and the tiara. At left, upon the base, sits a winged female genius, blowing the trumpet. At right is a sketch: two winged figures standing upon a base support a drapery and the two crossed keys. On top the tiara. Usual background., Rome, Italy, ca. 1786, graphic design, Drawing, Drawing

Lazio Roma Albano Laziale Museo Civico Archeologico - Sala Ricevimenti1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Illumination of the Theater in The Hague for the Peace of Aachen, 1749, Iven Besoet, After Pieter de Swart, 1749 print Illumination of the Great Theater Founded in the Hofvijver in The Hague on 11 June 1749 in honor of the Peace of Aachen closed in 1748. At the top right a cartouche with the assignment to the Prince of Orange, in the top left of the Prince's weapon. The print includes a text sheet with a description of the theater. print maker: Northern Netherlandsafter drawing by: The Haguepublisher: The Hague paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities). plan ~ architecture Hofvijver

Rest of old age, by precaution and love, Antoon Derkinderen, 1869 - 1925 drawing Design for the wall painting in the building of the General Society of Life Insurance and Annuity in Amsterdam: the peace of the old age, through precaution and love. paper. pencil. watercolor (paint) brush care of the aged. warming oneself at a fire (or hearth, stove, fire-pan, brazier)

At left: the half of a mantelpiece with a gaine with a female bust supporting the frieze of the entablature. The frieze is divided into panels, the central one being framed by the same molding as the opening. Center: the elevation of the tripartite entrance to an alcove, the two lateral ones being closed by curtains. On top of the central one stands a bust. At right: the left half of a mantelpiece, with a console supporting the entablature. The lateral pilaster strip is decorated by a branch. Below in the center are two sketches similar to the upper one. Colored background. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-whtie laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

New Modelbüch (Page 39r) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 39r) 680928

Altar Mensa for the Capella Paolina (Borghese Chapel), Santa Maria Maggiore, Rome, Italy, Mario Asprucci The Younger, Italian, 1764 - 1804, Pen and black ink, brush and watercolor over black chalk on paper, Design for an altar mensa intended to be executed in colored marbles and gilded ornaments. At the lateral pilasters is the coat of arms of a Prince Borghese, united with that of his wife, a Colonna. The front of the sarcophagus is supported by balusters, the upper parts of which are in front of the sarcophagus. Above the balusters, a lion mask with handles. In the middle is an oval of palm branches with a cross. The alternative suggestions refer only to different coloring. The letter 'M' is written in the low head piece, 'G' in the entablature of the mensa. Three steps. The altar stands in front of the central part of the base of a kind of retable, executed in marble and gilded parts. The retable is marked several times 'O,' as it is twice in the space of the wall, besides one 'N.'

Klingholz Fritz (1861-1921), memorial leaf (without date): Views (variant for Inv.No. 19683/84/85/87). Tusche, pencil watercolored, gold heighted on transparent, 23.8 x 31.5 cm (including scan edges) Klingholz Fritz (1861-1921): Gedenkblatt

RVD / Royal House photo collection. Palace on Dam Square in Amsterdam. Different interior recordings. 1976. Amsterdam, Noord-Holland

Allegory on gold mining by the West India Company, with Mercury and the coat of arms of William IV, Prince of Orange and Nassau, in an ornamental frame with tropical fruits and plants, Lid of a gold box with allegory on the gold mining., draughtsman: François Thuret, 1752, parchment (animal material), brush, h 205 mm × w 260 mm

Design for a stained glass window with flowers, fruits and snails, anonymous, in or after 1907 - 1930 drawing Amsterdam paper. ink. watercolor (paint) pen / brush foliage, tendrils, branches ~ ornament. foliage, tendrils, branches ~ ornament

Campania Caserta Sessa Aurunca S. Pietro (Duomo)95. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Album n � 4; Vitrail project for Versailles (Eveche): Decor of ringer on a blue background, at the Medaillon Center with Episode of the Life of Christ Gsell-Laurent workshop. Album n � 4; Vitrail project for Versailles (Vecheche): Decor of ringer on a blue background, at the medallion center with episode of the life of Christ. Pencil, watercolor, photographs.

Ignudo, after a ceiling fresco in the Sala di Ulisse, Palazzo Poggi,Bologna. Artist: Lodovico Carracci, Italian, 1555-1619 After: Pellegrino Tibaldi, Italian, 1527-1596

Print (France); Designed by Jean Le Pautre (French, 1618-1682); 1944-36-7

Three designs for edge decoration of a wall decoration, Three designs for edge decoration, draughtsman: Abraham Meertens, 1767 - 1823, paper, brush, h 415 mm × w 272 mm

Fragment tezy Andrzeja Kuropatnickiego (górna część kompozycji z Janem III na koniu). Kilian, Bartholomäus, II (1630-1696), graphic artist, Lublinski, Martin Anton (1636-1690), draughtsman, cartoonist

Sketchbook, Preziosi, Amadeo, 1816-1882, pencil, gray wash, white heightening, 1875, The sketchbook by Maltese artist Preziosi comprises drawings of sites and cultural monuments in Paris, Versailles, Saint-Cloud, Fontainebleau, Marseilles, Messina, and London, with views of Trafalgar Square, St. Paul's Cathedral, Hampton Court, Westminster Abbey, and the British Museum.

'Agate Pavilion at Tsarskoye Selo. Design of a Bed-Chamber'. Russia, Early 1780s. Dimensions: 423x660 mm. Museum: State Hermitage, St. Petersburg. Author: CHARLES CAMERON.

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Nuremberg, Lichtensteger, Georg, Johann Jacob Schüblers Zwölffte Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet were Neu-inventirte Confessioneaux oder Beicht-Stühle, Confessional with monk, verso - stamped, An ornamented confessional, crowned with a cross. A monk hears the confession of a bearded man on the right. In the bottom margin a three-line German text., print, ornamental print, prints, ornamental prints, height 296 mm, width 179 mm, 1700 - 1781-03-18, print maker, printmaker, 1724 - 1724, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

Antique Fragments In the Capital, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)

Tomb of Nicolas Flamelle 19 Claude-Louis Bernier (1755-1830). Tomb of Nicolas Flamelle 19. Black stone on layer. 1786.

James Lambert of Lewes, 1725-1788, British, The Monument of Thomas Fiennes, undated. Graphite, pen and black ink, watercolor within triple-ruled pen and wash border on moderately thick, moderately textured, cream laid paper.

Design for a Mirrored Three Sectioned Marble-topped Cabinet and Two Chairs early 19th century Anonymous, British, 19th century British. Design for a Mirrored Three Sectioned Marble-topped Cabinet and Two Chairs 386911

Print, Arabesque Ornament Design; Designed by Charles Pierre Joseph Normand (French, 1765 - 1840); Published by François-Étienne Joubert; France; etching on laid paper

Design for Painted Wall Paneling, Deepdene, Dorking, Surrey 1875-79 Jules-Edmond-Charles Lachaise French. Design for Painted Wall Paneling, Deepdene, Dorking, Surrey. Jules-Edmond-Charles Lachaise (French, died 1897). 1875-79. Watercolor and gouache

Neckelmann Skjold (1854-1903), Nymphenfries (without Dat.): Views. Tusche watercolor on paper, 30 x 48.6 cm (including scan edges) Neckelmann Skjold (1854-1903): Nymphenfries

Ornament ca. 1880 Richardson Ellson & Co.. Ornament 386687

Neues Reich. Dynastie XIX. XX. a - c. Pyramidenfeld von Saqâra Saqqârah, Grab 27; d. Stele aus Saqâra Saqqârah, Grab 28; e. Gräber der Prinzessinnen No. 2. a. b. zum Theil im K. Museum zu Berlin.. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Memphis (Extinct city), Funeral rites & ceremonies , Egypt, Stelae, Egypt , Court and courtiers, Königliche Museen zu Berlin, Gods , Egyptian

"Dresser," table center piece for the Altieri family. Date: 1790-1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Marie Famularo, Mirror, c 1937 Mirror

Print, Border Design with Cross-Section; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Pierre-Gabriel Berthault (French, 1737-1831); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Possible cast of a Corinthian capital, Anonymous, 1850 - 1900 photograph photographic support. cardboard albumen print capital (~ column, pillar). Corinthian order ~ architecture

Detail of Scrolled Acanthus Molding, Sir John Soane, 1753-1837, British, ca. 1779, Gray wash, pen, black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 3 5/8 x 11 inches (9.2 x 27.9 cm), acanthus, architectural subject, festoons, flowers (plants), molding

Ornament with mascaron and toortsen, 1727 print Amsterdam paper etching / engraving mask, mascaron ~ ornament. torch

Print (France)

Bound Print (France)

Drawing, Mantlepiece design; Designed by Gustav Von Rehn; 1944-25-2

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