Architectural Design Sketches

Detailed drawings showcasing intricate ceiling decorations and architectural elements, blending classic and decorative styles with precision and artistry.

Design for an interior, Design for the nursery on the S.S. Princess Juliana, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, pen, brush, h 274 mm × w 605 mm

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for an interior, Design for the nursery on the S.S. Princess Juliana, draughtsman: Carel Adolph Lion Cachet, 1874 - 1945, paper, pen, brush, h 274 mm × w 605 mm

Pantheon cornice in Rome, Hubert Roux (l'Aîné), 1831 - 1847 print Details of the cornice with acanthus leaves of the Pantheon in Rome. Top right up pl. 6 numbered. paper other architectural details (CORNICE) Pantheon

Print (France)

Design for a Cartouche 1652-1725 Giovanni Battista Foggini Italian. Design for a Cartouche 348673

Decorative object project decorated with glory symbols and nude study Jacques François Carbincil (1766-1828). Decorative object project decorated with symbols of glory and nude study. Pencil and Chinese ink at the feather on layer paper, 1766-1828. Carnavalet Museum, History of Paris.

Dado. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

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Print (France)

Four ornaments. Half of cartouche with mask, a quarter of panel, ornamental edge and frame where condition: Vlaamsch runs.

Print, Decoration, du Côté de la Cheminée, dune antichambre, du dessin de Mr. Le Roux Architecte; Architect: Jean-Baptiste Leroux; Published by André Basset (French, active 1749 - 1787); France; etching and engraving on laid paper

Fragment of kontush belt, cover design. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758-1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises garlands in both hands. On her left, putto with cornucopia; on her right, putto with garland. On ground at left, garland and trumpet; at right, garland and thyrsus. Ruled lines in black chalk suggest rectangular moldings., Rome, Italy, Italy, 1812, interiors, Drawing, Drawing

Augustus Welby Northmore Pugin, 1812-1852, British, Designs for Gothic Ornamentation, undated. Graphite on medium, smooth, cream wove paper.

Print (France)

Two Plans and Elevations for Fountains. Artist: Anonymous, French, 16th century. Dimensions: sheet: 11 9/16 x 17 1/8 in. (29.3 x 43.5 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

New Modelbüch (Page 23v) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 23v) 680888

James Wyatt, 1746-1813, British, Cobham Hall, Kent: Wall Decoration, ca. 1790. Graphite, pen and black ink and gray wash on moderately thick, slightly textured, beige laid paper.

Design for a Oblong Mirror with Sconces. Artist: John Yenn (British, London () 1750-1821 London). Dimensions: sheet: 8 7/8 x 12 in. (22.5 x 30.5 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Designs for a Panel, Fire Screen, and Andirons, pl.3, XIe Cahier, Oeuvres de différents genres dessinée par J. B. Huet, Jean-Baptiste Huët, (French, 1745-1811), Gilles-Antoine Demarteau, 1750 - 1802, J. Augustin Léveillé, Aquatint on cream laid paper, Painted panel with vase in candelabra decoration left; painted firescreen with winged putti standing between two vine scrolls, two designs for andirons, right, reclining lion (above) and winged putti riding griffon (below)., France, 1785, furniture, Print, Print

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1745-1800. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Design for the Decoration of a Ceiling Cove in the Hôtel de Pless, Berlin second half 19th century Jules-Edmond-Charles Lachaise French. Design for the Decoration of a Ceiling Cove in the Hôtel de Pless, Berlin 384790

Design for an Altar Frontal; Verso: Elevation of a Folding Door, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Shown as far as necessary. An ovoidal representation of Christ washing the feet of St. Peter in an escutcheon. Sections of molding of a base and an entablature print. Accounts in pencil. Scribbling, ink. Verso: horizontally: East wing is subdivided in five panels. At right two architectural sketches. Accounts, ink, pencil., Rome, Italy, 1775-1800, furniture, Drawing, Drawing

Sketch for Ceiling Panel. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 5-3/4 x 11-1/4 in. at base and 3-3/4 in. at top (14.6 x 28.6 cm at base and 9.5 cm at top). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Bound Print, Wall with Central Mirror; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 26 × 30.5 cm (10 1/4 × 12 in.)

Ornament with Pan and Syrinx, 1690 - 1710 print Amsterdam paper etching / engraving ornaments ~ art. Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)

Schneider Hugo (1841-1925), figures and ornaments (without date): View. Pencil on transparent, 22.5 x 30.2 cm (including scan edges) Schneider Hugo (1841-1925): Figuren und Ornamente

Design for a Cartel Clock, Gilles-Marie Oppenord, French, 1672-1742, Pen and black ink, brush and black, rose and green wash on two sheets of off-white laid paper, joined horizontally, Drawing of a clock, to scale in elevation. Above the face, a medallion bust portrait all surmounted by a globe, hour glass and calipers. The lower portion is made up of an architectural element with rams' heads and terminating at the bottom in a finial., 1700-1715, timepieces & measuring devices, Drawing, Drawing

Print (France)

Ornament Designs on Two Panels, the Central Cartouches Decorated with Tents ca. 1880 Richardson Ellson & Co.. Ornament Designs on Two Panels, the Central Cartouches Decorated with Tents 386679

View of a River and a Boat. 1680. Mannini, Giacomo Antonio, 1646-1732. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Medallion between Cornucopia. Artist: Anonymous, German, 19th century. Dimensions: sheet: 5 1/8 x 7 1/4 in. (13 x 18.4 cm). Date: ca. 1780-1820. Museum: Metropolitan Museum of Art, New York, USA.

Print, Grille pour une Chapelle; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774), Chez Le Pere et Avaulez; France; engraving on off white laid paper

Print (France)

Five detailed designs for an ornamental gate with floral motifs; Designs for wrought iron ornamental gates.numbered in the middle or 64.

Drawing, Design for a Wall; Follower of Francesco Mazzola (Italian, 1503 - 1540); Italy; graphite, pen and ink, brush and wash on paper; 27.5 × 37.1 cm (10 13/16 × 14 5/8 in.)

Ralph Atkinson, Iron Gate, 1938 Iron Gate

Designs for Ceiling Decorations, with Plan of Spectators' Room of a Theater, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, A) At left: an octagonal attic frame is inscribed into an oblong, with a view of the sky. Arches of garlands support an oval garland, in which a putto flies. At right: in the center is a circular wreath supported by two putti. It is inscribed into an octagon as are above and below shell-like forms. Tangent to the octagonal frame are half-circles with figures of putti. The oblique sides which face the corners of the oblong room are simultaneously sides of spherical quadrangles with figures. B) Verso: vertically. Above: one half of the oblong ceiling is shown. A great central ovoid is suggested with obliquely disposed ovoidal medallions in the corners, with another medallion in an oblong at the ends; and scroll, at the sides. Center: in the center of the horizontal oblong ceiling is an ovoid with a flying putto

Design for the decoration of the ceiling of a vestibule in painted panels with roman key borders 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of the ceiling of a vestibule in painted panels with roman key borders. Jules-Edmond-Charles Lachaise (French, died 1897). 1830-97. graphite, pen and ink, watercolor, and gouache. Drawings

Design for Ceiling with Triumph of Galatea, Felice Giani, Italian, 1758-1823, Pen and brown and black ink, brush with watercolor over traces of graphite on paper, Horizontal rectangle. Drawn into plan of room. Center oval representation of pageant of Amphitrite framed in oblong frame and facing door. Curtains fastened to it and to edges of ceiling, like sides of tent, which forms arch below, containing crouching dragons beside candelabrum. Oblique hexagonal panels connect corners of ceiling of frame, containing candelabra., Italy, ca. 1800, architecture, interiors, Drawing, Drawing

Front of a banknote of twenty -five guilders, Antoon Derkinderen, c. 1910 print A rectangular frame, decorated with plant motifs, in which space is left open for figures. In the middle a rectangle that is left on the right for text. Left Hermes, god of trade, recognizable by his winged sandals, his winged petasus (hat), and his caduceus, a two -hoses. Amsterdam paper engraving ornaments ~ art. (story of) Mercury (Hermes)

Drawing, Renaissance facade; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper; 1977-110-4-1

Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's 'Tapestry Hangings in the House of Lords', Gravelot, French, 1699 - 1773, active in England, John Pine, English, 1690 - 1756, Brush and brown ink and brown wash over gray ink on white laid paper in six sections, laid down, The central shape and four not quite complete circles (intended for globes) in each corner are cut out. At the top center of the ornamental framing border (which incorporates scroll-work), there is a diadem made of ship prows; at the bottom center, the head of Neptune with some of his attributes. At the upper right of the ornamental border, the seated figure of Britannia holds a sword and shield to vanquish the figures (at lower right) of Envy (a bare-breasted woman holding a snake), Superstition (a blindfolded figure holding a torch) and Spain (a fallen man, holding a sword, next to a tower and lion). At the upper left, the personification of True Religion (a draped, seated wom

St. John the Evangelist - Courtyard Frieze. Carlo Naya (Italian, 1816 - 1882)

Bamberg (Germany). Cathedral of St. Peter and St. George - fragment of stone decoration. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Drawing, Elevation of a Pedestal; Italy; pen and brown ink with brown wash and traces of graphite on off-white laid paper

Three vases, Anonymous, 1650 - 1800 drawing Three ornamented vases with ribs and leaf motifs. paper. ink. pencil pen vase ~ ornament

Ornamental marine cartouche 19th century Attributed to Anonymous, French, 19th century French. Ornamental marine cartouche 383115

Klomp Johannes Franziskus (1865-1946), unaffected altars, church furnishings, sculptures and ornaments (0-0): View and cut of an altar. Pencil on paper, 56.1 x 70.8 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

Amsterdam, Visscher, Nicolaes (II), France, Ducerceau, Paul Androuet, Ornemens à la Mode, Frieze with leaf tendrils and mask, print, ornament print, prints, ornament prints, height 132 mm, width 213 mm, Work conception, French, 1630 - 1710-02-01, after a design by, 1680 - 1690, fourth quarter 17th century, paper, papier, etching, print maker, printmaker, Publication (Event), Publication, 1649 - 1702, publisher

Album n � 4; Stained glass project for Dammarie Lys: Annunciation Gsell-Laurent workshop. Album n � 4; Stained glass project for Dammarie Lys: The Annunciation. Pencil.

'Design of a Clock on a Pedestal'. France, 1700s. Dimensions: 44x21 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Palestine. Sarcophagus in Cana, according to a drawing by M. de Saulcy. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Designs for Monuments recto and verso, graphite//compositionally unrelated ink and wash, recto and verso, overall: 12.1 x 16 cm (4 3/4 x 6 5/16 in.), John Flaxman (artist) British, 1755 - 1826

Cartouche with shells; Cartouches; Cartouches par mitelli. A cartouche with shells in the edge. The print is part of an album.

Drawing, Design for a Bowl; Italy; pen and ink, brush and wash on paper

'Sketch of a Scenery: The Birth of Venus'. France, Circa 1715-1718. Dimensions: 11,7x25,1 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Two photo productions of drawings of wall or ceiling decorations, c. 1875 - c. 1900 photograph On the left (1) a decoration with landscapes, putti and saters, right (2) a decoration with a god who falls from a victory car due to Baldassare Peruzzi. Europe cardboard. photographic support albumen print drawing, sketch. chariot, triumphal car. ornament derived from plant forms. cupids: 'amores', 'amoretti', 'putti' Europe

Drawing, Projects for a pedestal and a console; Italy; black chalk, pen, ink, sepia wash, paper; 15.6 x 26.5 cm (6 1/8 x 10 7/16 in. )

Console Table and Chest of Drawers, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half I shown. A terminus carries the moulding top of the table. The chest of drawers is supported by a mark with a lion foot. The corner of its top lies upon the side shoulder of the terminus. The drawers are indicated by formed oblongs., Italy, ca. 1795, furniture, Drawing, Drawing

Designs for a Chandelier and a Plaster Mount. Artist: Anonymous, French, 19th century. Dimensions: image: 16 5/16 x 14 1/2 in. (41.5 x 36.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornamental layout in ten planes. Ornamental distribution of the leaf in ten planes with simple ornamental picture frames.

Kapitels from the church of St. Sebald in Nuremberg and in Coburg; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Print

Decor of the ceiling of the od�on

Drawing, Fire Screen & marble-top Table; Designed by W. Kimbel; USA; 1984-124-25-126

Vignette with the view of Warsaw, the scene of the extraction of Wanda's corpse and the characters of Władysław Jagiełło and Jadwiga; Gerson, Wojciech (1831-1901); around 1880 (1875-00-00-1885-00-00);

Silver Tray. Dated: c. 1937. Dimensions: overall: 26.3 x 35.8 cm (10 3/8 x 14 1/8 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Irene M. Burge.

Design for a Brooch, Pen and sepia on paper, Square gem at center, surrounded by four volutes, two shells and many small round stones or pearls., Italy, 1850-75, jewelry, Drawing, Drawing

Two 16th -century French boxes of Hout, on the Exposition Rétrospective of 1877 in Lyon, France, Anonymous, 1877 - in Or Before 1880 photomechanical print Lyonprinter: Paris paper chest, coffer (+ wood and other phytogenic material) Lyon

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 27e Cahier, Fireplaces, Cheminée à la Moderne, Fireplace with garlands, verso - stamped, A fireplace decorated with garlands. Print number 161., print, ornamental print, prints, ornamental prints, height 199 mm, width 326 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Drawing, Design for a Candelabra; Italy; pen and ink, brush and wash on paper

Photo reproduction by Moritz von Schwind depicting ornamental frieze with a water fairy and two girls in one boat, showing figures and decorative motifs, 1830-1877.

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 18) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 18). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Scroll. Dated: 1938. Dimensions: overall: 24.5 x 35.8 cm (9 5/8 x 14 1/8 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Max Fernekes.

Sampler, Irene Fanilli, Medium: linen Technique: chain, satin, shadow and drawnwork stitches on plain weave, Design of vase with flowers., Italy, early 19th century, embroidery & stitching, Sampler

Cartouche with cherub and fantasy cup; Cartouches; Cartouches par mitelli. A cartouche with a cherub in the edge and a fantasy head. The print is part of an album.

Drawing, Design for a Candelabra; Italy; pen and ink, brush and wash on paper

Design for painted decoration of wall or ceiling panels, including the word "Frascati" second half 19th century Jules-Edmond-Charles Lachaise French. Design for painted decoration of wall or ceiling panels, including the word "Frascati" 384861

Print, Palastres à Bouton et une seule entrée; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); etching on off-white laid paper

Painted Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Brush and watercolor on paper, Drawing depicts the corner of a heavily decorated ceiling., Italy, mid-18th century, architecture, interiors, Drawing, Drawing

Design for a wall decoration., Design for room decoration with a panel of stars and a panel of flower garlands., draughtsman: Abraham Meertens, 1767 - 1823, paper, brush, pen, h 200 mm × w 342 mm

Design for Chimney Piece and Wall Decor 19th century Charles Monblond French. Design for Chimney Piece and Wall Decor 346906

Deraisme, Pierre -Georges (N.1859 - D.1932), Rocaille Vasque (main title), 1900. Graphite on white paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for room wall with two variants for the upper door.

Drawing, Design for Brooch with Leaves and Volutes; Italy; pen and ink, brush and watercolor, sepia on paper

Designs for Decorated Pilasters. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a ceiling (recto); meaurements with design code (verso) second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling (recto); meaurements with design code (verso) 388264

Drawing, Design for a Brooch; Italy; pen and ink, brush and sepia on paper

Headfort House, Ireland: Detail of the Lady's Room Ceiling, Robert Adam, 1728-1792, British, 1772, Pen and brown ink, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm), architectural drawings, architectural subject, ceilings, Neoclassical, ornament, Headfort House, Ireland, Kells

Drawing, Design for a Room; France; pen and red and black ink, graphite on paper; 37.9 × 35.9 cm (14 15/16 × 14 1/8 in.)

Oval frame for the facade of a house, with lantern beneath, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The frame moldings have a wreath in the center. Outside are crossed lily branches, with a wreath on top. The latter is framed outside by two consoles. The lantern is supported by a branch with scrolls. Framing line, mostly cut off., Rome, Italy, ca. 1780, architecture, Drawing, Drawing

Studies of mortifications. Sketch sheet with studies of mortifications.

Landi nerroccio di Bartolomeo di Benedetto de '(1447-1500), Dom S. Maria Assunta in Siena. Tumba of the Bishop of Siena (without dat.): View of the marmormonum of the Tommaso Piccolomini del Testa. Photo on cardboard, 39.2 x 24.2 cm (including scan edges)

Carl Buergerniss, Black Lace, c 1941 Black Lace

Pencil study by Carl von Hasenauer based on a draft for a book cover for Ludwig of Bavaria around 1855, showing ornamental and compositional details.

Print (England)

Edward Jewett, Detail, Painted Decoration on Sanctuary Wall, c 1939 Detail, Painted Decoration on Sanctuary Wall

Print (France)

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