Architectural Designs

Drawings featuring interior designs and fragments of wall art, illustrating decorative elements and structural details of proposed spaces in various styles.

Design for a wall decoration, Design for two-panel room decoration with ornaments of musical instruments, draughtsman: Abraham Meertens, 1767 - 1823, paper, pen, brush, h 207 mm × w 327 mm

Design for wall with double doors of a mail boat, Carel Adolph Lion Cachet, 1874 - 1945 drawing Design for an interior. paper. ink. pencil. chalk pen / brush interior of the house. door. parts of ship's interior. names of artefacts and man-made objects (buildings excluded)

Fragment of wall painting showing partialbuilding

Design for a wall decoration, Design for two-panel room decoration with ornaments of musical instruments, draughtsman: Abraham Meertens, 1767 - 1823, paper, pen, brush, h 207 mm × w 327 mm

Frescoes on the ceiling of the Sistine Chapel in Vatican City.Part of Photo Album from a Journey Through Southern Europe and the Middle East.

Fragments of monuments in Koprzywnica; Gerson, Wojciech (1831-1901); 1852 (1831-00-00-1901-00-00);

Lazio Roma Rome S. Pudenziana4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

Henry Swinburne, 1743-1803, British, Tynemouth Castle and Priory, England, undated. Pen and brown ink over graphite on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Design for the decoration of a ceiling with strapwork and rinceaux 1830-97 Jules-Edmond-Charles Lachaise French. Design for the decoration of a ceiling with strapwork and rinceaux 384958

Victor Hugo (1802-1885). Red living room. Torchres (coll by VH in a copy from Victor Hugo by a passer -by, 1864, Cadart and Luquet offered by VH Julie Hatfield on April 29, 1870), 1869 Brown ink. Paris, house of Victor Hugo. Decoration project for Hauteville House in Guernsey Drawing, brown ink, red living room, torch

Design for Gallery Elevation and Ceiling, Hôtel Cottier. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 11 5/16 x 13 1/4 in. (28.8 x 33.7 cm). Date: ca. 1867. Museum: Metropolitan Museum of Art, New York, USA.

Design for a plafond and coving for the theatre in the Old Orangery in Łazienki Park. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

Bliżej Kultury unknown

George Edmund Street, 1824-1881, British, Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, undated. Black and blue ink, pen and graphite with watercolor and gouache, verso: yellow gouache on medium, slightly textured, brown wove paper.

Tile tableau with peacock. Tile tile of six tiles (3 x 2) with a purple painted peacock to the left on a square marbled pedestal.

Two illustrations on one album "Stories of 1001 Nights"; Saunders, Joseph (1773-1845); 1815 approx. (1810-00-00-1820-00-00);

Lazio Roma Albano Laziale Museo Civico Archeologico - Sala Ricevimenti7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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Cortes and Pizarro, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Open etching on moderately thick, slightly textured, beige, wove paper, with cream, chine colle, Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 1/8 × 5 13/16 inches (28.3 × 14.8 cm), and Image: 4 × 3 1/4 inches (10.2 × 8.3 cm)

, Sickenberggasse - Nußdorfer Schlößchen - Interior view - ceiling fresco, August Stauda -, photographer

Garden at the Villa Montalto in Rome, Israel Silvestre, 1693 - 1717 print View of the garden at the Villa Montalto in Rome. Three avenues with trees walk towards the villa. Title in French and an empty coat of arms in the lower margin. Print is part of an album. print maker: Parisafter own design by: Parispublisher: ParisThe HagueFrance paper etching city-view, and landscape with man-made constructions. villa. garden Villa Montalto

'Design for the Green Dining Room in the Catherine Palace at Tsarskoye Selo'. Great Britain, Early 1780s. Dimensions: 49x65,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES CAMERON.

jij ... Schübler, Johann Jakob, Corvinus, Johann August, Johann Jacob Schüblers Zweyte Ausgab seines vorhabenden Wercks, Vorstellend Unterschiedliche Cabinets und Alcoves, Orangerie, Augsburg, verso - stamped, An alcove with a fountain for an orangerie. In the orangery there are two niches, with a cupboard and a table with glasses on the right. In the bottom margin a three-line German text., print, ornamental print, prints, ornamental prints, height 306 mm, width 189 mm, 1683 - 1738, print maker, printmaker, 1724 - 1724, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, 1673 - 1724, publisher, uitgever, Publicatie, granter van privilege

Takht-i-Ghero. Monument au passage du Mont Zagroz. (Élévation, coupe, plan et détails.). Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

View of the Evangelical Protestant Cemetery in Warsaw. Dietrich, Fryderyk Krzysztof (1779-1847), graphic artist

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra1. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Anzio Villa Spigarelli2. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Edward Goodall, 1795-1870, British, Prague - Kosciusko, 1837. Line engraving, engraver's proof.

Campania Caserta Santa Maria Capua Vetere Cathedral5. Hutzel, Max 1960-1990 Medieval: Architectural sculpture--capitals. Post-medieval: Built c. 432 by San Simmaco on site of grotto of S. Prisco. Enlarged 787 by Arechi II, an 1666 by Decio del Balzo. Renovated in 1700's and 1884. Architecture, architectural sculpture, Baroque interior, ceiling painting, painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Invenzioni divers di mobili ed utensili sacri e profani per usi comuni della vita, Invenzioni divers di mobili ed utensili sacri e profani, Designs for religious and profane objects, Oil burner, cupboard and jug, Print is part of an album., print, album page, ornament print, prints, height 165 mm, width 216 mm, Italian, print maker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, etching, intermediary draftsman, after a drawing by, Publication (Event), Publication, publisher

EL ECO DE LA DISTANCIA - 1988 - 105x75 - OLEO SOBRE CARTON. Author: GUILLERMO PEREZ VILLALTA.

nd, on Tabor - Jagdschloss Volckhragarten - Interior view - Detail - Wall painting or panel image of a landscape, August Stauda -, photographer

Print made by George Baxter, 1804-1867, British, Gems of the Great Exihibtion Number 2, 1852. Color oil print on medium, beige, wove paper mounted on beige, smooth card.

Trumphal Cross / Giotto / c.1295/1300

Photo production of (presumably) a print to work by W. von Kaulbach: Mignon (Wilhelm Meister), Andries Jager, after Anonymous, c. 1860 - c. 1890 Photograph. visit card Part of photo album with 16 Cartes-de Visite of female figures from the work of J.W. von Goethe. Amsterdam paper. photographic support. cardboard albumen print adolescent, young woman, maiden

Á Rome, Dessins, Castellan, A. L. (Antoine Laurent), 1772-1838, Pencil on paper, 1797-1799, The drawings in this album are pasted in and numbered.

Vilnius -"embroidered and colled anmedia in silver

Giese & Weidner, Reichstag, Berlin (1882): floor plan 4: 200, site plan 1: 1000. Ink, pencil, ink colored, watercolor on cardboard, 49.8 x 97.4 cm (including scan edges) Giese & Weidner : Reichstag, Berlin. Zweiter Wettbewerb

Frescoes in the Camera della Badessa at the Convent of St Paolo in Parma, by Allegri Antonio known as Correggio, 1519, 16th Century, fresco. Italy, Emilia Romagna, Parma, Monastery of San Paolo, Camera della Badessa. Detail. Pergola monochrome lunettes oculi tondi: tondos putti wreaths: festoons fruit babies naked children.

Bliżej Kultury unknown

Panel (USA); silk

Sandro Botticelli (1445-1510). Italian painter. Early Renaissance. The Annunciation, 1481. Fresco. The Uffizi Gallery. Florence. Italy.

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Mural painting with red background and yellow baseboard; in the middle, a male figure, Temple of Isis, 2nd century BC, Pompeii, Campania, Italy, chromolithograph by C Weidenmuller from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 12, 1854, Naples.

Old Closerie des Lilas / Open on May 9, 1847. Garden Bullier, Old Closerie des Lilas, 6th arrondissement, Paris. Garden Bullier, old Closerie des Lilas opened on May 9, 1847, Paris (old arr.). Anonymous photography. Stereoscopic view colored. Album paper.

Brumidi's Alligorical Painting,(In the Dome of the U.S. Capitol.) 1865 - 1875. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Rose between the houses, c. 1896 Page 22 Recto from a sketchbook with 58 sheets. paper. pencil. watercolor (paint) brush the usual house or row of houses. lane, alley

Rhombus with a weapon and caption "Daniel van Straeten Droeschap and the Secretary of Stede Schoonhoven and the Crimpendeeveert 1641" .-gig diamond with a weapon including two cartouches in which "Daniel van Straeten Prosthood and the Secretary of Stede Schoonhoven and the Crimpendeeeert 1641". The diamond with the year is new. Note: Belongs to a group of four windows (BK-LXI, LXII, LXIII and LXIV).

Tuileries Palace / White Lounge (1st Consul). White living room or Fair of the first consul, Tuileries Palace, 1st arrondissement, Paris. Tuileries Palace. White living room or lounge of the first consul. Paris (IER ARR.). Anonymous photography. Transparent stereoscopic view colored on albuminum paper.

Paris (1st arr.), Christian antiques France, Louvre museum , (French - Paris ( Ier arr. ) , France Antiquités chrétiennes , musée du Louvre). Statue, museum, Christianity, interior view, sculpture, bas-relief, antiquity, Religion , Habitat , Architecture , Art, France, Paris, Louvre museum: room VII, Christian antiques

Presa da una litografia 1839-40 William Henry Fox Talbot British. Presa da una litografia 289216

Study for the table showing the presentation to Louis XV of the plans of the new Church Ste Genevieve on September 6, 1764 Pierre-Antoine Demachy (1723-1807). Study for the table appearing on the presentation to Louis XV of the plans of the new Church Ste Genevieve on September 6, 1764. Feather and black ink lavis.

Stage design for the theatre play Boris Godunov by A. Pushkin by Rabinovich, Isaak Moiseyevich (1894-1961) A. Pushkin Memorial Museum, St. Petersburg 1937 Gouache on wood 70x50,2 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Design for the Large Cabinet in the Pavlovsk Palace by Cameron, Charles (ca. 1730/40-1812)/ State Tretyakov Gallery, Moscow/ Early 1780s/ England/ Watercolour and ink on paper/ Classicism/ 47,6x61/ Architecture, Interior

Pejzaż - Droga za ogrodzeniem. Bartoszek, Franciszek (1910-1943), painter

Augsburg, Haid et filius, JJ, Hauer, Johann Thomas, Six ornamental vases, verso - stamped, Designs for six ornamental vases with ornaments and garlands., print, ornament print, prints, ornament prints, height 168 mm, width 215 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1785 - 1786, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

'Landscape with a Boat at the Bank'. France, Circa 1915. Dimensions: 100x65 cm. Museum: State Hermitage, St. Petersburg. Author: ANDRE DERAIN.

Stage design for the opera Boris Godunov by M. Mussorgsky by Polenov, Vasili Dmitrievich (1844-1927)/ State Central A. Bakhrushin Theatre Museum, Moscow/ 1898/ Russia/ Watercolour on paper/ Theatrical scenic painting/ 12,5x21/ Opera, Ballet, Theatre

Restoration Drawing. Dated: 1935/1942. Dimensions: overall: 24.5 x 35.4 cm (9 5/8 x 13 15/16 in.) Original IAD Object: 21'6" wide; 14'2" high;. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert W. R. Taylor.

Design for the decoration of the dining room, 20 rue Matignon. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 8 1/16 x 12 13/16 in. (20.4 x 32.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358545

CLIMENT, ENRIQUE PINTOR ESPA¿OL. VALENCIA 1893-1982 "NATURALEZA MUERTA" ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS. Author: ENRIQUE CLIMENT (1897-1980).

The Studio on the Dead End of Guelma by Raoul Dufy, circa 1935-1952, 1877-1953, France, Paris, Musee National d'Art de Moderne

Przeszo Przyszoci unknown

Ceiling with murals. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol, Murals, Ceilings

Finale. Wawrzeniecki, Marian (1863-1943), painter

Two burning classic buildings. Left and right burning buildings in classical architectural style. People running in between. People panic in a panic between the buildings. To the right of the right-hand building uninformed glass, the air among the buildings is partly unpainted. Part of a series of plates that together form a Diafanorama of a burning Roman city and a watching ruler, probably emperor Nero and the great fire of Rome.

Kengavar Kangavar. Détails de l'enceinte.. Coste, Pascal, 1787-1879. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Il grano si spula, si misura e si depone nei magazzini.. Angelelli, Giuseppe (1803-1848). Rosellini, Ippolito, 1800-1843. Prints, Illustrations. 1832 - 1844. General Research Division. Egypt , Antiquities, Nubia , Antiquities, Grains , Egypt, murals , Egypt, Tombs & sepulchral monuments , Egypt , Bani Hasan Site, Winnowing , Egypt, Agriculture , Egypt

2006.1040.55. Dalziels' Bible Gallery - Samson carrying the Gates, 1861-64. Engraved woodblock. Engraver: Dalziel Brothers

Painted mirror. Dated: 1940. Dimensions: overall: 60.8 x 45.4 cm (23 15/16 x 17 7/8 in.) Original IAD Object: 19"high; 11"wide; 1 1/2"deep. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Oscar Bluhme.

British, 'Carlo Maratta' frame, Unknown framemaker, 3rd quarter of 18th century, Carved wood, later oil gilding over original gilding and sanded top rail

La Cena de San Benito y Santa Escolàstica. Baldaquino del altar de la iglesia de Santa Maria de Ripoll, 1911- 1912. Museo de Ripoll. Cataluña. Author: JOAN LLIMONA.

Drawing, Design for a fountain; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, on paper; 21.2 x 16.3 cm (8 3/8 x 6 7/16 in.)

Netherlands, Poetry album by Everdine Goedbloed, Poetry album by Everdine Goedbloed with a photo of a sculpture on the front cover., poetry album, scrapbook, scrapbook book, photos, height 227 mm, width 151 mm, thickness, 13 mm, width 294 mm, height 82 mm, width 51 mm, compiler, 1860 - 1879, photographic paper, photo paper, paper, linen (material), linen, metal, plant material, albumen print, albumine print, autotype, embroidering, embroidery, colour on cut, photographer

Religious Wood Carving. Dated: 1935/1942. Dimensions: overall: 29 x 22.3 cm (11 7/16 x 8 3/4 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Komsomolskaya Metro station in the Krasnoselsky District, Moscow. The station is noted for its being located under the busiest Moscow transport hub, Komsomolskaya Square. the first southern segment of the Koltsevaya line is dedicated to the victory over Nazi Germany, the northern segment is dedicated to the theme of post-war labour. Komsomolskaya, however, is a clear exception: lead designer Alexey Shchusev designed it as an illustration of a historical speech given by Joseph Stalin November 7, 1941. In this speech, Stalin evoked the memories of Alexander Nevsky, Dmitry Donskoy and other military leaders of the past, and all these historical figures eventually appeared on the mosaics of Komsomolskaya.

Project of an altar of the country for July 14, 1799 Project of an altar of the country for July 14, 1799 .

Wood oil painting by Filippo Balbi (1806-1890), 1855. Detail. National Roman Museum. Baths of Diocletian. Rome. Italy.

Edouard- Michel Lançon (1854-1930). "Country". Sketch for the town hall of the 20th arrondissement of Paris. Black oil and ink on canvas, 1884. Museum of Fine Arts in the city of Paris, Petit Palais. 19th XIXth XIX 19th 19th 19th century

Detail of tile tableau with arm holding a donation; Details of tile tableau with the studio of Jan van Eyck, depicted on the south facade. .

Henri Gaston Darien (1864-1926). Sketch for the town hall of Asnières: spring. The Seine in Asnières. Oil and ink on canvas. 1900. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, painted decor, sketch, town hall

st, on the Gestade - Hannaken -Brunnen - Model, Martin Gerlach jun, photographer

Stage design for the tragedy 'Vladimir Mayakovsky' by V. Mayakovsky by Shkolnik, Iosiph Solomonovich (1883-1926) / State Museum of Theatre and Music Art, St. Petersburg / Theatrical scenic painting / 1913 / Russia / Watercolour on paper / Opera, Ballet,

Boucliers et béliers de formes diverses.. Flandin, Eugène, 1809-1876. Botta, Paul Emile. Prints, Illustrations. 1849. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

A Village Fair, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Design for a Glass Box with a Silver Base and Cover. Artist: George Richards Elkington (British, Birmingham 1801-1865 Denbinghshire). Dimensions: sheet: 10 5/8 x 17 1/16 in. (27 x 43.3 cm)mount: 14 13/16 x 21 7/16 in. (37.7 x 54.5 cm). Date: 1820-65. Museum: Metropolitan Museum of Art, New York, USA.

Display windows. Christian Louboutin - Christmas Windows, London, United Kingdom. Architect: n.a, 2014.

Detail from the Battistero di San Giovanni (Florence Baptistery). The baptistery Considered a minor basilica, and is a religious building in Florence, Italy. It is in the Florentine Romanesque style, and was built between 1059 and 1128, making it one of the oldest buildings in the city. 3 sets of bronze doors with relief sculptures are on the exterior. The south doors created by Andrea Pisano, and the east and north doors by Lorenzo Ghiberti. This panel is a depiction of 'The drunkenness of Noah'

Wood paneling and blue background paintings, by Angelo Vacca (1746-1814), hall of squires, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

Mantelpiece from Chesterfield House, London 1745-50 Attributed to John Michael Rysbrack Flemish Listen to experts illuminate this artwork's story Listen Play or pause #2143. Mantel Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Mantelpiece from Chesterfield House, London. Attributed to John Michael Rysbrack (Flemish, Antwerp 1694-1770 London). British. 1745-50. Marble. Sculpture-Architectural

PINTURA VIEJA 1972. Author: AMALIA AVIA PEÑA (1930-2011). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Ceiling fresco in the Castle Church of St. Marien on Mainau Island, Lake Constance, Konstanz district, Baden-Wuerttemberg, Germany, Europe, Europe

Luso, Portugal. Grand entry at the Bussaco Palace.

Opera (Peep-show), Martin Engelbrecht, German, 1684-1756, Engraving, brush and watercolor on paper, Six figures in histrionic poses in a setting of arches and porticoes with columns in blue. At back, a fountain and pool in a formal garden. F has a garden scene with fountains, ramps and buildings on back. Right edge of each section taped to folding cardboard mount of which g and h are cross members., Augsburg, Germany, 1730-50, toys & games, Peep-show, Peep-show

Hartford Cupboard (Detail). Dated: c. 1936. Dimensions: overall: 55.2 x 71.1 cm (21 3/4 x 28 in.) Original IAD Object: 7 3/4" wide; 16 1/4" high. Medium: pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Martin Partyka.

British Louis XIV frame, Unknown framemaker, 2nd and 3rd quarters of 18th century, Carved wood, later oil gilding over original gilding and sanded frieze, Frame: 48 × 58 × 4 3/4 inches (121.9 × 147.3 × 12.1 cm)

British, 'Carlo Maratta' frame, Unknown framemaker, 3rd quarter of 18th century, Carved wood, partially regilded over original oil and water gilding

Paris (8th arr.), France statue of Voltaire seated by Houdon (at the Petit Palais) , (French - Paris ( VIIIe arr. ) , France Statue de Voltaire assis par Houdon ( au Petit Palais )). Statue, museum, interior view, sculpture, public civil architecture, painting, literary personality, Habitat , architecture, art, personality, France, Paris, Small Museum Palace, Room Coin, Statue of Voltaire

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Bilibin, Ivan Yakovlevich (1876-1942) State Central A. Bakhrushin Theatre Museum, Moscow 1909 39x56 Watercolour and ink on paper

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