Architectural Design Artworks

Detailed designs and drawings of fountains and altars featuring intricate ornamentation and classical elements, highlighting Baroque and Rococo styles.

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort aan de haven, Erepoort aan de haven, 1751, Double folded sheet. Numbered top right: 4. The triumphal arch placed at the harbour. On the arch Neptune in his chariots, with statues of Navigation and Commerce. Part of the illustrations of the festive inauguration of stadtholder William IV as Margrave of Veere on 1 June 1751., print, prent, prints, prenten, height 374 mm, width 231 mm, height 415 mm, width 520 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, prentmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

Drawing, Wall Fountain; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, brush and gray wash on laid paper; 33.5 x 25.9 cm (13 3/16 x 10 3/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for a chimney with Victoria, Anonymous, Gerrit de Grendel, 1708 - 1756 print Design for a chimney with a representation of Victoria, the winged victory, which is on a drum, weaponry and prisoners of war. The chimney mantle is decorated with leaf ornaments. In the middle of a scale. Print number 203. after design by: Middelburgpublisher: Augsburg paper engraving Chimney. 'Victoria'; 'Vittoria', 'Naval victory', 'Victory of antiqui' (Ripa). Ornaments ~ Art

Design for a Monumental Altar, Plate 'p' from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for a monumental altar. The altar is still Baroque in its overall structure but the pediment is decorated with some rocaille ornaments and floral garlands. Five cherubs are seated on the pediment. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate 'p' from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg) ()

Design for a chimney with Victoria; Nüü inventive Camine. Design for a chimney with a performance of Victoria, the winged victory, which goes on a drum, weapon and prisoners of war. The mantelpiece is decorated with leaf ornaments. In the middle of a scale. Print number 203.

Savoy; La Savoye; F Vases and Hautur; Nouvelle Iconology Historique Ou Attributs Hierogliphyques (...). An ornamented vase with garlands and a medallion with women's portrait and profil. Byond this a rectangular table with the papal tiara, a cross, a crown with sword, masks, a hand with and branch and a medallion with dog and sheep. Print number 36.

Graf Monument, Johann Esaias Nilson, 1731 - 1788 print Design for a burial monument with rocaille cartouche, garlands and a skull with laurel wreath and hose with apple. Left and right are winged putti with coats of arms. Publishing number XXXII. Augsburg paper etching / engraving serious, tomb. ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Trots in Tirannie, Jean Charles Delafosse, 1768 - 1771 print A designer-de-port with leaf motifs, flares, a trumpet and a round medallion with peacocks. Below that a designer-de-porte with a vase, lambs, crowns, swords and a round medallion with a chalice with coins and a snake. Print number 90b. Paris paper etching / engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins. dictatorial government, tyranny; 'Tirannide' (Ripa)

...... / The house where De Groot de Blommist / lives 1854

Detached square water well, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 Detached square water well. On the corners there are Overhoeks Zuilen. There are basins between these columns and the well. On the shelter, crowned by a pavilion, there are four obelisks, four children and two women with horns of abundance. The print is part of an album. Antwerp paper etching Detached square water well. On the corners there are Overhoeks Zuilen. There are basins between these columns and the well. On the shelter, crowned by a pavilion, there are four obelisks, four children and two women with horns of abundance. The print is part of an album. Antwerp paper etching

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort aan de haven, Erepoort aan de haven, 1751, Double folded sheet. Numbered top right: 4. The triumphal arch placed at the harbour. On the arch Neptune in his chariots, with statues of Navigation and Commerce. Part of the illustrations of the festive inauguration of stadtholder William IV as Margrave of Veere on 1 June 1751., print, prent, prints, prenten, height 374 mm, width 231 mm, height 415 mm, width 520 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, prentmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

Underbias; Verschyde mantels chimney. Above the tablet of the chimney attempt is a frieze with playing children, above that an oval medallion with a sculptor hangs, assisted by Cupido, a picture of Venus.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, D Portes, Siam et la Religion. Livre Sixieme., Siam (Thailand), verso - stamped, An ornamented door with a goat's head, a sword, a snake and a book with drawings. On the right a rectangular frame with a landscape by the sea, a crown with two swords, a burning heart, a turtle and a caduceus. Print number 57., print, ornamental print, prints, ornamental prints, height 378 mm, width 229 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Design for a chimney with Minerva; Nüü inventive Camine. Design for a chimney with a representation of Minerva, troning on a cloud surrounded by flags and with an eternity symbol in hand. A clock in the middle of the mantelpiece. Candles on either side. In the middle of a scale. Print number 202.

Wall Cabinet with broken fronton, Anonymous, After Crispijn van de Passe (II), 1642 With a variant for the right side. Amor is at the top of the left. Amsterdam paper engraving

Grafmonument, Jean Lepautre, c. 1651 print Triumphal arch with two pairs of linked, sunken Corinthian columns; On the main frame is a box on which a man lies. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Imperial court, Augsburg, Merz, Johann Georg, Middelburg, Grendel, Gerrit de, Neu inventirte Hollaendische Camine, Anderer Theil, Nouveau Livre de Chéminees Hollandoises, Second Livre, series T, Design for a chimney with a representation of a sacrifice, verso - stamped, Design for a chimney with a representation of several figures at a sacrificial column. Possibly the sacrifice of Iphigenia. The mantelpiece is decorated with rocaille ornaments and a woman's mask., print, prent, ornamental print, prints, prenten, ornamental prints, height 198 mm, width 115 mm, print maker, prentmaker, 1704 - 1762, second quarter 18th century, tweede kwart 18e eeuw, third quarter 18th century, derde kwart 18e eeuw, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1694 - 1762, publisher, uitgever van privilege

Fritzsch, Christian Friedrich, Architectural facade with illustrations of a synagogue interior, verso - stamped, Four illustrations of the interior of a synagogue, placed in decorative frames above and below an architectural facade. In the middle of the facade hangs a large white cloth, yet to be worked on by the printmaker., print, prent, prints, height 221 mm, width 169 mm, 1719 - 1774, print maker, printmaker, 1729 - 1774, paper, papier, etching, etchings, engraving, engraving (printing process)

Pendant with Victoria; Hangers. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken.; Pendeloques. Suite of 6 pieces. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Underbousa for a wall; Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces. Left is a half door visible with a top door panel. There is a mirror between the chimney attempt and the curved cornice, above it is a vase with flowers. At the top of the top, the award-winning monogram WR (William Rex) is visible. From series of 6 sheets.

Trots en tirannie; Orgueil, Tirannie; R Dessus de Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A Dessus de-porte with leaf motifs, flares, a trumpet and a round medallion with peacocks. Byond this a Dessus de-porte with a vase, lambs, crowns, swords and a round medallion with a chalice with coins and a snake. Print number 90b.

Model for Altar for Woodcarvers. Gottfried Bernhard Götz (German, 1708-1774). Engraving;

Double door with six panels; Scartaffii Overo Ornamenti. The middle panels are larger, with putti that sprout from leaf raft and holding a vase with fruit above their heads. With rebellion and plan at the bottom. From series of 6 sheets with ornamental panels and doors for rooms and alkoven.

Georgia, Mingrelia (Georgia), Cirkassia (Czechesia, Kaucasus) and Armenia, Jean Charles Delafosse, 1768 - 1771 print An ornamented door with arrow tubes, torches, medallions and a designer-de-porte with a smoking vessel with half figures. On the right a square list of a mermaid on a crocodile, masks, and burning hearts. Print number 52. Paris paper etching / engraving door. Georgia. Caucasus. Armenia

Design for a Fountain with Papal Keys, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Vertical rectangle showing an aedicule with segmented pilaster flanked by genii, one with trumpet. Above, a blank tablet topped with papal arms. Below, a fountain with two basins and a stepped base., Italy, 1750-1775, architecture, Drawing, Drawing

. The third stained glass window in the Sint-Janskerk in Gouda with the representation of the Dordrecht city law. She is in her own garden as the center of Dutch territory. Around fifteen city weapons of cities situated on the borders of the Dutch region and the surrounding provinces. Above caution, with mirror and hose, and the moderation, mixing wine with water. At the bottom of justice with sword and scales and the steadfastness with a column. These four cardinal virtues refer to the pride of Dordrecht on her virtuous governance. The city of Dordrecht was the stained glass window to the city of Gouda.

Underbias; Verschyde mantels chimney. Above the tablet of the chimney attempt is a frieze with leaf refinters, above it hangs a rectangular painting with a landscape and two lumberjacks.

Door with empty frame, Anonymous, After Jean Lepautre, 1750 - 1765 print Second edition. print maker: Netherlands (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Around Graf monument with Bas -Reliëf, Jean Marot (I), 1629 - 1716 print On top is Minerva (). From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

The frieze above the tablet of the chimney atrium is decorated with an egg moulding and leaves, above it is a burning urn surrounded by laurel branches, Lower atrium in niche Lower atriums (series title), print maker: Cornelis Danckerts (I), (possibly), Jean Lepautre, publisher: Justus Danckerts, (mentioned on object), print maker: Netherlands, (possibly), France, (possibly), publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 230 mm × w 152 mm

Honor to the port, 1751; Earlier at the harbor.The Erepoort placed at the harbor. On the Arch Neptune in his chariots, with statues of navigation and commerce. Part of the illustrations of the festive inauguration of Stadholder William IV as a Markgraaf van Veere on 1 June 1751. Numbered at the top right: 4.

Fontein puts Roof van Proserpina, Unknown, After François de Civillés (Sr.), 1745 print Design and map of a fountain with the robbery of Proserpina on the top. At the bottom a dolphin with Minerva and a standing woman on either side. after design by: GermanyMünchenParis paper etching / engraving ornamental fountain. the rape of Proserpina (by Pluto in his chariot); possibly with Diana and Minerva trying to rescue her. dolphin ~ ornament. (story of) Minerva (Pallas, Athena)

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two male figures, verso - stamped, Two male figures with a book in their hands stand left and right on an altar with rocaille ornaments. Two angels with palm branches above the pillars of the altar. The altar is closed with a cross in a quatrefoil., print, emboss, ornamental print, prints, ornamental prints, height 381 mm, width 230 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Underbooling with octagonal painting. On the chimney plate is a clock with a seated putto on both sides, at the top of two women next to a vase. At the bottom right state: n ° 12. H. 61.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Door frames, Door frame with putti and vase, verso - stamped, Door frame with rocaille ornaments, leaf motifs, two putti with garlands and a half cartouche and half vase with flowers above. Publisher's number 298., print, prent, ornamental print, prints, prenten, ornamentprenten, height 249 mm, width 190 mm, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Pyramid monument for J.B. van Bree 1857 or after G. Fock Dutch. Pyramid monument for J.B. van Bree 382866

Unterschiedlich Augspurgische Goldschmidts Arbeit, 'Hyms', Plate 4, Abraham Drentwet, 1647 - 1727, Jeremias Wolff, German, 1663-1750, Engraving, Germany, 1721-40, furniture, Print, Print

Design for a stove of ceramic or cast iron in a niche, anonymous, c. 1780 On the left a decorative edge. Germany paper. ink. graphite (mineral) pen / brush

Sarcophagus against Wand, with MAN, 1557 print Against a wall is a sarcophagus on which a man is laid out. The sarcophagus is flanked by two niches with standing figures. In the middle is a tondo with a representation of Christ on the clouds. On the sarcophagus: Vivam; In the middle of cartouche against the wall: Mors / Skeptra / Ligonibus / AE Quat. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching ornaments ~ art. grave, tomb

Erepoort op het Reguliersplein, 1816.Erepoort with the temple of love. Arch awarded the weapons of the prince and princess, including two burning hearts between garlands. Founded on the regular Square (Thorbeckeplein). Illustrations of the decorations prepared when the Prins and Princess visit from Oranje to Amsterdam on September 19, 1816.

Schouw with painted panel, Jean François de Neufforge, 1763 print An ornamented fireplace with a small panel with figures and a large painted panel with figures listening to a preaching man in a landscape. Print number 289. Paris paper etching open hearth, fire-place. panelling. picture, painting

French fireplace design from the mirror; unknown, Marot, Daniel (1661-1752; st.); around 1712 (1663-00-00-1752-00-00);French, Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Chinese, decorations, French (culture), fireplaces, ornaments, designs, vases, interiors

Drawing, Project for an altar with alternative suggestions; Italy; pencil, pen, brush, sepia and grey water color on paper

Triumphal arch from Ferdinand (front); entry from Ferdinand in Antwerp in 1635 (No 26); Arcus Ferdinandini Pars anterior. Front of the triumphal arch of Ferdinand prepared in the Lange Nieuwstraat. Central to the two Ferdinands during the Battle of Nordlingen, September 6, 1634. On top of the Gate Dawn (Aurora) as the victory (Victoria). Signature upper left: p. 99a. Leaf No. 26 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Design for a Monument for Pope Pius VI, Flaminio Innocenzi Minozzi, Italian, 1735 - 1817, Pen and brown ink, brush and brown wash over black chalk on off white laid paper, A platform, reached by a stair, supports a tall monument that has a blank tablet. Above, a vase-like sarcophagus with a portrait of the pope in a medallion, is surrounded by papal attributes: cross-staff, crozier, mitre and two angels. Lit candles in a candelabra rests on the floor., Italy, 1799, architecture, Drawing, Drawing

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort plaatsen voor de Zandyksche Poort te Vere, Erepoort bij de Zanddijkse Poort, 1751, Double-folded sheet. Numbered top right: 1. The triumphal arch placed at the Zanddijkse Poort. Part of the illustrations of the festive inauguration of stadtholder Willem IV as Margrave of Veere on 1 June 1751., print, prent, prints, prenten, height 344 mm, width 207 mm, height 408 mm, width 507 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, prentmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

Fantasy building, downwards supported by two double hermes; Flat decorations with architectural fantasies and grotesken. In the building there is a figure with a branch in hand on a pedestal. Obachi copy to an anonymous print from the Leviores et ut Videtur EXTEMPORANEAE PICTURAE Quas Grotteweschas Volgo Vocant ...

Tabernakel with lamb and the book with the seven stamps, Anonymous, After François Boucher, 1737 - 1806 print A tabernacle with Garirle and the Lamb on the book with the seven stamps with rays. Augsburg paper etching / engraving tabernacle ~ altar. the vision of the Lamb and the book with the seven seals

Deuromlijsting Met Vazen, Anonymous, after Franz Xaver Habermann, 1750 - 1760 print Door frame with rocaille ornaments, leaf motifs, two putti, a vase with flowers left and a vase above. Publishing number 298. Augsburg paper etching / engraving door. vase ~ ornament. rocaille ornament

Haeberle Ernst (1854-1898), Sebald's grave in the Sebalduskirche, Nuremberg (1884): Detailed views. Ink, pencil on cardboard, 45.4 x 36.8 cm (including scan edges)

Allegorical show with fides and follow -up, Michael Snijders, 1613 print Allegorical representation with fides and follow -up, which holds a "family tree of connected portraits and family arms in her hand. At the top two putti blowing on trumpets. Between them in some worldly and ecclesiastical crowns and headwear. The title of the book is cut out of the frame . Antwerp paper engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. (allegory on) papacy and apostolic succession. cupids: 'amores', 'amoretti', 'putti'. crown (symbol of sovereignty)

Tomb monument with putti, medallion and weapons. A grave monument with Obelisk in a semicircular niche. In the middle two putti with a reverse torch flank a medallion with a portrait. Byond this a crowned Rocaille cartouche, harnesses and weapons. There is a vase on the obelisk.

Design for a Niche With a Painting, Jean Le Pautre, French, 1618-1682, Etching on paper, A painting representing a landscape with a castle hangs in the rear of a rectangular niche. Two putti hold a cloth with an inscription., Europe, France, ca. 1660, Print, Print

Gravestone of Anthony Pieterson. Draughtsman: Gerrit Lamberts. Dating: 1786 - 1850. Measurements: h 423 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

Construction drawing of a grave monument, Teunis Jansz Croon, after Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1660 drawing paper. ink pen / brush

inscription on the grave monument Pressure cutting attached to the image

Plat decoration with a bird with spread wings on a canopy, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Opposite copy to the print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching canopy, baldachin. birds

Monument with obelisk and personifications of the cardinal virtues, Anonymous, After Jacob de Weert, 1597 print A monument with Ionian pilasters, triangular frontons, garlands, crowned coats of arms of France and Navarra, female personifications of the four cardinal virtues on the corners and an obelisk with an ornamented cross at the top. An ornamented list around the monument. The monument is placed on the spot where Jean Châtel's father was until January 1595. Châtel tried King Henry IV of France in December 1594. Paris paper engraving monument, statue. obelisk, needle. the Four Cardinal Virtues

Altar with painting, after 1634 - Before 1716 print In the middle there is a painting of the Annunciation. With rebellion and plan. From series of 6 magazines, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Graftombe of Willem I, Prince of Orange, 1623, c. 1794 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. Amsterdam paper etching grave-building, monumental tomb. interior of church. historical persons New church. Delft

Objects of cast iron, c. 1866 - c. 1900 print Various objects of iron including fences, vases, candle stands and an image. A fountain is depicted at the back. At the top left it is stated: Motifs de Decoration, at the top right: Sculpture, bottom right: N ° 12.e. 43. Liège (possibly) paper

19th century cabinet fireplace. Old 19th century engraved illustration from La Ilustración Artística 1882

Kachel in Nis, carpenter, After François de Cuvilliés (Sr.), in gold after 1745 print An ornamented stove with putti in a semicircular niche, panels on either side. Print number 75. Germany paper etching / engraving heating stove. 'concha' ~ architecture

Design for an Altar 19th century Attributed to Anonymous, German, 19th century German. Design for an Altar 383162

Grafmonument Voor Francois Lemoine, Charles François Hutin, 1764 print Graf monument for the artist Francois Lemoine. His name is on the tombstone, on which a column is an angel with trumpet and a bust of the artist. A sitting female figure on either side of the column. paper etching grave, tomb

Design by Enea Vico after Antique Paintings. Édouard Baldus (French, born Germany, 1813 - 1889)

Honor gates at the entry of Willem V in Veere (no. III), 1766, 1766 - 1767 print De Erpoort founded at De Groet Brug in Veere. At the top a representation of Willem V on the throne between six city states of Zeeland. Part of a group of 10 plates of the decorations in Veere on the occasion of the inauguration of Stadholder Willem V as Markgraaf van Veere, 28 May 1766. Numbered at the top right: No. III. Northern Netherlands paper etching / engraving triumphal arch Veere

Lucien Verbeke, Cast Iron Gate, c 1936 Cast Iron Gate

Image from the other side of a honorary gate with the weapons of Princess Wilhelmina van Pruisen and Prince Willem V, founded on the occasion of the princess's birthday, on August 7, 1788.

Design for a Monument flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The base of the monument has been left blank for the inscription. Waterfalls at either sides; trees in the background. Framing line at bottom with undecipherable scribllings., France, 1700, drawing, drawing

Dining room with image in niche; Pour Une Salle à Manger; 50th Cayer Modèles Pour des Trupeaux à l'Usage des Apartemens; Cinquième Volume, recueil élémentaire d'Architecture (...). An image of a standing figure in a semicircular niche flanked by corinthian pilasters and vases. There is a table for the niche. Above the niche a panel with figures around a smoke vessel. Print number 297.

Grave monument from Baron van Coehorn in Nis; Representation du Tombeaux de Minos Bar. d'COEHORN (...); Grave monuments. The burial monument consists of a pyramid with the coat of arms of the deceased and a trophy of flags. There is an image of the deceased on a weapent probey.

Design for a Table Clock, Richard de Lalonde, French, active 1780-96, Pen and black ink, brush and wash, graphite on white laid paper, Frontal view: A circular frame for dial, surrounded by laurel leaves, mounted on top of a fluted column draped with a garland. Structure sits on base decorated with knobs, cushion feet. Verso: Portrait of a young man, facing left, faintly seen., France, 1780, timepieces & measuring devices, Drawing, Drawing

Met Vogels, Anonymous, Johann Thomas Hauer, 1758 - 1820 print Design for a wall mirror with table, decorated with garlands, two birds and flowers. Left and right a wall with panels. Publishing number XXIV. Ravensburg paper etching / engraving mirror. birds

Design for a Monumental Altar, Plate n from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Carl Pier Ornament print with a design for an altar in a late Baroque style, with an openwork pediment in which the Holy Ghost in the form of a dove has been depicted surrounded by a cherubs. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate n from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Design for Monument, Felice Giani, Italian, 1758-1823, Graphite, pen and ink, brush and wash on paper, Measured elevation showing an architectural monument with the bust of a woman at center and Greek cross at top. Inscribed on design are the Latin letter A and the symbol for Omega. More text on monument above and below., Italy, ca. 1800, architecture, Drawing, Drawing

Elevation of a Sepulchral Monument, Pen and brown ink, graphite on off-white laid paper, Italy, 1820-1835, architecture, Drawing, Drawing

Mural painting with architectures: on the right, some buildings and figures in the countryside can be seen from a large window, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 48, 1757-1787, Naples.

Hanger met Diana, Hans Collaert (I), 1555 - 1576 print One of 9 sheets, from a series of 12. On six sheets is a figure in the niche. Three pearls hang on each pendant. print maker: Antwerp (possibly)designer: Netherlands (possibly)publisher: Netherlands (possibly) paper engraving

Funerarl Decorations for Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1312. The steps and the candelabra in the schemes of 1938-88-1309. The pedestal and the group on top are variations of 1938-88-1311, without figures sitting upon, or leaning against it. In the central panel of the front is the inscription. Above the entablature is a pedimenent edge in the usual sarcophagus cover shape., Rome, Italy, 1793, architecture, Drawing, Drawing

Met Vogels, Anonymous, after Johann Thomas Hauer, 1758 - 1820 print Design for a wall mirror with table, decorated with garlands, two birds and flowers. Left and right a wall with panels. Publishing number XXIV. Ravensburg paper etching / engraving mirror. birds

Plate 3, 'Decoration de cheminée pour un grand Apartement', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660-1742, Engraving on paper, A simple mantelpiece with voluted outline with a rectangular painting above it depicting seated Apollo with an amor. Decoration of scrollwork on upper part of the frame. Paneling flanking fireplace consists of rectangular fields in sequence without any special ornamentation. Below, profiles of molding. Inscribed, upper margin: 'Decoration d'une Cheminée sans glace, à l'usage d'une Anti-chambre'; lower right: 'Mariette excudit'; lower left: '3'., France, ca. 1727, Print, Print

'Design of a Sculptural Finishing of a Press'. France, Early 18th century. Dimensions: 36,3x22,5 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort ( ).

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two angels, Two angels with a palm branch in their hands stand on the left and right on an altar with rocaille ornaments. At the top, two angels carry a flower arrangement in a vase., print, ornament print, prints, ornament prints, height 380 mm, width 228 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Design for a Doorcase for the Center of a Façade in the Main Floor, Filippo Marchionni, Italian, 1732-1805, Graphite on laid paper, Vertical rectangle. The right side is not entirely finished. At the bottom are the pedestals of the pilaster strips and the embedded columns that support the pediment and a balustrade. The overdoor shows a decorated bracket between festoons with broken pediment. A papal escutcheon stands in the center with hanging garlands. Genii, blowing trumpets, sit upon the corners. At bottom, section of the floor frame; outlines of a sheet of paper, held by a flying figure., Rome, Italy, 1740-50, architecture, Drawing, Drawing

Titelblad: New Cheminae, after 1703 - Before 1800 print Fireplace with the series title in an oval mirror. There are two vases and a Keizersbuste for that. In the fireplace there is a firm with an English coat of arms. Left half of a door with crowned monogram wr. The serial number is below: N. 14. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces. Netherlands (possibly) paper etching

Bas -relief with the presentation of a battle, 1636 - 1647 print Bas-relief with the presentation of a struggle. Soldiers on horseback compete with each other. A few soldiers go on foot. Fully below are victims. All left and right a prisoner. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. battle, fighting in general

Elevation of a Main Altar with an Alternate Design. Artist: Anonymous, French, 16th century. Dimensions: sheet: 10 15/16 x 6 5/8 in. (27.8 x 16.9 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Console Met Masker, Jean Pelletier, After just Nathan François Boucher, 1772 - 1779 print Side and front view of a console with leaf motifs and a men's face with a beard. Below that an architecture fragment with a tablet and garlands. Print number 252. Paris paper etching / engraving other architectural details (CONSOLE). foliage ~ ornament. mask, mascaron ~ ornament. ornament ~ festoon, garland

Schouw Met putto, Anonymous, Franz Xaver Habermann, 1731 - 1775 print Rocaille fireplace with winged putto. Publishing number 58. Augsburg paper etching / engraving rocaille ornament. open hearth, fire-place. cupids: 'amores', 'amoretti', 'putti'

Design for a Candlestick, Pen and ink, brush and sepia wash, graphite on paper, Two oak boughs rise along the sides of a gaine which, standing on a calyx, forms the shaft. A garland hangs from the top of a medallion, which is fastened to the shaft, and around the boughs. Blossoms form the sockets. Two putti top the gaine, one of them shoulders a sword, the other puts a helmet on his head., France, 1770-80, lighting, Drawing, Drawing

Triomfpoort 'Dans Voetland, your father ...'; Regtspleging Van Oldenbarnevelt. Watercolor on which Erpoort with the text 'This's Fatherland, your Father Your Front Refer, Raans, Raeder killed Hof.ScaVot where Font Hy Loon by God'. According to 3 loose handwritten texts. Associated with series of watercolors in book.

Antonello da Messina.

Print, Plate in Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 25.9 x 20.8 cm (10 3/16 x 8 3/16 in.)

Subsema, Daniël Marot (I), After 1703 - Before 1800 print The chimney bosom consists of two long consoles; Above it hangs a painting with a flower vase and a bird. From series of 6 magazines. paper etching

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa2. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

PEECKS PEOPLE WE THE STEEN TLANSGETS, Johan Carl Fold, After Johanna Thomas hairsty, 1780 print Design, side view and map of an ornamented pulpit. On the Kuip two winged angel heads and clouds, above it a pigeon in rays as a symbol of the Holy Spirit on the sounding board. Bazuinen, the stone tables, clouds and jet wreaths on the crowning of the pulpit. Publishing number 40. Ravensburg paper etching / engraving pulpit, ambo, chancel. the ten commandments represented together on stone tablets

Fireplace for a wall with paintwork, after 1703 - Before 1800 print A fireplace for a wall with paintwork. On the left half of a door with Dessus-de-Porte. There is a large number of Chinese porcelain vases on the fireplace and cornice of the door. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinsces. Netherlands (possibly) paper etching

Design for Mantlepiece, from 'Cheminées a la Royalle', Pierre Lepautre, French, ca. 1660 - 1774, Etching on paper, Europe, France, 1695-1700, Print, Print

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