Architectural Design Sketches

Detailed drawings of decorative elements and architectural features, illustrating designs for room decorations and structures.

Design for room decorations with a panel with a medallion with a building, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. pencil wall-covering

Design for room decorations with a panel with a medallion with a building, Abraham Meertens, 1767 - 1823 drawing Design for a wall decoration. paper. pencil wall-covering

Two sketches of a grate and sarcophagus (uwaga tłumacza: w pl. jest karty ale z ilustracji na stronie muzeum cyfrowego wynika, że chodzi o kratę). Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Godlamp, 1857 - 1859 Leaf 75 Recto from a sketchbook with 77 sheets. paper. pencil lighting; lamps

Pencil sketches and floor plans by Emerich Alexius Swoboda showing a fountain, detailing its structure, layout, and ornamental elements.

Pencil sketch by Emerich Alexius Swoboda depicting a draft for a monument design, showing structural and compositional elements.

Set of the fireplace and pattern study of the Fouquet shop (dummy title)

Charles John Watson, The Percy Tomb, 1340, Beverley Minster, 1898, pencil on paper.

Cityscape in South Holland. Front figures. Page 16 from a sketchbook with 31 magazines manufactured in The Hague and Rotterdam.

Wall Design 18th century Workshop of Leonardo Marini Italian. Wall Design. Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730-after 1797). 18th century. Leadpoint or graphite with ruled and compass construction. Drawings

De Boog van Titus, Cornelis van Poelenburch, 1621 drawing Rome paper. graphite (mineral). chalk brush triumphal arch Titus bow

Great Torchère with dancing figures that hold lamps, c. 1870 - c. 1894 Paris tracing paper. graphite (mineral). cardboard. ink pen Chandelier, a candlestick

The Long Balcony. James McNeill Whistler; American, 1834-1903. Date: 1894. Dimensions: 204 x 158 mm (image); 319 x 222 mm (sheet). Transfer lithograph in black on cream laid Japanese vellum. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A pencil sheet by Emerich Alexius Swoboda containing multiple sketches of monuments, focusing on structure and composition.

Image of a coat of arms and other parts of the destroyed tomb of the Countess of Solms in the Kapel van Zoubalch in the Domkerk in Utrecht.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Interior Study of chimneypiece, Pen and ink, graphite, White wove, 25.5 × 17.8 cm (10 1/16 × 7in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Triumphs. Leaf 45 Recto from a sketchbook with 79 sheets.

Elevation of a Wall with Marble Pilasters, a Draped Table and Two Armchairs with Footstools. Artist: Anonymous, British, 19th century. Dimensions: sheet: 9 1/2 x 11 3/4 in. (24.2 x 29.9 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

This etching by Pietro Testa illustrates the allegorical representation of the Academy of Painting, created between 1628 and 1691. It features artists, symbols of art, and classical motifs representing painting and study.

Lehmmübner Paul (1855-1916), town hall in Duderstadt (1898): Figure details Interior of the staircase. Pencil on the box, 35.8 x 26.8 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Duderstadt

Vegetable basket, 1605 - 1678 Drawing in a course of a grid. Also studies of scales. Leaf 12 Verso from a sketchbook with 15 sheets. paper. ink. pencil pen container made of plant material other than wood: basket. vegetables. dish, plate, saucer

Clock (1461); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Klomp Johannes Franziskus (1865-1946), unaffected drawings and travel sketches (0-0): Capital and Ornament of the Magdeburg Cathedral and the Church in Kent. Light break on paper, 25.3 x 20.8 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Zeichnungen und Reiseskizzen

Design for a room painting: Perspective sketch of a garden, Dionys van Nijmegen, 1715 - 1798 drawing paper. pencil garden fountain

Drawbridge. .

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Tower with tilting and a gate, 1854 - in or after c. 1868 The gate is decorated with a sculpture of a deer. Page 30 Recto from a sketchbook with 88 sheets. paper. ink. pencil pen tower (of house or building). battlement, crenellation ~ fortified city. gate, entrance. sculpture

Facade with Arcature Louis Bicheron (born in 1819). Facade with Arcature. Lavis pencil feather on layer. 1855.

Below is an octagonal base with the monogram of the Virgin, MA, in the panel of the front. From a central support spring below above either oblique side two branchecs with candles, and above visibly the same number. On top is a ball in what seems to be a crown, upon it stands a chalice with a Host. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1789-1793. Museum: Cooper Hewitt, Smithsonian Design Museum.

A graphite drawing showing the design of a supraporte at the Hofburg, Vienna I, late 19th century.

Civil Vitrail Drawing - Tympan Fragment Prosper Lafaye (1806-1883). Civil Vitrail Drawing: Fragment of Tympan, between 1845 and 1875.

James McNeill Whistler, Staircase, 1891 Staircase

Study of architectural ornaments. (Dummy title)

Centerpiece, Giuseppe Barberi, Italian, 1746-1809, Black chalk on off-white laid paper, 'Desser,' table centerpiece, Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

Clock, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) brush Paris tracing paper. graphite (mineral) brush

Domus Aurea, unidentified, grotteschi, details (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Domus Aurea, unidentified, grotteschi, details (recto) blank (verso) 362616

Persius Reinhold (1835-1912), lantern: View. Pencil on paper, 28.4 x 17.9 cm (including scan edges)

Project for a Fountain 16th-17th century Anonymous, Italian, 16th to 17th century Italian. Project for a Fountain 389395

Two torchères with bulb lamps ..

Crowd of people sitting at Piazzetta di San Marco in Venice with a view of a fragment of the Doges Palace. Kowalski, Leon (1870-1937), draughtsman, cartoonist

Sketch of the chassis of a table, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. pencil table

Drawing, Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826); Made by Camillo Gajani (Italian); Italy; graphite, pen, and brown ink on paper; 38.9 x 33.4 cm (15 5/16 x 13 1/8 in. )

Moritz von Schwind (Austrian, 1804 - 1871), Architectural Details for a Wall Decoration with Empress Maria Theresia Embracing the Young Wolfgang Amadeus Mozart, c. 1864, pen and brown ink on ivory paper

Design for a catafalc; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Design for a catafalk. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

A pencil draft by Eugène Delacroix depicting Jacob wrestling with the angel for the murals in the Chapelle des Saints-Sang, Saint-Sulpice, Paris, 1850.

"Desser," table centerpiece. Black chalk on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

A pencil sketch by Emerich Alexius Swoboda depicting a tomb, created in 1892, emphasizing structure, form, and compositional arrangement.

Cabinet. .

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Two designs for a gardening face with fountain and garden tools in the foreground, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. ink. pencil pen garden. garden fountain

Hôtel Colbert, Windows Made 1891 United States. Transfer lithograph in black ink on ivory laid paper . James McNeill Whistler

Pencil drawing by Rudolf Weyr depicting a monument on transparent paper.

This etching by Wenzel Hollar, created between 1627 and 1677, depicts an allegorical scene titled 'La Fontaine du Plaisir', commemorating John Hellman and relating to the doctrine of the Immaculate Conception of the Virgin Mary.

Frame with flower ornaments and the weapon of Hilversum, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil flowers ~ ornament. coat of arms (as symbol of the state, etc.)

Study of architectural ornamentation of a fireplace. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Mantel clock ..

Sketches at Bourges, Arnold William Brunner, American, 1857-1925, Graphite brown paper, Left, woman in façde, leaning slightly forward. Right, details of metalwork., USA, 1883, architecture, Drawing, Drawing

The Dolphins , Buildings, Stairways, Architectural decorations & ornaments. Sir David Young Cameron (1865-1945). Prints

Diebitsch Carl von (1819-1869), draft for a memorial. () (Without dat.): Understicking floor plan scale bar. Pencil on paper, 46.5 x 29.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Entwurf für ein Mahnmal ()

Hubert Robert, Figures on a Monumental Interior Stairway (recto), probably c 1754 1765 Figures on a Monumental Interior Stairway recto

Copies after Illustrations of Statues and Paintings (recto); Measurements for a Man's Skeleton (verso) Artist's working dates 1660-1750 Flanders. Pen and brown ink, over graphite (recto and verso), on buff laid paper . Gerard de Lairesse

Interior of the Basilica of San Marco, Showing the Crossing and the Choir. Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dimensions: 11 x 7 1/2 in. (28 x 19 cm). Date: ca. 1763-68. Museum: Metropolitan Museum of Art, New York, USA.

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.5 x 10 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Grabmal auf Père Lachaise, Paris

Lange Emil (1841-1926), pavilion on the water (without date): wood-carved small wall cabinet. Pencil watercolored on paper, 30.2 x 22.3 cm (including scan edges) Lange Emil (1841-1926): Pavillon am Wasser

Hoffmann Ludwig (1852-1932), Royal Opera in Berlin-Tiergarten (1913-1914): Not yet recorded. Material/technology N.N. recorded, 71.2 x 53.9 cm (including scan edges) Hoffmann Ludwig (1852-1932): Königliche Oper, Berlin-Tiergarten

Composition studies with interiors with figures. Among other things a study of a woman and man, possibly a monk, in a study. Leaf 56 Recto from a sketchbook with 58 sheets.

Elevation of a Bed Alcove. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Two portals. One of the portals is decorated with a cornice. Leaf 21 Recto from a sketchbook with 60 sheets.

Lüdecke Carl Johann Bogislaw (1826-1894), fountain (without year): View, scale bar (foot Rhl.), Verso: Calculations. Pencil on paper, 21.8 x 17.7 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Brunnen

Livre de Tables de Diverses Formes. Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 8 7/8 × 13 3/16 in. (22.5 × 33.5 cm)Sheet: 16 7/8 × 11 1/8 in. (42.8 × 28.3 cm) irregular edges. Etcher: de Rochefort (French, active first half 18th century). Publisher: Jacques-Nicolas Le Pas Dubuisson (French, 1663-1733). Date: 1716 or after. Museum: Metropolitan Museum of Art, New York, USA.

Gothic niches - sketch. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Map of The Hague, Anonymous, After J. Rousset, in or after 1717 print Map with buildings in a nutshell perspective. At the top left a cartouche with the title and assignment, surrounded by the weapons of Holland and The Hague (above) and the family weapons of four members of the city council (left and right). Bottom left a cartouche with the names of the twelve members of the city council and the other eight family weapons. At the bottom right a legend 1-71. To the left of an empty scale. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ province; provincial). coat of arms (as symbol of the state, etc.) (+ city; municipal). armorial bearing, heraldry The Hague

Böhmer Franz (1907-1943), Reich Ministry of Food and Agriculture in Berlin-Mitte (1938-1938): Pillar 1: 8. Pencil on transparent, 63.5 x 46.2 cm (including scan edges)

Aimé-Jules Dalou (1838-1902). "Study for the Alphand monument". Black pencil on white paper. Museum of Fine Arts of the City of Paris, Petit Palais. Black pencil, drawing, study, French engineer, monument

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Maunder's Fish Shop, Chelsea, 1890. James McNeill Whistler (American, 1834-1903). Lithograph;

Image of a part of an Empire chimney mantle, presumably in a (side) room of the house of the Martens family, Janskerkhof 16.

Hubert Robert, Monumental Stairway, probably c 1754 1765 Monumental Stairway

Maliebaan "and" 24 June 1861.

Designs for Two Tombs. Artist: Anonymous, French, 16th century. Dimensions: sheet: 10 7/8 x 13 1/4 in. (27.6 x 33.6 cm). Former Attribution: Formerly attributed to Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Steel-stitch print by Tiburce de Mare illustrating main subjects of Molière's comedies according to Charles Coypel on Japanese paper, circa 1880.

Pencil sketches by Alexander Rothaug created around 1900 showing different figures, scenes, and compositional studies.

Lehmmübner Paul (1855-1916), town hall in Göttingen (1898): Consoles with human heads. Pencil on the box, 35.3 x 50.6 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Göttingen

Gothic monuments and spiers, 1837 - 1921 Leaf 9 Verso from a sketchbook with 23 magazines. paper. pencil monument, statue. spire (of tower on house or building)

Unknown architect, cast iron Kandelaber. Monthly competition February 1877 (02.1877): View; Explanation text. Pencil on paper, 51.9 x 35.6 cm (including scan edges) N.N. : Gusseiserner Kandelaber. Monatskonkurrenz Februar 1877

Three fragments of the rococo decoration of the tarz; Ruszczyc, Ferdynand (1870-1936); 1904 (1904-00-00-1904-00-00);Partage Plus, purchase (provenance)

Wounded Hospital of the K, University Vienna , Christmas , View of the Castaliabrunnen in the Arkadenhof of the Vienna University, including wounded with foster sister, Ludwig Michalek -, Etcher

Odrysy dzieł sztuki antycznej i ornamentu renesansowego; verso: Karykatura wąsatego mężczyzny w kapeluszu, profilem. Bilińska-Bohdanowiczowa, Anna (1854-1893), draughtsman, cartoonist

Gabriel Jacques de Saint Aubin, Corner of a Drawing Room Corner of a Drawing Room

. Map with buildings in a bird's eye perspective. At the top left a cartouche with the title and assignment, surrounded by the weapons of Holland and The Hague (above) and the family arms of four members of the city administration (left and right). At the bottom left of a cartouche with the names of the twelve members of the city council and the remaining eight family weapons. At the bottom right of a legend 1-71. To the left thereof an empty crankcase.

A pencil drawing by Moritz von Schwind from 1855-1856 depicting the Duchess of Orleans painting frescoes at the Wartburg.

Study for Surrey Institution, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

Facade sculpture of Saint Ursula, 1877 - 1880 The holy Ursula spreads her cloak with her arms so that her virgins can hide underneath. Page 21 Verso from a sketchbook with 27 magazines. Amsterdam paper. pencil sculpture. St. Ursula protecting the eleven thousand virgins with her cloak

Academy of Fine Arts, Sketches to the Hall of Hall , Verso, Grundriss of the Ehrenhalle, Otto Wagner -, artist

Socrates En Xantippe, Jan Tersteeg, 1765 print Xantippe, the wife of Socrates, throws water over the head of Socrates in her anger from a window, while standing outside with his students. Amsterdam paper drypoint Xanthippe pours water over Socrates' head. dominating wife

Round fountain supported by sphinxes in a courtyard, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Converted garden with a round fountain in a basin. The pelvis is supported by sphinxes. The neck of a vase is visible in the pelvis, on which three saters with water jars stand at the foot of a female Herme. This Herme is in an open structure of rolling work that is worn by two Hermen on the edge of the pelvis. Around the courtyard palaces and corridors of grille. The print is part of an album. Antwerp paper etching Converted garden with a round fountain in a basin. The pelvis is supported by sphinxes. The neck of a vase is visible in the pelvis, on which three saters with water jars stand at the foot of a female Herme. This Herme is in an open structure of rolling work that is worn by two Hermen on the edge of the pelvis. Around the courtyard palaces and corridors of grille. The print is part of an album. Antwerp paper etching

Seat and flexible according to Karl Friedrich Schinkel, role models for manufacturers and craftsmen, nd part, Dept, II, Bl, Carl von Hasenauer -, draft

Clock, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

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